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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D45B80 it is the complementary color #2BA47F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D45B80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D45B80 shade: #D95B7B, #EA6D8E, #FB7FA1, #FF91B4 and #FFA3C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D45B80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D45B80 shade: #D45B80, #C3496D, #B2375A, #A12547 and #901334

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D45B80 shade: #D35A7F, #D35A5E and #D35A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D45B80 shade: #D35A7F, #D35AA0, #D35AC0, #C55AD3 and #A45AD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D45B80 shade matches the following richer shades: #D35A7F, #E44978 and #F53872

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D45B80 shade: #D35A7F, #C26B85, #B17C8C, #A08D93 and #8F9D99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D45B80 shade: #D35AC1, #D35AA1, #D35A80, #D35A60 and #D3745A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D45B80 shade: #AD2E55, #CA3966, #D35A7F, #DC7A98 and #E49BB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D45B80 shade: #D45B80, #D3C55A and #5AB1D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D45B80 shade: #D45B80, #80D35A and #5A80D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D45B80 shade: #D45B80, #D3C55A, #5AD3AD and #5A68D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D45B80 shade: #D45B80, #BDD35A, #5AD3AD and #705AD3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 40 / 17

HEX #D45B80

RGB 212 91 128

HSL 341.65, 0.58%, 0.59%

LAB 55.11, 51.15, 3.43

 

Complementary color

CMYK 74 / 0 / 23 / 36

HEX #2BA47F

RGB 43 164 127

HSL 161.65, 0.58%, 0.41%

LAB 60.42, -41.74, 9.88

 

CMYK 0 / 58 / 43 / 15

HEX #D95B7B

RGB 217 91 123

HSL 344.76, 0.62%, 0.6%

LAB 55.75, 52.27, 7.4

 

CMYK 0 / 53 / 39 / 8

HEX #EA6D8E

RGB 234 109 142

HSL 344.16, 0.75%, 0.67%

LAB 61.98, 51.48, 5.59

 

CMYK 0 / 49 / 36 / 2

HEX #FB7FA1

RGB 251 127 161

HSL 343.55, 0.94%, 0.74%

LAB 68.21, 50.63, 4.05

 

CMYK 0 / 43 / 29 / 0

HEX #FF91B4

RGB 255 145 180

HSL 340.91, 1%, 0.78%

LAB 72.76, 45.37, 0.1

 

CMYK 0 / 36 / 22 / 0

HEX #FFA3C7

RGB 255 163 199

HSL 336.52, 1%, 0.82%

LAB 77.03, 38.73, -4.1

 

CMYK 0 / 57 / 40 / 17

HEX #D45B80

RGB 212 91 128

HSL 341.65, 0.58%, 0.59%

LAB 55.11, 51.15, 3.43

 

CMYK 0 / 63 / 44 / 24

HEX #C3496D

RGB 195 73 109

HSL 342.3, 0.5%, 0.53%

LAB 48.85, 51.78, 5.43

 

CMYK 0 / 69 / 49 / 30

HEX #B2375A

RGB 178 55 90

HSL 342.93, 0.53%, 0.46%

LAB 42.67, 52.12, 7.91

 

CMYK 0 / 77 / 56 / 37

HEX #A12547

RGB 161 37 71

HSL 343.55, 0.63%, 0.39%

LAB 36.66, 51.93, 11.06

 

CMYK 0 / 87 / 64 / 44

HEX #901334

RGB 144 19 52

HSL 344.16, 0.77%, 0.32%

LAB 30.98, 50.78, 15.19

 

CMYK 0 / 57 / 40 / 17

HEX #D35A7F

RGB 211 90 127

HSL 341.65, 0.58%, 0.59%

LAB 54.76, 51.17, 3.49

 

CMYK 0 / 57 / 55 / 17

HEX #D35A5E

RGB 211 90 94

HSL 358.02, 0.58%, 0.59%

LAB 53.99, 48.08, 21.91

 

CMYK 0 / 57 / 57 / 17

HEX #D35A5A

RGB 211 90 90

HSL 0, 0.58%, 0.59%

LAB 53.92, 47.78, 24.15

 

CMYK 0 / 57 / 40 / 17

HEX #D35A7F

RGB 211 90 127

HSL 341.65, 0.58%, 0.59%

LAB 54.76, 51.17, 3.49

 

CMYK 0 / 57 / 24 / 17

HEX #D35AA0

RGB 211 90 160

HSL 325.29, 0.58%, 0.59%

LAB 55.79, 55.22, -14.39

 

CMYK 0 / 57 / 9 / 17

HEX #D35AC0

RGB 211 90 192

HSL 309.42, 0.58%, 0.59%

LAB 57.04, 59.96, -30.97

 

CMYK 7 / 57 / 0 / 17

HEX #C55AD3

RGB 197 90 211

HSL 293.06, 0.58%, 0.59%

LAB 55.97, 59.53, -43.63

 

CMYK 22 / 57 / 0 / 17

HEX #A45AD3

RGB 164 90 211

HSL 276.69, 0.58%, 0.59%

LAB 51.73, 51.2, -50.62

 

CMYK 0 / 57 / 40 / 17

HEX #D35A7F

RGB 211 90 127

HSL 341.65, 0.58%, 0.59%

LAB 54.76, 51.17, 3.49

 

CMYK 0 / 68 / 47 / 11

HEX #E44978

RGB 228 73 120

HSL 341.81, 0.74%, 0.59%

LAB 54.67, 62.96, 7.89

 

CMYK 0 / 77 / 53 / 4

HEX #F53872

RGB 245 56 114

HSL 341.59, 0.9%, 0.59%

LAB 55.54, 72.81, 13.12

 

CMYK 0 / 57 / 40 / 17

HEX #D35A7F

RGB 211 90 127

HSL 341.65, 0.58%, 0.59%

LAB 54.76, 51.17, 3.49

 

CMYK 0 / 45 / 31 / 24

HEX #C26B85

RGB 194 107 133

HSL 342.07, 0.42%, 0.59%

LAB 55.76, 37.56, 1.12

 

CMYK 0 / 30 / 21 / 31

HEX #B17C8C

RGB 177 124 140

HSL 341.89, 0.25%, 0.59%

LAB 57.71, 23, -0.37

 

CMYK 0 / 12 / 8 / 37

HEX #A08D93

RGB 160 141 147

HSL 341.05, 0.09%, 0.59%

LAB 60.45, 8.18, -0.58

 

CMYK 9 / 0 / 3 / 38

HEX #8F9D99

RGB 143 157 153

HSL 162.86, 0.07%, 0.59%

LAB 63.55, -5.77, 0.38

 

CMYK 0 / 57 / 9 / 17

HEX #D35AC1

RGB 211 90 193

HSL 308.93, 0.58%, 0.59%

LAB 57.09, 60.12, -31.48

 

CMYK 0 / 57 / 24 / 17

HEX #D35AA1

RGB 211 90 161

HSL 324.79, 0.58%, 0.59%

LAB 55.82, 55.36, -14.92

 

CMYK 0 / 57 / 39 / 17

HEX #D35A80

RGB 211 90 128

HSL 341.16, 0.58%, 0.59%

LAB 54.78, 51.28, 2.94

 

CMYK 0 / 57 / 55 / 17

HEX #D35A60

RGB 211 90 96

HSL 357.02, 0.58%, 0.59%

LAB 54.03, 48.24, 20.79

 

CMYK 0 / 45 / 57 / 17

HEX #D3745A

RGB 211 116 90

HSL 12.89, 0.58%, 0.59%

LAB 59.05, 34.75, 30.76

 

CMYK 0 / 73 / 51 / 32

HEX #AD2E55

RGB 173 46 85

HSL 341.57, 0.58%, 0.43%

LAB 40.4, 53.55, 7.71

 

CMYK 0 / 72 / 50 / 21

HEX #CA3966

RGB 202 57 102

HSL 341.38, 0.58%, 0.51%

LAB 47.55, 59.64, 8.01

 

CMYK 0 / 57 / 40 / 17

HEX #D35A7F

RGB 211 90 127

HSL 341.65, 0.58%, 0.59%

LAB 54.76, 51.17, 3.49

 

CMYK 0 / 45 / 31 / 14

HEX #DC7A98

RGB 220 122 152

HSL 341.63, 0.58%, 0.67%

LAB 62.85, 41.42, 0.86

 

CMYK 0 / 32 / 22 / 11

HEX #E49BB1

RGB 228 155 177

HSL 341.92, 0.57%, 0.75%

LAB 71.63, 30.31, -0.27

 

CMYK 0 / 57 / 40 / 17

HEX #D45B80

RGB 212 91 128

HSL 341.65, 0.58%, 0.59%

LAB 55.11, 51.15, 3.43

 

CMYK 0 / 7 / 57 / 17

HEX #D3C55A

RGB 211 197 90

HSL 53.06, 0.58%, 0.59%

LAB 78.76, -8.43, 54.38

 

CMYK 57 / 16 / 0 / 17

HEX #5AB1D3

RGB 90 177 211

HSL 196.86, 0.58%, 0.59%

LAB 68.26, -16.44, -25.14

 

CMYK 0 / 57 / 40 / 17

HEX #D45B80

RGB 212 91 128

HSL 341.65, 0.58%, 0.59%

LAB 55.11, 51.15, 3.43

 

CMYK 39 / 0 / 57 / 17

HEX #80D35A

RGB 128 211 90

HSL 101.16, 0.58%, 0.59%

LAB 77.23, -46.77, 51.18

 

CMYK 57 / 39 / 0 / 17

HEX #5A80D3

RGB 90 128 211

HSL 221.16, 0.58%, 0.59%

LAB 54.36, 11.4, -46.82

 

CMYK 0 / 57 / 40 / 17

HEX #D45B80

RGB 212 91 128

HSL 341.65, 0.58%, 0.59%

LAB 55.11, 51.15, 3.43

 

CMYK 0 / 7 / 57 / 17

HEX #D3C55A

RGB 211 197 90

HSL 53.06, 0.58%, 0.59%

LAB 78.76, -8.43, 54.38

 

CMYK 57 / 0 / 18 / 17

HEX #5AD3AD

RGB 90 211 173

HSL 161.16, 0.58%, 0.59%

LAB 77.15, -42.94, 8.72

 

CMYK 57 / 51 / 0 / 17

HEX #5A68D3

RGB 90 104 211

HSL 233.06, 0.58%, 0.59%

LAB 47.98, 26.14, -57.02

 

CMYK 0 / 57 / 40 / 17

HEX #D45B80

RGB 212 91 128

HSL 341.65, 0.58%, 0.59%

LAB 55.11, 51.15, 3.43

 

CMYK 10 / 0 / 57 / 17

HEX #BDD35A

RGB 189 211 90

HSL 70.91, 0.58%, 0.59%

LAB 80.82, -24.4, 56.23

 

CMYK 57 / 0 / 18 / 17

HEX #5AD3AD

RGB 90 211 173

HSL 161.16, 0.58%, 0.59%

LAB 77.15, -42.94, 8.72

 

CMYK 47 / 57 / 0 / 17

HEX #705AD3

RGB 112 90 211

HSL 250.91, 0.58%, 0.59%

LAB 46.26, 39.09, -59.71

 

Description

Color code: HEX #D45B80 | qconv.com Color code: HEX #D45B80 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 91 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 91 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 40 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 40% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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