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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D41C44 it is the complementary color #2BE3BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D41C44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D41C44 shade: #D91C3F, #EA2E52, #FB4065, #FF5278 and #FF648B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D41C44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D41C44 shade: #D41C44, #C30A31, #B2001E, #A1000B and #900000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D41C44 shade: #D41C44 and #D41C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D41C44 shade: #D41C44, #D41C75, #D41CA7, #CF1CD4 and #9E1CD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D41C44 shade matches the following richer shades: #D41C44 and #E80839

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D41C44 shade: #D41C44, #C12F4F, #AD425A, #9A5665 and #876970

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D41C44 shade: #D41CA9, #D41C78, #D41C47, #D4221C and #D4531C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D41C44 shade: #8B122C, #B01738, #D41C44, #E5345B and #E95978

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D41C44 shade: #D41C44, #D4CE1C and #1C90D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D41C44 shade: #D41C44, #47D41C and #1C47D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D41C44 shade: #D41C44, #D4CE1C, #1CD4A9 and #1C22D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D41C44 shade: #D41C44, #A3D41C, #1CD4A9 and #4D1CD4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 68 / 17

HEX #D41C44

RGB 212 28 68

HSL 346.96, 0.77%, 0.47%

LAB 45.97, 67.99, 27.09

 

Complementary color

CMYK 81 / 0 / 18 / 11

HEX #2BE3BB

RGB 43 227 187

HSL 166.96, 0.77%, 0.53%

LAB 81.31, -52.95, 7.13

 

CMYK 0 / 87 / 71 / 15

HEX #D91C3F

RGB 217 28 63

HSL 348.89, 0.77%, 0.48%

LAB 46.9, 69.05, 31.49

 

CMYK 0 / 80 / 65 / 8

HEX #EA2E52

RGB 234 46 82

HSL 348.51, 0.82%, 0.55%

LAB 51.9, 70.53, 27.03

 

CMYK 0 / 75 / 60 / 2

HEX #FB4065

RGB 251 64 101

HSL 348.13, 0.96%, 0.62%

LAB 57.19, 71.22, 23.26

 

CMYK 0 / 68 / 53 / 0

HEX #FF5278

RGB 255 82 120

HSL 346.82, 1%, 0.66%

LAB 60.47, 67.57, 16.68

 

CMYK 0 / 61 / 45 / 0

HEX #FF648B

RGB 255 100 139

HSL 344.9, 1%, 0.7%

LAB 63.54, 62.01, 9.97

 

CMYK 0 / 87 / 68 / 17

HEX #D41C44

RGB 212 28 68

HSL 346.96, 0.77%, 0.47%

LAB 45.97, 67.99, 27.09

 

CMYK 0 / 95 / 75 / 24

HEX #C30A31

RGB 195 10 49

HSL 347.35, 0.9%, 0.4%

LAB 41.28, 65.44, 32.23

 

CMYK 0 / 100 / 83 / 30

HEX #B2001E

RGB 178 0 30

HSL 349.89, 1%, 0.35%

LAB 37.04, 61.64, 37.87

 

CMYK 0 / 100 / 93 / 37

HEX #A1000B

RGB 161 0 11

HSL 355.9, 1%, 0.32%

LAB 33.14, 56.94, 42.75

 

CMYK 0 / 100 / 100 / 44

HEX #900000

RGB 144 0 0

HSL 0, 1%, 0.28%

LAB 29.23, 52.34, 42.7

 

CMYK 0 / 87 / 68 / 17

HEX #D41C44

RGB 212 28 68

HSL 346.96, 0.77%, 0.47%

LAB 45.97, 67.99, 27.09

 

CMYK 0 / 87 / 87 / 17

HEX #D41C1C

RGB 212 28 28

HSL 0, 0.77%, 0.47%

LAB 45.51, 66.66, 49.11

 

CMYK 0 / 87 / 68 / 17

HEX #D41C44

RGB 212 28 68

HSL 346.96, 0.77%, 0.47%

LAB 45.97, 67.99, 27.09

 

CMYK 0 / 87 / 45 / 17

HEX #D41C75

RGB 212 28 117

HSL 330.98, 0.77%, 0.47%

LAB 47.12, 71.28, -1.58

 

CMYK 0 / 87 / 21 / 17

HEX #D41CA7

RGB 212 28 167

HSL 314.67, 0.77%, 0.47%

LAB 49.03, 76.51, -28.86

 

CMYK 2 / 87 / 0 / 17

HEX #CF1CD4

RGB 207 28 212

HSL 298.37, 0.77%, 0.47%

LAB 50.51, 81.76, -52.79

 

CMYK 25 / 87 / 0 / 17

HEX #9E1CD4

RGB 158 28 212

HSL 282.39, 0.77%, 0.47%

LAB 42.54, 73.9, -66.06

 

CMYK 0 / 87 / 68 / 17

HEX #D41C44

RGB 212 28 68

HSL 346.96, 0.77%, 0.47%

LAB 45.97, 67.99, 27.09

 

CMYK 0 / 97 / 75 / 9

HEX #E80839

RGB 232 8 57

HSL 346.88, 0.93%, 0.47%

LAB 49.04, 74.96, 38.31

 

CMYK 0 / 87 / 68 / 17

HEX #D41C44

RGB 212 28 68

HSL 346.96, 0.77%, 0.47%

LAB 45.97, 67.99, 27.09

 

CMYK 0 / 76 / 59 / 24

HEX #C12F4F

RGB 193 47 79

HSL 346.85, 0.61%, 0.47%

LAB 44.14, 58.64, 17.22

 

CMYK 0 / 62 / 48 / 32

HEX #AD425A

RGB 173 66 90

HSL 346.54, 0.45%, 0.47%

LAB 43.53, 45.79, 9.01

 

CMYK 0 / 44 / 34 / 40

HEX #9A5665

RGB 154 86 101

HSL 346.76, 0.28%, 0.47%

LAB 44.89, 29.9, 3.8

 

CMYK 0 / 22 / 17 / 47

HEX #876970

RGB 135 105 112

HSL 346, 0.13%, 0.47%

LAB 47.53, 13.14, 0.68

 

CMYK 0 / 87 / 20 / 17

HEX #D41CA9

RGB 212 28 169

HSL 314.02, 0.77%, 0.47%

LAB 49.12, 76.76, -29.91

 

CMYK 0 / 87 / 43 / 17

HEX #D41C78

RGB 212 28 120

HSL 330, 0.77%, 0.47%

LAB 47.21, 71.54, -3.28

 

CMYK 0 / 87 / 67 / 17

HEX #D41C47

RGB 212 28 71

HSL 345.98, 0.77%, 0.47%

LAB 46.02, 68.14, 25.32

 

CMYK 0 / 84 / 87 / 17

HEX #D4221C

RGB 212 34 28

HSL 1.96, 0.77%, 0.47%

LAB 45.94, 65.44, 49.46

 

CMYK 0 / 61 / 87 / 17

HEX #D4531C

RGB 212 83 28

HSL 17.93, 0.77%, 0.47%

LAB 52.14, 48.44, 54.47

 

CMYK 0 / 87 / 68 / 45

HEX #8B122C

RGB 139 18 44

HSL 347.11, 0.77%, 0.31%

LAB 29.67, 49.13, 18.58

 

CMYK 0 / 87 / 68 / 31

HEX #B01738

RGB 176 23 56

HSL 347.06, 0.77%, 0.39%

LAB 38.07, 58.9, 23.08

 

CMYK 0 / 87 / 68 / 17

HEX #D41C44

RGB 212 28 68

HSL 346.96, 0.77%, 0.47%

LAB 45.97, 67.99, 27.09

 

CMYK 0 / 77 / 60 / 10

HEX #E5345B

RGB 229 52 91

HSL 346.78, 0.77%, 0.55%

LAB 51.69, 68.08, 21.18

 

CMYK 0 / 62 / 48 / 9

HEX #E95978

RGB 233 89 120

HSL 347.08, 0.77%, 0.63%

LAB 57.87, 58.05, 12.52

 

CMYK 0 / 87 / 68 / 17

HEX #D41C44

RGB 212 28 68

HSL 346.96, 0.77%, 0.47%

LAB 45.97, 67.99, 27.09

 

CMYK 0 / 3 / 87 / 17

HEX #D4CE1C

RGB 212 206 28

HSL 58.04, 0.77%, 0.47%

LAB 80.86, -15.42, 77.58

 

CMYK 87 / 32 / 0 / 17

HEX #1C90D4

RGB 28 144 212

HSL 202.17, 0.77%, 0.47%

LAB 57.02, -6.21, -43.29

 

CMYK 0 / 87 / 68 / 17

HEX #D41C44

RGB 212 28 68

HSL 346.96, 0.77%, 0.47%

LAB 45.97, 67.99, 27.09

 

CMYK 67 / 0 / 87 / 17

HEX #47D41C

RGB 71 212 28

HSL 105.98, 0.77%, 0.47%

LAB 75.15, -66.84, 69.79

 

CMYK 87 / 67 / 0 / 17

HEX #1C47D4

RGB 28 71 212

HSL 225.98, 0.77%, 0.47%

LAB 36.94, 39.67, -75.69

 

CMYK 0 / 87 / 68 / 17

HEX #D41C44

RGB 212 28 68

HSL 346.96, 0.77%, 0.47%

LAB 45.97, 67.99, 27.09

 

CMYK 0 / 3 / 87 / 17

HEX #D4CE1C

RGB 212 206 28

HSL 58.04, 0.77%, 0.47%

LAB 80.86, -15.42, 77.58

 

CMYK 87 / 0 / 20 / 17

HEX #1CD4A9

RGB 28 212 169

HSL 165.98, 0.77%, 0.47%

LAB 76.19, -52.52, 9.34

 

CMYK 87 / 84 / 0 / 17

HEX #1C22D4

RGB 28 34 212

HSL 238.04, 0.77%, 0.47%

LAB 29.77, 59.88, -87.55

 

CMYK 0 / 87 / 68 / 17

HEX #D41C44

RGB 212 28 68

HSL 346.96, 0.77%, 0.47%

LAB 45.97, 67.99, 27.09

 

CMYK 23 / 0 / 87 / 17

HEX #A3D41C

RGB 163 212 28

HSL 75.98, 0.77%, 0.47%

LAB 79.02, -38.46, 74.63

 

CMYK 87 / 0 / 20 / 17

HEX #1CD4A9

RGB 28 212 169

HSL 165.98, 0.77%, 0.47%

LAB 76.19, -52.52, 9.34

 

CMYK 64 / 87 / 0 / 17

HEX #4D1CD4

RGB 77 28 212

HSL 255.98, 0.77%, 0.47%

LAB 32.17, 64.7, -83.48

 

Description

Color code: HEX #D41C44 | qconv.com Color code: HEX #D41C44 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 28 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 28 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 68 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 68% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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