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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4766E it is the complementary color #2B8991. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4766E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4766E shade: #D97669, #EA887C, #FB9A8F, #FFACA2 and #FFBEB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4766E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4766E shade: #D4766E, #C3645B, #B25248, #A14035 and #902E22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4766E shade: #D4766E and #D46E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4766E shade: #D4766E, #D4916E, #D4AD6E, #D4C86E and #C4D46E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4766E shade matches the following richer shades: #D4766E, #E3695E and #F25C4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4766E shade: #D4766E, #C4837D, #B58F8C, #A69C9B and #97A9AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4766E shade: #D46E9D, #D46E82, #D4746E, #D4906E and #D4AB6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4766E shade: #B84137, #CA584E, #D4766E, #DD948D and #E7B2AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4766E shade: #D4766E, #B8D46E and #6E90D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4766E shade: #D4766E, #6ED474 and #746ED4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4766E shade: #D4766E, #B8D46E, #6ECDD4 and #896ED4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4766E shade: #D4766E, #9AD46E, #6ECDD4 and #A76ED4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 48 / 17

HEX #D4766E

RGB 212 118 110

HSL 4.71, 0.54%, 0.63%

LAB 59.96, 35.83, 20.69

 

Complementary color

CMYK 70 / 6 / 0 / 43

HEX #2B8991

RGB 43 137 145

HSL 184.71, 0.54%, 0.37%

LAB 52.34, -24.06, -12.23

 

CMYK 0 / 46 / 52 / 15

HEX #D97669

RGB 217 118 105

HSL 6.96, 0.6%, 0.63%

LAB 60.54, 37.27, 24.43

 

CMYK 0 / 42 / 47 / 8

HEX #EA887C

RGB 234 136 124

HSL 6.55, 0.72%, 0.7%

LAB 66.94, 36.11, 22.73

 

CMYK 0 / 39 / 43 / 2

HEX #FB9A8F

RGB 251 154 143

HSL 6.11, 0.93%, 0.77%

LAB 73.29, 35.05, 21.22

 

CMYK 0 / 33 / 36 / 0

HEX #FFACA2

RGB 255 172 162

HSL 6.45, 1%, 0.82%

LAB 78.1, 29.24, 17.59

 

CMYK 0 / 25 / 29 / 0

HEX #FFBEB5

RGB 255 190 181

HSL 7.3, 1%, 0.85%

LAB 82.61, 22.15, 13.69

 

CMYK 0 / 44 / 48 / 17

HEX #D4766E

RGB 212 118 110

HSL 4.71, 0.54%, 0.63%

LAB 59.96, 35.83, 20.69

 

CMYK 0 / 49 / 53 / 24

HEX #C3645B

RGB 195 100 91

HSL 5.19, 0.46%, 0.56%

LAB 53.46, 37.01, 22.52

 

CMYK 0 / 54 / 60 / 30

HEX #B25248

RGB 178 82 72

HSL 5.66, 0.42%, 0.49%

LAB 46.93, 38.26, 24.65

 

CMYK 0 / 60 / 67 / 37

HEX #A14035

RGB 161 64 53

HSL 6.11, 0.5%, 0.42%

LAB 40.41, 39.52, 27.19

 

CMYK 0 / 68 / 76 / 44

HEX #902E22

RGB 144 46 34

HSL 6.55, 0.62%, 0.35%

LAB 33.98, 40.64, 30.22

 

CMYK 0 / 44 / 48 / 17

HEX #D4766E

RGB 212 118 110

HSL 4.71, 0.54%, 0.63%

LAB 59.96, 35.83, 20.69

 

CMYK 0 / 48 / 48 / 17

HEX #D46E6E

RGB 212 110 110

HSL 0, 0.54%, 0.63%

LAB 58.3, 39.98, 18.43

 

CMYK 0 / 44 / 48 / 17

HEX #D4766E

RGB 212 118 110

HSL 4.71, 0.54%, 0.63%

LAB 59.96, 35.83, 20.69

 

CMYK 0 / 32 / 48 / 17

HEX #D4916E

RGB 212 145 110

HSL 20.59, 0.54%, 0.63%

LAB 66.04, 21.36, 28.78

 

CMYK 0 / 18 / 48 / 17

HEX #D4AD6E

RGB 212 173 110

HSL 37.06, 0.54%, 0.63%

LAB 72.9, 6.25, 37.59

 

CMYK 0 / 6 / 48 / 17

HEX #D4C86E

RGB 212 200 110

HSL 52.94, 0.54%, 0.63%

LAB 79.86, -7.89, 46.2

 

CMYK 8 / 0 / 48 / 17

HEX #C4D46E

RGB 196 212 110

HSL 69.41, 0.54%, 0.63%

LAB 81.81, -20.34, 48.27

 

CMYK 0 / 44 / 48 / 17

HEX #D4766E

RGB 212 118 110

HSL 4.71, 0.54%, 0.63%

LAB 59.96, 35.83, 20.69

 

CMYK 0 / 54 / 59 / 11

HEX #E3695E

RGB 227 105 94

HSL 4.96, 0.7%, 0.63%

LAB 59.2, 46.62, 29.18

 

CMYK 0 / 62 / 67 / 5

HEX #F25C4F

RGB 242 92 79

HSL 4.79, 0.86%, 0.63%

LAB 59.06, 56.86, 37.93

 

CMYK 0 / 44 / 48 / 17

HEX #D4766E

RGB 212 118 110

HSL 4.71, 0.54%, 0.63%

LAB 59.96, 35.83, 20.69

 

CMYK 0 / 33 / 36 / 23

HEX #C4837D

RGB 196 131 125

HSL 5.07, 0.38%, 0.63%

LAB 61.18, 24.3, 13.5

 

CMYK 0 / 21 / 23 / 29

HEX #B58F8C

RGB 181 143 140

HSL 4.39, 0.22%, 0.63%

LAB 62.81, 13.87, 7.07

 

CMYK 0 / 6 / 7 / 35

HEX #A69C9B

RGB 166 156 155

HSL 5.45, 0.06%, 0.63%

LAB 65.16, 3.46, 1.82

 

CMYK 12 / 1 / 0 / 33

HEX #97A9AB

RGB 151 169 171

HSL 186, 0.11%, 0.63%

LAB 67.94, -5.84, -3.17

 

CMYK 0 / 48 / 26 / 17

HEX #D46E9D

RGB 212 110 157

HSL 332.35, 0.54%, 0.63%

LAB 59.51, 45.48, -7.04

 

CMYK 0 / 48 / 39 / 17

HEX #D46E82

RGB 212 110 130

HSL 348.24, 0.54%, 0.63%

LAB 58.75, 42.07, 7.49

 

CMYK 0 / 45 / 48 / 17

HEX #D4746E

RGB 212 116 110

HSL 3.53, 0.54%, 0.63%

LAB 59.54, 36.87, 20.12

 

CMYK 0 / 32 / 48 / 17

HEX #D4906E

RGB 212 144 110

HSL 20, 0.54%, 0.63%

LAB 65.8, 21.91, 28.47

 

CMYK 0 / 19 / 48 / 17

HEX #D4AB6E

RGB 212 171 110

HSL 35.88, 0.54%, 0.63%

LAB 72.39, 7.32, 36.95

 

CMYK 0 / 65 / 70 / 28

HEX #B84137

RGB 184 65 55

HSL 4.65, 0.54%, 0.47%

LAB 44.58, 47.46, 31.96

 

CMYK 0 / 56 / 61 / 21

HEX #CA584E

RGB 202 88 78

HSL 4.84, 0.54%, 0.55%

LAB 51.93, 44.64, 28.28

 

CMYK 0 / 44 / 48 / 17

HEX #D4766E

RGB 212 118 110

HSL 4.71, 0.54%, 0.63%

LAB 59.96, 35.83, 20.69

 

CMYK 0 / 33 / 36 / 13

HEX #DD948D

RGB 221 148 141

HSL 5.25, 0.54%, 0.71%

LAB 68.37, 26.66, 14.97

 

CMYK 0 / 23 / 25 / 9

HEX #E7B2AD

RGB 231 178 173

HSL 5.17, 0.55%, 0.79%

LAB 77.19, 18.53, 9.98

 

CMYK 0 / 44 / 48 / 17

HEX #D4766E

RGB 212 118 110

HSL 4.71, 0.54%, 0.63%

LAB 59.96, 35.83, 20.69

 

CMYK 13 / 0 / 48 / 17

HEX #B8D46E

RGB 184 212 110

HSL 76.47, 0.54%, 0.63%

LAB 80.96, -25.02, 47.05

 

CMYK 48 / 32 / 0 / 17

HEX #6E90D4

RGB 110 144 212

HSL 220, 0.54%, 0.63%

LAB 59.9, 6.66, -38.57

 

CMYK 0 / 44 / 48 / 17

HEX #D4766E

RGB 212 118 110

HSL 4.71, 0.54%, 0.63%

LAB 59.96, 35.83, 20.69

 

CMYK 48 / 0 / 45 / 17

HEX #6ED474

RGB 110 212 116

HSL 123.53, 0.54%, 0.63%

LAB 77.08, -49.33, 38.42

 

CMYK 45 / 48 / 0 / 17

HEX #746ED4

RGB 116 110 212

HSL 243.53, 0.54%, 0.63%

LAB 51.4, 28.38, -52

 

CMYK 0 / 44 / 48 / 17

HEX #D4766E

RGB 212 118 110

HSL 4.71, 0.54%, 0.63%

LAB 59.96, 35.83, 20.69

 

CMYK 13 / 0 / 48 / 17

HEX #B8D46E

RGB 184 212 110

HSL 76.47, 0.54%, 0.63%

LAB 80.96, -25.02, 47.05

 

CMYK 48 / 3 / 0 / 17

HEX #6ECDD4

RGB 110 205 212

HSL 184.12, 0.54%, 0.63%

LAB 77.12, -26.23, -12.19

 

CMYK 35 / 48 / 0 / 17

HEX #896ED4

RGB 137 110 212

HSL 255.88, 0.54%, 0.63%

LAB 53.19, 33.56, -49.03

 

CMYK 0 / 44 / 48 / 17

HEX #D4766E

RGB 212 118 110

HSL 4.71, 0.54%, 0.63%

LAB 59.96, 35.83, 20.69

 

CMYK 27 / 0 / 48 / 17

HEX #9AD46E

RGB 154 212 110

HSL 94.12, 0.54%, 0.63%

LAB 79.09, -36.16, 44.33

 

CMYK 48 / 3 / 0 / 17

HEX #6ECDD4

RGB 110 205 212

HSL 184.12, 0.54%, 0.63%

LAB 77.12, -26.23, -12.19

 

CMYK 21 / 48 / 0 / 17

HEX #A76ED4

RGB 167 110 212

HSL 273.53, 0.54%, 0.63%

LAB 56.21, 41.58, -44.06

 

Description

Color code: HEX #D4766E | qconv.com Color code: HEX #D4766E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 118 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 118 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 48 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 48% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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