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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4759F it is the complementary color #2B8A60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4759F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4759F shade: #D9759A, #EA87AD, #FB99C0, #FFABD3 and #FFBDE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4759F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4759F shade: #D4759F, #C3638C, #B25179, #A13F66 and #902D53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4759F shade: #D477A0, #D47787 and #D47777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4759F shade: #D477A0, #D477B9, #D477D2, #BD77D4 and #A477D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4759F shade matches the following richer shades: #D477A0, #E3699F and #F15A9D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4759F shade: #D477A0, #C686A2, #B794A4, #A9A3A5 and #9AB1A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4759F shade: #D477D3, #D477BA, #D477A1, #D47788 and #D47F77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4759F shade: #BD3C75, #CA588B, #D477A0, #DE97B6 and #E8B6CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4759F shade: #D4759F, #D4BD77 and #77C6D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4759F shade: #D4759F, #A1D477 and #77A1D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4759F shade: #D4759F, #D4BD77, #77D4AA and #778FD4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4759F shade: #D4759F, #D0D477, #77D4AA and #7C77D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 25 / 17

HEX #D4759F

RGB 212 117 159

HSL 333.47, 0.52%, 0.65%

LAB 60.98, 42.18, -6.02

 

Complementary color

CMYK 69 / 0 / 30 / 46

HEX #2B8A60

RGB 43 138 96

HSL 153.47, 0.52%, 0.35%

LAB 51.31, -37.93, 14.64

 

CMYK 0 / 46 / 29 / 15

HEX #D9759A

RGB 217 117 154

HSL 337.8, 0.57%, 0.65%

LAB 61.49, 43.21, -2.32

 

CMYK 0 / 42 / 26 / 8

HEX #EA87AD

RGB 234 135 173

HSL 336.97, 0.7%, 0.72%

LAB 67.9, 42.36, -3.43

 

CMYK 0 / 39 / 24 / 2

HEX #FB99C0

RGB 251 153 192

HSL 336.12, 0.92%, 0.79%

LAB 74.25, 41.54, -4.41

 

CMYK 0 / 33 / 17 / 0

HEX #FFABD3

RGB 255 171 211

HSL 331.43, 1%, 0.84%

LAB 79.09, 36.35, -7.59

 

CMYK 0 / 26 / 10 / 0

HEX #FFBDE6

RGB 255 189 230

HSL 322.73, 1%, 0.87%

LAB 83.64, 29.93, -11.07

 

CMYK 0 / 45 / 25 / 17

HEX #D4759F

RGB 212 117 159

HSL 333.47, 0.52%, 0.65%

LAB 60.98, 42.18, -6.02

 

CMYK 0 / 49 / 28 / 24

HEX #C3638C

RGB 195 99 140

HSL 334.38, 0.44%, 0.58%

LAB 54.47, 43, -4.87

 

CMYK 0 / 54 / 32 / 30

HEX #B25179

RGB 178 81 121

HSL 335.26, 0.39%, 0.51%

LAB 47.92, 43.79, -3.51

 

CMYK 0 / 61 / 37 / 37

HEX #A13F66

RGB 161 63 102

HSL 336.12, 0.44%, 0.44%

LAB 41.36, 44.46, -1.83

 

CMYK 0 / 69 / 42 / 44

HEX #902D53

RGB 144 45 83

HSL 336.97, 0.52%, 0.37%

LAB 34.86, 44.83, 0.34

 

CMYK 0 / 44 / 25 / 17

HEX #D477A0

RGB 212 119 160

HSL 333.55, 0.52%, 0.65%

LAB 61.42, 41.28, -5.94

 

CMYK 0 / 44 / 36 / 17

HEX #D47787

RGB 212 119 135

HSL 349.68, 0.52%, 0.65%

LAB 60.73, 38.01, 7.42

 

CMYK 0 / 44 / 44 / 17

HEX #D47777

RGB 212 119 119

HSL 0, 0.52%, 0.65%

LAB 60.36, 36.21, 16.09

 

CMYK 0 / 44 / 25 / 17

HEX #D477A0

RGB 212 119 160

HSL 333.55, 0.52%, 0.65%

LAB 61.42, 41.28, -5.94

 

CMYK 0 / 44 / 13 / 17

HEX #D477B9

RGB 212 119 185

HSL 317.42, 0.52%, 0.65%

LAB 62.25, 45.08, -18.96

 

CMYK 0 / 44 / 1 / 17

HEX #D477D2

RGB 212 119 210

HSL 301.29, 0.52%, 0.65%

LAB 63.21, 49.36, -31.59

 

CMYK 11 / 44 / 0 / 17

HEX #BD77D4

RGB 189 119 212

HSL 285.16, 0.52%, 0.65%

LAB 60.57, 42.96, -37.03

 

CMYK 23 / 44 / 0 / 17

HEX #A477D4

RGB 164 119 212

HSL 269.03, 0.52%, 0.65%

LAB 57.88, 35.74, -41.44

 

CMYK 0 / 44 / 25 / 17

HEX #D477A0

RGB 212 119 160

HSL 333.55, 0.52%, 0.65%

LAB 61.42, 41.28, -5.94

 

CMYK 0 / 54 / 30 / 11

HEX #E3699F

RGB 227 105 159

HSL 333.44, 0.69%, 0.65%

LAB 60.73, 53.09, -6.16

 

CMYK 0 / 63 / 35 / 5

HEX #F15A9D

RGB 241 90 157

HSL 333.38, 0.84%, 0.65%

LAB 60.29, 63.77, -5.42

 

CMYK 0 / 44 / 25 / 17

HEX #D477A0

RGB 212 119 160

HSL 333.55, 0.52%, 0.65%

LAB 61.42, 41.28, -5.94

 

CMYK 0 / 32 / 18 / 22

HEX #C686A2

RGB 198 134 162

HSL 333.75, 0.36%, 0.65%

LAB 63.06, 28.63, -4.83

 

CMYK 0 / 19 / 10 / 28

HEX #B794A4

RGB 183 148 164

HSL 332.57, 0.2%, 0.65%

LAB 64.9, 15.76, -3.43

 

CMYK 0 / 4 / 2 / 34

HEX #A9A3A5

RGB 169 163 165

HSL 340, 0.03%, 0.65%

LAB 67.54, 2.53, -0.27

 

CMYK 13 / 0 / 6 / 31

HEX #9AB1A7

RGB 154 177 167

HSL 153.91, 0.13%, 0.65%

LAB 70.25, -9.92, 2.43

 

CMYK 0 / 44 / 0 / 17

HEX #D477D3

RGB 212 119 211

HSL 300.65, 0.52%, 0.65%

LAB 63.26, 49.54, -32.09

 

CMYK 0 / 44 / 12 / 17

HEX #D477BA

RGB 212 119 186

HSL 316.77, 0.52%, 0.65%

LAB 62.28, 45.25, -19.47

 

CMYK 0 / 44 / 24 / 17

HEX #D477A1

RGB 212 119 161

HSL 332.9, 0.52%, 0.65%

LAB 61.45, 41.42, -6.46

 

CMYK 0 / 44 / 36 / 17

HEX #D47788

RGB 212 119 136

HSL 349.03, 0.52%, 0.65%

LAB 60.75, 38.13, 6.88

 

CMYK 0 / 40 / 44 / 17

HEX #D47F77

RGB 212 127 119

HSL 5.16, 0.52%, 0.65%

LAB 62.09, 31.98, 18.47

 

CMYK 0 / 68 / 38 / 26

HEX #BD3C75

RGB 189 60 117

HSL 333.49, 0.52%, 0.49%

LAB 46.09, 56.17, -3.58

 

CMYK 0 / 56 / 31 / 21

HEX #CA588B

RGB 202 88 139

HSL 333.16, 0.52%, 0.57%

LAB 53.38, 50.59, -5.78

 

CMYK 0 / 44 / 25 / 17

HEX #D477A0

RGB 212 119 160

HSL 333.55, 0.52%, 0.65%

LAB 61.42, 41.28, -5.94

 

CMYK 0 / 32 / 18 / 13

HEX #DE97B6

RGB 222 151 182

HSL 333.8, 0.52%, 0.73%

LAB 70.2, 31.07, -5.22

 

CMYK 0 / 22 / 12 / 9

HEX #E8B6CC

RGB 232 182 204

HSL 333.6, 0.52%, 0.81%

LAB 79.02, 21.48, -4.16

 

CMYK 0 / 45 / 25 / 17

HEX #D4759F

RGB 212 117 159

HSL 333.47, 0.52%, 0.65%

LAB 60.98, 42.18, -6.02

 

CMYK 0 / 11 / 44 / 17

HEX #D4BD77

RGB 212 189 119

HSL 45.16, 0.52%, 0.65%

LAB 77.12, -1.32, 38.29

 

CMYK 44 / 7 / 0 / 17

HEX #77C6D4

RGB 119 198 212

HSL 189.03, 0.52%, 0.65%

LAB 75.49, -20.65, -14.6

 

CMYK 0 / 45 / 25 / 17

HEX #D4759F

RGB 212 117 159

HSL 333.47, 0.52%, 0.65%

LAB 60.98, 42.18, -6.02

 

CMYK 24 / 0 / 44 / 17

HEX #A1D477

RGB 161 212 119

HSL 92.9, 0.52%, 0.65%

LAB 79.61, -32.58, 40.66

 

CMYK 44 / 24 / 0 / 17

HEX #77A1D4

RGB 119 161 212

HSL 212.9, 0.52%, 0.65%

LAB 65.09, -0.85, -30.45

 

CMYK 0 / 45 / 25 / 17

HEX #D4759F

RGB 212 117 159

HSL 333.47, 0.52%, 0.65%

LAB 60.98, 42.18, -6.02

 

CMYK 0 / 11 / 44 / 17

HEX #D4BD77

RGB 212 189 119

HSL 45.16, 0.52%, 0.65%

LAB 77.12, -1.32, 38.29

 

CMYK 44 / 0 / 20 / 17

HEX #77D4AA

RGB 119 212 170

HSL 152.9, 0.52%, 0.65%

LAB 78.41, -37.29, 12.26

 

CMYK 44 / 33 / 0 / 17

HEX #778FD4

RGB 119 143 212

HSL 224.52, 0.52%, 0.65%

LAB 60.18, 9.47, -38.1

 

CMYK 0 / 45 / 25 / 17

HEX #D4759F

RGB 212 117 159

HSL 333.47, 0.52%, 0.65%

LAB 60.98, 42.18, -6.02

 

CMYK 2 / 0 / 44 / 17

HEX #D0D477

RGB 208 212 119

HSL 62.58, 0.52%, 0.65%

LAB 82.82, -14.71, 45.36

 

CMYK 44 / 0 / 20 / 17

HEX #77D4AA

RGB 119 212 170

HSL 152.9, 0.52%, 0.65%

LAB 78.41, -37.29, 12.26

 

CMYK 42 / 44 / 0 / 17

HEX #7C77D4

RGB 124 119 212

HSL 243.23, 0.52%, 0.65%

LAB 54.27, 24.94, -47.39

 

Description

Color code: HEX #D4759F | qconv.com Color code: HEX #D4759F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 117 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 117 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 25 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 25% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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