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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D477CA it is the complementary color #2B8835. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D477CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D477CA shade: #D977C5, #EA89D8, #FB9BEB, #FFADFE and #FFBFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D477CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D477CA shade: #D477CA, #C365B7, #B253A4, #A14191 and #902F7E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D477CA shade: #D477CA, #D477B1, #D47798, #D4777F and #D47777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D477CA shade: #D477CA, #C577D4, #AC77D4, #9377D4 and #7A77D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D477CA shade matches the following richer shades: #D477CA, #E369D6 and #F15AE1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D477CA shade: #D477CA, #C686BF, #B794B4, #A9A3A8 and #9AB19D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D477CA shade: #AC77D4, #C577D4, #D477CB, #D477B2 and #D47799

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D477CA shade: #BD3CAF, #CA58BE, #D477CA, #DE97D6 and #E8B6E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D477CA shade: #D477CA, #D49377 and #77D4B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D477CA shade: #D477CA, #CBD477 and #77CBD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D477CA shade: #D477CA, #D49377, #77D481 and #77B8D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D477CA shade: #D477CA, #D4AF77, #77D481 and #779CD4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 5 / 17

HEX #D477CA

RGB 212 119 202

HSL 306.45, 0.52%, 0.65%

LAB 62.89, 47.94, -27.59

 

Complementary color

CMYK 68 / 0 / 61 / 47

HEX #2B8835

RGB 43 136 53

HSL 126.45, 0.52%, 0.35%

LAB 49.95, -44.8, 36.09

 

CMYK 0 / 45 / 9 / 15

HEX #D977C5

RGB 217 119 197

HSL 312.24, 0.56%, 0.66%

LAB 63.32, 48.62, -24.05

 

CMYK 0 / 41 / 8 / 8

HEX #EA89D8

RGB 234 137 216

HSL 311.13, 0.7%, 0.73%

LAB 69.71, 47.89, -24.7

 

CMYK 0 / 38 / 6 / 2

HEX #FB9BEB

RGB 251 155 235

HSL 310, 0.92%, 0.8%

LAB 76.04, 47.16, -25.27

 

CMYK 0 / 32 / 0 / 0

HEX #FFADFE

RGB 255 173 254

HSL 300.73, 1%, 0.84%

LAB 80.91, 42.42, -28.05

 

CMYK 0 / 25 / 0 / 0

HEX #FFBFFF

RGB 255 191 255

HSL 300, 1%, 0.87%

LAB 84.86, 33.2, -22.55

 

CMYK 0 / 44 / 5 / 17

HEX #D477CA

RGB 212 119 202

HSL 306.45, 0.52%, 0.65%

LAB 62.89, 47.94, -27.59

 

CMYK 0 / 48 / 6 / 24

HEX #C365B7

RGB 195 101 183

HSL 307.66, 0.44%, 0.58%

LAB 56.42, 48.64, -26.95

 

CMYK 0 / 53 / 8 / 30

HEX #B253A4

RGB 178 83 164

HSL 308.84, 0.38%, 0.51%

LAB 49.9, 49.27, -26.17

 

CMYK 0 / 60 / 10 / 37

HEX #A14191

RGB 161 65 145

HSL 310, 0.42%, 0.44%

LAB 43.36, 49.71, -25.18

 

CMYK 0 / 67 / 13 / 44

HEX #902F7E

RGB 144 47 126

HSL 311.13, 0.51%, 0.37%

LAB 36.87, 49.81, -23.86

 

CMYK 0 / 44 / 5 / 17

HEX #D477CA

RGB 212 119 202

HSL 306.45, 0.52%, 0.65%

LAB 62.89, 47.94, -27.59

 

CMYK 0 / 44 / 17 / 17

HEX #D477B1

RGB 212 119 177

HSL 322.58, 0.52%, 0.65%

LAB 61.97, 43.81, -14.83

 

CMYK 0 / 44 / 28 / 17

HEX #D47798

RGB 212 119 152

HSL 338.71, 0.52%, 0.65%

LAB 61.18, 40.17, -1.69

 

CMYK 0 / 44 / 40 / 17

HEX #D4777F

RGB 212 119 127

HSL 354.84, 0.52%, 0.65%

LAB 60.54, 37.08, 11.75

 

CMYK 0 / 44 / 44 / 17

HEX #D47777

RGB 212 119 119

HSL 0, 0.52%, 0.65%

LAB 60.36, 36.21, 16.09

 

CMYK 0 / 44 / 5 / 17

HEX #D477CA

RGB 212 119 202

HSL 306.45, 0.52%, 0.65%

LAB 62.89, 47.94, -27.59

 

CMYK 7 / 44 / 0 / 17

HEX #C577D4

RGB 197 119 212

HSL 290.32, 0.52%, 0.65%

LAB 61.5, 45.3, -35.52

 

CMYK 19 / 44 / 0 / 17

HEX #AC77D4

RGB 172 119 212

HSL 274.19, 0.52%, 0.65%

LAB 58.71, 38.02, -40.08

 

CMYK 31 / 44 / 0 / 17

HEX #9377D4

RGB 147 119 212

HSL 258.06, 0.52%, 0.65%

LAB 56.24, 30.99, -44.15

 

CMYK 42 / 44 / 0 / 17

HEX #7A77D4

RGB 122 119 212

HSL 241.94, 0.52%, 0.65%

LAB 54.12, 24.44, -47.64

 

CMYK 0 / 44 / 5 / 17

HEX #D477CA

RGB 212 119 202

HSL 306.45, 0.52%, 0.65%

LAB 62.89, 47.94, -27.59

 

CMYK 0 / 54 / 6 / 11

HEX #E369D6

RGB 227 105 214

HSL 306.39, 0.69%, 0.65%

LAB 62.75, 61.11, -34.4

 

CMYK 0 / 63 / 7 / 5

HEX #F15AE1

RGB 241 90 225

HSL 306.36, 0.84%, 0.65%

LAB 62.89, 72.87, -40.21

 

CMYK 0 / 44 / 5 / 17

HEX #D477CA

RGB 212 119 202

HSL 306.45, 0.52%, 0.65%

LAB 62.89, 47.94, -27.59

 

CMYK 0 / 32 / 4 / 22

HEX #C686BF

RGB 198 134 191

HSL 306.56, 0.36%, 0.65%

LAB 64.01, 33.58, -19.82

 

CMYK 0 / 19 / 2 / 28

HEX #B794B4

RGB 183 148 180

HSL 305.14, 0.2%, 0.65%

LAB 65.39, 18.67, -11.7

 

CMYK 0 / 4 / 1 / 34

HEX #A9A3A8

RGB 169 163 168

HSL 310, 0.03%, 0.65%

LAB 67.62, 3.1, -1.82

 

CMYK 13 / 0 / 11 / 31

HEX #9AB19D

RGB 154 177 157

HSL 127.83, 0.13%, 0.65%

LAB 70, -11.85, 7.57

 

CMYK 19 / 44 / 0 / 17

HEX #AC77D4

RGB 172 119 212

HSL 274.19, 0.52%, 0.65%

LAB 58.71, 38.02, -40.08

 

CMYK 7 / 44 / 0 / 17

HEX #C577D4

RGB 197 119 212

HSL 290.32, 0.52%, 0.65%

LAB 61.5, 45.3, -35.52

 

CMYK 0 / 44 / 4 / 17

HEX #D477CB

RGB 212 119 203

HSL 305.81, 0.52%, 0.65%

LAB 62.93, 48.12, -28.1

 

CMYK 0 / 44 / 16 / 17

HEX #D477B2

RGB 212 119 178

HSL 321.94, 0.52%, 0.65%

LAB 62, 43.97, -15.35

 

CMYK 0 / 44 / 28 / 17

HEX #D47799

RGB 212 119 153

HSL 338.06, 0.52%, 0.65%

LAB 61.21, 40.31, -2.23

 

CMYK 0 / 68 / 7 / 26

HEX #BD3CAF

RGB 189 60 175

HSL 306.51, 0.52%, 0.49%

LAB 48.44, 63.94, -34.79

 

CMYK 0 / 56 / 6 / 21

HEX #CA58BE

RGB 202 88 190

HSL 306.32, 0.52%, 0.57%

LAB 55.33, 58.08, -32.58

 

CMYK 0 / 44 / 5 / 17

HEX #D477CA

RGB 212 119 202

HSL 306.45, 0.52%, 0.65%

LAB 62.89, 47.94, -27.59

 

CMYK 0 / 32 / 4 / 13

HEX #DE97D6

RGB 222 151 214

HSL 306.76, 0.52%, 0.73%

LAB 71.23, 36.42, -21.41

 

CMYK 0 / 22 / 2 / 9

HEX #E8B6E3

RGB 232 182 227

HSL 306, 0.52%, 0.81%

LAB 79.7, 25.44, -15.57

 

CMYK 0 / 44 / 5 / 17

HEX #D477CA

RGB 212 119 202

HSL 306.45, 0.52%, 0.65%

LAB 62.89, 47.94, -27.59

 

CMYK 0 / 31 / 44 / 17

HEX #D49377

RGB 212 147 119

HSL 18.06, 0.52%, 0.65%

LAB 66.67, 21.19, 24.67

 

CMYK 44 / 0 / 13 / 17

HEX #77D4B8

RGB 119 212 184

HSL 161.94, 0.52%, 0.65%

LAB 78.73, -34.26, 5.26

 

CMYK 0 / 44 / 5 / 17

HEX #D477CA

RGB 212 119 202

HSL 306.45, 0.52%, 0.65%

LAB 62.89, 47.94, -27.59

 

CMYK 4 / 0 / 44 / 17

HEX #CBD477

RGB 203 212 119

HSL 65.81, 0.52%, 0.65%

LAB 82.44, -16.68, 44.8

 

CMYK 44 / 4 / 0 / 17

HEX #77CBD4

RGB 119 203 212

HSL 185.81, 0.52%, 0.65%

LAB 76.91, -23.17, -12.46

 

CMYK 0 / 44 / 5 / 17

HEX #D477CA

RGB 212 119 202

HSL 306.45, 0.52%, 0.65%

LAB 62.89, 47.94, -27.59

 

CMYK 0 / 31 / 44 / 17

HEX #D49377

RGB 212 147 119

HSL 18.06, 0.52%, 0.65%

LAB 66.67, 21.19, 24.67

 

CMYK 44 / 0 / 39 / 17

HEX #77D481

RGB 119 212 129

HSL 126.45, 0.52%, 0.65%

LAB 77.63, -44.83, 32.66

 

CMYK 44 / 13 / 0 / 17

HEX #77B8D4

RGB 119 184 212

HSL 198.06, 0.52%, 0.65%

LAB 71.53, -13.4, -20.59

 

CMYK 0 / 44 / 5 / 17

HEX #D477CA

RGB 212 119 202

HSL 306.45, 0.52%, 0.65%

LAB 62.89, 47.94, -27.59

 

CMYK 0 / 17 / 44 / 17

HEX #D4AF77

RGB 212 175 119

HSL 36.13, 0.52%, 0.65%

LAB 73.54, 6.08, 33.71

 

CMYK 44 / 0 / 39 / 17

HEX #77D481

RGB 119 212 129

HSL 126.45, 0.52%, 0.65%

LAB 77.63, -44.83, 32.66

 

CMYK 44 / 26 / 0 / 17

HEX #779CD4

RGB 119 156 212

HSL 216.13, 0.52%, 0.65%

LAB 63.71, 1.97, -32.59

 

Description

Color code: HEX #D477CA | qconv.com Color code: HEX #D477CA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 119 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 119 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 5 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 5% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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