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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4709B it is the complementary color #2B8F64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4709B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4709B shade: #D97096, #EA82A9, #FB94BC, #FFA6CF and #FFB8E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4709B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4709B shade: #D4709B, #C35E88, #B24C75, #A13A62 and #90284F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4709B shade: #D5729C, #D57282 and #D57272

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4709B shade: #D5729C, #D572B7, #D572D2, #BD72D5 and #A272D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4709B shade matches the following richer shades: #D5729C, #E4639A and #F25498

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4709B shade: #D5729C, #C6809E, #B78FA0, #A89EA2 and #99ADA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4709B shade: #D572D1, #D572B7, #D5729D, #D57282 and #D57C72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4709B shade: #BC3871, #CB5286, #D5729C, #DE91B2 and #E8B1C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4709B shade: #D4709B, #D5BE72 and #72C4D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4709B shade: #D4709B, #9DD572 and #729DD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4709B shade: #D4709B, #D5BE72, #72D5AA and #7289D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4709B shade: #D4709B, #CED572, #72D5AA and #7872D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 27 / 17

HEX #D4709B

RGB 212 112 155

HSL 334.2, 0.54%, 0.64%

LAB 59.85, 44.19, -5.39

 

Complementary color

CMYK 70 / 0 / 30 / 44

HEX #2B8F64

RGB 43 143 100

HSL 154.2, 0.54%, 0.36%

LAB 53.04, -39.17, 14.75

 

CMYK 0 / 48 / 31 / 15

HEX #D97096

RGB 217 112 150

HSL 338.29, 0.58%, 0.65%

LAB 60.38, 45.22, -1.65

 

CMYK 0 / 44 / 28 / 8

HEX #EA82A9

RGB 234 130 169

HSL 337.5, 0.71%, 0.71%

LAB 66.77, 44.38, -2.84

 

CMYK 0 / 41 / 25 / 2

HEX #FB94BC

RGB 251 148 188

HSL 336.7, 0.93%, 0.78%

LAB 73.1, 43.54, -3.89

 

CMYK 0 / 35 / 19 / 0

HEX #FFA6CF

RGB 255 166 207

HSL 332.36, 1%, 0.83%

LAB 77.9, 38.34, -7.18

 

CMYK 0 / 28 / 11 / 0

HEX #FFB8E2

RGB 255 184 226

HSL 324.51, 1%, 0.86%

LAB 82.4, 31.9, -10.77

 

CMYK 0 / 47 / 27 / 17

HEX #D4709B

RGB 212 112 155

HSL 334.2, 0.54%, 0.64%

LAB 59.85, 44.19, -5.39

 

CMYK 0 / 52 / 30 / 24

HEX #C35E88

RGB 195 94 136

HSL 335.05, 0.46%, 0.57%

LAB 53.37, 45, -4.14

 

CMYK 0 / 57 / 34 / 30

HEX #B24C75

RGB 178 76 117

HSL 335.88, 0.4%, 0.5%

LAB 46.87, 45.73, -2.64

 

CMYK 0 / 64 / 39 / 37

HEX #A13A62

RGB 161 58 98

HSL 336.7, 0.47%, 0.43%

LAB 40.39, 46.28, -0.76

 

CMYK 0 / 72 / 45 / 44

HEX #90284F

RGB 144 40 79

HSL 337.5, 0.57%, 0.36%

LAB 34.01, 46.43, 1.68

 

CMYK 0 / 46 / 27 / 16

HEX #D5729C

RGB 213 114 156

HSL 334.55, 0.54%, 0.64%

LAB 60.41, 43.64, -5.12

 

CMYK 0 / 46 / 39 / 16

HEX #D57282

RGB 213 114 130

HSL 350.3, 0.54%, 0.64%

LAB 59.7, 40.38, 8.86

 

CMYK 0 / 46 / 46 / 16

HEX #D57272

RGB 213 114 114

HSL 0, 0.54%, 0.64%

LAB 59.34, 38.68, 17.58

 

CMYK 0 / 46 / 27 / 16

HEX #D5729C

RGB 213 114 156

HSL 334.55, 0.54%, 0.64%

LAB 60.41, 43.64, -5.12

 

CMYK 0 / 46 / 14 / 16

HEX #D572B7

RGB 213 114 183

HSL 318.18, 0.54%, 0.64%

LAB 61.31, 47.63, -19.24

 

CMYK 0 / 46 / 1 / 16

HEX #D572D2

RGB 213 114 210

HSL 301.82, 0.54%, 0.64%

LAB 62.37, 52.17, -32.89

 

CMYK 11 / 46 / 0 / 16

HEX #BD72D5

RGB 189 114 213

HSL 285.45, 0.54%, 0.64%

LAB 59.58, 45.82, -39.15

 

CMYK 24 / 46 / 0 / 16

HEX #A272D5

RGB 162 114 213

HSL 269.09, 0.54%, 0.64%

LAB 56.6, 38.21, -44.04

 

CMYK 0 / 46 / 27 / 16

HEX #D5729C

RGB 213 114 156

HSL 334.55, 0.54%, 0.64%

LAB 60.41, 43.64, -5.12

 

CMYK 0 / 57 / 32 / 11

HEX #E4639A

RGB 228 99 154

HSL 334.42, 0.7%, 0.64%

LAB 59.66, 55.58, -4.83

 

CMYK 0 / 65 / 37 / 5

HEX #F25498

RGB 242 84 152

HSL 334.18, 0.86%, 0.64%

LAB 59.42, 65.92, -3.78

 

CMYK 0 / 46 / 27 / 16

HEX #D5729C

RGB 213 114 156

HSL 334.55, 0.54%, 0.64%

LAB 60.41, 43.64, -5.12

 

CMYK 0 / 35 / 20 / 22

HEX #C6809E

RGB 198 128 158

HSL 334.29, 0.38%, 0.64%

LAB 61.58, 31.28, -4.75

 

CMYK 0 / 22 / 13 / 28

HEX #B78FA0

RGB 183 143 160

HSL 334.5, 0.22%, 0.64%

LAB 63.55, 17.86, -3.16

 

CMYK 0 / 6 / 4 / 34

HEX #A89EA2

RGB 168 158 162

HSL 336, 0.05%, 0.64%

LAB 66.05, 4.37, -0.78

 

CMYK 12 / 0 / 5 / 32

HEX #99ADA5

RGB 153 173 165

HSL 156, 0.11%, 0.64%

LAB 69.02, -8.53, 1.75

 

CMYK 0 / 46 / 2 / 16

HEX #D572D1

RGB 213 114 209

HSL 302.42, 0.54%, 0.64%

LAB 62.33, 51.99, -32.4

 

CMYK 0 / 46 / 14 / 16

HEX #D572B7

RGB 213 114 183

HSL 318.18, 0.54%, 0.64%

LAB 61.31, 47.63, -19.24

 

CMYK 0 / 46 / 26 / 16

HEX #D5729D

RGB 213 114 157

HSL 333.94, 0.54%, 0.64%

LAB 60.44, 43.78, -5.65

 

CMYK 0 / 46 / 39 / 16

HEX #D57282

RGB 213 114 130

HSL 350.3, 0.54%, 0.64%

LAB 59.7, 40.38, 8.86

 

CMYK 0 / 42 / 46 / 16

HEX #D57C72

RGB 213 124 114

HSL 6.06, 0.54%, 0.64%

LAB 61.46, 33.44, 20.47

 

CMYK 0 / 70 / 40 / 26

HEX #BC3871

RGB 188 56 113

HSL 334.09, 0.54%, 0.48%

LAB 45.24, 56.98, -2.4

 

CMYK 0 / 60 / 34 / 20

HEX #CB5286

RGB 203 82 134

HSL 334.21, 0.54%, 0.56%

LAB 52.34, 53.06, -4.33

 

CMYK 0 / 46 / 27 / 16

HEX #D5729C

RGB 213 114 156

HSL 334.55, 0.54%, 0.64%

LAB 60.41, 43.64, -5.12

 

CMYK 0 / 35 / 20 / 13

HEX #DE91B2

RGB 222 145 178

HSL 334.29, 0.54%, 0.72%

LAB 68.75, 33.67, -5.14

 

CMYK 0 / 24 / 13 / 9

HEX #E8B1C9

RGB 232 177 201

HSL 333.82, 0.54%, 0.8%

LAB 77.77, 23.66, -4.38

 

CMYK 0 / 47 / 27 / 17

HEX #D4709B

RGB 212 112 155

HSL 334.2, 0.54%, 0.64%

LAB 59.85, 44.19, -5.39

 

CMYK 0 / 11 / 46 / 16

HEX #D5BE72

RGB 213 190 114

HSL 46.06, 0.54%, 0.64%

LAB 77.39, -1.93, 41.2

 

CMYK 46 / 8 / 0 / 16

HEX #72C4D5

RGB 114 196 213

HSL 190.3, 0.54%, 0.64%

LAB 74.74, -20.55, -16.29

 

CMYK 0 / 47 / 27 / 17

HEX #D4709B

RGB 212 112 155

HSL 334.2, 0.54%, 0.64%

LAB 59.85, 44.19, -5.39

 

CMYK 26 / 0 / 46 / 16

HEX #9DD572

RGB 157 213 114

HSL 93.94, 0.54%, 0.64%

LAB 79.6, -35.08, 43.05

 

CMYK 46 / 26 / 0 / 16

HEX #729DD5

RGB 114 157 213

HSL 213.94, 0.54%, 0.64%

LAB 63.75, 0.45, -33.11

 

CMYK 0 / 47 / 27 / 17

HEX #D4709B

RGB 212 112 155

HSL 334.2, 0.54%, 0.64%

LAB 59.85, 44.19, -5.39

 

CMYK 0 / 11 / 46 / 16

HEX #D5BE72

RGB 213 190 114

HSL 46.06, 0.54%, 0.64%

LAB 77.39, -1.93, 41.2

 

CMYK 46 / 0 / 20 / 16

HEX #72D5AA

RGB 114 213 170

HSL 153.94, 0.54%, 0.64%

LAB 78.5, -39.03, 12.36

 

CMYK 46 / 36 / 0 / 16

HEX #7289D5

RGB 114 137 213

HSL 226.06, 0.54%, 0.64%

LAB 58.3, 12.04, -41.64

 

CMYK 0 / 47 / 27 / 17

HEX #D4709B

RGB 212 112 155

HSL 334.2, 0.54%, 0.64%

LAB 59.85, 44.19, -5.39

 

CMYK 3 / 0 / 46 / 16

HEX #CED572

RGB 206 213 114

HSL 64.24, 0.54%, 0.64%

LAB 82.87, -16.49, 47.81

 

CMYK 46 / 0 / 20 / 16

HEX #72D5AA

RGB 114 213 170

HSL 153.94, 0.54%, 0.64%

LAB 78.5, -39.03, 12.36

 

CMYK 44 / 46 / 0 / 16

HEX #7872D5

RGB 120 114 213

HSL 243.64, 0.54%, 0.64%

LAB 52.76, 27.23, -50.37

 

Description

Color code: HEX #D4709B | qconv.com Color code: HEX #D4709B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 112 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 112 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 27 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 27% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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