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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4597ACE it is the complementary color #2BA685CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4597ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4597ACE shade: #D95975CE, #EA6B88CE, #FB7D9BCE, #FF8FAECE and #FFA1C1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4597ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4597ACE shade: #D4597ACE, #C34767CE, #B23554CE, #A12341CE and #90112ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4597ACE shade: #D4597A and #D45959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4597ACE shade: #D4597A, #D4599B, #D459BC, #CB59D4 and #A959D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4597ACE shade matches the following richer shades: #D4597A, #E54872 and #F6376A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4597ACE shade: #D4597A, #C36A82, #B27B8A, #A18C91 and #909C99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4597ACE shade: #D459BE, #D4599D, #D4597C, #D4595B and #D47859

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4597ACE shade: #AE2D4F, #CC3860, #D4597A, #DD7A94 and #E59AAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4597ACE shade: #D4597A, #D4CA59 and #59ADD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4597ACE shade: #D4597A, #7CD459 and #597CD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4597ACE shade: #D4597A, #D4CA59, #59D4B1 and #5963D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4597ACE shade: #D4597A, #B9D459, #59D4B1 and #7359D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 34 / 14

HEX #D4597ACE

RGBA 212 89 122 0.81

HSLA 343.9, 0.59%, 0.59%, 0.81

LABA 54.6, 51.44, 6.25, 0.81

 

Complementary color

CMYK 60 / 0 / 16 / 28

HEX #2BA685CE

RGBA 43 166 133 0.81

HSLA 163.9, 0.59%, 0.41%, 0.81

LABA 61.2, -41.1, 7.63, 0.81

 

CMYK 0 / 48 / 37 / 12

HEX #D95975CE

RGBA 217 89 117 0.81

HSLA 346.88, 0.63%, 0.6%, 0.81

LABA 55.26, 52.59, 10.24, 0.81

 

CMYK 0 / 44 / 34 / 7

HEX #EA6B88CE

RGBA 234 107 136 0.81

HSLA 346.3, 0.75%, 0.67%, 0.81

LABA 61.47, 51.8, 8.32, 0.81

 

CMYK 0 / 41 / 31 / 1

HEX #FB7D9BCE

RGBA 251 125 155 0.81

HSLA 345.71, 0.94%, 0.74%, 0.81

LABA 67.68, 50.93, 6.68, 0.81

 

CMYK 0 / 36 / 26 / 0

HEX #FF8FAECE

RGBA 255 143 174 0.81

HSLA 343.39, 1%, 0.78%, 0.81

LABA 72.2, 45.62, 2.62, 0.81

 

CMYK 0 / 30 / 20 / 0

HEX #FFA1C1CE

RGBA 255 161 193 0.81

HSLA 339.57, 1%, 0.82%, 0.81

LABA 76.44, 38.92, -1.69, 0.81

 

CMYK 0 / 47 / 34 / 14

HEX #D4597ACE

RGBA 212 89 122 0.81

HSLA 343.9, 0.59%, 0.59%, 0.81

LABA 54.6, 51.44, 6.25, 0.81

 

CMYK 0 / 52 / 38 / 19

HEX #C34767CE

RGBA 195 71 103 0.81

HSLA 344.52, 0.51%, 0.52%, 0.81

LABA 48.37, 52.06, 8.39, 0.81

 

CMYK 0 / 57 / 43 / 24

HEX #B23554CE

RGBA 178 53 84 0.81

HSLA 345.12, 0.54%, 0.45%, 0.81

LABA 42.23, 52.38, 11.05, 0.81

 

CMYK 0 / 63 / 48 / 30

HEX #A12341CE

RGBA 161 35 65 0.81

HSLA 345.71, 0.64%, 0.38%, 0.81

LABA 36.29, 52.13, 14.42, 0.81

 

CMYK 0 / 71 / 55 / 35

HEX #90112ECE

RGBA 144 17 46 0.81

HSLA 346.3, 0.79%, 0.32%, 0.81

LABA 30.71, 50.87, 18.8, 0.81

 

CMYK 0 / 58 / 42 / 17

HEX #D4597A

RGB 212 89 122

HSL 343.9, 0.59%, 0.59%

LAB 54.6, 51.44, 6.25

 

CMYK 0 / 58 / 58 / 17

HEX #D45959

RGB 212 89 89

HSL 0, 0.59%, 0.59%

LAB 53.88, 48.52, 24.71

 

CMYK 0 / 58 / 42 / 17

HEX #D4597A

RGB 212 89 122

HSL 343.9, 0.59%, 0.59%

LAB 54.6, 51.44, 6.25

 

CMYK 0 / 58 / 27 / 17

HEX #D4599B

RGB 212 89 155

HSL 327.8, 0.59%, 0.59%

LAB 55.59, 55.31, -11.74

 

CMYK 0 / 58 / 11 / 17

HEX #D459BC

RGB 212 89 188

HSL 311.71, 0.59%, 0.59%

LAB 56.85, 60.05, -28.96

 

CMYK 4 / 58 / 0 / 17

HEX #CB59D4

RGB 203 89 212

HSL 295.61, 0.59%, 0.59%

LAB 56.68, 61.69, -43.03

 

CMYK 20 / 58 / 0 / 17

HEX #A959D4

RGB 169 89 212

HSL 279.02, 0.59%, 0.59%

LAB 52.21, 53.16, -50.39

 

CMYK 0 / 58 / 42 / 17

HEX #D4597A

RGB 212 89 122

HSL 343.9, 0.59%, 0.59%

LAB 54.6, 51.44, 6.25

 

CMYK 0 / 69 / 50 / 10

HEX #E54872

RGB 229 72 114

HSL 343.95, 0.75%, 0.59%

LAB 54.56, 63.12, 11.33

 

CMYK 0 / 78 / 57 / 4

HEX #F6376A

RGB 246 55 106

HSL 343.98, 0.91%, 0.59%

LAB 55.45, 72.8, 17.79

 

CMYK 0 / 58 / 42 / 17

HEX #D4597A

RGB 212 89 122

HSL 343.9, 0.59%, 0.59%

LAB 54.6, 51.44, 6.25

 

CMYK 0 / 46 / 33 / 24

HEX #C36A82

RGB 195 106 130

HSL 343.82, 0.43%, 0.59%

LAB 55.61, 38.06, 2.66

 

CMYK 0 / 31 / 22 / 30

HEX #B27B8A

RGB 178 123 138

HSL 343.64, 0.26%, 0.59%

LAB 57.53, 23.62, 0.54

 

CMYK 0 / 13 / 10 / 37

HEX #A18C91

RGB 161 140 145

HSL 345.71, 0.1%, 0.59%

LAB 60.23, 8.76, 0.24

 

CMYK 8 / 0 / 2 / 39

HEX #909C99

RGB 144 156 153

HSL 165, 0.06%, 0.59%

LAB 63.35, -4.87, 0.09

 

CMYK 0 / 58 / 10 / 17

HEX #D459BE

RGB 212 89 190

HSL 310.73, 0.59%, 0.59%

LAB 56.94, 60.36, -29.98

 

CMYK 0 / 58 / 26 / 17

HEX #D4599D

RGB 212 89 157

HSL 326.83, 0.59%, 0.59%

LAB 55.66, 55.57, -12.81

 

CMYK 0 / 58 / 42 / 17

HEX #D4597C

RGB 212 89 124

HSL 342.93, 0.59%, 0.59%

LAB 54.65, 51.64, 5.14

 

CMYK 0 / 58 / 57 / 17

HEX #D4595B

RGB 212 89 91

HSL 359.02, 0.59%, 0.59%

LAB 53.92, 48.67, 23.59

 

CMYK 0 / 43 / 58 / 17

HEX #D47859

RGB 212 120 89

HSL 15.12, 0.59%, 0.59%

LAB 60.03, 32.96, 32.58

 

CMYK 0 / 74 / 55 / 32

HEX #AE2D4F

RGB 174 45 79

HSL 344.19, 0.59%, 0.43%

LAB 40.31, 53.7, 11.41

 

CMYK 0 / 73 / 53 / 20

HEX #CC3860

RGB 204 56 96

HSL 343.78, 0.59%, 0.51%

LAB 47.64, 60.08, 11.86

 

CMYK 0 / 58 / 42 / 17

HEX #D4597A

RGB 212 89 122

HSL 343.9, 0.59%, 0.59%

LAB 54.6, 51.44, 6.25

 

CMYK 0 / 45 / 33 / 13

HEX #DD7A94

RGB 221 122 148

HSL 344.24, 0.59%, 0.67%

LAB 62.87, 41.26, 3.2

 

CMYK 0 / 33 / 24 / 10

HEX #E59AAE

RGB 229 154 174

HSL 344, 0.59%, 0.75%

LAB 71.44, 30.77, 1.12

 

CMYK 0 / 58 / 42 / 17

HEX #D4597A

RGB 212 89 122

HSL 343.9, 0.59%, 0.59%

LAB 54.6, 51.44, 6.25

 

CMYK 0 / 5 / 58 / 17

HEX #D4CA59

RGB 212 202 89

HSL 55.12, 0.59%, 0.59%

LAB 80.16, -10.64, 56.42

 

CMYK 58 / 18 / 0 / 17

HEX #59ADD4

RGB 89 173 212

HSL 199.02, 0.59%, 0.59%

LAB 67.1, -14.21, -27.47

 

CMYK 0 / 58 / 42 / 17

HEX #D4597A

RGB 212 89 122

HSL 343.9, 0.59%, 0.59%

LAB 54.6, 51.44, 6.25

 

CMYK 42 / 0 / 58 / 17

HEX #7CD459

RGB 124 212 89

HSL 102.93, 0.59%, 0.59%

LAB 77.34, -48.57, 51.71

 

CMYK 58 / 42 / 0 / 17

HEX #597CD4

RGB 89 124 212

HSL 222.93, 0.59%, 0.59%

LAB 53.27, 13.96, -49.12

 

CMYK 0 / 58 / 42 / 17

HEX #D4597A

RGB 212 89 122

HSL 343.9, 0.59%, 0.59%

LAB 54.6, 51.44, 6.25

 

CMYK 0 / 5 / 58 / 17

HEX #D4CA59

RGB 212 202 89

HSL 55.12, 0.59%, 0.59%

LAB 80.16, -10.64, 56.42

 

CMYK 58 / 0 / 17 / 17

HEX #59D4B1

RGB 89 212 177

HSL 162.93, 0.59%, 0.59%

LAB 77.51, -42.65, 7.1

 

CMYK 58 / 53 / 0 / 17

HEX #5963D4

RGB 89 99 212

HSL 235.12, 0.59%, 0.59%

LAB 46.71, 29.37, -59.63

 

CMYK 0 / 58 / 42 / 17

HEX #D4597A

RGB 212 89 122

HSL 343.9, 0.59%, 0.59%

LAB 54.6, 51.44, 6.25

 

CMYK 13 / 0 / 58 / 17

HEX #B9D459

RGB 185 212 89

HSL 73.17, 0.59%, 0.59%

LAB 80.81, -26.55, 56.58

 

CMYK 58 / 0 / 17 / 17

HEX #59D4B1

RGB 89 212 177

HSL 162.93, 0.59%, 0.59%

LAB 77.51, -42.65, 7.1

 

CMYK 46 / 58 / 0 / 17

HEX #7359D4

RGB 115 89 212

HSL 252.68, 0.59%, 0.59%

LAB 46.37, 40.59, -60.09

 

Description

Color code: HEX #D4597ACE | qconv.com Color code: HEX #D4597ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 89 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 89 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 34 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 34% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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