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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D42DA9 it is the complementary color #2BD256. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D42DA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D42DA9 shade: #D92DA4, #EA3FB7, #FB51CA, #FF63DD and #FF75F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D42DA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D42DA9 shade: #D42DA9, #C31B96, #B20983, #A10070 and #90005D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D42DA9 shade: #D42BA8, #D42B7B, #D42B4E and #D42B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D42DA9 shade: #D42BA8, #D22BD4, #A42BD4, #772BD4 and #492BD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D42DA9 shade matches the following richer shades: #D42BA8, #E817B2 and #FD02BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D42DA9 shade: #D42BA8, #BF409E, #AA5594, #96698A and #817E80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D42DA9 shade: #A42BD4, #D12BD4, #D42BAA, #D42B7D and #D42B50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D42DA9 shade: #8F1D72, #B1248D, #D42BA8, #DB4EB6 and #E270C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D42DA9 shade: #D42DA9, #D4772B and #2BD4BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D42DA9 shade: #D42DA9, #AAD42B and #2BAAD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D42DA9 shade: #D42DA9, #D4772B, #2BD455 and #2B88D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D42DA9 shade: #D42DA9, #D4AA2B, #2BD455 and #2B55D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 20 / 17

HEX #D42DA9

RGB 212 45 169

HSL 315.45, 0.66%, 0.5%

LAB 50.38, 73.12, -27.95

 

Complementary color

CMYK 80 / 0 / 59 / 18

HEX #2BD256

RGB 43 210 86

HSL 135.45, 0.66%, 0.5%

LAB 74.37, -66.1, 49.02

 

CMYK 0 / 79 / 24 / 15

HEX #D92DA4

RGB 217 45 164

HSL 318.49, 0.69%, 0.51%

LAB 51.05, 73.62, -23.89

 

CMYK 0 / 73 / 22 / 8

HEX #EA3FB7

RGB 234 63 183

HSL 317.89, 0.8%, 0.58%

LAB 56.55, 74.82, -26.26

 

CMYK 0 / 68 / 20 / 2

HEX #FB51CA

RGB 251 81 202

HSL 317.29, 0.96%, 0.65%

LAB 62.22, 75.39, -28.18

 

CMYK 0 / 61 / 13 / 0

HEX #FF63DD

RGB 255 99 221

HSL 313.08, 1%, 0.69%

LAB 66.06, 72.21, -32.87

 

CMYK 0 / 54 / 6 / 0

HEX #FF75F0

RGB 255 117 240

HSL 306.52, 1%, 0.73%

LAB 69.66, 67.47, -37.8

 

CMYK 0 / 79 / 20 / 17

HEX #D42DA9

RGB 212 45 169

HSL 315.45, 0.66%, 0.5%

LAB 50.38, 73.12, -27.95

 

CMYK 0 / 86 / 23 / 24

HEX #C31B96

RGB 195 27 150

HSL 316.07, 0.76%, 0.44%

LAB 45.06, 71.07, -25.11

 

CMYK 0 / 95 / 26 / 30

HEX #B20983

RGB 178 9 131

HSL 316.69, 0.9%, 0.37%

LAB 40.08, 67.83, -21.49

 

CMYK 0 / 100 / 30 / 37

HEX #A10070

RGB 161 0 112

HSL 318.26, 1%, 0.32%

LAB 35.49, 63.16, -16.95

 

CMYK 0 / 100 / 35 / 44

HEX #90005D

RGB 144 0 93

HSL 321.25, 1%, 0.28%

LAB 31.16, 57.46, -11.68

 

CMYK 0 / 80 / 21 / 17

HEX #D42BA8

RGB 212 43 168

HSL 315.62, 0.66%, 0.5%

LAB 50.16, 73.5, -27.7

 

CMYK 0 / 80 / 42 / 17

HEX #D42B7B

RGB 212 43 123

HSL 331.6, 0.66%, 0.5%

LAB 48.45, 68.52, -3.29

 

CMYK 0 / 80 / 63 / 17

HEX #D42B4E

RGB 212 43 78

HSL 347.57, 0.66%, 0.5%

LAB 47.33, 65.12, 22.72

 

CMYK 0 / 80 / 80 / 17

HEX #D42B2B

RGB 212 43 43

HSL 0, 0.66%, 0.5%

LAB 46.84, 63.6, 42.68

 

CMYK 0 / 80 / 21 / 17

HEX #D42BA8

RGB 212 43 168

HSL 315.62, 0.66%, 0.5%

LAB 50.16, 73.5, -27.7

 

CMYK 1 / 80 / 0 / 17

HEX #D22BD4

RGB 210 43 212

HSL 299.29, 0.66%, 0.5%

LAB 52.04, 79.29, -50.31

 

CMYK 23 / 80 / 0 / 17

HEX #A42BD4

RGB 164 43 212

HSL 282.96, 0.66%, 0.5%

LAB 44.76, 71.01, -62.4

 

CMYK 44 / 80 / 0 / 17

HEX #772BD4

RGB 119 43 212

HSL 266.98, 0.66%, 0.5%

LAB 38.56, 63.99, -72.79

 

CMYK 66 / 80 / 0 / 17

HEX #492BD4

RGB 73 43 212

HSL 250.65, 0.66%, 0.5%

LAB 33.77, 58.62, -80.84

 

CMYK 0 / 80 / 21 / 17

HEX #D42BA8

RGB 212 43 168

HSL 315.62, 0.66%, 0.5%

LAB 50.16, 73.5, -27.7

 

CMYK 0 / 90 / 23 / 9

HEX #E817B2

RGB 232 23 178

HSL 315.5, 0.82%, 0.5%

LAB 52.93, 82.57, -28.99

 

CMYK 0 / 99 / 26 / 1

HEX #FD02BC

RGB 253 2 188

HSL 315.54, 0.98%, 0.5%

LAB 56.64, 89.46, -28.75

 

CMYK 0 / 80 / 21 / 17

HEX #D42BA8

RGB 212 43 168

HSL 315.62, 0.66%, 0.5%

LAB 50.16, 73.5, -27.7

 

CMYK 0 / 66 / 17 / 25

HEX #BF409E

RGB 191 64 158

HSL 315.59, 0.5%, 0.5%

LAB 48.53, 60.37, -24.59

 

CMYK 0 / 50 / 13 / 33

HEX #AA5594

RGB 170 85 148

HSL 315.53, 0.33%, 0.5%

LAB 48.49, 43.13, -18.97

 

CMYK 0 / 30 / 8 / 41

HEX #96698A

RGB 150 105 138

HSL 316, 0.18%, 0.5%

LAB 50, 23.5, -10.96

 

CMYK 0 / 2 / 1 / 49

HEX #817E80

RGB 129 126 128

HSL 320, 0.01%, 0.5%

LAB 53.11, 1.53, -0.69

 

CMYK 23 / 80 / 0 / 17

HEX #A42BD4

RGB 164 43 212

HSL 282.96, 0.66%, 0.5%

LAB 44.76, 71.01, -62.4

 

CMYK 1 / 80 / 0 / 17

HEX #D12BD4

RGB 209 43 212

HSL 298.93, 0.66%, 0.5%

LAB 51.88, 79.1, -50.59

 

CMYK 0 / 80 / 20 / 17

HEX #D42BAA

RGB 212 43 170

HSL 314.91, 0.66%, 0.5%

LAB 50.25, 73.75, -28.74

 

CMYK 0 / 80 / 41 / 17

HEX #D42B7D

RGB 212 43 125

HSL 330.89, 0.66%, 0.5%

LAB 48.52, 68.71, -4.41

 

CMYK 0 / 80 / 62 / 17

HEX #D42B50

RGB 212 43 80

HSL 346.86, 0.66%, 0.5%

LAB 47.37, 65.24, 21.55

 

CMYK 0 / 80 / 20 / 44

HEX #8F1D72

RGB 143 29 114

HSL 315.26, 0.66%, 0.34%

LAB 33.84, 54.18, -21.06

 

CMYK 0 / 80 / 20 / 31

HEX #B1248D

RGB 177 36 141

HSL 315.32, 0.66%, 0.42%

LAB 42.05, 63.92, -24.59

 

CMYK 0 / 80 / 21 / 17

HEX #D42BA8

RGB 212 43 168

HSL 315.62, 0.66%, 0.5%

LAB 50.16, 73.5, -27.7

 

CMYK 0 / 64 / 17 / 14

HEX #DB4EB6

RGB 219 78 182

HSL 315.74, 0.66%, 0.58%

LAB 55.97, 65.65, -26.78

 

CMYK 0 / 50 / 13 / 11

HEX #E270C4

RGB 226 112 196

HSL 315.79, 0.66%, 0.66%

LAB 63.13, 54.65, -23.68

 

CMYK 0 / 79 / 20 / 17

HEX #D42DA9

RGB 212 45 169

HSL 315.45, 0.66%, 0.5%

LAB 50.38, 73.12, -27.95

 

CMYK 0 / 44 / 80 / 17

HEX #D4772B

RGB 212 119 43

HSL 26.98, 0.66%, 0.5%

LAB 59.31, 30.96, 54.74

 

CMYK 80 / 0 / 12 / 17

HEX #2BD4BA

RGB 43 212 186

HSL 170.77, 0.66%, 0.5%

LAB 76.77, -47.01, 1.08

 

CMYK 0 / 79 / 20 / 17

HEX #D42DA9

RGB 212 45 169

HSL 315.45, 0.66%, 0.5%

LAB 50.38, 73.12, -27.95

 

CMYK 20 / 0 / 80 / 17

HEX #AAD42B

RGB 170 212 43

HSL 74.91, 0.66%, 0.5%

LAB 79.5, -35.23, 71.74

 

CMYK 80 / 20 / 0 / 17

HEX #2BAAD4

RGB 43 170 212

HSL 194.91, 0.66%, 0.5%

LAB 64.98, -19.32, -30.85

 

CMYK 0 / 79 / 20 / 17

HEX #D42DA9

RGB 212 45 169

HSL 315.45, 0.66%, 0.5%

LAB 50.38, 73.12, -27.95

 

CMYK 0 / 44 / 80 / 17

HEX #D4772B

RGB 212 119 43

HSL 26.98, 0.66%, 0.5%

LAB 59.31, 30.96, 54.74

 

CMYK 80 / 0 / 60 / 17

HEX #2BD455

RGB 43 212 85

HSL 134.91, 0.66%, 0.5%

LAB 74.99, -66.86, 50.18

 

CMYK 80 / 36 / 0 / 17

HEX #2B88D4

RGB 43 136 212

HSL 206.98, 0.66%, 0.5%

LAB 54.94, -0.27, -46.57

 

CMYK 0 / 79 / 20 / 17

HEX #D42DA9

RGB 212 45 169

HSL 315.45, 0.66%, 0.5%

LAB 50.38, 73.12, -27.95

 

CMYK 0 / 20 / 80 / 17

HEX #D4AA2B

RGB 212 170 43

HSL 45.09, 0.66%, 0.5%

LAB 71.5, 3.56, 65.86

 

CMYK 80 / 0 / 60 / 17

HEX #2BD455

RGB 43 212 85

HSL 134.91, 0.66%, 0.5%

LAB 74.99, -66.86, 50.18

 

CMYK 80 / 60 / 0 / 17

HEX #2B55D4

RGB 43 85 212

HSL 225.09, 0.66%, 0.5%

LAB 40.84, 31.82, -69.28

 

Description

Color code: HEX #D42DA9 | qconv.com Color code: HEX #D42DA9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 45 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 45 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 20 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 20% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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