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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D46AA3 it is the complementary color #2B955C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D46AA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D46AA3 shade: #D96A9E, #EA7CB1, #FB8EC4, #FFA0D7 and #FFB2EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D46AA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D46AA3 shade: #D46AA3, #C35890, #B2467D, #A1346A and #902257

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D46AA3 shade: #D369A2, #D36985 and #D36969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D46AA3 shade: #D369A2, #D369BF, #CB69D3, #AE69D3 and #9269D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D46AA3 shade matches the following richer shades: #D369A2, #E359A3 and #F349A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D46AA3 shade: #D369A2, #C478A1, #B488A0, #A4989F and #95A89D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D46AA3 shade: #CB69D3, #D369C0, #D369A3, #D36987 and #D3696B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D46AA3 shade: #B5357A, #CA498E, #D369A2, #DD89B6 and #E6A9CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D46AA3 shade: #D46AA3, #D3AE69 and #69CED3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D46AA3 shade: #D46AA3, #A3D369 and #69A3D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D46AA3 shade: #D46AA3, #D3AE69, #69D399 and #698ED3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D46AA3 shade: #D46AA3, #D3CE69, #69D399 and #696ED3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 23 / 17

HEX #D46AA3

RGB 212 106 163

HSL 327.74, 0.55%, 0.62%

LAB 58.93, 48.32, -11.38

 

Complementary color

CMYK 71 / 0 / 38 / 42

HEX #2B955C

RGB 43 149 92

HSL 147.74, 0.55%, 0.38%

LAB 54.85, -43.37, 21.68

 

CMYK 0 / 51 / 27 / 15

HEX #D96A9E

RGB 217 106 158

HSL 331.89, 0.59%, 0.63%

LAB 59.46, 49.25, -7.62

 

CMYK 0 / 47 / 24 / 8

HEX #EA7CB1

RGB 234 124 177

HSL 331.09, 0.72%, 0.7%

LAB 65.81, 48.48, -8.77

 

CMYK 0 / 43 / 22 / 2

HEX #FB8EC4

RGB 251 142 196

HSL 330.28, 0.93%, 0.77%

LAB 72.12, 47.7, -9.78

 

CMYK 0 / 37 / 16 / 0

HEX #FFA0D7

RGB 255 160 215

HSL 325.26, 1%, 0.81%

LAB 76.87, 42.65, -13.08

 

CMYK 0 / 30 / 8 / 0

HEX #FFB2EA

RGB 255 178 234

HSL 316.36, 1%, 0.85%

LAB 81.31, 36.36, -16.69

 

CMYK 0 / 50 / 23 / 17

HEX #D46AA3

RGB 212 106 163

HSL 327.74, 0.55%, 0.62%

LAB 58.93, 48.32, -11.38

 

CMYK 0 / 55 / 26 / 24

HEX #C35890

RGB 195 88 144

HSL 328.6, 0.47%, 0.55%

LAB 52.5, 49.01, -10.16

 

CMYK 0 / 61 / 30 / 30

HEX #B2467D

RGB 178 70 125

HSL 329.44, 0.44%, 0.49%

LAB 46.08, 49.56, -8.67

 

CMYK 0 / 68 / 34 / 37

HEX #A1346A

RGB 161 52 106

HSL 330.28, 0.51%, 0.42%

LAB 39.7, 49.8, -6.78

 

CMYK 0 / 76 / 40 / 44

HEX #902257

RGB 144 34 87

HSL 331.09, 0.62%, 0.35%

LAB 33.48, 49.48, -4.28

 

CMYK 0 / 50 / 23 / 17

HEX #D369A2

RGB 211 105 162

HSL 327.74, 0.55%, 0.62%

LAB 58.57, 48.35, -11.36

 

CMYK 0 / 50 / 37 / 17

HEX #D36985

RGB 211 105 133

HSL 344.15, 0.55%, 0.62%

LAB 57.7, 44.59, 4.22

 

CMYK 0 / 50 / 50 / 17

HEX #D36969

RGB 211 105 105

HSL 0, 0.55%, 0.62%

LAB 57.05, 41.69, 19.6

 

CMYK 0 / 50 / 23 / 17

HEX #D369A2

RGB 211 105 162

HSL 327.74, 0.55%, 0.62%

LAB 58.57, 48.35, -11.36

 

CMYK 0 / 50 / 9 / 17

HEX #D369BF

RGB 211 105 191

HSL 311.32, 0.55%, 0.62%

LAB 59.63, 52.78, -26.4

 

CMYK 4 / 50 / 0 / 17

HEX #CB69D3

RGB 203 105 211

HSL 295.47, 0.55%, 0.62%

LAB 59.44, 53.97, -38.12

 

CMYK 18 / 50 / 0 / 17

HEX #AE69D3

RGB 174 105 211

HSL 279.06, 0.55%, 0.62%

LAB 55.89, 45.98, -43.95

 

CMYK 31 / 50 / 0 / 17

HEX #9269D3

RGB 146 105 211

HSL 263.21, 0.55%, 0.62%

LAB 52.86, 38.49, -48.95

 

CMYK 0 / 50 / 23 / 17

HEX #D369A2

RGB 211 105 162

HSL 327.74, 0.55%, 0.62%

LAB 58.57, 48.35, -11.36

 

CMYK 0 / 61 / 28 / 11

HEX #E359A3

RGB 227 89 163

HSL 327.83, 0.71%, 0.62%

LAB 58.15, 60.8, -12.33

 

CMYK 0 / 70 / 33 / 5

HEX #F349A4

RGB 243 73 164

HSL 327.88, 0.88%, 0.62%

LAB 58.51, 71.53, -12.11

 

CMYK 0 / 50 / 23 / 17

HEX #D369A2

RGB 211 105 162

HSL 327.74, 0.55%, 0.62%

LAB 58.57, 48.35, -11.36

 

CMYK 0 / 39 / 18 / 23

HEX #C478A1

RGB 196 120 161

HSL 327.63, 0.39%, 0.62%

LAB 59.65, 35.38, -9.35

 

CMYK 0 / 24 / 11 / 29

HEX #B488A0

RGB 180 136 160

HSL 327.27, 0.23%, 0.62%

LAB 61.52, 20.68, -6.19

 

CMYK 0 / 7 / 3 / 36

HEX #A4989F

RGB 164 152 159

HSL 325, 0.06%, 0.62%

LAB 64.04, 5.69, -2.08

 

CMYK 11 / 0 / 7 / 34

HEX #95A89D

RGB 149 168 157

HSL 145.26, 0.1%, 0.62%

LAB 67.15, -8.82, 3.42

 

CMYK 4 / 50 / 0 / 17

HEX #CB69D3

RGB 203 105 211

HSL 295.47, 0.55%, 0.62%

LAB 59.44, 53.97, -38.12

 

CMYK 0 / 50 / 9 / 17

HEX #D369C0

RGB 211 105 192

HSL 310.75, 0.55%, 0.62%

LAB 59.67, 52.95, -26.91

 

CMYK 0 / 50 / 23 / 17

HEX #D369A3

RGB 211 105 163

HSL 327.17, 0.55%, 0.62%

LAB 58.6, 48.49, -11.89

 

CMYK 0 / 50 / 36 / 17

HEX #D36987

RGB 211 105 135

HSL 343.02, 0.55%, 0.62%

LAB 57.75, 44.83, 3.13

 

CMYK 0 / 50 / 49 / 17

HEX #D3696B

RGB 211 105 107

HSL 358.87, 0.55%, 0.62%

LAB 57.09, 41.87, 18.5

 

CMYK 0 / 71 / 33 / 29

HEX #B5357A

RGB 181 53 122

HSL 327.66, 0.55%, 0.46%

LAB 43.91, 57.11, -10.05

 

CMYK 0 / 64 / 30 / 21

HEX #CA498E

RGB 202 73 142

HSL 327.91, 0.55%, 0.54%

LAB 51.01, 57.64, -11.11

 

CMYK 0 / 50 / 23 / 17

HEX #D369A2

RGB 211 105 162

HSL 327.74, 0.55%, 0.62%

LAB 58.57, 48.35, -11.36

 

CMYK 0 / 38 / 18 / 13

HEX #DD89B6

RGB 221 137 182

HSL 327.86, 0.55%, 0.7%

LAB 67.01, 38.18, -9.98

 

CMYK 0 / 27 / 12 / 10

HEX #E6A9CA

RGB 230 169 202

HSL 327.54, 0.55%, 0.78%

LAB 75.74, 27.41, -7.95

 

CMYK 0 / 50 / 23 / 17

HEX #D46AA3

RGB 212 106 163

HSL 327.74, 0.55%, 0.62%

LAB 58.93, 48.32, -11.38

 

CMYK 0 / 18 / 50 / 17

HEX #D3AE69

RGB 211 174 105

HSL 39.06, 0.55%, 0.62%

LAB 72.98, 4.84, 40.25

 

CMYK 50 / 2 / 0 / 17

HEX #69CED3

RGB 105 206 211

HSL 182.83, 0.55%, 0.62%

LAB 77.19, -28.07, -11.57

 

CMYK 0 / 50 / 23 / 17

HEX #D46AA3

RGB 212 106 163

HSL 327.74, 0.55%, 0.62%

LAB 58.93, 48.32, -11.38

 

CMYK 23 / 0 / 50 / 17

HEX #A3D369

RGB 163 211 105

HSL 87.17, 0.55%, 0.62%

LAB 79.27, -33.01, 47.08

 

CMYK 50 / 23 / 0 / 17

HEX #69A3D3

RGB 105 163 211

HSL 207.17, 0.55%, 0.62%

LAB 64.88, -5.65, -30.28

 

CMYK 0 / 50 / 23 / 17

HEX #D46AA3

RGB 212 106 163

HSL 327.74, 0.55%, 0.62%

LAB 58.93, 48.32, -11.38

 

CMYK 0 / 18 / 50 / 17

HEX #D3AE69

RGB 211 174 105

HSL 39.06, 0.55%, 0.62%

LAB 72.98, 4.84, 40.25

 

CMYK 50 / 0 / 27 / 17

HEX #69D399

RGB 105 211 153

HSL 147.17, 0.55%, 0.62%

LAB 77.22, -43.86, 19.52

 

CMYK 50 / 33 / 0 / 17

HEX #698ED3

RGB 105 142 211

HSL 219.06, 0.55%, 0.62%

LAB 59.02, 6.35, -39.41

 

CMYK 0 / 50 / 23 / 17

HEX #D46AA3

RGB 212 106 163

HSL 327.74, 0.55%, 0.62%

LAB 58.93, 48.32, -11.38

 

CMYK 0 / 2 / 50 / 17

HEX #D3CE69

RGB 211 206 105

HSL 57.17, 0.55%, 0.62%

LAB 81.3, -11.8, 50.32

 

CMYK 50 / 0 / 27 / 17

HEX #69D399

RGB 105 211 153

HSL 147.17, 0.55%, 0.62%

LAB 77.22, -43.86, 19.52

 

CMYK 50 / 48 / 0 / 17

HEX #696ED3

RGB 105 110 211

HSL 237.17, 0.55%, 0.62%

LAB 50.52, 25.57, -52.88

 

Description

Color code: HEX #D46AA3 | qconv.com Color code: HEX #D46AA3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 106 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 106 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 23 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 23% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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