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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D43DCB it is the complementary color #2BC234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D43DCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D43DCB shade: #D93DC6, #EA4FD9, #FB61EC, #FF73FF and #FF85FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D43DCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D43DCB shade: #D43DCB, #C32BB8, #B219A5, #A10792 and #90007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D43DCB shade: #D53FCC, #D53FA3, #D53F7B, #D53F52 and #D53F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D43DCB shade: #D53FCC, #B53FD5, #8D3FD5, #643FD5 and #3F3FD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D43DCB shade matches the following richer shades: #D53FCC, #E82CDD and #FB19ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D43DCB shade: #D53FCC, #C252BB, #AF65AA, #9C789A and #898B89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D43DCB shade: #8C3FD5, #B43FD5, #D53FCD, #D53FA5 and #D53F7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D43DCB shade: #9E2397, #C02AB7, #D53FCC, #DC60D5 and #E482DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D43DCB shade: #D43DCB, #D5643F and #3FD5A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D43DCB shade: #D43DCB, #CDD53F and #3FCDD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D43DCB shade: #D43DCB, #D5643F, #3FD546 and #3FAFD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D43DCB shade: #D43DCB, #D5913F, #3FD546 and #3F82D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 4 / 17

HEX #D43DCB

RGB 212 61 203

HSL 303.58, 0.64%, 0.54%

LAB 53.65, 73.23, -42.59

 

Complementary color

CMYK 78 / 0 / 73 / 24

HEX #2BC234

RGB 43 194 52

HSL 123.58, 0.64%, 0.46%

LAB 69, -64.55, 57.1

 

CMYK 0 / 72 / 9 / 15

HEX #D93DC6

RGB 217 61 198

HSL 307.31, 0.67%, 0.55%

LAB 54.2, 73.58, -38.79

 

CMYK 0 / 66 / 7 / 8

HEX #EA4FD9

RGB 234 79 217

HSL 306.58, 0.79%, 0.61%

LAB 59.97, 74.13, -40.36

 

CMYK 0 / 61 / 6 / 2

HEX #FB61EC

RGB 251 97 236

HSL 305.84, 0.95%, 0.68%

LAB 65.84, 74.25, -41.61

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 0 / 48 / 0 / 0

HEX #FF85FF

RGB 255 133 255

HSL 300, 1%, 0.76%

LAB 73.06, 62.61, -40.71

 

CMYK 0 / 71 / 4 / 17

HEX #D43DCB

RGB 212 61 203

HSL 303.58, 0.64%, 0.54%

LAB 53.65, 73.23, -42.59

 

CMYK 0 / 78 / 6 / 24

HEX #C32BB8

RGB 195 43 184

HSL 304.34, 0.64%, 0.47%

LAB 48, 72.07, -40.71

 

CMYK 0 / 86 / 7 / 30

HEX #B219A5

RGB 178 25 165

HSL 305.1, 0.75%, 0.4%

LAB 42.58, 69.99, -38.24

 

CMYK 0 / 96 / 9 / 37

HEX #A10792

RGB 161 7 146

HSL 305.84, 0.92%, 0.33%

LAB 37.49, 66.65, -35.01

 

CMYK 0 / 100 / 12 / 44

HEX #90007F

RGB 144 0 127

HSL 307.08, 1%, 0.28%

LAB 32.84, 61.68, -30.82

 

CMYK 0 / 70 / 4 / 16

HEX #D53FCC

RGB 213 63 204

HSL 303.6, 0.64%, 0.54%

LAB 54.09, 72.94, -42.45

 

CMYK 0 / 70 / 23 / 16

HEX #D53FA3

RGB 213 63 163

HSL 320, 0.64%, 0.54%

LAB 52.23, 67.11, -21.54

 

CMYK 0 / 70 / 42 / 16

HEX #D53F7B

RGB 213 63 123

HSL 336, 0.64%, 0.54%

LAB 50.84, 62.58, 0.24

 

CMYK 0 / 70 / 62 / 16

HEX #D53F52

RGB 213 63 82

HSL 352.4, 0.64%, 0.54%

LAB 49.87, 59.29, 23.65

 

CMYK 0 / 70 / 70 / 16

HEX #D53F3F

RGB 213 63 63

HSL 0, 0.64%, 0.54%

LAB 49.57, 58.24, 34.48

 

CMYK 0 / 70 / 4 / 16

HEX #D53FCC

RGB 213 63 204

HSL 303.6, 0.64%, 0.54%

LAB 54.09, 72.94, -42.45

 

CMYK 15 / 70 / 0 / 16

HEX #B53FD5

RGB 181 63 213

HSL 287.2, 0.64%, 0.54%

LAB 49.72, 67.6, -54.86

 

CMYK 34 / 70 / 0 / 16

HEX #8D3FD5

RGB 141 63 213

HSL 271.2, 0.64%, 0.54%

LAB 44.26, 59.62, -63.94

 

CMYK 53 / 70 / 0 / 16

HEX #643FD5

RGB 100 63 213

HSL 254.8, 0.64%, 0.54%

LAB 39.7, 52.51, -71.58

 

CMYK 70 / 70 / 0 / 16

HEX #3F3FD5

RGB 63 63 213

HSL 240, 0.64%, 0.54%

LAB 36.77, 47.67, -76.49

 

CMYK 0 / 70 / 4 / 16

HEX #D53FCC

RGB 213 63 204

HSL 303.6, 0.64%, 0.54%

LAB 54.09, 72.94, -42.45

 

CMYK 0 / 81 / 5 / 9

HEX #E82CDD

RGB 232 44 221

HSL 303.51, 0.8%, 0.54%

LAB 56.27, 84.55, -48.5

 

CMYK 0 / 90 / 6 / 2

HEX #FB19ED

RGB 251 25 237

HSL 303.72, 0.97%, 0.54%

LAB 59.27, 93.28, -52.54

 

CMYK 0 / 70 / 4 / 16

HEX #D53FCC

RGB 213 63 204

HSL 303.6, 0.64%, 0.54%

LAB 54.09, 72.94, -42.45

 

CMYK 0 / 58 / 4 / 24

HEX #C252BB

RGB 194 82 187

HSL 303.75, 0.48%, 0.54%

LAB 53.05, 58.12, -34.51

 

CMYK 0 / 42 / 3 / 31

HEX #AF65AA

RGB 175 101 170

HSL 304.05, 0.32%, 0.54%

LAB 53.3, 40.15, -24.45

 

CMYK 0 / 23 / 1 / 39

HEX #9C789A

RGB 156 120 154

HSL 303.33, 0.15%, 0.54%

LAB 54.9, 20.04, -12.9

 

CMYK 1 / 0 / 1 / 45

HEX #898B89

RGB 137 139 137

HSL 120, 0.01%, 0.54%

LAB 57.65, -1.13, 0.8

 

CMYK 34 / 70 / 0 / 16

HEX #8C3FD5

RGB 140 63 213

HSL 270.8, 0.64%, 0.54%

LAB 44.14, 59.43, -64.15

 

CMYK 15 / 70 / 0 / 16

HEX #B43FD5

RGB 180 63 213

HSL 286.8, 0.64%, 0.54%

LAB 49.57, 67.4, -55.1

 

CMYK 0 / 70 / 4 / 16

HEX #D53FCD

RGB 213 63 205

HSL 303.2, 0.64%, 0.54%

LAB 54.14, 73.1, -42.95

 

CMYK 0 / 70 / 23 / 16

HEX #D53FA5

RGB 213 63 165

HSL 319.2, 0.64%, 0.54%

LAB 52.31, 67.37, -22.6

 

CMYK 0 / 70 / 41 / 16

HEX #D53F7D

RGB 213 63 125

HSL 335.2, 0.64%, 0.54%

LAB 50.9, 62.78, -0.88

 

CMYK 0 / 78 / 4 / 38

HEX #9E2397

RGB 158 35 151

HSL 303.41, 0.64%, 0.38%

LAB 39.08, 61.4, -35.57

 

CMYK 0 / 78 / 5 / 25

HEX #C02AB7

RGB 192 42 183

HSL 303.6, 0.64%, 0.46%

LAB 47.34, 71.57, -41.19

 

CMYK 0 / 70 / 4 / 16

HEX #D53FCC

RGB 213 63 204

HSL 303.6, 0.64%, 0.54%

LAB 54.09, 72.94, -42.45

 

CMYK 0 / 56 / 3 / 14

HEX #DC60D5

RGB 220 96 213

HSL 303.39, 0.64%, 0.62%

LAB 60.24, 63.13, -37.84

 

CMYK 0 / 43 / 3 / 11

HEX #E482DE

RGB 228 130 222

HSL 303.67, 0.64%, 0.7%

LAB 67.82, 50.66, -30.99

 

CMYK 0 / 71 / 4 / 17

HEX #D43DCB

RGB 212 61 203

HSL 303.58, 0.64%, 0.54%

LAB 53.65, 73.23, -42.59

 

CMYK 0 / 53 / 70 / 16

HEX #D5643F

RGB 213 100 63

HSL 14.8, 0.64%, 0.54%

LAB 55.7, 41.98, 41.54

 

CMYK 70 / 0 / 25 / 16

HEX #3FD5A0

RGB 63 213 160

HSL 158.8, 0.64%, 0.54%

LAB 76.79, -51.44, 15.04

 

CMYK 0 / 71 / 4 / 17

HEX #D43DCB

RGB 212 61 203

HSL 303.58, 0.64%, 0.54%

LAB 53.65, 73.23, -42.59

 

CMYK 4 / 0 / 70 / 16

HEX #CDD53F

RGB 205 213 63

HSL 63.2, 0.64%, 0.54%

LAB 82.34, -20.6, 69

 

CMYK 70 / 4 / 0 / 16

HEX #3FCDD5

RGB 63 205 213

HSL 183.2, 0.64%, 0.54%

LAB 75.78, -34.19, -14.89

 

CMYK 0 / 71 / 4 / 17

HEX #D43DCB

RGB 212 61 203

HSL 303.58, 0.64%, 0.54%

LAB 53.65, 73.23, -42.59

 

CMYK 0 / 53 / 70 / 16

HEX #D5643F

RGB 213 100 63

HSL 14.8, 0.64%, 0.54%

LAB 55.7, 41.98, 41.54

 

CMYK 70 / 0 / 67 / 16

HEX #3FD546

RGB 63 213 70

HSL 122.8, 0.64%, 0.54%

LAB 75.51, -65.94, 57.19

 

CMYK 70 / 18 / 0 / 16

HEX #3FAFD5

RGB 63 175 213

HSL 195.2, 0.64%, 0.54%

LAB 66.92, -19.29, -28.37

 

CMYK 0 / 71 / 4 / 17

HEX #D43DCB

RGB 212 61 203

HSL 303.58, 0.64%, 0.54%

LAB 53.65, 73.23, -42.59

 

CMYK 0 / 32 / 70 / 16

HEX #D5913F

RGB 213 145 63

HSL 32.8, 0.64%, 0.54%

LAB 65.56, 18.29, 52.27

 

CMYK 70 / 0 / 67 / 16

HEX #3FD546

RGB 63 213 70

HSL 122.8, 0.64%, 0.54%

LAB 75.51, -65.94, 57.19

 

CMYK 70 / 39 / 0 / 16

HEX #3F82D5

RGB 63 130 213

HSL 213.2, 0.64%, 0.54%

LAB 53.84, 6.15, -48.85

 

Description

Color code: HEX #D43DCB | qconv.com Color code: HEX #D43DCB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 61 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 61 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 4 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 4% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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