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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D46A8F it is the complementary color #2B9570. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D46A8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D46A8F shade: #D96A8A, #EA7C9D, #FB8EB0, #FFA0C3 and #FFB2D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D46A8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D46A8F shade: #D46A8F, #C3587C, #B24669, #A13456 and #902243

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D46A8F shade: #D3698E, #D36971 and #D36969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D46A8F shade: #D3698E, #D369AB, #D369C7, #C369D3 and #A669D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D46A8F shade matches the following richer shades: #D3698E, #E35989 and #F34985

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D46A8F shade: #D3698E, #C47893, #B48897, #A4989C and #95A8A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D46A8F shade: #D369C7, #D369AB, #D3698E, #D36972 and #D37C69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D46A8F shade: #B53561, #CA4976, #D3698E, #DD89A6 and #E6A9BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D46A8F shade: #D46A8F, #D3C369 and #69B9D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D46A8F shade: #D46A8F, #8ED369 and #698ED3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D46A8F shade: #D46A8F, #D3C369, #69D3AE and #6979D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D46A8F shade: #D46A8F, #C3D369, #69D3AE and #7969D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 33 / 17

HEX #D46A8F

RGB 212 106 143

HSL 339.06, 0.55%, 0.62%

LAB 58.31, 45.65, -0.7

 

Complementary color

CMYK 71 / 0 / 25 / 42

HEX #2B9570

RGB 43 149 112

HSL 159.06, 0.55%, 0.38%

LAB 55.26, -38.94, 11.03

 

CMYK 0 / 51 / 36 / 15

HEX #D96A8A

RGB 217 106 138

HSL 342.7, 0.59%, 0.63%

LAB 58.88, 46.75, 3.12

 

CMYK 0 / 47 / 33 / 8

HEX #EA7C9D

RGB 234 124 157

HSL 342, 0.72%, 0.7%

LAB 65.23, 45.88, 1.71

 

CMYK 0 / 43 / 30 / 2

HEX #FB8EB0

RGB 251 142 176

HSL 341.28, 0.93%, 0.77%

LAB 71.55, 45.01, 0.49

 

CMYK 0 / 37 / 24 / 0

HEX #FFA0C3

RGB 255 160 195

HSL 337.89, 1%, 0.81%

LAB 76.28, 39.72, -3.02

 

CMYK 0 / 30 / 16 / 0

HEX #FFB2D6

RGB 255 178 214

HSL 331.95, 1%, 0.85%

LAB 80.71, 33.15, -6.81

 

CMYK 0 / 50 / 33 / 17

HEX #D46A8F

RGB 212 106 143

HSL 339.06, 0.55%, 0.62%

LAB 58.31, 45.65, -0.7

 

CMYK 0 / 55 / 36 / 24

HEX #C3587C

RGB 195 88 124

HSL 339.81, 0.47%, 0.55%

LAB 51.88, 46.46, 0.8

 

CMYK 0 / 61 / 41 / 30

HEX #B24669

RGB 178 70 105

HSL 340.56, 0.44%, 0.49%

LAB 45.45, 47.16, 2.62

 

CMYK 0 / 68 / 47 / 37

HEX #A13456

RGB 161 52 86

HSL 341.28, 0.51%, 0.42%

LAB 39.08, 47.61, 4.9

 

CMYK 0 / 76 / 53 / 44

HEX #902243

RGB 144 34 67

HSL 342, 0.62%, 0.35%

LAB 32.87, 47.53, 7.89

 

CMYK 0 / 50 / 33 / 17

HEX #D3698E

RGB 211 105 142

HSL 339.06, 0.55%, 0.62%

LAB 57.95, 45.68, -0.67

 

CMYK 0 / 50 / 46 / 17

HEX #D36971

RGB 211 105 113

HSL 355.47, 0.55%, 0.62%

LAB 57.22, 42.44, 15.19

 

CMYK 0 / 50 / 50 / 17

HEX #D36969

RGB 211 105 105

HSL 0, 0.55%, 0.62%

LAB 57.05, 41.69, 19.6

 

CMYK 0 / 50 / 33 / 17

HEX #D3698E

RGB 211 105 142

HSL 339.06, 0.55%, 0.62%

LAB 57.95, 45.68, -0.67

 

CMYK 0 / 50 / 19 / 17

HEX #D369AB

RGB 211 105 171

HSL 322.64, 0.55%, 0.62%

LAB 58.87, 49.65, -16.09

 

CMYK 0 / 50 / 6 / 17

HEX #D369C7

RGB 211 105 199

HSL 306.79, 0.55%, 0.62%

LAB 59.96, 54.11, -30.44

 

CMYK 8 / 50 / 0 / 17

HEX #C369D3

RGB 195 105 211

HSL 290.94, 0.55%, 0.62%

LAB 58.42, 51.76, -39.79

 

CMYK 21 / 50 / 0 / 17

HEX #A669D3

RGB 166 105 211

HSL 274.53, 0.55%, 0.62%

LAB 54.98, 43.8, -45.44

 

CMYK 0 / 50 / 33 / 17

HEX #D3698E

RGB 211 105 142

HSL 339.06, 0.55%, 0.62%

LAB 57.95, 45.68, -0.67

 

CMYK 0 / 61 / 40 / 11

HEX #E35989

RGB 227 89 137

HSL 339.13, 0.71%, 0.62%

LAB 57.35, 57.8, 1.67

 

CMYK 0 / 70 / 45 / 5

HEX #F34985

RGB 243 73 133

HSL 338.82, 0.88%, 0.62%

LAB 57.57, 68.43, 4.68

 

CMYK 0 / 50 / 33 / 17

HEX #D3698E

RGB 211 105 142

HSL 339.06, 0.55%, 0.62%

LAB 57.95, 45.68, -0.67

 

CMYK 0 / 39 / 25 / 23

HEX #C47893

RGB 196 120 147

HSL 338.68, 0.39%, 0.62%

LAB 59.23, 33.26, -1.92

 

CMYK 0 / 24 / 16 / 29

HEX #B48897

RGB 180 136 151

HSL 339.55, 0.23%, 0.62%

LAB 61.26, 19.15, -1.45

 

CMYK 0 / 7 / 5 / 36

HEX #A4989C

RGB 164 152 156

HSL 340, 0.06%, 0.62%

LAB 63.96, 5.13, -0.51

 

CMYK 11 / 0 / 4 / 34

HEX #95A8A1

RGB 149 168 161

HSL 157.89, 0.1%, 0.62%

LAB 67.25, -8.03, 1.35

 

CMYK 0 / 50 / 6 / 17

HEX #D369C7

RGB 211 105 199

HSL 306.79, 0.55%, 0.62%

LAB 59.96, 54.11, -30.44

 

CMYK 0 / 50 / 19 / 17

HEX #D369AB

RGB 211 105 171

HSL 322.64, 0.55%, 0.62%

LAB 58.87, 49.65, -16.09

 

CMYK 0 / 50 / 33 / 17

HEX #D3698E

RGB 211 105 142

HSL 339.06, 0.55%, 0.62%

LAB 57.95, 45.68, -0.67

 

CMYK 0 / 50 / 46 / 17

HEX #D36972

RGB 211 105 114

HSL 354.91, 0.55%, 0.62%

LAB 57.24, 42.54, 14.64

 

CMYK 0 / 41 / 50 / 17

HEX #D37C69

RGB 211 124 105

HSL 10.75, 0.55%, 0.62%

LAB 61.03, 31.8, 24.94

 

CMYK 0 / 71 / 46 / 29

HEX #B53561

RGB 181 53 97

HSL 339.38, 0.55%, 0.46%

LAB 43.11, 54.45, 4.25

 

CMYK 0 / 64 / 42 / 21

HEX #CA4976

RGB 202 73 118

HSL 339.07, 0.55%, 0.54%

LAB 50.25, 54.9, 2.16

 

CMYK 0 / 50 / 33 / 17

HEX #D3698E

RGB 211 105 142

HSL 339.06, 0.55%, 0.62%

LAB 57.95, 45.68, -0.67

 

CMYK 0 / 38 / 25 / 13

HEX #DD89A6

RGB 221 137 166

HSL 339.29, 0.55%, 0.7%

LAB 66.53, 35.81, -1.68

 

CMYK 0 / 27 / 17 / 10

HEX #E6A9BE

RGB 230 169 190

HSL 339.34, 0.55%, 0.78%

LAB 75.4, 25.49, -1.89

 

CMYK 0 / 50 / 33 / 17

HEX #D46A8F

RGB 212 106 143

HSL 339.06, 0.55%, 0.62%

LAB 58.31, 45.65, -0.7

 

CMYK 0 / 8 / 50 / 17

HEX #D3C369

RGB 211 195 105

HSL 50.94, 0.55%, 0.62%

LAB 78.4, -6.18, 46.86

 

CMYK 50 / 12 / 0 / 17

HEX #69B9D3

RGB 105 185 211

HSL 194.72, 0.55%, 0.62%

LAB 71.15, -17.49, -20.67

 

CMYK 0 / 50 / 33 / 17

HEX #D46A8F

RGB 212 106 143

HSL 339.06, 0.55%, 0.62%

LAB 58.31, 45.65, -0.7

 

CMYK 33 / 0 / 50 / 17

HEX #8ED369

RGB 142 211 105

HSL 99.06, 0.55%, 0.62%

LAB 78.09, -40.47, 45.37

 

CMYK 50 / 33 / 0 / 17

HEX #698ED3

RGB 105 142 211

HSL 219.06, 0.55%, 0.62%

LAB 59.02, 6.35, -39.41

 

CMYK 0 / 50 / 33 / 17

HEX #D46A8F

RGB 212 106 143

HSL 339.06, 0.55%, 0.62%

LAB 58.31, 45.65, -0.7

 

CMYK 0 / 8 / 50 / 17

HEX #D3C369

RGB 211 195 105

HSL 50.94, 0.55%, 0.62%

LAB 78.4, -6.18, 46.86

 

CMYK 50 / 0 / 18 / 17

HEX #69D3AE

RGB 105 211 174

HSL 159.06, 0.55%, 0.62%

LAB 77.67, -39.44, 9

 

CMYK 50 / 43 / 0 / 17

HEX #6979D3

RGB 105 121 211

HSL 230.94, 0.55%, 0.62%

LAB 53.36, 18.88, -48.35

 

CMYK 0 / 50 / 33 / 17

HEX #D46A8F

RGB 212 106 143

HSL 339.06, 0.55%, 0.62%

LAB 58.31, 45.65, -0.7

 

CMYK 8 / 0 / 50 / 17

HEX #C3D369

RGB 195 211 105

HSL 69.06, 0.55%, 0.62%

LAB 81.41, -20.72, 50.15

 

CMYK 50 / 0 / 18 / 17

HEX #69D3AE

RGB 105 211 174

HSL 159.06, 0.55%, 0.62%

LAB 77.67, -39.44, 9

 

CMYK 43 / 50 / 0 / 17

HEX #7969D3

RGB 121 105 211

HSL 249.06, 0.55%, 0.62%

LAB 50.54, 32.26, -52.79

 

Description

Color code: HEX #D46A8F | qconv.com Color code: HEX #D46A8F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 106 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 106 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 33 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 33% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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