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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D444C0 it is the complementary color #2BBB3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D444C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D444C0 shade: #D944BB, #EA56CE, #FB68E1, #FF7AF4 and #FF8CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D444C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D444C0 shade: #D444C0, #C332AD, #B2209A, #A10E87 and #900074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D444C0 shade: #D544C0, #D54499, #D54472, #D5444C and #D54444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D444C0 shade: #D544C0, #C244D5, #9B44D5, #7444D5 and #4D44D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D444C0 shade matches the following richer shades: #D544C0, #E731CE and #FA1FDB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D444C0 shade: #D544C0, #C257B3, #AF69A6, #9D7C98 and #8A8E8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D444C0 shade: #9B44D5, #C144D5, #D544C1, #D5449B and #D54474

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D444C0 shade: #A12590, #C32CAE, #D544C0, #DC66CC and #E487D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D444C0 shade: #D444C0, #D57444 and #44D5AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D444C0 shade: #D444C0, #C1D544 and #44C1D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D444C0 shade: #D444C0, #D57444, #44D557 and #44A4D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D444C0 shade: #D444C0, #D5A044, #44D557 and #4479D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 9 / 17

HEX #D444C0

RGB 212 68 192

HSL 308.33, 0.63%, 0.55%

LAB 53.96, 69.14, -35.77

 

Complementary color

CMYK 77 / 0 / 66 / 27

HEX #2BBB3F

RGB 43 187 63

HSL 128.33, 0.63%, 0.45%

LAB 66.83, -61.33, 50.54

 

CMYK 0 / 69 / 14 / 15

HEX #D944BB

RGB 217 68 187

HSL 312.08, 0.66%, 0.56%

LAB 54.53, 69.61, -31.94

 

CMYK 0 / 63 / 12 / 8

HEX #EA56CE

RGB 234 86 206

HSL 311.35, 0.78%, 0.63%

LAB 60.43, 69.83, -33.42

 

CMYK 0 / 59 / 10 / 2

HEX #FB68E1

RGB 251 104 225

HSL 310.61, 0.95%, 0.7%

LAB 66.4, 69.71, -34.62

 

CMYK 0 / 52 / 4 / 0

HEX #FF7AF4

RGB 255 122 244

HSL 304.96, 1%, 0.74%

LAB 70.67, 65.87, -38.43

 

CMYK 0 / 45 / 0 / 0

HEX #FF8CFF

RGB 255 140 255

HSL 300, 1%, 0.77%

LAB 74.34, 59.25, -38.72

 

CMYK 0 / 68 / 9 / 17

HEX #D444C0

RGB 212 68 192

HSL 308.33, 0.63%, 0.55%

LAB 53.96, 69.14, -35.77

 

CMYK 0 / 74 / 11 / 24

HEX #C332AD

RGB 195 50 173

HSL 309.1, 0.59%, 0.48%

LAB 48.13, 68.43, -34.03

 

CMYK 0 / 82 / 13 / 30

HEX #B2209A

RGB 178 32 154

HSL 309.86, 0.7%, 0.41%

LAB 42.51, 66.92, -31.74

 

CMYK 0 / 91 / 16 / 37

HEX #A10E87

RGB 161 14 135

HSL 310.61, 0.84%, 0.34%

LAB 37.19, 64.26, -28.72

 

CMYK 0 / 100 / 19 / 44

HEX #900074

RGB 144 0 116

HSL 311.67, 1%, 0.28%

LAB 32.24, 60.19, -24.82

 

CMYK 0 / 68 / 10 / 16

HEX #D544C0

RGB 213 68 192

HSL 308.69, 0.63%, 0.55%

LAB 54.12, 69.38, -35.51

 

CMYK 0 / 68 / 28 / 16

HEX #D54499

RGB 213 68 153

HSL 324.83, 0.63%, 0.55%

LAB 52.49, 64.06, -15.24

 

CMYK 0 / 68 / 46 / 16

HEX #D54472

RGB 213 68 114

HSL 340.97, 0.63%, 0.55%

LAB 51.26, 59.88, 6.27

 

CMYK 0 / 68 / 64 / 16

HEX #D5444C

RGB 213 68 76

HSL 356.69, 0.63%, 0.55%

LAB 50.45, 57.03, 27.97

 

CMYK 0 / 68 / 68 / 16

HEX #D54444

RGB 213 68 68

HSL 0, 0.63%, 0.55%

LAB 50.33, 56.59, 32.5

 

CMYK 0 / 68 / 10 / 16

HEX #D544C0

RGB 213 68 192

HSL 308.69, 0.63%, 0.55%

LAB 54.12, 69.38, -35.51

 

CMYK 9 / 68 / 0 / 16

HEX #C244D5

RGB 194 68 213

HSL 292.14, 0.63%, 0.55%

LAB 52.3, 68.48, -50.63

 

CMYK 27 / 68 / 0 / 16

HEX #9B44D5

RGB 155 68 213

HSL 276, 0.63%, 0.55%

LAB 46.85, 60.17, -59.66

 

CMYK 46 / 68 / 0 / 16

HEX #7444D5

RGB 116 68 213

HSL 259.86, 0.63%, 0.55%

LAB 42.23, 52.6, -67.37

 

CMYK 64 / 68 / 0 / 16

HEX #4D44D5

RGB 77 68 213

HSL 243.72, 0.63%, 0.55%

LAB 38.75, 46.47, -73.2

 

CMYK 0 / 68 / 10 / 16

HEX #D544C0

RGB 213 68 192

HSL 308.69, 0.63%, 0.55%

LAB 54.12, 69.38, -35.51

 

CMYK 0 / 79 / 11 / 9

HEX #E731CE

RGB 231 49 206

HSL 308.24, 0.79%, 0.55%

LAB 55.73, 81.09, -40.82

 

CMYK 0 / 88 / 12 / 2

HEX #FA1FDB

RGB 250 31 219

HSL 308.49, 0.96%, 0.55%

LAB 58.43, 89.94, -43.74

 

CMYK 0 / 68 / 10 / 16

HEX #D544C0

RGB 213 68 192

HSL 308.69, 0.63%, 0.55%

LAB 54.12, 69.38, -35.51

 

CMYK 0 / 55 / 8 / 24

HEX #C257B3

RGB 194 87 179

HSL 308.41, 0.47%, 0.55%

LAB 53.54, 54.49, -29.11

 

CMYK 0 / 40 / 5 / 31

HEX #AF69A6

RGB 175 105 166

HSL 307.71, 0.3%, 0.55%

LAB 54, 37.26, -21.06

 

CMYK 0 / 21 / 3 / 38

HEX #9D7C98

RGB 157 124 152

HSL 309.09, 0.14%, 0.55%

LAB 55.94, 17.71, -10.17

 

CMYK 3 / 0 / 2 / 44

HEX #8A8E8B

RGB 138 142 139

HSL 135, 0.02%, 0.55%

LAB 58.61, -2.05, 1.08

 

CMYK 27 / 68 / 0 / 16

HEX #9B44D5

RGB 155 68 213

HSL 276, 0.63%, 0.55%

LAB 46.85, 60.17, -59.66

 

CMYK 9 / 68 / 0 / 16

HEX #C144D5

RGB 193 68 213

HSL 291.72, 0.63%, 0.55%

LAB 52.15, 68.26, -50.87

 

CMYK 0 / 68 / 9 / 16

HEX #D544C1

RGB 213 68 193

HSL 308.28, 0.63%, 0.55%

LAB 54.17, 69.53, -36.02

 

CMYK 0 / 68 / 27 / 16

HEX #D5449B

RGB 213 68 155

HSL 324, 0.63%, 0.55%

LAB 52.56, 64.3, -16.31

 

CMYK 0 / 68 / 46 / 16

HEX #D54474

RGB 213 68 116

HSL 340.14, 0.63%, 0.55%

LAB 51.31, 60.06, 5.14

 

CMYK 0 / 77 / 11 / 37

HEX #A12590

RGB 161 37 144

HSL 308.23, 0.63%, 0.39%

LAB 39.43, 60.39, -30.72

 

CMYK 0 / 77 / 11 / 24

HEX #C32CAE

RGB 195 44 174

HSL 308.34, 0.63%, 0.47%

LAB 47.57, 70.33, -35.5

 

CMYK 0 / 68 / 10 / 16

HEX #D544C0

RGB 213 68 192

HSL 308.69, 0.63%, 0.55%

LAB 54.12, 69.38, -35.51

 

CMYK 0 / 54 / 7 / 14

HEX #DC66CC

RGB 220 102 204

HSL 308.14, 0.63%, 0.63%

LAB 60.85, 58.92, -31.79

 

CMYK 0 / 41 / 6 / 11

HEX #E487D7

RGB 228 135 215

HSL 308.39, 0.63%, 0.71%

LAB 68.55, 46.89, -25.99

 

CMYK 0 / 68 / 9 / 17

HEX #D444C0

RGB 212 68 192

HSL 308.33, 0.63%, 0.55%

LAB 53.96, 69.14, -35.77

 

CMYK 0 / 46 / 68 / 16

HEX #D57444

RGB 213 116 68

HSL 19.86, 0.63%, 0.55%

LAB 59.02, 34.07, 42.68

 

CMYK 68 / 0 / 18 / 16

HEX #44D5AE

RGB 68 213 174

HSL 163.86, 0.63%, 0.55%

LAB 77.21, -47.44, 8.19

 

CMYK 0 / 68 / 9 / 17

HEX #D444C0

RGB 212 68 192

HSL 308.33, 0.63%, 0.55%

LAB 53.96, 69.14, -35.77

 

CMYK 9 / 0 / 68 / 16

HEX #C1D544

RGB 193 213 68

HSL 68.28, 0.63%, 0.55%

LAB 81.48, -25.26, 66.04

 

CMYK 68 / 9 / 0 / 16

HEX #44C1D5

RGB 68 193 213

HSL 188.28, 0.63%, 0.55%

LAB 72.34, -27.73, -20.06

 

CMYK 0 / 68 / 9 / 17

HEX #D444C0

RGB 212 68 192

HSL 308.33, 0.63%, 0.55%

LAB 53.96, 69.14, -35.77

 

CMYK 0 / 46 / 68 / 16

HEX #D57444

RGB 213 116 68

HSL 19.86, 0.63%, 0.55%

LAB 59.02, 34.07, 42.68

 

CMYK 68 / 0 / 59 / 16

HEX #44D557

RGB 68 213 87

HSL 127.86, 0.63%, 0.55%

LAB 75.76, -63.25, 50.31

 

CMYK 68 / 23 / 0 / 16

HEX #44A4D5

RGB 68 164 213

HSL 200.28, 0.63%, 0.55%

LAB 63.82, -12.68, -33.15

 

CMYK 0 / 68 / 9 / 17

HEX #D444C0

RGB 212 68 192

HSL 308.33, 0.63%, 0.55%

LAB 53.96, 69.14, -35.77

 

CMYK 0 / 25 / 68 / 16

HEX #D5A044

RGB 213 160 68

HSL 38.07, 0.63%, 0.55%

LAB 69.26, 10.46, 53.94

 

CMYK 68 / 0 / 59 / 16

HEX #44D557

RGB 68 213 87

HSL 127.86, 0.63%, 0.55%

LAB 75.76, -63.25, 50.31

 

CMYK 68 / 43 / 0 / 16

HEX #4479D5

RGB 68 121 213

HSL 218.07, 0.63%, 0.55%

LAB 51.51, 12.41, -52.56

 

Description

Color code: HEX #D444C0 | qconv.com Color code: HEX #D444C0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 68 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 68 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 9 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 9% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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