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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D46ADE it is the complementary color #2B9521. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D46ADE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D46ADE shade: #D96AD9, #EA7CEC, #FB8EFF, #FFA0FF and #FFB2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D46ADE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D46ADE shade: #D46ADE, #C358CB, #B246B8, #A134A5 and #902292

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D46ADE shade: #D468DE, #DE68C8, #DE68A9, #DE6889 and #DE6869

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D46ADE shade: #D468DE, #B468DE, #9468DE, #7568DE and #6868DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D46ADE shade matches the following richer shades: #D468DE, #E05AED and #EC4BFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D46ADE shade: #D468DE, #C877CF, #BB86C0, #AF95B1 and #A3A4A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D46ADE shade: #9468DE, #B368DE, #D268DE, #DE68CA and #DE68AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D46ADE shade: #BB2CC8, #CA47D7, #D468DE, #DE8AE5 and #E7ACED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D46ADE shade: #D46ADE, #DE7468 and #68DEA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D46ADE shade: #D46ADE, #DED268 and #68DED2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D46ADE shade: #D46ADE, #DE7468, #74DE68 and #68D2DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D46ADE shade: #D46ADE, #DE9768, #74DE68 and #68AFDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 52 / 0 / 13

HEX #D46ADE

RGB 212 106 222

HSL 294.83, 0.64%, 0.64%

LAB 61.29, 57.96, -41.32

 

Complementary color

CMYK 71 / 0 / 78 / 42

HEX #2B9521

RGB 43 149 33

HSL 114.83, 0.64%, 0.36%

LAB 54.15, -51.42, 48.98

 

CMYK 0 / 51 / 0 / 15

HEX #D96AD9

RGB 217 106 217

HSL 300, 0.59%, 0.63%

LAB 61.71, 58.42, -37.81

 

CMYK 1 / 47 / 0 / 7

HEX #EA7CEC

RGB 234 124 236

HSL 298.93, 0.75%, 0.71%

LAB 67.99, 57.82, -38.41

 

CMYK 2 / 44 / 0 / 0

HEX #FB8EFF

RGB 251 142 255

HSL 297.88, 1%, 0.78%

LAB 74.24, 57.15, -38.91

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 0 / 30 / 0 / 0

HEX #FFB2FF

RGB 255 178 255

HSL 300, 1%, 0.85%

LAB 82.01, 40, -26.89

 

CMYK 5 / 52 / 0 / 13

HEX #D46ADE

RGB 212 106 222

HSL 294.83, 0.64%, 0.64%

LAB 61.29, 57.96, -41.32

 

CMYK 4 / 57 / 0 / 20

HEX #C358CB

RGB 195 88 203

HSL 295.83, 0.53%, 0.57%

LAB 54.96, 58.47, -40.69

 

CMYK 3 / 62 / 0 / 28

HEX #B246B8

RGB 178 70 184

HSL 296.84, 0.45%, 0.5%

LAB 48.64, 58.75, -39.86

 

CMYK 2 / 68 / 0 / 35

HEX #A134A5

RGB 161 52 165

HSL 297.88, 0.52%, 0.43%

LAB 42.38, 58.64, -38.73

 

CMYK 1 / 77 / 0 / 43

HEX #902292

RGB 144 34 146

HSL 298.93, 0.62%, 0.35%

LAB 36.27, 57.86, -37.14

 

CMYK 5 / 53 / 0 / 13

HEX #D468DE

RGB 212 104 222

HSL 294.92, 0.64%, 0.64%

LAB 60.93, 58.92, -41.88

 

CMYK 0 / 53 / 10 / 13

HEX #DE68C8

RGB 222 104 200

HSL 311.19, 0.64%, 0.64%

LAB 61.31, 57.91, -28.8

 

CMYK 0 / 53 / 24 / 13

HEX #DE68A9

RGB 222 104 169

HSL 326.95, 0.64%, 0.64%

LAB 60.15, 53.3, -12.85

 

CMYK 0 / 53 / 38 / 13

HEX #DE6889

RGB 222 104 137

HSL 343.22, 0.64%, 0.64%

LAB 59.19, 49.3, 4.24

 

CMYK 0 / 53 / 53 / 13

HEX #DE6869

RGB 222 104 105

HSL 359.49, 0.64%, 0.64%

LAB 58.46, 46.17, 21.78

 

CMYK 5 / 53 / 0 / 13

HEX #D468DE

RGB 212 104 222

HSL 294.92, 0.64%, 0.64%

LAB 60.93, 58.92, -41.88

 

CMYK 19 / 53 / 0 / 13

HEX #B468DE

RGB 180 104 222

HSL 278.64, 0.64%, 0.64%

LAB 56.96, 50.48, -48.42

 

CMYK 33 / 53 / 0 / 13

HEX #9468DE

RGB 148 104 222

HSL 262.37, 0.64%, 0.64%

LAB 53.46, 42.34, -54.2

 

CMYK 47 / 53 / 0 / 13

HEX #7568DE

RGB 117 104 222

HSL 246.61, 0.64%, 0.64%

LAB 50.64, 35.13, -58.89

 

CMYK 53 / 53 / 0 / 13

HEX #6868DE

RGB 104 104 222

HSL 240, 0.64%, 0.64%

LAB 49.64, 32.42, -60.54

 

CMYK 5 / 53 / 0 / 13

HEX #D468DE

RGB 212 104 222

HSL 294.92, 0.64%, 0.64%

LAB 60.93, 58.92, -41.88

 

CMYK 5 / 62 / 0 / 7

HEX #E05AED

RGB 224 90 237

HSL 294.69, 0.8%, 0.64%

LAB 61.02, 70.78, -50.01

 

CMYK 6 / 70 / 0 / 1

HEX #EC4BFC

RGB 236 75 252

HSL 294.58, 0.97%, 0.64%

LAB 61.56, 81.52, -57.37

 

CMYK 5 / 53 / 0 / 13

HEX #D468DE

RGB 212 104 222

HSL 294.92, 0.64%, 0.64%

LAB 60.93, 58.92, -41.88

 

CMYK 3 / 43 / 0 / 19

HEX #C877CF

RGB 200 119 207

HSL 295.23, 0.48%, 0.64%

LAB 61.64, 45.23, -32.47

 

CMYK 3 / 30 / 0 / 25

HEX #BB86C0

RGB 187 134 192

HSL 294.83, 0.32%, 0.64%

LAB 62.86, 30.14, -22.25

 

CMYK 1 / 16 / 0 / 31

HEX #AF95B1

RGB 175 149 177

HSL 295.71, 0.15%, 0.64%

LAB 64.79, 14.74, -10.99

 

CMYK 1 / 0 / 1 / 36

HEX #A3A4A3

RGB 163 164 163

HSL 120, 0.01%, 0.64%

LAB 67.26, -0.54, 0.38

 

CMYK 33 / 53 / 0 / 13

HEX #9468DE

RGB 148 104 222

HSL 262.37, 0.64%, 0.64%

LAB 53.46, 42.34, -54.2

 

CMYK 19 / 53 / 0 / 13

HEX #B368DE

RGB 179 104 222

HSL 278.14, 0.64%, 0.64%

LAB 56.84, 50.22, -48.62

 

CMYK 5 / 53 / 0 / 13

HEX #D268DE

RGB 210 104 222

HSL 293.9, 0.64%, 0.64%

LAB 60.67, 58.39, -42.31

 

CMYK 0 / 53 / 9 / 13

HEX #DE68CA

RGB 222 104 202

HSL 310.17, 0.64%, 0.64%

LAB 61.39, 58.23, -29.8

 

CMYK 0 / 53 / 23 / 13

HEX #DE68AB

RGB 222 104 171

HSL 325.93, 0.64%, 0.64%

LAB 60.22, 53.58, -13.9

 

CMYK 7 / 78 / 0 / 22

HEX #BB2CC8

RGB 187 44 200

HSL 295, 0.64%, 0.48%

LAB 47.67, 72.74, -50.62

 

CMYK 6 / 67 / 0 / 16

HEX #CA47D7

RGB 202 71 215

HSL 294.58, 0.64%, 0.56%

LAB 53.99, 69.45, -48.99

 

CMYK 5 / 53 / 0 / 13

HEX #D468DE

RGB 212 104 222

HSL 294.92, 0.64%, 0.64%

LAB 60.93, 58.92, -41.88

 

CMYK 3 / 40 / 0 / 10

HEX #DE8AE5

RGB 222 138 229

HSL 295.38, 0.64%, 0.72%

LAB 69.01, 46.02, -33.08

 

CMYK 3 / 27 / 0 / 7

HEX #E7ACED

RGB 231 172 237

HSL 294.46, 0.64%, 0.8%

LAB 77.64, 32.3, -24.1

 

CMYK 5 / 52 / 0 / 13

HEX #D46ADE

RGB 212 106 222

HSL 294.83, 0.64%, 0.64%

LAB 61.29, 57.96, -41.32

 

CMYK 0 / 48 / 53 / 13

HEX #DE7468

RGB 222 116 104

HSL 6.1, 0.64%, 0.64%

LAB 60.8, 40.1, 25.46

 

CMYK 53 / 0 / 27 / 13

HEX #68DEA3

RGB 104 222 163

HSL 150, 0.64%, 0.64%

LAB 80.64, -46.81, 19

 

CMYK 5 / 52 / 0 / 13

HEX #D46ADE

RGB 212 106 222

HSL 294.83, 0.64%, 0.64%

LAB 61.29, 57.96, -41.32

 

CMYK 0 / 5 / 53 / 13

HEX #DED268

RGB 222 210 104

HSL 53.9, 0.64%, 0.64%

LAB 83.24, -9.43, 53.31

 

CMYK 53 / 0 / 5 / 13

HEX #68DED2

RGB 104 222 210

HSL 173.9, 0.64%, 0.64%

LAB 81.75, -36.13, -4.27

 

CMYK 5 / 52 / 0 / 13

HEX #D46ADE

RGB 212 106 222

HSL 294.83, 0.64%, 0.64%

LAB 61.29, 57.96, -41.32

 

CMYK 0 / 48 / 53 / 13

HEX #DE7468

RGB 222 116 104

HSL 6.1, 0.64%, 0.64%

LAB 60.8, 40.1, 25.46

 

CMYK 48 / 0 / 53 / 13

HEX #74DE68

RGB 116 222 104

HSL 113.9, 0.64%, 0.64%

LAB 80.15, -53.29, 48.07

 

CMYK 53 / 5 / 0 / 13

HEX #68D2DE

RGB 104 210 222

HSL 186.1, 0.64%, 0.64%

LAB 78.64, -27.28, -15.3

 

CMYK 5 / 52 / 0 / 13

HEX #D46ADE

RGB 212 106 222

HSL 294.83, 0.64%, 0.64%

LAB 61.29, 57.96, -41.32

 

CMYK 0 / 32 / 53 / 13

HEX #DE9768

RGB 222 151 104

HSL 23.9, 0.64%, 0.64%

LAB 68.51, 21.63, 35.41

 

CMYK 48 / 0 / 53 / 13

HEX #74DE68

RGB 116 222 104

HSL 113.9, 0.64%, 0.64%

LAB 80.15, -53.29, 48.07

 

CMYK 53 / 21 / 0 / 13

HEX #68AFDE

RGB 104 175 222

HSL 203.9, 0.64%, 0.64%

LAB 68.66, -9.21, -30.51

 

Description

Color code: HEX #D46ADE | qconv.com Color code: HEX #D46ADE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 106 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 106 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 52 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 52% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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