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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D44AE1 it is the complementary color #2BB51E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D44AE1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D44AE1 shade: #D94ADC, #EA5CEF, #FB6EFF, #FF80FF and #FF92FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D44AE1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D44AE1 shade: #D44AE1, #C338CE, #B226BB, #A114A8 and #900295

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D44AE1 shade: #D54BE2, #E24BC6, #E24B9E, #E24B75 and #E24B4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D44AE1 shade: #D54BE2, #AC4BE2, #844BE2, #5B4BE2 and #4B4BE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D44AE1 shade matches the following richer shades: #D54BE2 and #E33AF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D44AE1 shade: #D54BE2, #C75CD1, #B96DC0, #AB7EAF and #9D8F9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D44AE1 shade: #824BE2, #AB4BE2, #D34BE2, #E24BC9 and #E24BA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D44AE1 shade: #AE1FBC, #CC28DC, #D54BE2, #DD6FE8 and #E592ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D44AE1 shade: #D44AE1, #E25A4B and #4BE296

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D44AE1 shade: #D44AE1, #E2D34B and #4BE2D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D44AE1 shade: #D44AE1, #E25A4B, #5AE24B and #4BD3E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D44AE1 shade: #D44AE1, #E2874B, #5AE24B and #4BA6E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 67 / 0 / 12

HEX #D44AE1

RGB 212 74 225

HSL 294.83, 0.72%, 0.59%

LAB 56.42, 72.26, -50.71

 

Complementary color

CMYK 76 / 0 / 83 / 29

HEX #2BB51E

RGB 43 181 30

HSL 114.83, 0.72%, 0.41%

LAB 64.69, -61.97, 59.81

 

CMYK 1 / 66 / 0 / 14

HEX #D94ADC

RGB 217 74 220

HSL 298.77, 0.68%, 0.58%

LAB 56.9, 72.53, -47.08

 

CMYK 2 / 62 / 0 / 6

HEX #EA5CEF

RGB 234 92 239

HSL 297.96, 0.82%, 0.65%

LAB 62.83, 72.65, -48.18

 

CMYK 2 / 57 / 0 / 0

HEX #FB6EFF

RGB 251 110 255

HSL 298.34, 1%, 0.72%

LAB 68.67, 71.96, -47.63

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FF

RGB 255 128 255

HSL 300, 1%, 0.75%

LAB 72.17, 64.95, -42.09

 

CMYK 0 / 43 / 0 / 0

HEX #FF92FF

RGB 255 146 255

HSL 300, 1%, 0.79%

LAB 75.47, 56.32, -36.95

 

CMYK 6 / 67 / 0 / 12

HEX #D44AE1

RGB 212 74 225

HSL 294.83, 0.72%, 0.59%

LAB 56.42, 72.26, -50.71

 

CMYK 5 / 73 / 0 / 19

HEX #C338CE

RGB 195 56 206

HSL 295.6, 0.6%, 0.51%

LAB 50.55, 71.72, -49.39

 

CMYK 5 / 80 / 0 / 27

HEX #B226BB

RGB 178 38 187

HSL 296.38, 0.66%, 0.44%

LAB 44.86, 70.47, -47.63

 

CMYK 4 / 88 / 0 / 34

HEX #A114A8

RGB 161 20 168

HSL 297.16, 0.79%, 0.37%

LAB 39.42, 68.19, -45.25

 

CMYK 3 / 99 / 0 / 42

HEX #900295

RGB 144 2 149

HSL 297.96, 0.97%, 0.3%

LAB 34.28, 64.71, -42.16

 

CMYK 6 / 67 / 0 / 11

HEX #D54BE2

RGB 213 75 226

HSL 294.83, 0.72%, 0.59%

LAB 56.75, 72.28, -50.73

 

CMYK 0 / 67 / 12 / 11

HEX #E24BC6

RGB 226 75 198

HSL 311.13, 0.72%, 0.59%

LAB 57.35, 70.86, -33.77

 

CMYK 0 / 67 / 30 / 11

HEX #E24B9E

RGB 226 75 158

HSL 327.02, 0.72%, 0.59%

LAB 55.76, 65.57, -13.03

 

CMYK 0 / 67 / 48 / 11

HEX #E24B75

RGB 226 75 117

HSL 343.31, 0.72%, 0.59%

LAB 54.54, 61.34, 9.44

 

CMYK 0 / 67 / 66 / 11

HEX #E24B4C

RGB 226 75 76

HSL 359.6, 0.72%, 0.59%

LAB 53.73, 58.44, 32.54

 

CMYK 6 / 67 / 0 / 11

HEX #D54BE2

RGB 213 75 226

HSL 294.83, 0.72%, 0.59%

LAB 56.75, 72.28, -50.73

 

CMYK 24 / 67 / 0 / 11

HEX #AC4BE2

RGB 172 75 226

HSL 278.54, 0.72%, 0.59%

LAB 51.03, 63.41, -60.21

 

CMYK 42 / 67 / 0 / 11

HEX #844BE2

RGB 132 75 226

HSL 262.65, 0.72%, 0.59%

LAB 46.22, 55.4, -68.23

 

CMYK 60 / 67 / 0 / 11

HEX #5B4BE2

RGB 91 75 226

HSL 246.36, 0.72%, 0.59%

LAB 42.38, 48.5, -74.65

 

CMYK 67 / 67 / 0 / 11

HEX #4B4BE2

RGB 75 75 226

HSL 240, 0.72%, 0.59%

LAB 41.25, 46.35, -76.55

 

CMYK 6 / 67 / 0 / 11

HEX #D54BE2

RGB 213 75 226

HSL 294.83, 0.72%, 0.59%

LAB 56.75, 72.28, -50.73

 

CMYK 7 / 76 / 0 / 5

HEX #E33AF3

RGB 227 58 243

HSL 294.81, 0.89%, 0.59%

LAB 57.87, 83.5, -58.35

 

CMYK 6 / 67 / 0 / 11

HEX #D54BE2

RGB 213 75 226

HSL 294.83, 0.72%, 0.59%

LAB 56.75, 72.28, -50.73

 

CMYK 5 / 56 / 0 / 18

HEX #C75CD1

RGB 199 92 209

HSL 294.87, 0.56%, 0.59%

LAB 56.49, 58.75, -41.66

 

CMYK 4 / 43 / 0 / 25

HEX #B96DC0

RGB 185 109 192

HSL 294.94, 0.4%, 0.59%

LAB 57.13, 43.13, -31.1

 

CMYK 2 / 28 / 0 / 31

HEX #AB7EAF

RGB 171 126 175

HSL 295.1, 0.23%, 0.59%

LAB 58.67, 25.95, -19.14

 

CMYK 1 / 9 / 0 / 38

HEX #9D8F9E

RGB 157 143 158

HSL 296, 0.07%, 0.59%

LAB 61.03, 8.03, -6.03

 

CMYK 42 / 67 / 0 / 11

HEX #824BE2

RGB 130 75 226

HSL 261.85, 0.72%, 0.59%

LAB 46, 55.02, -68.59

 

CMYK 24 / 67 / 0 / 11

HEX #AB4BE2

RGB 171 75 226

HSL 278.15, 0.72%, 0.59%

LAB 50.9, 63.2, -60.43

 

CMYK 7 / 67 / 0 / 11

HEX #D34BE2

RGB 211 75 226

HSL 294.04, 0.72%, 0.59%

LAB 56.46, 71.84, -51.22

 

CMYK 0 / 67 / 11 / 11

HEX #E24BC9

RGB 226 75 201

HSL 309.93, 0.72%, 0.59%

LAB 57.48, 71.3, -35.27

 

CMYK 0 / 67 / 29 / 11

HEX #E24BA0

RGB 226 75 160

HSL 326.23, 0.72%, 0.59%

LAB 55.83, 65.8, -14.1

 

CMYK 7 / 84 / 0 / 26

HEX #AE1FBC

RGB 174 31 188

HSL 294.65, 0.72%, 0.43%

LAB 43.67, 71.59, -50.16

 

CMYK 7 / 82 / 0 / 14

HEX #CC28DC

RGB 204 40 220

HSL 294.67, 0.72%, 0.51%

LAB 51.29, 80.15, -56.13

 

CMYK 6 / 67 / 0 / 11

HEX #D54BE2

RGB 213 75 226

HSL 294.83, 0.72%, 0.59%

LAB 56.75, 72.28, -50.73

 

CMYK 5 / 52 / 0 / 9

HEX #DD6FE8

RGB 221 111 232

HSL 294.55, 0.72%, 0.67%

LAB 63.81, 59.81, -42.86

 

CMYK 3 / 38 / 0 / 7

HEX #E592ED

RGB 229 146 237

HSL 294.73, 0.72%, 0.75%

LAB 71.78, 45.45, -33.13

 

CMYK 6 / 67 / 0 / 12

HEX #D44AE1

RGB 212 74 225

HSL 294.83, 0.72%, 0.59%

LAB 56.42, 72.26, -50.71

 

CMYK 0 / 60 / 67 / 11

HEX #E25A4B

RGB 226 90 75

HSL 5.96, 0.72%, 0.59%

LAB 56.08, 52.06, 35.96

 

CMYK 67 / 0 / 34 / 11

HEX #4BE296

RGB 75 226 150

HSL 149.8, 0.72%, 0.59%

LAB 80.79, -56.77, 25.83

 

CMYK 6 / 67 / 0 / 12

HEX #D44AE1

RGB 212 74 225

HSL 294.83, 0.72%, 0.59%

LAB 56.42, 72.26, -50.71

 

CMYK 0 / 7 / 67 / 11

HEX #E2D34B

RGB 226 211 75

HSL 54.04, 0.72%, 0.59%

LAB 83.58, -10.24, 66.33

 

CMYK 67 / 0 / 7 / 11

HEX #4BE2D3

RGB 75 226 211

HSL 174.04, 0.72%, 0.59%

LAB 82.16, -42.7, -4.29

 

CMYK 6 / 67 / 0 / 12

HEX #D44AE1

RGB 212 74 225

HSL 294.83, 0.72%, 0.59%

LAB 56.42, 72.26, -50.71

 

CMYK 0 / 60 / 67 / 11

HEX #E25A4B

RGB 226 90 75

HSL 5.96, 0.72%, 0.59%

LAB 56.08, 52.06, 35.96

 

CMYK 60 / 0 / 67 / 11

HEX #5AE24B

RGB 90 226 75

HSL 114.04, 0.72%, 0.59%

LAB 80.22, -64.46, 60.47

 

CMYK 67 / 7 / 0 / 11

HEX #4BD3E2

RGB 75 211 226

HSL 185.96, 0.72%, 0.59%

LAB 78.21, -31.64, -18.18

 

CMYK 6 / 67 / 0 / 12

HEX #D44AE1

RGB 212 74 225

HSL 294.83, 0.72%, 0.59%

LAB 56.42, 72.26, -50.71

 

CMYK 0 / 40 / 67 / 11

HEX #E2874B

RGB 226 135 75

HSL 23.84, 0.72%, 0.59%

LAB 64.97, 29.71, 46.33

 

CMYK 60 / 0 / 67 / 11

HEX #5AE24B

RGB 90 226 75

HSL 114.04, 0.72%, 0.59%

LAB 80.22, -64.46, 60.47

 

CMYK 67 / 27 / 0 / 11

HEX #4BA6E2

RGB 75 166 226

HSL 203.84, 0.72%, 0.59%

LAB 65.17, -8.43, -38.22

 

Description

Color code: HEX #D44AE1 | qconv.com Color code: HEX #D44AE1 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 74 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 74 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 67 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 67% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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