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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D45714 it is the complementary color #2BA8EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D45714. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D45714 shade: #D9570F, #EA6922, #FB7B35, #FF8D48 and #FF9F5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D45714. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D45714 shade: #D45714, #C34501, #B23300, #A12100 and #900F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D45714 shade: #D25614, #D22314 and #D21414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D45714 shade: #D25614, #D28914, #D2BD14, #B4D214 and #81D214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D45714 shade matches the following richer shades: #D25614 and #E55001

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D45714 shade: #D25614, #BF5C26, #AD6139, #9A674B and #886C5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D45714 shade: #D2143A, #D22014, #D25314, #D28614 and #D2B914

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D45714 shade: #86370C, #AC4710, #D25614, #EB6924 and #EE834A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D45714 shade: #D45714, #6CD214 and #1420D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D45714 shade: #D45714, #14D253 and #5314D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D45714 shade: #D45714, #6CD214, #1492D2 and #7914D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D45714 shade: #D45714, #33D214, #1492D2 and #B214D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 91 / 17

HEX #D45714

RGB 212 87 20

HSL 20.94, 0.83%, 0.45%

LAB 52.8, 46.45, 57.74

 

Complementary color

CMYK 82 / 29 / 0 / 8

HEX #2BA8EB

RGB 43 168 235

HSL 200.94, 0.83%, 0.55%

LAB 65.37, -10.33, -42.9

 

CMYK 0 / 60 / 93 / 15

HEX #D9570F

RGB 217 87 15

HSL 21.39, 0.87%, 0.45%

LAB 53.6, 48.22, 60.08

 

CMYK 0 / 55 / 85 / 8

HEX #EA6922

RGB 234 105 34

HSL 21.3, 0.83%, 0.53%

LAB 59.63, 46.43, 59.78

 

CMYK 0 / 51 / 79 / 2

HEX #FB7B35

RGB 251 123 53

HSL 21.21, 0.96%, 0.6%

LAB 65.7, 44.67, 58.48

 

CMYK 0 / 45 / 72 / 0

HEX #FF8D48

RGB 255 141 72

HSL 22.62, 1%, 0.64%

LAB 70.02, 37.99, 54.42

 

CMYK 0 / 38 / 64 / 0

HEX #FF9F5B

RGB 255 159 91

HSL 24.88, 1%, 0.68%

LAB 74.07, 29.75, 49.74

 

CMYK 0 / 59 / 91 / 17

HEX #D45714

RGB 212 87 20

HSL 20.94, 0.83%, 0.45%

LAB 52.8, 46.45, 57.74

 

CMYK 0 / 65 / 99 / 24

HEX #C34501

RGB 195 69 1

HSL 21.03, 0.99%, 0.38%

LAB 46.79, 48.16, 57.39

 

CMYK 0 / 71 / 100 / 30

HEX #B23300

RGB 178 51 0

HSL 17.19, 1%, 0.35%

LAB 40.95, 49.65, 53.02

 

CMYK 0 / 80 / 100 / 37

HEX #A12100

RGB 161 33 0

HSL 12.3, 1%, 0.32%

LAB 35.33, 50.39, 48.48

 

CMYK 0 / 90 / 100 / 44

HEX #900F00

RGB 144 15 0

HSL 6.25, 1%, 0.28%

LAB 30.09, 49.88, 43.36

 

CMYK 0 / 59 / 90 / 18

HEX #D25614

RGB 210 86 20

HSL 20.84, 0.83%, 0.45%

LAB 52.3, 46.18, 57.22

 

CMYK 0 / 83 / 90 / 18

HEX #D22314

RGB 210 35 20

HSL 4.74, 0.83%, 0.45%

LAB 45.57, 64.53, 52.45

 

CMYK 0 / 90 / 90 / 18

HEX #D21414

RGB 210 20 20

HSL 0, 0.83%, 0.45%

LAB 44.59, 67.32, 51.77

 

CMYK 0 / 59 / 90 / 18

HEX #D25614

RGB 210 86 20

HSL 20.84, 0.83%, 0.45%

LAB 52.3, 46.18, 57.22

 

CMYK 0 / 35 / 90 / 18

HEX #D28914

RGB 210 137 20

HSL 36.95, 0.83%, 0.45%

LAB 63.05, 19.87, 65.19

 

CMYK 0 / 10 / 90 / 18

HEX #D2BD14

RGB 210 189 20

HSL 53.37, 0.83%, 0.45%

LAB 76.16, -7.82, 75.22

 

CMYK 14 / 0 / 90 / 18

HEX #B4D214

RGB 180 210 20

HSL 69.47, 0.83%, 0.45%

LAB 79.53, -30.93, 76.85

 

CMYK 39 / 0 / 90 / 18

HEX #81D214

RGB 129 210 20

HSL 85.58, 0.83%, 0.45%

LAB 76.56, -50.33, 73.22

 

CMYK 0 / 59 / 90 / 18

HEX #D25614

RGB 210 86 20

HSL 20.84, 0.83%, 0.45%

LAB 52.3, 46.18, 57.22

 

CMYK 0 / 65 / 100 / 10

HEX #E55001

RGB 229 80 1

HSL 20.79, 0.99%, 0.45%

LAB 54.45, 55.37, 64.63

 

CMYK 0 / 59 / 90 / 18

HEX #D25614

RGB 210 86 20

HSL 20.84, 0.83%, 0.45%

LAB 52.3, 46.18, 57.22

 

CMYK 0 / 52 / 80 / 25

HEX #BF5C26

RGB 191 92 38

HSL 21.18, 0.67%, 0.45%

LAB 50.54, 36.38, 47.55

 

CMYK 0 / 44 / 67 / 32

HEX #AD6139

RGB 173 97 57

HSL 20.69, 0.5%, 0.45%

LAB 49.17, 27.25, 35.74

 

CMYK 0 / 33 / 51 / 40

HEX #9A674B

RGB 154 103 75

HSL 21.27, 0.34%, 0.45%

LAB 48.36, 17.22, 24.07

 

CMYK 0 / 21 / 31 / 47

HEX #886C5E

RGB 136 108 94

HSL 20, 0.18%, 0.45%

LAB 47.97, 8.93, 12.05

 

CMYK 0 / 90 / 72 / 18

HEX #D2143A

RGB 210 20 58

HSL 348, 0.83%, 0.45%

LAB 44.95, 68.35, 31.84

 

CMYK 0 / 85 / 90 / 18

HEX #D22014

RGB 210 32 20

HSL 3.79, 0.83%, 0.45%

LAB 45.34, 65.19, 52.28

 

CMYK 0 / 60 / 90 / 18

HEX #D25314

RGB 210 83 20

HSL 19.89, 0.83%, 0.45%

LAB 51.77, 47.56, 56.84

 

CMYK 0 / 36 / 90 / 18

HEX #D28614

RGB 210 134 20

HSL 36, 0.83%, 0.45%

LAB 62.34, 21.49, 64.66

 

CMYK 0 / 12 / 90 / 18

HEX #D2B914

RGB 210 185 20

HSL 52.11, 0.83%, 0.45%

LAB 75.11, -5.76, 74.41

 

CMYK 0 / 59 / 91 / 47

HEX #86370C

RGB 134 55 12

HSL 21.15, 0.84%, 0.29%

LAB 33.62, 31.72, 40.26

 

CMYK 0 / 59 / 91 / 33

HEX #AC4710

RGB 172 71 16

HSL 21.15, 0.83%, 0.37%

LAB 43.23, 38.87, 49.01

 

CMYK 0 / 59 / 90 / 18

HEX #D25614

RGB 210 86 20

HSL 20.84, 0.83%, 0.45%

LAB 52.3, 46.18, 57.22

 

CMYK 0 / 55 / 85 / 8

HEX #EB6924

RGB 235 105 36

HSL 20.8, 0.83%, 0.53%

LAB 59.79, 46.85, 59.23

 

CMYK 0 / 45 / 69 / 7

HEX #EE834A

RGB 238 131 74

HSL 20.85, 0.83%, 0.61%

LAB 65.67, 36.53, 48.05

 

CMYK 0 / 59 / 91 / 17

HEX #D45714

RGB 212 87 20

HSL 20.94, 0.83%, 0.45%

LAB 52.8, 46.45, 57.74

 

CMYK 49 / 0 / 90 / 18

HEX #6CD214

RGB 108 210 20

HSL 92.21, 0.83%, 0.45%

LAB 75.66, -57.09, 72.1

 

CMYK 90 / 85 / 0 / 18

HEX #1420D2

RGB 20 32 210

HSL 236.21, 0.83%, 0.45%

LAB 28.99, 59.92, -87.7

 

CMYK 0 / 59 / 91 / 17

HEX #D45714

RGB 212 87 20

HSL 20.94, 0.83%, 0.45%

LAB 52.8, 46.45, 57.74

 

CMYK 90 / 0 / 60 / 18

HEX #14D253

RGB 20 210 83

HSL 139.89, 0.83%, 0.45%

LAB 74.1, -68.46, 49.99

 

CMYK 60 / 90 / 0 / 18

HEX #5314D2

RGB 83 20 210

HSL 259.89, 0.83%, 0.45%

LAB 31.79, 66.89, -82.93

 

CMYK 0 / 59 / 91 / 17

HEX #D45714

RGB 212 87 20

HSL 20.94, 0.83%, 0.45%

LAB 52.8, 46.45, 57.74

 

CMYK 49 / 0 / 90 / 18

HEX #6CD214

RGB 108 210 20

HSL 92.21, 0.83%, 0.45%

LAB 75.66, -57.09, 72.1

 

CMYK 90 / 30 / 0 / 18

HEX #1492D2

RGB 20 146 210

HSL 200.21, 0.83%, 0.45%

LAB 57.42, -8.56, -41.55

 

CMYK 42 / 90 / 0 / 18

HEX #7914D2

RGB 121 20 210

HSL 271.89, 0.83%, 0.45%

LAB 36.4, 70.37, -75.16

 

CMYK 0 / 59 / 91 / 17

HEX #D45714

RGB 212 87 20

HSL 20.94, 0.83%, 0.45%

LAB 52.8, 46.45, 57.74

 

CMYK 76 / 0 / 90 / 18

HEX #33D214

RGB 51 210 20

HSL 110.21, 0.83%, 0.45%

LAB 74.09, -69.95, 70.15

 

CMYK 90 / 30 / 0 / 18

HEX #1492D2

RGB 20 146 210

HSL 200.21, 0.83%, 0.45%

LAB 57.42, -8.56, -41.55

 

CMYK 15 / 90 / 0 / 18

HEX #B214D2

RGB 178 20 210

HSL 289.89, 0.83%, 0.45%

LAB 45.11, 77.96, -60.59

 

Description

Color code: HEX #D45714 | qconv.com Color code: HEX #D45714 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 87 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 87 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 91 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 91% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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