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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D42C9D it is the complementary color #2BD362. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D42C9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D42C9D shade: #D92C98, #EA3EAB, #FB50BE, #FF62D1 and #FF74E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D42C9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D42C9D shade: #D42C9D, #C31A8A, #B20877, #A10064 and #900051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D42C9D shade: #D42B9D, #D42B6F, #D42B42 and #D42B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D42C9D shade: #D42B9D, #D42BCA, #B02BD4, #832BD4 and #552BD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D42C9D shade matches the following richer shades: #D42B9D, #E817A4 and #FD02AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D42C9D shade: #D42B9D, #BF4095, #AA558E, #966987 and #817E80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D42C9D shade: #AF2BD4, #D42BCB, #D42B9E, #D42B71 and #D42B45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D42C9D shade: #8F1D6A, #B12483, #D42B9D, #DB4EAC and #E270BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D42C9D shade: #D42C9D, #D4822B and #2BD4C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D42C9D shade: #D42C9D, #9ED42B and #2B9ED4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D42C9D shade: #D42C9D, #D4822B, #2BD461 and #2B7DD4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D42C9D shade: #D42C9D, #D4B52B, #2BD461 and #2B4AD4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 26 / 17

HEX #D42C9D

RGB 212 44 157

HSL 319.64, 0.66%, 0.5%

LAB 49.78, 71.89, -21.77

 

Complementary color

CMYK 80 / 0 / 54 / 17

HEX #2BD362

RGB 43 211 98

HSL 139.64, 0.66%, 0.5%

LAB 74.81, -64.82, 44

 

CMYK 0 / 80 / 30 / 15

HEX #D92C98

RGB 217 44 152

HSL 322.54, 0.69%, 0.51%

LAB 50.48, 72.47, -17.64

 

CMYK 0 / 74 / 27 / 8

HEX #EA3EAB

RGB 234 62 171

HSL 321.98, 0.8%, 0.58%

LAB 55.97, 73.66, -20.19

 

CMYK 0 / 68 / 24 / 2

HEX #FB50BE

RGB 251 80 190

HSL 321.4, 0.96%, 0.65%

LAB 61.62, 74.22, -22.26

 

CMYK 0 / 62 / 18 / 0

HEX #FF62D1

RGB 255 98 209

HSL 317.58, 1%, 0.69%

LAB 65.44, 70.92, -27.12

 

CMYK 0 / 55 / 11 / 0

HEX #FF74E4

RGB 255 116 228

HSL 311.65, 1%, 0.73%

LAB 69.01, 66.03, -32.2

 

CMYK 0 / 79 / 26 / 17

HEX #D42C9D

RGB 212 44 157

HSL 319.64, 0.66%, 0.5%

LAB 49.78, 71.89, -21.77

 

CMYK 0 / 87 / 29 / 24

HEX #C31A8A

RGB 195 26 138

HSL 320.24, 0.76%, 0.43%

LAB 44.48, 69.84, -18.73

 

CMYK 0 / 96 / 33 / 30

HEX #B20877

RGB 178 8 119

HSL 320.82, 0.91%, 0.36%

LAB 39.53, 66.6, -14.88

 

CMYK 0 / 100 / 38 / 37

HEX #A10064

RGB 161 0 100

HSL 322.73, 1%, 0.32%

LAB 35, 61.89, -10.05

 

CMYK 0 / 100 / 44 / 44

HEX #900051

RGB 144 0 81

HSL 326.25, 1%, 0.28%

LAB 30.7, 56.25, -4.49

 

CMYK 0 / 80 / 26 / 17

HEX #D42B9D

RGB 212 43 157

HSL 319.53, 0.66%, 0.5%

LAB 49.69, 72.15, -21.9

 

CMYK 0 / 80 / 48 / 17

HEX #D42B6F

RGB 212 43 111

HSL 335.86, 0.66%, 0.5%

LAB 48.1, 67.46, 3.53

 

CMYK 0 / 80 / 69 / 17

HEX #D42B42

RGB 212 43 66

HSL 351.83, 0.66%, 0.5%

LAB 47.13, 64.49, 29.74

 

CMYK 0 / 80 / 80 / 17

HEX #D42B2B

RGB 212 43 43

HSL 0, 0.66%, 0.5%

LAB 46.84, 63.6, 42.68

 

CMYK 0 / 80 / 26 / 17

HEX #D42B9D

RGB 212 43 157

HSL 319.53, 0.66%, 0.5%

LAB 49.69, 72.15, -21.9

 

CMYK 0 / 80 / 5 / 17

HEX #D42BCA

RGB 212 43 202

HSL 303.55, 0.66%, 0.5%

LAB 51.82, 78.17, -44.9

 

CMYK 17 / 80 / 0 / 17

HEX #B02BD4

RGB 176 43 212

HSL 287.22, 0.66%, 0.5%

LAB 46.59, 73.08, -59.36

 

CMYK 38 / 80 / 0 / 17

HEX #832BD4

RGB 131 43 212

HSL 271.24, 0.66%, 0.5%

LAB 40.09, 65.72, -70.21

 

CMYK 60 / 80 / 0 / 17

HEX #552BD4

RGB 85 43 212

HSL 254.91, 0.66%, 0.5%

LAB 34.83, 59.8, -79.06

 

CMYK 0 / 80 / 26 / 17

HEX #D42B9D

RGB 212 43 157

HSL 319.53, 0.66%, 0.5%

LAB 49.69, 72.15, -21.9

 

CMYK 0 / 90 / 29 / 9

HEX #E817A4

RGB 232 23 164

HSL 319.52, 0.82%, 0.5%

LAB 52.34, 81.01, -21.67

 

CMYK 0 / 99 / 32 / 1

HEX #FD02AB

RGB 253 2 171

HSL 319.6, 0.98%, 0.5%

LAB 55.95, 87.7, -19.91

 

CMYK 0 / 80 / 26 / 17

HEX #D42B9D

RGB 212 43 157

HSL 319.53, 0.66%, 0.5%

LAB 49.69, 72.15, -21.9

 

CMYK 0 / 66 / 22 / 25

HEX #BF4095

RGB 191 64 149

HSL 319.84, 0.5%, 0.5%

LAB 48.15, 59.1, -19.8

 

CMYK 0 / 50 / 16 / 33

HEX #AA558E

RGB 170 85 142

HSL 319.76, 0.33%, 0.5%

LAB 48.26, 42.15, -15.74

 

CMYK 0 / 30 / 10 / 41

HEX #966987

RGB 150 105 135

HSL 320, 0.18%, 0.5%

LAB 49.9, 22.95, -9.33

 

CMYK 0 / 2 / 1 / 49

HEX #817E80

RGB 129 126 128

HSL 320, 0.01%, 0.5%

LAB 53.11, 1.53, -0.69

 

CMYK 17 / 80 / 0 / 17

HEX #AF2BD4

RGB 175 43 212

HSL 286.86, 0.66%, 0.5%

LAB 46.44, 72.91, -59.61

 

CMYK 0 / 80 / 4 / 17

HEX #D42BCB

RGB 212 43 203

HSL 303.2, 0.66%, 0.5%

LAB 51.88, 78.31, -45.39

 

CMYK 0 / 80 / 25 / 17

HEX #D42B9E

RGB 212 43 158

HSL 319.17, 0.66%, 0.5%

LAB 49.73, 72.27, -22.44

 

CMYK 0 / 80 / 47 / 17

HEX #D42B71

RGB 212 43 113

HSL 335.15, 0.66%, 0.5%

LAB 48.16, 67.63, 2.38

 

CMYK 0 / 80 / 67 / 17

HEX #D42B45

RGB 212 43 69

HSL 350.77, 0.66%, 0.5%

LAB 47.18, 64.64, 27.99

 

CMYK 0 / 80 / 26 / 44

HEX #8F1D6A

RGB 143 29 106

HSL 319.47, 0.66%, 0.34%

LAB 33.48, 53.1, -16.54

 

CMYK 0 / 80 / 26 / 31

HEX #B12483

RGB 177 36 131

HSL 319.57, 0.66%, 0.42%

LAB 41.61, 62.63, -19.15

 

CMYK 0 / 80 / 26 / 17

HEX #D42B9D

RGB 212 43 157

HSL 319.53, 0.66%, 0.5%

LAB 49.69, 72.15, -21.9

 

CMYK 0 / 64 / 21 / 14

HEX #DB4EAC

RGB 219 78 172

HSL 320, 0.66%, 0.58%

LAB 55.57, 64.27, -21.6

 

CMYK 0 / 50 / 17 / 11

HEX #E270BC

RGB 226 112 188

HSL 320, 0.66%, 0.66%

LAB 62.83, 53.43, -19.6

 

CMYK 0 / 79 / 26 / 17

HEX #D42C9D

RGB 212 44 157

HSL 319.64, 0.66%, 0.5%

LAB 49.78, 71.89, -21.77

 

CMYK 0 / 39 / 80 / 17

HEX #D4822B

RGB 212 130 43

HSL 30.89, 0.66%, 0.5%

LAB 61.77, 25.09, 57.03

 

CMYK 80 / 0 / 7 / 17

HEX #2BD4C6

RGB 43 212 198

HSL 175.03, 0.66%, 0.5%

LAB 77.09, -43.77, -4.89

 

CMYK 0 / 79 / 26 / 17

HEX #D42C9D

RGB 212 44 157

HSL 319.64, 0.66%, 0.5%

LAB 49.78, 71.89, -21.77

 

CMYK 25 / 0 / 80 / 17

HEX #9ED42B

RGB 158 212 43

HSL 79.17, 0.66%, 0.5%

LAB 78.77, -39.89, 70.81

 

CMYK 80 / 25 / 0 / 17

HEX #2B9ED4

RGB 43 158 212

HSL 199.17, 0.66%, 0.5%

LAB 61.41, -12.86, -36.39

 

CMYK 0 / 79 / 26 / 17

HEX #D42C9D

RGB 212 44 157

HSL 319.64, 0.66%, 0.5%

LAB 49.78, 71.89, -21.77

 

CMYK 0 / 39 / 80 / 17

HEX #D4822B

RGB 212 130 43

HSL 30.89, 0.66%, 0.5%

LAB 61.77, 25.09, 57.03

 

CMYK 80 / 0 / 54 / 17

HEX #2BD461

RGB 43 212 97

HSL 139.17, 0.66%, 0.5%

LAB 75.12, -65.29, 44.83

 

CMYK 80 / 41 / 0 / 17

HEX #2B7DD4

RGB 43 125 212

HSL 210.89, 0.66%, 0.5%

LAB 51.76, 6.37, -51.63

 

CMYK 0 / 79 / 26 / 17

HEX #D42C9D

RGB 212 44 157

HSL 319.64, 0.66%, 0.5%

LAB 49.78, 71.89, -21.77

 

CMYK 0 / 15 / 80 / 17

HEX #D4B52B

RGB 212 181 43

HSL 48.99, 0.66%, 0.5%

LAB 74.33, -2.24, 68.38

 

CMYK 80 / 0 / 54 / 17

HEX #2BD461

RGB 43 212 97

HSL 139.17, 0.66%, 0.5%

LAB 75.12, -65.29, 44.83

 

CMYK 80 / 65 / 0 / 17

HEX #2B4AD4

RGB 43 74 212

HSL 228.99, 0.66%, 0.5%

LAB 38.14, 38.81, -73.71

 

Description

Color code: HEX #D42C9D | qconv.com Color code: HEX #D42C9D | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 44 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 44 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 26 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 26% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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