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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D440DF it is the complementary color #2BBF20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D440DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D440DF shade: #D940DA, #EA52ED, #FB64FF, #FF76FF and #FF88FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D440DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D440DF shade: #D440DF, #C32ECC, #B21CB9, #A10AA6 and #900093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D440DF shade: #D33FDE, #DE3FBF, #DE3F94, #DE3F69 and #DE3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D440DF shade: #D33FDE, #A83FDE, #7E3FDE, #533FDE and #3F3FDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D440DF shade matches the following richer shades: #D33FDE and #E32DF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D440DF shade: #D33FDE, #C451CC, #B463BA, #A576A8 and #958896

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D440DF shade: #7C3FDE, #A73FDE, #D13FDE, #DE3FC1 and #DE3F97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D440DF shade: #A41DAE, #C523D1, #D33FDE, #DB62E4 and #E386EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D440DF shade: #D440DF, #DE523F and #3FDE91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D440DF shade: #D440DF, #DED13F and #3FDED1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D440DF shade: #D440DF, #DE523F, #4CDE3F and #3FCCDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D440DF shade: #D440DF, #DE823F, #4CDE3F and #3F9CDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 71 / 0 / 13

HEX #D440DF

RGB 212 64 223

HSL 295.85, 0.71%, 0.56%

LAB 55.06, 75.45, -51.74

 

Complementary color

CMYK 77 / 0 / 83 / 25

HEX #2BBF20

RGB 43 191 32

HSL 115.85, 0.71%, 0.44%

LAB 67.93, -64.94, 62.26

 

CMYK 0 / 71 / 0 / 15

HEX #D940DA

RGB 217 64 218

HSL 299.61, 0.68%, 0.55%

LAB 55.56, 75.68, -48.06

 

CMYK 1 / 65 / 0 / 7

HEX #EA52ED

RGB 234 82 237

HSL 298.84, 0.81%, 0.63%

LAB 61.34, 76.18, -49.41

 

CMYK 2 / 61 / 0 / 0

HEX #FB64FF

RGB 251 100 255

HSL 298.45, 1%, 0.7%

LAB 67.16, 76.09, -50.01

 

CMYK 0 / 54 / 0 / 0

HEX #FF76FF

RGB 255 118 255

HSL 300, 1%, 0.73%

LAB 70.48, 69.48, -44.74

 

CMYK 0 / 47 / 0 / 0

HEX #FF88FF

RGB 255 136 255

HSL 300, 1%, 0.77%

LAB 73.6, 61.18, -39.86

 

CMYK 5 / 71 / 0 / 13

HEX #D440DF

RGB 212 64 223

HSL 295.85, 0.71%, 0.56%

LAB 55.06, 75.45, -51.74

 

CMYK 4 / 77 / 0 / 20

HEX #C32ECC

RGB 195 46 204

HSL 296.58, 0.63%, 0.49%

LAB 49.39, 74.39, -50.09

 

CMYK 4 / 85 / 0 / 27

HEX #B21CB9

RGB 178 28 185

HSL 297.32, 0.74%, 0.42%

LAB 43.94, 72.46, -47.92

 

CMYK 3 / 94 / 0 / 35

HEX #A10AA6

RGB 161 10 166

HSL 298.08, 0.89%, 0.35%

LAB 38.81, 69.31, -45.03

 

CMYK 2 / 100 / 0 / 42

HEX #900093

RGB 144 0 147

HSL 298.78, 1%, 0.29%

LAB 34.06, 64.66, -41.29

 

CMYK 5 / 72 / 0 / 13

HEX #D33FDE

RGB 211 63 222

HSL 295.85, 0.71%, 0.56%

LAB 54.74, 75.4, -51.7

 

CMYK 0 / 72 / 14 / 13

HEX #DE3FBF

RGB 222 63 191

HSL 311.7, 0.71%, 0.56%

LAB 54.91, 73.07, -33.59

 

CMYK 0 / 72 / 33 / 13

HEX #DE3F94

RGB 222 63 148

HSL 327.92, 0.71%, 0.56%

LAB 53.19, 67.65, -11.06

 

CMYK 0 / 72 / 53 / 13

HEX #DE3F69

RGB 222 63 105

HSL 344.15, 0.71%, 0.56%

LAB 51.96, 63.59, 12.89

 

CMYK 0 / 72 / 72 / 13

HEX #DE3F3F

RGB 222 63 63

HSL 0, 0.71%, 0.56%

LAB 51.2, 61.04, 36.8

 

CMYK 5 / 72 / 0 / 13

HEX #D33FDE

RGB 211 63 222

HSL 295.85, 0.71%, 0.56%

LAB 54.74, 75.4, -51.7

 

CMYK 24 / 72 / 0 / 13

HEX #A83FDE

RGB 168 63 222

HSL 279.62, 0.71%, 0.56%

LAB 48.45, 66.77, -62.13

 

CMYK 43 / 72 / 0 / 13

HEX #7E3FDE

RGB 126 63 222

HSL 263.77, 0.71%, 0.56%

LAB 43.16, 59.12, -70.96

 

CMYK 63 / 72 / 0 / 13

HEX #533FDE

RGB 83 63 222

HSL 247.55, 0.71%, 0.56%

LAB 39.02, 52.79, -77.92

 

CMYK 72 / 72 / 0 / 13

HEX #3F3FDE

RGB 63 63 222

HSL 240, 0.71%, 0.56%

LAB 37.64, 50.59, -80.23

 

CMYK 5 / 72 / 0 / 13

HEX #D33FDE

RGB 211 63 222

HSL 295.85, 0.71%, 0.56%

LAB 54.74, 75.4, -51.7

 

CMYK 6 / 81 / 0 / 5

HEX #E32DF1

RGB 227 45 241

HSL 295.71, 0.88%, 0.56%

LAB 56.64, 86.42, -59.2

 

CMYK 5 / 72 / 0 / 13

HEX #D33FDE

RGB 211 63 222

HSL 295.85, 0.71%, 0.56%

LAB 54.74, 75.4, -51.7

 

CMYK 4 / 60 / 0 / 20

HEX #C451CC

RGB 196 81 204

HSL 296.1, 0.55%, 0.56%

LAB 54.01, 62.03, -42.76

 

CMYK 3 / 47 / 0 / 27

HEX #B463BA

RGB 180 99 186

HSL 295.86, 0.39%, 0.56%

LAB 54.21, 45.74, -32.26

 

CMYK 2 / 30 / 0 / 34

HEX #A576A8

RGB 165 118 168

HSL 296.4, 0.22%, 0.56%

LAB 55.87, 27.07, -19.45

 

CMYK 1 / 9 / 0 / 41

HEX #958896

RGB 149 136 150

HSL 295.71, 0.06%, 0.56%

LAB 58.23, 7.54, -5.69

 

CMYK 44 / 72 / 0 / 13

HEX #7C3FDE

RGB 124 63 222

HSL 263.02, 0.71%, 0.56%

LAB 42.93, 58.78, -71.34

 

CMYK 25 / 72 / 0 / 13

HEX #A73FDE

RGB 167 63 222

HSL 279.25, 0.71%, 0.56%

LAB 48.32, 66.57, -62.35

 

CMYK 6 / 72 / 0 / 13

HEX #D13FDE

RGB 209 63 222

HSL 295.09, 0.71%, 0.56%

LAB 54.43, 74.99, -52.2

 

CMYK 0 / 72 / 13 / 13

HEX #DE3FC1

RGB 222 63 193

HSL 310.94, 0.71%, 0.56%

LAB 55.01, 73.35, -34.6

 

CMYK 0 / 72 / 32 / 13

HEX #DE3F97

RGB 222 63 151

HSL 326.79, 0.71%, 0.56%

LAB 53.3, 67.99, -12.68

 

CMYK 6 / 83 / 0 / 32

HEX #A41DAE

RGB 164 29 174

HSL 295.86, 0.71%, 0.4%

LAB 40.94, 67.89, -46.36

 

CMYK 6 / 83 / 0 / 18

HEX #C523D1

RGB 197 35 209

HSL 295.86, 0.71%, 0.48%

LAB 49.1, 78.24, -53.42

 

CMYK 5 / 72 / 0 / 13

HEX #D33FDE

RGB 211 63 222

HSL 295.85, 0.71%, 0.56%

LAB 54.74, 75.4, -51.7

 

CMYK 4 / 57 / 0 / 11

HEX #DB62E4

RGB 219 98 228

HSL 295.85, 0.71%, 0.64%

LAB 61.13, 64.56, -44.87

 

CMYK 3 / 43 / 0 / 8

HEX #E386EA

RGB 227 134 234

HSL 295.8, 0.7%, 0.72%

LAB 68.98, 50.49, -35.83

 

CMYK 5 / 71 / 0 / 13

HEX #D440DF

RGB 212 64 223

HSL 295.85, 0.71%, 0.56%

LAB 55.06, 75.45, -51.74

 

CMYK 0 / 63 / 72 / 13

HEX #DE523F

RGB 222 82 63

HSL 7.17, 0.71%, 0.56%

LAB 53.95, 53.58, 39.94

 

CMYK 72 / 0 / 35 / 13

HEX #3FDE91

RGB 63 222 145

HSL 150.94, 0.71%, 0.56%

LAB 79.24, -58.09, 26.27

 

CMYK 5 / 71 / 0 / 13

HEX #D440DF

RGB 212 64 223

HSL 295.85, 0.71%, 0.56%

LAB 55.06, 75.45, -51.74

 

CMYK 0 / 6 / 72 / 13

HEX #DED13F

RGB 222 209 63

HSL 55.09, 0.71%, 0.56%

LAB 82.64, -11.52, 69.77

 

CMYK 72 / 0 / 6 / 13

HEX #3FDED1

RGB 63 222 209

HSL 175.09, 0.71%, 0.56%

LAB 80.68, -43.05, -5.43

 

CMYK 5 / 71 / 0 / 13

HEX #D440DF

RGB 212 64 223

HSL 295.85, 0.71%, 0.56%

LAB 55.06, 75.45, -51.74

 

CMYK 0 / 63 / 72 / 13

HEX #DE523F

RGB 222 82 63

HSL 7.17, 0.71%, 0.56%

LAB 53.95, 53.58, 39.94

 

CMYK 66 / 0 / 72 / 13

HEX #4CDE3F

RGB 76 222 63

HSL 115.09, 0.71%, 0.56%

LAB 78.54, -67.08, 63.1

 

CMYK 72 / 8 / 0 / 13

HEX #3FCCDE

RGB 63 204 222

HSL 186.79, 0.71%, 0.56%

LAB 75.77, -31.05, -19.75

 

CMYK 5 / 71 / 0 / 13

HEX #D440DF

RGB 212 64 223

HSL 295.85, 0.71%, 0.56%

LAB 55.06, 75.45, -51.74

 

CMYK 0 / 41 / 72 / 13

HEX #DE823F

RGB 222 130 63

HSL 25.28, 0.71%, 0.56%

LAB 63.22, 30.09, 50.13

 

CMYK 66 / 0 / 72 / 13

HEX #4CDE3F

RGB 76 222 63

HSL 115.09, 0.71%, 0.56%

LAB 78.54, -67.08, 63.1

 

CMYK 72 / 30 / 0 / 13

HEX #3F9CDE

RGB 63 156 222

HSL 204.91, 0.71%, 0.56%

LAB 61.75, -5.93, -41.39

 

Description

Color code: HEX #D440DF | qconv.com Color code: HEX #D440DF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 64 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 64 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 71 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 71% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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