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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4274ACE it is the complementary color #2BD8B5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4274ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4274ACE shade: #D92745CE, #EA3958CE, #FB4B6BCE, #FF5D7ECE and #FF6F91CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4274ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4274ACE shade: #D4274ACE, #C31537CE, #B20324CE, #A10011CE and #900000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4274ACE shade: #D3274A and #D32727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4274ACE shade: #D3274A, #D32778, #D327A7, #D127D3 and #A327D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4274ACE shade matches the following richer shades: #D3274A and #E7133E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4274ACE shade: #D3274A, #BF3B56, #AB4F62, #97636E and #82787A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4274ACE shade: #D327A8, #D3277A, #D3274C, #D32F27 and #D35D27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4274ACE shade: #8D1A31, #B0203D, #D3274A, #DD4665 and #E36982

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4274ACE shade: #D4274A, #D3D027 and #2791D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4274ACE shade: #D4274A, #4CD327 and #274CD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4274ACE shade: #D4274A, #D3D027, #27D3AE and #272AD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4274ACE shade: #D4274A, #A2D327, #27D3AE and #5827D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 53 / 14

HEX #D4274ACE

RGBA 212 39 74 0.81

HSLA 347.86, 0.69%, 0.49%, 0.81

LABA 46.9, 65.93, 24.6, 0.81

 

Complementary color

CMYK 65 / 0 / 13 / 12

HEX #2BD8B5CE

RGBA 43 216 181 0.81

HSLA 167.86, 0.69%, 0.51%, 0.81

LABA 77.85, -49.97, 5.33, 0.81

 

CMYK 0 / 66 / 55 / 12

HEX #D92745CE

RGBA 217 39 69 0.81

HSLA 349.89, 0.7%, 0.5%, 0.81

LABA 47.79, 67.02, 28.97, 0.81

 

CMYK 0 / 61 / 51 / 7

HEX #EA3958CE

RGBA 234 57 88 0.81

HSLA 349.49, 0.81%, 0.57%, 0.81

LABA 53.08, 67.82, 24.98, 0.81

 

CMYK 0 / 57 / 46 / 1

HEX #FB4B6BCE

RGBA 251 75 107 0.81

HSLA 349.09, 0.96%, 0.64%, 0.81

LABA 58.6, 67.99, 21.62, 0.81

 

CMYK 0 / 51 / 41 / 0

HEX #FF5D7ECE

RGBA 255 93 126 0.81

HSLA 347.78, 1%, 0.68%, 0.81

LABA 62.16, 63.79, 15.54, 0.81

 

CMYK 0 / 46 / 35 / 0

HEX #FF6F91CE

RGBA 255 111 145 0.81

HSLA 345.83, 1%, 0.72%, 0.81

LABA 65.49, 57.77, 9.31, 0.81

 

CMYK 0 / 66 / 53 / 14

HEX #D4274ACE

RGBA 212 39 74 0.81

HSLA 347.86, 0.69%, 0.49%, 0.81

LABA 46.9, 65.93, 24.6, 0.81

 

CMYK 0 / 72 / 58 / 19

HEX #C31537CE

RGBA 195 21 55 0.81

HSLA 348.28, 0.81%, 0.42%, 0.81

LABA 41.87, 64.23, 29.25, 0.81

 

CMYK 0 / 80 / 65 / 24

HEX #B20324CE

RGBA 178 3 36 0.81

HSLA 348.69, 0.97%, 0.35%, 0.81

LABA 37.22, 61.47, 34.56, 0.81

 

CMYK 0 / 81 / 72 / 30

HEX #A10011CE

RGBA 161 0 17 0.81

HSLA 353.66, 1%, 0.32%, 0.81

LABA 33.17, 57.04, 40.02, 0.81

 

CMYK 0 / 81 / 81 / 35

HEX #900000CE

RGBA 144 0 0 0.81

HSLA 0, 1%, 0.28%, 0.81

LABA 29.23, 52.34, 42.7, 0.81

 

CMYK 0 / 82 / 65 / 17

HEX #D3274A

RGB 211 39 74

HSL 347.79, 0.69%, 0.49%

LAB 46.7, 65.66, 24.31

 

CMYK 0 / 82 / 82 / 17

HEX #D32727

RGB 211 39 39

HSL 0, 0.69%, 0.49%

LAB 46.24, 64.24, 44.16

 

CMYK 0 / 82 / 65 / 17

HEX #D3274A

RGB 211 39 74

HSL 347.79, 0.69%, 0.49%

LAB 46.7, 65.66, 24.31

 

CMYK 0 / 82 / 43 / 17

HEX #D32778

RGB 211 39 120

HSL 331.74, 0.69%, 0.49%

LAB 47.82, 69, -2.41

 

CMYK 0 / 82 / 21 / 17

HEX #D327A7

RGB 211 39 167

HSL 315.35, 0.69%, 0.49%

LAB 49.61, 74.11, -27.98

 

CMYK 1 / 82 / 0 / 17

HEX #D127D3

RGB 209 39 211

HSL 299.3, 0.69%, 0.49%

LAB 51.51, 79.86, -50.61

 

CMYK 23 / 82 / 0 / 17

HEX #A327D3

RGB 163 39 211

HSL 283.26, 0.69%, 0.49%

LAB 44.15, 71.79, -62.83

 

CMYK 0 / 82 / 65 / 17

HEX #D3274A

RGB 211 39 74

HSL 347.79, 0.69%, 0.49%

LAB 46.7, 65.66, 24.31

 

CMYK 0 / 92 / 73 / 9

HEX #E7133E

RGB 231 19 62

HSL 347.83, 0.85%, 0.49%

LAB 49.26, 73.86, 35.57

 

CMYK 0 / 82 / 65 / 17

HEX #D3274A

RGB 211 39 74

HSL 347.79, 0.69%, 0.49%

LAB 46.7, 65.66, 24.31

 

CMYK 0 / 69 / 55 / 25

HEX #BF3B56

RGB 191 59 86

HSL 347.73, 0.53%, 0.49%

LAB 45.46, 54.27, 14.63

 

CMYK 0 / 54 / 43 / 33

HEX #AB4F62

RGB 171 79 98

HSL 347.61, 0.37%, 0.49%

LAB 45.81, 39.6, 7.27

 

CMYK 0 / 34 / 27 / 41

HEX #97636E

RGB 151 99 110

HSL 347.31, 0.21%, 0.49%

LAB 47.79, 22.64, 2.49

 

CMYK 0 / 8 / 6 / 49

HEX #82787A

RGB 130 120 122

HSL 348, 0.04%, 0.49%

LAB 51.36, 4.21, 0.28

 

CMYK 0 / 82 / 20 / 17

HEX #D327A8

RGB 211 39 168

HSL 315, 0.69%, 0.49%

LAB 49.65, 74.24, -28.5

 

CMYK 0 / 82 / 42 / 17

HEX #D3277A

RGB 211 39 122

HSL 331.05, 0.69%, 0.49%

LAB 47.89, 69.18, -3.54

 

CMYK 0 / 82 / 64 / 17

HEX #D3274C

RGB 211 39 76

HSL 347.09, 0.69%, 0.49%

LAB 46.74, 65.77, 23.14

 

CMYK 0 / 78 / 82 / 17

HEX #D32F27

RGB 211 47 39

HSL 2.79, 0.69%, 0.49%

LAB 47.01, 62.06, 44.9

 

CMYK 0 / 56 / 82 / 17

HEX #D35D27

RGB 211 93 39

HSL 18.84, 0.69%, 0.49%

LAB 53.84, 43.67, 51.31

 

CMYK 0 / 82 / 65 / 45

HEX #8D1A31

RGB 141 26 49

HSL 348, 0.69%, 0.33%

LAB 30.93, 47.89, 16.99

 

CMYK 0 / 82 / 65 / 31

HEX #B0203D

RGB 176 32 61

HSL 347.92, 0.69%, 0.41%

LAB 38.9, 57.07, 20.97

 

CMYK 0 / 82 / 65 / 17

HEX #D3274A

RGB 211 39 74

HSL 347.79, 0.69%, 0.49%

LAB 46.7, 65.66, 24.31

 

CMYK 0 / 68 / 54 / 13

HEX #DD4665

RGB 221 70 101

HSL 347.68, 0.69%, 0.57%

LAB 52.61, 60.44, 16.17

 

CMYK 0 / 54 / 43 / 11

HEX #E36982

RGB 227 105 130

HSL 347.7, 0.69%, 0.65%

LAB 59.93, 49.77, 9.46

 

CMYK 0 / 82 / 65 / 17

HEX #D4274A

RGB 212 39 74

HSL 347.86, 0.69%, 0.49%

LAB 46.9, 65.93, 24.6

 

CMYK 0 / 1 / 82 / 17

HEX #D3D027

RGB 211 208 39

HSL 58.95, 0.69%, 0.49%

LAB 81.35, -16.56, 75.54

 

CMYK 82 / 31 / 0 / 17

HEX #2791D3

RGB 39 145 211

HSL 203.02, 0.69%, 0.49%

LAB 57.45, -6.28, -42.05

 

CMYK 0 / 82 / 65 / 17

HEX #D4274A

RGB 212 39 74

HSL 347.86, 0.69%, 0.49%

LAB 46.9, 65.93, 24.6

 

CMYK 64 / 0 / 82 / 17

HEX #4CD327

RGB 76 211 39

HSL 107.09, 0.69%, 0.49%

LAB 75, -65, 67.16

 

CMYK 82 / 64 / 0 / 17

HEX #274CD3

RGB 39 76 211

HSL 227.09, 0.69%, 0.49%

LAB 38.38, 36.87, -72.73

 

CMYK 0 / 82 / 65 / 17

HEX #D4274A

RGB 212 39 74

HSL 347.86, 0.69%, 0.49%

LAB 46.9, 65.93, 24.6

 

CMYK 0 / 1 / 82 / 17

HEX #D3D027

RGB 211 208 39

HSL 58.95, 0.69%, 0.49%

LAB 81.35, -16.56, 75.54

 

CMYK 82 / 0 / 18 / 17

HEX #27D3AE

RGB 39 211 174

HSL 167.09, 0.69%, 0.49%

LAB 76.12, -50.05, 6.57

 

CMYK 82 / 80 / 0 / 17

HEX #272AD3

RGB 39 42 211

HSL 238.95, 0.69%, 0.49%

LAB 31.32, 56.39, -84.38

 

CMYK 0 / 82 / 65 / 17

HEX #D4274A

RGB 212 39 74

HSL 347.86, 0.69%, 0.49%

LAB 46.9, 65.93, 24.6

 

CMYK 23 / 0 / 82 / 17

HEX #A2D327

RGB 162 211 39

HSL 77.09, 0.69%, 0.49%

LAB 78.7, -38.06, 71.89

 

CMYK 82 / 0 / 18 / 17

HEX #27D3AE

RGB 39 211 174

HSL 167.09, 0.69%, 0.49%

LAB 76.12, -50.05, 6.57

 

CMYK 58 / 82 / 0 / 17

HEX #5827D3

RGB 88 39 211

HSL 257.09, 0.69%, 0.49%

LAB 34.46, 61.49, -79.09

 

Description

Color code: HEX #D4274ACE | qconv.com Color code: HEX #D4274ACE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 39 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 39 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 53 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 53% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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