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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D44B73 it is the complementary color #2BB48C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D44B73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D44B73 shade: #D94B6E, #EA5D81, #FB6F94, #FF81A7 and #FF93BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D44B73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D44B73 shade: #D44B73, #C33960, #B2274D, #A1153A and #900327

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D44B73 shade: #D34A72, #D34A4D and #D34A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D44B73 shade: #D34A72, #D34A97, #D34ABC, #C54AD3 and #A14AD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D44B73 shade matches the following richer shades: #D34A72, #E5386B and #F82663

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D44B73 shade: #D34A72, #C15D7A, #AF6F81, #9D8189 and #8B9391

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D44B73 shade: #D34ABC, #D34A98, #D34A73, #D34A4F and #D36A4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D44B73 shade: #A3284C, #C5305B, #D34A72, #DB6C8C and #E38DA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D44B73 shade: #D44B73, #D3C64A and #4AAAD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D44B73 shade: #D44B73, #73D34A and #4A73D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D44B73 shade: #D44B73, #D3C64A, #4AD3AA and #4A58D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D44B73 shade: #D44B73, #B8D34A, #4AD3AA and #664AD3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 46 / 17

HEX #D44B73

RGB 212 75 115

HSL 342.48, 0.61%, 0.56%

LAB 52.14, 56.88, 6.9

 

Complementary color

CMYK 76 / 0 / 22 / 29

HEX #2BB48C

RGB 43 180 140

HSL 162.48, 0.61%, 0.44%

LAB 65.79, -45.3, 10.27

 

CMYK 0 / 65 / 49 / 15

HEX #D94B6E

RGB 217 75 110

HSL 345.21, 0.65%, 0.57%

LAB 52.85, 57.98, 11.02

 

CMYK 0 / 60 / 45 / 8

HEX #EA5D81

RGB 234 93 129

HSL 344.68, 0.77%, 0.64%

LAB 58.89, 57.47, 8.71

 

CMYK 0 / 56 / 41 / 2

HEX #FB6F94

RGB 251 111 148

HSL 344.14, 0.95%, 0.71%

LAB 64.98, 56.77, 6.77

 

CMYK 0 / 49 / 35 / 0

HEX #FF81A7

RGB 255 129 167

HSL 341.9, 1%, 0.75%

LAB 69.29, 51.69, 2.31

 

CMYK 0 / 42 / 27 / 0

HEX #FF93BA

RGB 255 147 186

HSL 338.33, 1%, 0.79%

LAB 73.33, 45.14, -2.39

 

CMYK 0 / 65 / 46 / 17

HEX #D44B73

RGB 212 75 115

HSL 342.48, 0.61%, 0.56%

LAB 52.14, 56.88, 6.9

 

CMYK 0 / 71 / 51 / 24

HEX #C33960

RGB 195 57 96

HSL 343.04, 0.55%, 0.49%

LAB 46.14, 57.06, 9.53

 

CMYK 0 / 78 / 57 / 30

HEX #B2274D

RGB 178 39 77

HSL 343.6, 0.64%, 0.43%

LAB 40.33, 56.68, 12.82

 

CMYK 0 / 87 / 64 / 37

HEX #A1153A

RGB 161 21 58

HSL 344.14, 0.77%, 0.36%

LAB 34.84, 55.37, 17.01

 

CMYK 0 / 98 / 73 / 44

HEX #900327

RGB 144 3 39

HSL 344.68, 0.96%, 0.29%

LAB 29.77, 52.87, 22.23

 

CMYK 0 / 65 / 46 / 17

HEX #D34A72

RGB 211 74 114

HSL 342.48, 0.61%, 0.56%

LAB 51.79, 56.89, 6.98

 

CMYK 0 / 65 / 64 / 17

HEX #D34A4D

RGB 211 74 77

HSL 358.69, 0.61%, 0.56%

LAB 51.02, 54.02, 28.01

 

CMYK 0 / 65 / 65 / 17

HEX #D34A4A

RGB 211 74 74

HSL 0, 0.61%, 0.56%

LAB 50.97, 53.84, 29.71

 

CMYK 0 / 65 / 46 / 17

HEX #D34A72

RGB 211 74 114

HSL 342.48, 0.61%, 0.56%

LAB 51.79, 56.89, 6.98

 

CMYK 0 / 65 / 28 / 17

HEX #D34A97

RGB 211 74 151

HSL 326.28, 0.61%, 0.56%

LAB 52.93, 60.93, -13.42

 

CMYK 0 / 65 / 11 / 17

HEX #D34ABC

RGB 211 74 188

HSL 310.07, 0.61%, 0.56%

LAB 54.43, 66.04, -32.75

 

CMYK 7 / 65 / 0 / 17

HEX #C54AD3

RGB 197 74 211

HSL 293.87, 0.61%, 0.56%

LAB 53.46, 66.44, -47.61

 

CMYK 24 / 65 / 0 / 17

HEX #A14AD3

RGB 161 74 211

HSL 278.1, 0.61%, 0.56%

LAB 48.48, 58.29, -55.85

 

CMYK 0 / 65 / 46 / 17

HEX #D34A72

RGB 211 74 114

HSL 342.48, 0.61%, 0.56%

LAB 51.79, 56.89, 6.98

 

CMYK 0 / 76 / 53 / 10

HEX #E5386B

RGB 229 56 107

HSL 342.31, 0.77%, 0.56%

LAB 52.45, 67.99, 12.57

 

CMYK 0 / 85 / 60 / 3

HEX #F82663

RGB 248 38 99

HSL 342.57, 0.94%, 0.56%

LAB 54.28, 76.85, 20.47

 

CMYK 0 / 65 / 46 / 17

HEX #D34A72

RGB 211 74 114

HSL 342.48, 0.61%, 0.56%

LAB 51.79, 56.89, 6.98

 

CMYK 0 / 52 / 37 / 24

HEX #C15D7A

RGB 193 93 122

HSL 342.6, 0.45%, 0.56%

LAB 52.48, 43.06, 2.82

 

CMYK 0 / 37 / 26 / 31

HEX #AF6F81

RGB 175 111 129

HSL 343.13, 0.29%, 0.56%

LAB 54.1, 27.85, 0.74

 

CMYK 0 / 18 / 13 / 38

HEX #9D8189

RGB 157 129 137

HSL 342.86, 0.13%, 0.56%

LAB 56.76, 12.09, -0.28

 

CMYK 5 / 0 / 1 / 42

HEX #8B9391

RGB 139 147 145

HSL 165, 0.04%, 0.56%

LAB 60.25, -3.29, 0.05

 

CMYK 0 / 65 / 11 / 17

HEX #D34ABC

RGB 211 74 188

HSL 310.07, 0.61%, 0.56%

LAB 54.43, 66.04, -32.75

 

CMYK 0 / 65 / 28 / 17

HEX #D34A98

RGB 211 74 152

HSL 325.84, 0.61%, 0.56%

LAB 52.96, 61.06, -13.95

 

CMYK 0 / 65 / 45 / 17

HEX #D34A73

RGB 211 74 115

HSL 342.04, 0.61%, 0.56%

LAB 51.82, 56.98, 6.42

 

CMYK 0 / 65 / 63 / 17

HEX #D34A4F

RGB 211 74 79

HSL 357.81, 0.61%, 0.56%

LAB 51.05, 54.14, 26.88

 

CMYK 0 / 50 / 65 / 17

HEX #D36A4A

RGB 211 106 74

HSL 14.01, 0.61%, 0.56%

LAB 56.73, 38.81, 36.75

 

CMYK 0 / 75 / 53 / 36

HEX #A3284C

RGB 163 40 76

HSL 342.44, 0.61%, 0.4%

LAB 37.53, 51.91, 9.12

 

CMYK 0 / 76 / 54 / 23

HEX #C5305B

RGB 197 48 91

HSL 342.68, 0.61%, 0.48%

LAB 45.28, 60.34, 11.46

 

CMYK 0 / 65 / 46 / 17

HEX #D34A72

RGB 211 74 114

HSL 342.48, 0.61%, 0.56%

LAB 51.79, 56.89, 6.98

 

CMYK 0 / 51 / 36 / 14

HEX #DB6C8C

RGB 219 108 140

HSL 342.7, 0.61%, 0.64%

LAB 59.6, 46.68, 3.03

 

CMYK 0 / 38 / 27 / 11

HEX #E38DA6

RGB 227 141 166

HSL 342.56, 0.61%, 0.72%

LAB 68.12, 35.83, 0.72

 

CMYK 0 / 65 / 46 / 17

HEX #D44B73

RGB 212 75 115

HSL 342.48, 0.61%, 0.56%

LAB 52.14, 56.88, 6.9

 

CMYK 0 / 6 / 65 / 17

HEX #D3C64A

RGB 211 198 74

HSL 54.31, 0.61%, 0.56%

LAB 78.89, -10.01, 61.47

 

CMYK 65 / 19 / 0 / 17

HEX #4AAAD3

RGB 74 170 211

HSL 197.96, 0.61%, 0.56%

LAB 65.68, -15.62, -29.15

 

CMYK 0 / 65 / 46 / 17

HEX #D44B73

RGB 212 75 115

HSL 342.48, 0.61%, 0.56%

LAB 52.14, 56.88, 6.9

 

CMYK 45 / 0 / 65 / 17

HEX #73D34A

RGB 115 211 74

HSL 102.04, 0.61%, 0.56%

LAB 76.51, -52.38, 57.13

 

CMYK 65 / 45 / 0 / 17

HEX #4A73D3

RGB 74 115 211

HSL 222.04, 0.61%, 0.56%

LAB 50, 16.39, -53.82

 

CMYK 0 / 65 / 46 / 17

HEX #D44B73

RGB 212 75 115

HSL 342.48, 0.61%, 0.56%

LAB 52.14, 56.88, 6.9

 

CMYK 0 / 6 / 65 / 17

HEX #D3C64A

RGB 211 198 74

HSL 54.31, 0.61%, 0.56%

LAB 78.89, -10.01, 61.47

 

CMYK 65 / 0 / 19 / 17

HEX #4AD3AA

RGB 74 211 170

HSL 162.04, 0.61%, 0.56%

LAB 76.65, -46.59, 9.55

 

CMYK 65 / 58 / 0 / 17

HEX #4A58D3

RGB 74 88 211

HSL 233.87, 0.61%, 0.56%

LAB 42.97, 33.33, -65.17

 

CMYK 0 / 65 / 46 / 17

HEX #D44B73

RGB 212 75 115

HSL 342.48, 0.61%, 0.56%

LAB 52.14, 56.88, 6.9

 

CMYK 13 / 0 / 65 / 17

HEX #B8D34A

RGB 184 211 74

HSL 71.82, 0.61%, 0.56%

LAB 80.33, -27.57, 62.34

 

CMYK 65 / 0 / 19 / 17

HEX #4AD3AA

RGB 74 211 170

HSL 162.04, 0.61%, 0.56%

LAB 76.65, -46.59, 9.55

 

CMYK 52 / 65 / 0 / 17

HEX #664AD3

RGB 102 74 211

HSL 252.26, 0.61%, 0.56%

LAB 41.88, 46.33, -66.85

 

Description

Color code: HEX #D44B73 | qconv.com Color code: HEX #D44B73 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 75 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 75 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 46 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 46% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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