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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D42C42 it is the complementary color #2BD3BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D42C42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D42C42 shade: #D92C3D, #EA3E50, #FB5063, #FF6276 and #FF7489

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D42C42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D42C42 shade: #D42C42, #C31A2F, #B2081C, #A10009 and #900000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D42C42 shade: #D42B41 and #D42B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D42C42 shade: #D42B41, #D42B6F, #D42B9C, #D42BCA and #B02BD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D42C42 shade matches the following richer shades: #D42B41, #E81732 and #FD0223

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D42C42 shade: #D42B41, #BF4051, #AA5560, #96696F and #817E7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D42C42 shade: #D42B9C, #D42B6F, #D42B42, #D4422B and #D46F2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D42C42 shade: #8F1D2C, #B12437, #D42B41, #DB4E60 and #E2707F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D42C42 shade: #D42C42, #C8D42B and #2B85D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D42C42 shade: #D42C42, #42D42B and #2B42D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D42C42 shade: #D42C42, #C8D42B, #2BD4BD and #372BD4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D42C42 shade: #D42C42, #96D42B, #2BD4BD and #692BD4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 69 / 17

HEX #D42C42

RGB 212 44 66

HSL 352.14, 0.66%, 0.5%

LAB 47.23, 64.22, 29.86

 

Complementary color

CMYK 80 / 0 / 10 / 17

HEX #2BD3BD

RGB 43 211 189

HSL 172.14, 0.66%, 0.5%

LAB 76.54, -45.79, -0.86

 

CMYK 0 / 80 / 72 / 15

HEX #D92C3D

RGB 217 44 61

HSL 354.1, 0.69%, 0.51%

LAB 48.12, 65.4, 34.13

 

CMYK 0 / 74 / 66 / 8

HEX #EA3E50

RGB 234 62 80

HSL 353.72, 0.8%, 0.58%

LAB 53.51, 65.8, 30.26

 

CMYK 0 / 68 / 61 / 2

HEX #FB5063

RGB 251 80 99

HSL 353.33, 0.96%, 0.65%

LAB 59.11, 65.67, 26.95

 

CMYK 0 / 62 / 54 / 0

HEX #FF6276

RGB 255 98 118

HSL 352.36, 1%, 0.69%

LAB 62.76, 61.09, 20.97

 

CMYK 0 / 55 / 46 / 0

HEX #FF7489

RGB 255 116 137

HSL 350.94, 1%, 0.73%

LAB 66.18, 54.72, 14.83

 

CMYK 0 / 79 / 69 / 17

HEX #D42C42

RGB 212 44 66

HSL 352.14, 0.66%, 0.5%

LAB 47.23, 64.22, 29.86

 

CMYK 0 / 87 / 76 / 24

HEX #C31A2F

RGB 195 26 47

HSL 352.54, 0.76%, 0.43%

LAB 42.07, 63.01, 34.32

 

CMYK 0 / 96 / 84 / 30

HEX #B2081C

RGB 178 8 28

HSL 352.94, 0.91%, 0.36%

LAB 37.34, 60.67, 39.27

 

CMYK 0 / 100 / 94 / 37

HEX #A10009

RGB 161 0 9

HSL 356.65, 1%, 0.32%

LAB 33.13, 56.91, 43.57

 

CMYK 0 / 100 / 100 / 44

HEX #900000

RGB 144 0 0

HSL 0, 1%, 0.28%

LAB 29.23, 52.34, 42.7

 

CMYK 0 / 80 / 69 / 17

HEX #D42B41

RGB 212 43 65

HSL 352.19, 0.66%, 0.5%

LAB 47.11, 64.45, 30.32

 

CMYK 0 / 80 / 80 / 17

HEX #D42B2B

RGB 212 43 43

HSL 0, 0.66%, 0.5%

LAB 46.84, 63.6, 42.68

 

CMYK 0 / 80 / 69 / 17

HEX #D42B41

RGB 212 43 65

HSL 352.19, 0.66%, 0.5%

LAB 47.11, 64.45, 30.32

 

CMYK 0 / 80 / 48 / 17

HEX #D42B6F

RGB 212 43 111

HSL 335.86, 0.66%, 0.5%

LAB 48.1, 67.46, 3.53

 

CMYK 0 / 80 / 26 / 17

HEX #D42B9C

RGB 212 43 156

HSL 319.88, 0.66%, 0.5%

LAB 49.65, 72.03, -21.37

 

CMYK 0 / 80 / 5 / 17

HEX #D42BCA

RGB 212 43 202

HSL 303.55, 0.66%, 0.5%

LAB 51.82, 78.17, -44.9

 

CMYK 17 / 80 / 0 / 17

HEX #B02BD4

RGB 176 43 212

HSL 287.22, 0.66%, 0.5%

LAB 46.59, 73.08, -59.36

 

CMYK 0 / 80 / 69 / 17

HEX #D42B41

RGB 212 43 65

HSL 352.19, 0.66%, 0.5%

LAB 47.11, 64.45, 30.32

 

CMYK 0 / 90 / 78 / 9

HEX #E81732

RGB 232 23 50

HSL 352.25, 0.82%, 0.5%

LAB 49.49, 73.19, 42.81

 

CMYK 0 / 99 / 86 / 1

HEX #FD0223

RGB 253 2 35

HSL 352.11, 0.98%, 0.5%

LAB 53, 79.86, 55.37

 

CMYK 0 / 80 / 69 / 17

HEX #D42B41

RGB 212 43 65

HSL 352.19, 0.66%, 0.5%

LAB 47.11, 64.45, 30.32

 

CMYK 0 / 66 / 58 / 25

HEX #BF4051

RGB 191 64 81

HSL 351.97, 0.5%, 0.5%

LAB 46.09, 51.88, 18.55

 

CMYK 0 / 50 / 44 / 33

HEX #AA5560

RGB 170 85 96

HSL 352.24, 0.33%, 0.5%

LAB 46.83, 35.9, 9.9

 

CMYK 0 / 30 / 26 / 41

HEX #96696F

RGB 150 105 111

HSL 352, 0.18%, 0.5%

LAB 49.17, 18.93, 3.87

 

CMYK 0 / 2 / 2 / 49

HEX #817E7E

RGB 129 126 126

HSL 0, 0.01%, 0.5%

LAB 53.05, 1.13, 0.39

 

CMYK 0 / 80 / 26 / 17

HEX #D42B9C

RGB 212 43 156

HSL 319.88, 0.66%, 0.5%

LAB 49.65, 72.03, -21.37

 

CMYK 0 / 80 / 48 / 17

HEX #D42B6F

RGB 212 43 111

HSL 335.86, 0.66%, 0.5%

LAB 48.1, 67.46, 3.53

 

CMYK 0 / 80 / 69 / 17

HEX #D42B42

RGB 212 43 66

HSL 351.83, 0.66%, 0.5%

LAB 47.13, 64.49, 29.74

 

CMYK 0 / 69 / 80 / 17

HEX #D4422B

RGB 212 66 43

HSL 8.17, 0.66%, 0.5%

LAB 49.58, 56, 45.4

 

CMYK 0 / 48 / 80 / 17

HEX #D46F2B

RGB 212 111 43

HSL 24.14, 0.66%, 0.5%

LAB 57.6, 35.15, 53.13

 

CMYK 0 / 80 / 69 / 44

HEX #8F1D2C

RGB 143 29 44

HSL 352.11, 0.66%, 0.34%

LAB 31.58, 47.29, 21.16

 

CMYK 0 / 80 / 69 / 31

HEX #B12437

RGB 177 36 55

HSL 351.91, 0.66%, 0.42%

LAB 39.39, 55.92, 25.38

 

CMYK 0 / 80 / 69 / 17

HEX #D42B41

RGB 212 43 65

HSL 352.19, 0.66%, 0.5%

LAB 47.11, 64.45, 30.32

 

CMYK 0 / 64 / 56 / 14

HEX #DB4E60

RGB 219 78 96

HSL 352.34, 0.66%, 0.58%

LAB 53.33, 56.25, 20.08

 

CMYK 0 / 50 / 44 / 11

HEX #E2707F

RGB 226 112 127

HSL 352.11, 0.66%, 0.66%

LAB 61.04, 45.7, 12.73

 

CMYK 0 / 79 / 69 / 17

HEX #D42C42

RGB 212 44 66

HSL 352.14, 0.66%, 0.5%

LAB 47.23, 64.22, 29.86

 

CMYK 6 / 0 / 80 / 17

HEX #C8D42B

RGB 200 212 43

HSL 64.26, 0.66%, 0.5%

LAB 81.59, -23.02, 74.38

 

CMYK 80 / 37 / 0 / 17

HEX #2B85D4

RGB 43 133 212

HSL 208.05, 0.66%, 0.5%

LAB 54.07, 1.52, -47.95

 

CMYK 0 / 79 / 69 / 17

HEX #D42C42

RGB 212 44 66

HSL 352.14, 0.66%, 0.5%

LAB 47.23, 64.22, 29.86

 

CMYK 69 / 0 / 80 / 17

HEX #42D42B

RGB 66 212 43

HSL 111.83, 0.66%, 0.5%

LAB 75.09, -67.11, 66.07

 

CMYK 80 / 69 / 0 / 17

HEX #2B42D4

RGB 43 66 212

HSL 231.83, 0.66%, 0.5%

LAB 36.3, 43.75, -76.73

 

CMYK 0 / 79 / 69 / 17

HEX #D42C42

RGB 212 44 66

HSL 352.14, 0.66%, 0.5%

LAB 47.23, 64.22, 29.86

 

CMYK 6 / 0 / 80 / 17

HEX #C8D42B

RGB 200 212 43

HSL 64.26, 0.66%, 0.5%

LAB 81.59, -23.02, 74.38

 

CMYK 80 / 0 / 11 / 17

HEX #2BD4BD

RGB 43 212 189

HSL 171.83, 0.66%, 0.5%

LAB 76.85, -46.22, -0.41

 

CMYK 74 / 80 / 0 / 17

HEX #372BD4

RGB 55 43 212

HSL 244.26, 0.66%, 0.5%

LAB 32.47, 57.17, -83.04

 

CMYK 0 / 79 / 69 / 17

HEX #D42C42

RGB 212 44 66

HSL 352.14, 0.66%, 0.5%

LAB 47.23, 64.22, 29.86

 

CMYK 29 / 0 / 80 / 17

HEX #96D42B

RGB 150 212 43

HSL 82.01, 0.66%, 0.5%

LAB 78.31, -42.9, 70.22

 

CMYK 80 / 0 / 11 / 17

HEX #2BD4BD

RGB 43 212 189

HSL 171.83, 0.66%, 0.5%

LAB 76.85, -46.22, -0.41

 

CMYK 50 / 80 / 0 / 17

HEX #692BD4

RGB 105 43 212

HSL 262.01, 0.66%, 0.5%

LAB 36.9, 62.13, -75.57

 

Description

Color code: HEX #D42C42 | qconv.com Color code: HEX #D42C42 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 44 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 44 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 69 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 69% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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