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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D45BDD it is the complementary color #2BA422. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D45BDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D45BDD shade: #D95BD8, #EA6DEB, #FB7FFE, #FF91FF and #FFA3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D45BDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D45BDD shade: #D45BDD, #C349CA, #B237B7, #A125A4 and #901391

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D45BDD shade: #D45ADD, #DD5AC3, #DD5A9F, #DD5A7C and #DD5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D45BDD shade: #D45ADD, #B15ADD, #8D5ADD, #6A5ADD and #5A5ADD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D45BDD shade matches the following richer shades: #D45ADD, #E24AED and #F03AFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D45BDD shade: #D45ADD, #C66ACD, #B87ABD, #AB8AAD and #9D9A9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D45BDD shade: #8C5ADD, #AF5ADD, #D25ADD, #DD5AC5 and #DD5AA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D45BDD shade: #B327BE, #CB38D6, #D45ADD, #DD7CE4 and #E69EEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D45BDD shade: #D45BDD, #DD695A and #5ADD9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D45BDD shade: #D45BDD, #DDD25A and #5ADDD2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D45BDD shade: #D45BDD, #DD695A, #65DD5A and #5ACEDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D45BDD shade: #D45BDD, #DD915A, #65DD5A and #5AA6DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 59 / 0 / 13

HEX #D45BDD

RGB 212 91 221

HSL 295.85, 0.66%, 0.61%

LAB 58.7, 64.66, -44.85

 

Complementary color

CMYK 74 / 0 / 79 / 36

HEX #2BA422

RGB 43 164 34

HSL 115.85, 0.66%, 0.39%

LAB 59.14, -56.35, 53.48

 

CMYK 0 / 58 / 0 / 15

HEX #D95BD8

RGB 217 91 216

HSL 300.48, 0.62%, 0.6%

LAB 59.15, 65.05, -41.26

 

CMYK 0 / 54 / 0 / 8

HEX #EA6DEB

RGB 234 109 235

HSL 299.52, 0.76%, 0.67%

LAB 65.3, 64.69, -42.07

 

CMYK 1 / 50 / 0 / 0

HEX #FB7FFE

RGB 251 127 254

HSL 298.58, 0.98%, 0.75%

LAB 71.45, 64.17, -42.72

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 0 / 36 / 0 / 0

HEX #FFA3FF

RGB 255 163 255

HSL 300, 1%, 0.82%

LAB 78.85, 47.76, -31.73

 

CMYK 4 / 59 / 0 / 13

HEX #D45BDD

RGB 212 91 221

HSL 295.85, 0.66%, 0.61%

LAB 58.7, 64.66, -44.85

 

CMYK 3 / 64 / 0 / 21

HEX #C349CA

RGB 195 73 202

HSL 296.74, 0.55%, 0.54%

LAB 52.54, 64.8, -43.93

 

CMYK 3 / 70 / 0 / 28

HEX #B237B7

RGB 178 55 183

HSL 297.66, 0.54%, 0.47%

LAB 46.47, 64.52, -42.72

 

CMYK 2 / 77 / 0 / 36

HEX #A125A4

RGB 161 37 164

HSL 298.58, 0.63%, 0.39%

LAB 40.54, 63.56, -41.06

 

CMYK 1 / 87 / 0 / 43

HEX #901391

RGB 144 19 145

HSL 299.52, 0.77%, 0.32%

LAB 34.88, 61.54, -38.74

 

CMYK 4 / 59 / 0 / 13

HEX #D45ADD

RGB 212 90 221

HSL 295.88, 0.66%, 0.61%

LAB 58.54, 65.1, -45.1

 

CMYK 0 / 59 / 12 / 13

HEX #DD5AC3

RGB 221 90 195

HSL 311.91, 0.66%, 0.61%

LAB 58.63, 63.14, -30.12

 

CMYK 0 / 59 / 28 / 13

HEX #DD5A9F

RGB 221 90 159

HSL 328.4, 0.66%, 0.61%

LAB 57.26, 58.09, -11.43

 

CMYK 0 / 59 / 44 / 13

HEX #DD5A7C

RGB 221 90 124

HSL 344.43, 0.66%, 0.61%

LAB 56.23, 54.13, 7.58

 

CMYK 0 / 59 / 59 / 13

HEX #DD5A5A

RGB 221 90 90

HSL 0, 0.66%, 0.61%

LAB 55.51, 51.26, 26.52

 

CMYK 4 / 59 / 0 / 13

HEX #D45ADD

RGB 212 90 221

HSL 295.88, 0.66%, 0.61%

LAB 58.54, 65.1, -45.1

 

CMYK 20 / 59 / 0 / 13

HEX #B15ADD

RGB 177 90 221

HSL 279.85, 0.66%, 0.61%

LAB 53.9, 56.54, -52.75

 

CMYK 36 / 59 / 0 / 13

HEX #8D5ADD

RGB 141 90 221

HSL 263.36, 0.66%, 0.61%

LAB 49.73, 48.14, -59.66

 

CMYK 52 / 59 / 0 / 13

HEX #6A5ADD

RGB 106 90 221

HSL 247.33, 0.66%, 0.61%

LAB 46.44, 40.85, -65.14

 

CMYK 59 / 59 / 0 / 13

HEX #5A5ADD

RGB 90 90 221

HSL 240, 0.66%, 0.61%

LAB 45.23, 37.98, -67.16

 

CMYK 4 / 59 / 0 / 13

HEX #D45ADD

RGB 212 90 221

HSL 295.88, 0.66%, 0.61%

LAB 58.54, 65.1, -45.1

 

CMYK 5 / 69 / 0 / 7

HEX #E24AED

RGB 226 74 237

HSL 295.95, 0.82%, 0.61%

LAB 59.14, 77.3, -52.98

 

CMYK 5 / 77 / 0 / 1

HEX #F03AFD

RGB 240 58 253

HSL 296, 0.98%, 0.61%

LAB 60.47, 87.51, -59.64

 

CMYK 4 / 59 / 0 / 13

HEX #D45ADD

RGB 212 90 221

HSL 295.88, 0.66%, 0.61%

LAB 58.54, 65.1, -45.1

 

CMYK 3 / 48 / 0 / 20

HEX #C66ACD

RGB 198 106 205

HSL 295.76, 0.5%, 0.61%

LAB 58.72, 50.96, -35.91

 

CMYK 3 / 35 / 0 / 26

HEX #B87ABD

RGB 184 122 189

HSL 295.52, 0.34%, 0.61%

LAB 59.69, 35.21, -25.44

 

CMYK 1 / 20 / 0 / 32

HEX #AB8AAD

RGB 171 138 173

HSL 296.57, 0.18%, 0.61%

LAB 61.53, 18.76, -13.68

 

CMYK 0 / 2 / 0 / 38

HEX #9D9A9D

RGB 157 154 157

HSL 300, 0.02%, 0.61%

LAB 63.93, 1.66, -1.19

 

CMYK 37 / 59 / 0 / 13

HEX #8C5ADD

RGB 140 90 221

HSL 262.9, 0.66%, 0.61%

LAB 49.63, 47.92, -59.83

 

CMYK 21 / 59 / 0 / 13

HEX #AF5ADD

RGB 175 90 221

HSL 278.93, 0.66%, 0.61%

LAB 53.65, 56.06, -53.16

 

CMYK 5 / 59 / 0 / 13

HEX #D25ADD

RGB 210 90 221

HSL 294.96, 0.66%, 0.61%

LAB 58.26, 64.6, -45.55

 

CMYK 0 / 59 / 11 / 13

HEX #DD5AC5

RGB 221 90 197

HSL 310.99, 0.66%, 0.61%

LAB 58.71, 63.45, -31.13

 

CMYK 0 / 59 / 27 / 13

HEX #DD5AA2

RGB 221 90 162

HSL 327.02, 0.66%, 0.61%

LAB 57.36, 58.48, -13.03

 

CMYK 6 / 79 / 0 / 25

HEX #B327BE

RGB 179 39 190

HSL 295.63, 0.66%, 0.45%

LAB 45.29, 70.9, -48.68

 

CMYK 5 / 74 / 0 / 16

HEX #CB38D6

RGB 203 56 214

HSL 295.82, 0.66%, 0.53%

LAB 52.26, 74.68, -51.17

 

CMYK 4 / 59 / 0 / 13

HEX #D45ADD

RGB 212 90 221

HSL 295.88, 0.66%, 0.61%

LAB 58.54, 65.1, -45.1

 

CMYK 3 / 46 / 0 / 11

HEX #DD7CE4

RGB 221 124 228

HSL 295.96, 0.66%, 0.69%

LAB 66.05, 52.71, -37.14

 

CMYK 2 / 33 / 0 / 8

HEX #E69EEB

RGB 230 158 235

HSL 296.1, 0.66%, 0.77%

LAB 74.37, 39.07, -28.04

 

CMYK 4 / 59 / 0 / 13

HEX #D45BDD

RGB 212 91 221

HSL 295.85, 0.66%, 0.61%

LAB 58.7, 64.66, -44.85

 

CMYK 0 / 52 / 59 / 13

HEX #DD695A

RGB 221 105 90

HSL 6.87, 0.66%, 0.61%

LAB 58.24, 44.15, 30.03

 

CMYK 59 / 0 / 29 / 13

HEX #5ADD9E

RGB 90 221 158

HSL 151.15, 0.66%, 0.61%

LAB 79.82, -50.42, 20.41

 

CMYK 4 / 59 / 0 / 13

HEX #D45BDD

RGB 212 91 221

HSL 295.85, 0.66%, 0.61%

LAB 58.7, 64.66, -44.85

 

CMYK 0 / 5 / 59 / 13

HEX #DDD25A

RGB 221 210 90

HSL 54.96, 0.66%, 0.61%

LAB 83.02, -10.89, 59.37

 

CMYK 59 / 0 / 5 / 13

HEX #5ADDD2

RGB 90 221 210

HSL 174.96, 0.66%, 0.61%

LAB 81.04, -38.32, -5.37

 

CMYK 4 / 59 / 0 / 13

HEX #D45BDD

RGB 212 91 221

HSL 295.85, 0.66%, 0.61%

LAB 58.7, 64.66, -44.85

 

CMYK 0 / 52 / 59 / 13

HEX #DD695A

RGB 221 105 90

HSL 6.87, 0.66%, 0.61%

LAB 58.24, 44.15, 30.03

 

CMYK 54 / 0 / 59 / 13

HEX #65DD5A

RGB 101 221 90

HSL 114.96, 0.66%, 0.61%

LAB 79.17, -58.54, 53.13

 

CMYK 59 / 7 / 0 / 13

HEX #5ACEDD

RGB 90 206 221

HSL 186.87, 0.66%, 0.61%

LAB 77, -28.26, -17.28

 

CMYK 4 / 59 / 0 / 13

HEX #D45BDD

RGB 212 91 221

HSL 295.85, 0.66%, 0.61%

LAB 58.7, 64.66, -44.85

 

CMYK 0 / 34 / 59 / 13

HEX #DD915A

RGB 221 145 90

HSL 25.19, 0.66%, 0.61%

LAB 66.79, 23.33, 40.64

 

CMYK 54 / 0 / 59 / 13

HEX #65DD5A

RGB 101 221 90

HSL 114.96, 0.66%, 0.61%

LAB 79.17, -58.54, 53.13

 

CMYK 59 / 25 / 0 / 13

HEX #5AA6DD

RGB 90 166 221

HSL 205.19, 0.66%, 0.61%

LAB 65.49, -7.42, -34.92

 

Description

Color code: HEX #D45BDD | qconv.com Color code: HEX #D45BDD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 91 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 91 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 59 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 59% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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