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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D456E7 it is the complementary color #2BA918. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D456E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D456E7 shade: #D956E2, #EA68F5, #FB7AFF, #FF8CFF and #FF9EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D456E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D456E7 shade: #D456E7, #C344D4, #B232C1, #A120AE and #900E9B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D456E7 shade: #D455E7, #E755D3, #E755AB, #E75584 and #E7555D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D456E7 shade: #D455E7, #AD55E7, #8555E7, #5E55E7 and #5555E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D456E7 shade matches the following richer shades: #D455E7 and #DF46F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D456E7 shade: #D455E7, #C865D7, #BD75C7, #B184B8 and #A594A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D456E7 shade: #8655E7, #AD55E7, #D355E7, #E755D3 and #E755AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D456E7 shade: #B61DCC, #CB31E2, #D455E7, #DD7AEC and #E69EF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D456E7 shade: #D456E7, #E75F55 and #55E799

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D456E7 shade: #D456E7, #E7D355 and #55E7D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D456E7 shade: #D456E7, #E75F55, #69E755 and #55DDE7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D456E7 shade: #D456E7, #E78B55, #69E755 and #55B1E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 63 / 0 / 9

HEX #D456E7

RGB 212 86 231

HSL 292.14, 0.75%, 0.62%

LAB 58.44, 68.57, -50.87

 

Complementary color

CMYK 75 / 0 / 86 / 34

HEX #2BA918

RGB 43 169 24

HSL 112.14, 0.75%, 0.38%

LAB 60.74, -58.5, 57.74

 

CMYK 4 / 62 / 0 / 11

HEX #D956E2

RGB 217 86 226

HSL 296.14, 0.71%, 0.61%

LAB 58.88, 68.87, -47.32

 

CMYK 4 / 58 / 0 / 4

HEX #EA68F5

RGB 234 104 245

HSL 295.32, 0.88%, 0.68%

LAB 64.95, 68.64, -48.15

 

CMYK 2 / 52 / 0 / 0

HEX #FB7AFF

RGB 251 122 255

HSL 298.2, 1%, 0.74%

LAB 70.63, 66.65, -44.55

 

CMYK 0 / 45 / 0 / 0

HEX #FF8CFF

RGB 255 140 255

HSL 300, 1%, 0.77%

LAB 74.34, 59.25, -38.72

 

CMYK 0 / 38 / 0 / 0

HEX #FF9EFF

RGB 255 158 255

HSL 300, 1%, 0.81%

LAB 77.84, 50.31, -33.3

 

CMYK 8 / 63 / 0 / 9

HEX #D456E7

RGB 212 86 231

HSL 292.14, 0.75%, 0.62%

LAB 58.44, 68.57, -50.87

 

CMYK 8 / 68 / 0 / 17

HEX #C344D4

RGB 195 68 212

HSL 292.92, 0.63%, 0.55%

LAB 52.39, 68.52, -49.91

 

CMYK 8 / 74 / 0 / 24

HEX #B232C1

RGB 178 50 193

HSL 293.71, 0.59%, 0.48%

LAB 46.44, 67.96, -48.6

 

CMYK 7 / 82 / 0 / 32

HEX #A120AE

RGB 161 32 174

HSL 294.51, 0.69%, 0.4%

LAB 40.68, 66.61, -46.81

 

CMYK 7 / 91 / 0 / 39

HEX #900E9B

RGB 144 14 155

HSL 295.32, 0.83%, 0.33%

LAB 35.22, 64.07, -44.31

 

CMYK 8 / 63 / 0 / 9

HEX #D455E7

RGB 212 85 231

HSL 292.19, 0.75%, 0.62%

LAB 58.29, 68.99, -51.11

 

CMYK 0 / 63 / 9 / 9

HEX #E755D3

RGB 231 85 211

HSL 308.22, 0.75%, 0.62%

LAB 60.06, 70.22, -36.87

 

CMYK 0 / 63 / 26 / 9

HEX #E755AB

RGB 231 85 171

HSL 324.66, 0.75%, 0.62%

LAB 58.44, 64.62, -16.47

 

CMYK 0 / 63 / 43 / 9

HEX #E75584

RGB 231 85 132

HSL 340.68, 0.75%, 0.62%

LAB 57.22, 60.22, 4.51

 

CMYK 0 / 63 / 60 / 9

HEX #E7555D

RGB 231 85 93

HSL 356.71, 0.75%, 0.62%

LAB 56.36, 57.01, 26.21

 

CMYK 8 / 63 / 0 / 9

HEX #D455E7

RGB 212 85 231

HSL 292.19, 0.75%, 0.62%

LAB 58.29, 68.99, -51.11

 

CMYK 25 / 63 / 0 / 9

HEX #AD55E7

RGB 173 85 231

HSL 276.16, 0.75%, 0.62%

LAB 53.11, 60.16, -59.67

 

CMYK 42 / 63 / 0 / 9

HEX #8555E7

RGB 133 85 231

HSL 259.73, 0.75%, 0.62%

LAB 48.58, 51.73, -67.22

 

CMYK 59 / 63 / 0 / 9

HEX #5E55E7

RGB 94 85 231

HSL 243.7, 0.75%, 0.62%

LAB 45.15, 44.77, -72.96

 

CMYK 63 / 63 / 0 / 9

HEX #5555E7

RGB 85 85 231

HSL 240, 0.75%, 0.62%

LAB 44.52, 43.42, -74.01

 

CMYK 8 / 63 / 0 / 9

HEX #D455E7

RGB 212 85 231

HSL 292.19, 0.75%, 0.62%

LAB 58.29, 68.99, -51.11

 

CMYK 9 / 72 / 0 / 4

HEX #DF46F6

RGB 223 70 246

HSL 292.16, 0.91%, 0.62%

LAB 58.72, 79.56, -58.7

 

CMYK 8 / 63 / 0 / 9

HEX #D455E7

RGB 212 85 231

HSL 292.19, 0.75%, 0.62%

LAB 58.29, 68.99, -51.11

 

CMYK 7 / 53 / 0 / 16

HEX #C865D7

RGB 200 101 215

HSL 292.11, 0.59%, 0.62%

LAB 58.5, 55.86, -41.88

 

CMYK 5 / 41 / 0 / 22

HEX #BD75C7

RGB 189 117 199

HSL 292.68, 0.42%, 0.62%

LAB 59.58, 41.43, -31.24

 

CMYK 4 / 28 / 0 / 28

HEX #B184B8

RGB 177 132 184

HSL 291.92, 0.27%, 0.62%

LAB 61.05, 26.37, -20.58

 

CMYK 2 / 12 / 0 / 34

HEX #A594A8

RGB 165 148 168

HSL 291, 0.1%, 0.62%

LAB 63.35, 10.02, -8.17

 

CMYK 42 / 63 / 0 / 9

HEX #8655E7

RGB 134 85 231

HSL 260.14, 0.75%, 0.62%

LAB 48.68, 51.93, -67.05

 

CMYK 25 / 63 / 0 / 9

HEX #AD55E7

RGB 173 85 231

HSL 276.16, 0.75%, 0.62%

LAB 53.11, 60.16, -59.67

 

CMYK 9 / 63 / 0 / 9

HEX #D355E7

RGB 211 85 231

HSL 291.78, 0.75%, 0.62%

LAB 58.15, 68.76, -51.34

 

CMYK 0 / 63 / 9 / 9

HEX #E755D3

RGB 231 85 211

HSL 308.22, 0.75%, 0.62%

LAB 60.06, 70.22, -36.87

 

CMYK 0 / 63 / 25 / 9

HEX #E755AD

RGB 231 85 173

HSL 323.84, 0.75%, 0.62%

LAB 58.51, 64.87, -17.52

 

CMYK 11 / 86 / 0 / 20

HEX #B61DCC

RGB 182 29 204

HSL 292.46, 0.75%, 0.46%

LAB 45.88, 76.06, -55.84

 

CMYK 10 / 78 / 0 / 11

HEX #CB31E2

RGB 203 49 226

HSL 292.2, 0.75%, 0.54%

LAB 52.27, 78.72, -57.98

 

CMYK 8 / 63 / 0 / 9

HEX #D455E7

RGB 212 85 231

HSL 292.19, 0.75%, 0.62%

LAB 58.29, 68.99, -51.11

 

CMYK 6 / 48 / 0 / 7

HEX #DD7AEC

RGB 221 122 236

HSL 292.11, 0.75%, 0.7%

LAB 66.02, 55.2, -41.61

 

CMYK 5 / 34 / 0 / 5

HEX #E69EF1

RGB 230 158 241

HSL 292.05, 0.75%, 0.78%

LAB 74.59, 40.2, -30.96

 

CMYK 8 / 63 / 0 / 9

HEX #D456E7

RGB 212 86 231

HSL 292.14, 0.75%, 0.62%

LAB 58.44, 68.57, -50.87

 

CMYK 0 / 59 / 63 / 9

HEX #E75F55

RGB 231 95 85

HSL 4.11, 0.75%, 0.62%

LAB 57.87, 52.12, 32.72

 

CMYK 63 / 0 / 34 / 9

HEX #55E799

RGB 85 231 153

HSL 147.95, 0.75%, 0.62%

LAB 82.58, -56.36, 26.76

 

CMYK 8 / 63 / 0 / 9

HEX #D456E7

RGB 212 86 231

HSL 292.14, 0.75%, 0.62%

LAB 58.44, 68.57, -50.87

 

CMYK 0 / 9 / 63 / 9

HEX #E7D355

RGB 231 211 85

HSL 51.78, 0.75%, 0.62%

LAB 84.09, -7.58, 62.92

 

CMYK 63 / 0 / 9 / 9

HEX #55E7D3

RGB 85 231 211

HSL 171.78, 0.75%, 0.62%

LAB 83.85, -43.38, -1.77

 

CMYK 8 / 63 / 0 / 9

HEX #D456E7

RGB 212 86 231

HSL 292.14, 0.75%, 0.62%

LAB 58.44, 68.57, -50.87

 

CMYK 0 / 59 / 63 / 9

HEX #E75F55

RGB 231 95 85

HSL 4.11, 0.75%, 0.62%

LAB 57.87, 52.12, 32.72

 

CMYK 55 / 0 / 63 / 9

HEX #69E755

RGB 105 231 85

HSL 111.78, 0.75%, 0.62%

LAB 82.28, -61.71, 58.81

 

CMYK 63 / 4 / 0 / 9

HEX #55DDE7

RGB 85 221 231

HSL 184.11, 0.75%, 0.62%

LAB 81.52, -33.47, -15.84

 

CMYK 8 / 63 / 0 / 9

HEX #D456E7

RGB 212 86 231

HSL 292.14, 0.75%, 0.62%

LAB 58.44, 68.57, -50.87

 

CMYK 0 / 40 / 63 / 9

HEX #E78B55

RGB 231 139 85

HSL 22.19, 0.75%, 0.62%

LAB 66.6, 30.23, 43.3

 

CMYK 55 / 0 / 63 / 9

HEX #69E755

RGB 105 231 85

HSL 111.78, 0.75%, 0.62%

LAB 82.28, -61.71, 58.81

 

CMYK 63 / 23 / 0 / 9

HEX #55B1E7

RGB 85 177 231

HSL 202.19, 0.75%, 0.62%

LAB 68.86, -11.2, -35.19

 

Description

Color code: HEX #D456E7 | qconv.com Color code: HEX #D456E7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 86 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 86 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 63 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 63% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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