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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D44580 it is the complementary color #2BBA7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D44580. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D44580 shade: #D9457B, #EA578E, #FB69A1, #FF7BB4 and #FF8DC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D44580. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D44580 shade: #D44580, #C3336D, #B2215A, #A10F47 and #900034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D44580 shade: #D34580, #D34559 and #D34545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D44580 shade: #D34580, #D345A6, #D345CD, #B445D3 and #8D45D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D44580 shade matches the following richer shades: #D34580, #E6337D and #F92079

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D44580 shade: #D34580, #C15883, #AE6A86, #9C7D8A and #898F8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D44580 shade: #D345CC, #D345A6, #D34580, #D3455A and #D35645

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D44580 shade: #A02658, #C22D6B, #D34580, #DB6797 and #E388AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D44580 shade: #D44580, #D3B545 and #45B9D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D44580 shade: #D44580, #80D345 and #4580D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D44580 shade: #D44580, #D3B545, #45D398 and #4564D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D44580 shade: #D44580, #C8D345, #45D398 and #5145D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 40 / 17

HEX #D44580

RGB 212 69 128

HSL 335.24, 0.62%, 0.55%

LAB 51.62, 60.56, -1.64

 

Complementary color

CMYK 77 / 0 / 32 / 27

HEX #2BBA7F

RGB 43 186 127

HSL 155.24, 0.62%, 0.45%

LAB 67.4, -50.7, 19.6

 

CMYK 0 / 68 / 43 / 15

HEX #D9457B

RGB 217 69 123

HSL 338.11, 0.66%, 0.56%

LAB 52.33, 61.52, 2.48

 

CMYK 0 / 63 / 39 / 8

HEX #EA578E

RGB 234 87 142

HSL 337.55, 0.78%, 0.63%

LAB 58.28, 61.32, 0.24

 

CMYK 0 / 58 / 36 / 2

HEX #FB69A1

RGB 251 105 161

HSL 336.99, 0.95%, 0.7%

LAB 64.31, 60.84, -1.63

 

CMYK 0 / 52 / 29 / 0

HEX #FF7BB4

RGB 255 123 180

HSL 334.09, 1%, 0.74%

LAB 68.55, 56.13, -6.09

 

CMYK 0 / 45 / 22 / 0

HEX #FF8DC7

RGB 255 141 199

HSL 329.47, 1%, 0.78%

LAB 72.52, 49.92, -10.8

 

CMYK 0 / 67 / 40 / 17

HEX #D44580

RGB 212 69 128

HSL 335.24, 0.62%, 0.55%

LAB 51.62, 60.56, -1.64

 

CMYK 0 / 74 / 44 / 24

HEX #C3336D

RGB 195 51 109

HSL 335.83, 0.59%, 0.48%

LAB 45.74, 60.34, 0.94

 

CMYK 0 / 81 / 49 / 30

HEX #B2215A

RGB 178 33 90

HSL 336.41, 0.69%, 0.41%

LAB 40.07, 59.4, 4.2

 

CMYK 0 / 91 / 56 / 37

HEX #A10F47

RGB 161 15 71

HSL 336.99, 0.83%, 0.35%

LAB 34.75, 57.37, 8.41

 

CMYK 0 / 100 / 64 / 44

HEX #900034

RGB 144 0 52

HSL 338.33, 1%, 0.28%

LAB 29.86, 54.02, 13.69

 

CMYK 0 / 67 / 39 / 17

HEX #D34580

RGB 211 69 128

HSL 335.07, 0.62%, 0.55%

LAB 51.45, 60.27, -1.91

 

CMYK 0 / 67 / 58 / 17

HEX #D34559

RGB 211 69 89

HSL 351.55, 0.62%, 0.55%

LAB 50.48, 56.85, 20.19

 

CMYK 0 / 67 / 67 / 17

HEX #D34545

RGB 211 69 69

HSL 0, 0.62%, 0.55%

LAB 50.14, 55.6, 31.6

 

CMYK 0 / 67 / 39 / 17

HEX #D34580

RGB 211 69 128

HSL 335.07, 0.62%, 0.55%

LAB 51.45, 60.27, -1.91

 

CMYK 0 / 67 / 21 / 17

HEX #D345A6

RGB 211 69 166

HSL 319.01, 0.62%, 0.55%

LAB 52.79, 64.82, -22.46

 

CMYK 0 / 67 / 3 / 17

HEX #D345CD

RGB 211 69 205

HSL 302.54, 0.62%, 0.55%

LAB 54.57, 70.56, -42.3

 

CMYK 15 / 67 / 0 / 17

HEX #B445D3

RGB 180 69 211

HSL 286.9, 0.62%, 0.55%

LAB 50.29, 64.65, -52.81

 

CMYK 33 / 67 / 0 / 17

HEX #8D45D3

RGB 141 69 211

HSL 270.42, 0.62%, 0.55%

LAB 45.11, 56.39, -61.41

 

CMYK 0 / 67 / 39 / 17

HEX #D34580

RGB 211 69 128

HSL 335.07, 0.62%, 0.55%

LAB 51.45, 60.27, -1.91

 

CMYK 0 / 78 / 46 / 10

HEX #E6337D

RGB 230 51 125

HSL 335.2, 0.78%, 0.55%

LAB 52.59, 71.14, 1.95

 

CMYK 0 / 87 / 51 / 2

HEX #F92079

RGB 249 32 121

HSL 335.39, 0.95%, 0.55%

LAB 54.61, 79.59, 7.72

 

CMYK 0 / 67 / 39 / 17

HEX #D34580

RGB 211 69 128

HSL 335.07, 0.62%, 0.55%

LAB 51.45, 60.27, -1.91

 

CMYK 0 / 54 / 32 / 24

HEX #C15883

RGB 193 88 131

HSL 335.43, 0.46%, 0.55%

LAB 51.79, 46.65, -3.54

 

CMYK 0 / 39 / 23 / 32

HEX #AE6A86

RGB 174 106 134

HSL 335.29, 0.3%, 0.55%

LAB 52.98, 31, -3.85

 

CMYK 0 / 20 / 12 / 39

HEX #9C7D8A

RGB 156 125 138

HSL 334.84, 0.14%, 0.55%

LAB 55.65, 14.18, -2.48

 

CMYK 4 / 0 / 1 / 44

HEX #898F8D

RGB 137 143 141

HSL 160, 0.03%, 0.55%

LAB 58.87, -2.58, 0.3

 

CMYK 0 / 67 / 3 / 17

HEX #D345CC

RGB 211 69 204

HSL 302.96, 0.62%, 0.55%

LAB 54.52, 70.4, -41.8

 

CMYK 0 / 67 / 21 / 17

HEX #D345A6

RGB 211 69 166

HSL 319.01, 0.62%, 0.55%

LAB 52.79, 64.82, -22.46

 

CMYK 0 / 67 / 39 / 17

HEX #D34580

RGB 211 69 128

HSL 335.07, 0.62%, 0.55%

LAB 51.45, 60.27, -1.91

 

CMYK 0 / 67 / 57 / 17

HEX #D3455A

RGB 211 69 90

HSL 351.13, 0.62%, 0.55%

LAB 50.5, 56.92, 19.62

 

CMYK 0 / 59 / 67 / 17

HEX #D35645

RGB 211 86 69

HSL 7.18, 0.62%, 0.55%

LAB 52.88, 48.27, 34.91

 

CMYK 0 / 76 / 45 / 37

HEX #A02658

RGB 160 38 88

HSL 335.41, 0.62%, 0.39%

LAB 37.05, 52.79, 0.67

 

CMYK 0 / 77 / 45 / 24

HEX #C22D6B

RGB 194 45 107

HSL 335.03, 0.62%, 0.47%

LAB 44.81, 61.79, 0.8

 

CMYK 0 / 67 / 39 / 17

HEX #D34580

RGB 211 69 128

HSL 335.07, 0.62%, 0.55%

LAB 51.45, 60.27, -1.91

 

CMYK 0 / 53 / 31 / 14

HEX #DB6797

RGB 219 103 151

HSL 335.17, 0.62%, 0.63%

LAB 58.97, 50.45, -4.26

 

CMYK 0 / 40 / 23 / 11

HEX #E388AE

RGB 227 136 174

HSL 334.95, 0.62%, 0.71%

LAB 67.27, 39.57, -5.01

 

CMYK 0 / 67 / 40 / 17

HEX #D44580

RGB 212 69 128

HSL 335.24, 0.62%, 0.55%

LAB 51.62, 60.56, -1.64

 

CMYK 0 / 14 / 67 / 17

HEX #D3B545

RGB 211 181 69

HSL 47.32, 0.62%, 0.55%

LAB 74.4, -1.51, 58.86

 

CMYK 67 / 12 / 0 / 17

HEX #45B9D3

RGB 69 185 211

HSL 190.99, 0.62%, 0.55%

LAB 69.94, -24.2, -22.62

 

CMYK 0 / 67 / 40 / 17

HEX #D44580

RGB 212 69 128

HSL 335.24, 0.62%, 0.55%

LAB 51.62, 60.56, -1.64

 

CMYK 39 / 0 / 67 / 17

HEX #80D345

RGB 128 211 69

HSL 95.07, 0.62%, 0.55%

LAB 77.05, -48.68, 59.87

 

CMYK 67 / 39 / 0 / 17

HEX #4580D3

RGB 69 128 211

HSL 215.07, 0.62%, 0.55%

LAB 53.39, 7.57, -48.42

 

CMYK 0 / 67 / 40 / 17

HEX #D44580

RGB 212 69 128

HSL 335.24, 0.62%, 0.55%

LAB 51.62, 60.56, -1.64

 

CMYK 0 / 14 / 67 / 17

HEX #D3B545

RGB 211 181 69

HSL 47.32, 0.62%, 0.55%

LAB 74.4, -1.51, 58.86

 

CMYK 67 / 0 / 28 / 17

HEX #45D398

RGB 69 211 152

HSL 155.07, 0.62%, 0.55%

LAB 76.14, -51.46, 18.4

 

CMYK 67 / 53 / 0 / 17

HEX #4564D3

RGB 69 100 211

HSL 226.9, 0.62%, 0.55%

LAB 45.75, 25.01, -60.68

 

CMYK 0 / 67 / 40 / 17

HEX #D44580

RGB 212 69 128

HSL 335.24, 0.62%, 0.55%

LAB 51.62, 60.56, -1.64

 

CMYK 5 / 0 / 67 / 17

HEX #C8D345

RGB 200 211 69

HSL 64.65, 0.62%, 0.55%

LAB 81.45, -21.37, 65.81

 

CMYK 67 / 0 / 28 / 17

HEX #45D398

RGB 69 211 152

HSL 155.07, 0.62%, 0.55%

LAB 76.14, -51.46, 18.4

 

CMYK 62 / 67 / 0 / 17

HEX #5145D3

RGB 81 69 211

HSL 245.07, 0.62%, 0.55%

LAB 39.09, 45.81, -71.49

 

Description

Color code: HEX #D44580 | qconv.com Color code: HEX #D44580 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 69 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 69 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 40 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 40% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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