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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D411DD it is the complementary color #2BEE22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D411DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D411DD shade: #D911D8, #EA23EB, #FB35FE, #FF47FF and #FF59FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D411DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D411DD shade: #D411DD, #C300CA, #B200B7, #A100A4 and #900091

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D411DD shade: #D611DF, #DF11B0, #DF1179, #DF1141 and #DF1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D411DD shade: #D611DF, #9E11DF, #6711DF, #2F11DF and #1111DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D411DD shade matches the following richer shades: #D611DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D411DD shade: #D611DF, #C424CC, #B238B8, #A14BA5 and #8F5E91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D411DD shade: #6711DF, #9E11DF, #D511DF, #DF11B2 and #DF117B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D411DD shade: #8C0B92, #B10EB9, #D611DF, #E62AEF and #EB50F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D411DD shade: #D411DD, #DF3011 and #11DF82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D411DD shade: #D411DD, #DFD511 and #11DFD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D411DD shade: #D411DD, #DF3011, #1BDF11 and #11C0DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D411DD shade: #D411DD, #DF6E11, #1BDF11 and #1182DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 92 / 0 / 13

HEX #D411DD

RGB 212 17 221

HSL 297.35, 0.86%, 0.47%

LAB 51.4, 85.42, -56.45

 

Complementary color

CMYK 82 / 0 / 86 / 7

HEX #2BEE22

RGB 43 238 34

HSL 117.35, 0.86%, 0.53%

LAB 82.8, -78.52, 75.09

 

CMYK 0 / 92 / 0 / 15

HEX #D911D8

RGB 217 17 216

HSL 300.3, 0.85%, 0.46%

LAB 51.96, 85.5, -52.66

 

CMYK 0 / 85 / 0 / 8

HEX #EA23EB

RGB 234 35 235

HSL 299.7, 0.83%, 0.53%

LAB 56.77, 88.67, -55.56

 

CMYK 1 / 79 / 0 / 0

HEX #FB35FE

RGB 251 53 254

HSL 299.1, 0.99%, 0.6%

LAB 61.84, 90.89, -57.9

 

CMYK 0 / 72 / 0 / 0

HEX #FF47FF

RGB 255 71 255

HSL 300, 1%, 0.64%

LAB 64.15, 87.09, -54.73

 

CMYK 0 / 65 / 0 / 0

HEX #FF59FF

RGB 255 89 255

HSL 300, 1%, 0.67%

LAB 66.23, 81.18, -51.43

 

CMYK 4 / 92 / 0 / 13

HEX #D411DD

RGB 212 17 221

HSL 297.35, 0.86%, 0.47%

LAB 51.4, 85.42, -56.45

 

CMYK 3 / 100 / 0 / 21

HEX #C300CA

RGB 195 0 202

HSL 297.92, 1%, 0.4%

LAB 46.8, 81.33, -53.1

 

CMYK 3 / 100 / 0 / 28

HEX #B200B7

RGB 178 0 183

HSL 298.36, 1%, 0.36%

LAB 42.59, 75.77, -48.91

 

CMYK 2 / 100 / 0 / 36

HEX #A100A4

RGB 161 0 164

HSL 298.9, 1%, 0.32%

LAB 38.3, 70.12, -44.64

 

CMYK 1 / 100 / 0 / 43

HEX #900091

RGB 144 0 145

HSL 299.59, 1%, 0.28%

LAB 33.93, 64.35, -40.26

 

CMYK 4 / 92 / 0 / 13

HEX #D611DF

RGB 214 17 223

HSL 297.38, 0.86%, 0.47%

LAB 51.87, 86.04, -56.83

 

CMYK 0 / 92 / 21 / 13

HEX #DF11B0

RGB 223 17 176

HSL 313.69, 0.86%, 0.47%

LAB 50.95, 81.28, -31.03

 

CMYK 0 / 92 / 46 / 13

HEX #DF1179

RGB 223 17 121

HSL 329.71, 0.86%, 0.47%

LAB 48.85, 75.72, -1.25

 

CMYK 0 / 92 / 71 / 13

HEX #DF1141

RGB 223 17 65

HSL 346.02, 0.86%, 0.47%

LAB 47.59, 72.25, 31.4

 

CMYK 0 / 92 / 92 / 13

HEX #DF1111

RGB 223 17 17

HSL 0, 0.86%, 0.47%

LAB 47.14, 71.01, 55.89

 

CMYK 4 / 92 / 0 / 13

HEX #D611DF

RGB 214 17 223

HSL 297.38, 0.86%, 0.47%

LAB 51.87, 86.04, -56.83

 

CMYK 29 / 92 / 0 / 13

HEX #9E11DF

RGB 158 17 223

HSL 281.07, 0.86%, 0.47%

LAB 42.76, 77.91, -72.01

 

CMYK 54 / 92 / 0 / 13

HEX #6711DF

RGB 103 17 223

HSL 265.05, 0.86%, 0.47%

LAB 35.23, 72.13, -84.68

 

CMYK 79 / 92 / 0 / 13

HEX #2F11DF

RGB 47 17 223

HSL 248.74, 0.86%, 0.47%

LAB 30.24, 69.04, -93.11

 

CMYK 92 / 92 / 0 / 13

HEX #1111DF

RGB 17 17 223

HSL 240, 0.86%, 0.47%

LAB 29.03, 68.41, -95.16

 

CMYK 4 / 92 / 0 / 13

HEX #D611DF

RGB 214 17 223

HSL 297.38, 0.86%, 0.47%

LAB 51.87, 86.04, -56.83

 

CMYK 4 / 92 / 0 / 13

HEX #D611DF

RGB 214 17 223

HSL 297.38, 0.86%, 0.47%

LAB 51.87, 86.04, -56.83

 

CMYK 4 / 82 / 0 / 20

HEX #C424CC

RGB 196 36 204

HSL 297.14, 0.7%, 0.47%

LAB 48.71, 77.05, -51.18

 

CMYK 3 / 70 / 0 / 28

HEX #B238B8

RGB 178 56 184

HSL 297.19, 0.53%, 0.47%

LAB 46.65, 64.33, -43.01

 

CMYK 2 / 55 / 0 / 35

HEX #A14BA5

RGB 161 75 165

HSL 297.33, 0.38%, 0.47%

LAB 46.08, 48.48, -32.9

 

CMYK 1 / 35 / 0 / 43

HEX #8F5E91

RGB 143 94 145

HSL 297.65, 0.21%, 0.47%

LAB 46.83, 28.75, -20.02

 

CMYK 54 / 92 / 0 / 13

HEX #6711DF

RGB 103 17 223

HSL 265.05, 0.86%, 0.47%

LAB 35.23, 72.13, -84.68

 

CMYK 29 / 92 / 0 / 13

HEX #9E11DF

RGB 158 17 223

HSL 281.07, 0.86%, 0.47%

LAB 42.76, 77.91, -72.01

 

CMYK 4 / 92 / 0 / 13

HEX #D511DF

RGB 213 17 223

HSL 297.09, 0.86%, 0.47%

LAB 51.7, 85.88, -57.11

 

CMYK 0 / 92 / 20 / 13

HEX #DF11B2

RGB 223 17 178

HSL 313.11, 0.86%, 0.47%

LAB 51.04, 81.52, -32.06

 

CMYK 0 / 92 / 45 / 13

HEX #DF117B

RGB 223 17 123

HSL 329.13, 0.86%, 0.47%

LAB 48.91, 75.88, -2.38

 

CMYK 4 / 92 / 0 / 43

HEX #8C0B92

RGB 140 11 146

HSL 297.33, 0.86%, 0.31%

LAB 33.75, 62.33, -41.2

 

CMYK 4 / 92 / 0 / 27

HEX #B10EB9

RGB 177 14 185

HSL 297.19, 0.86%, 0.39%

LAB 43.01, 74.52, -49.43

 

CMYK 4 / 92 / 0 / 13

HEX #D611DF

RGB 214 17 223

HSL 297.38, 0.86%, 0.47%

LAB 51.87, 86.04, -56.83

 

CMYK 4 / 82 / 0 / 6

HEX #E62AEF

RGB 230 42 239

HSL 297.26, 0.86%, 0.55%

LAB 56.79, 87.27, -57.81

 

CMYK 3 / 67 / 0 / 5

HEX #EB50F2

RGB 235 80 242

HSL 297.41, 0.86%, 0.63%

LAB 61.49, 77.94, -51.95

 

CMYK 4 / 92 / 0 / 13

HEX #D411DD

RGB 212 17 221

HSL 297.35, 0.86%, 0.47%

LAB 51.4, 85.42, -56.45

 

CMYK 0 / 78 / 92 / 13

HEX #DF3011

RGB 223 48 17

HSL 9.03, 0.86%, 0.47%

LAB 49.3, 64.86, 57.23

 

CMYK 92 / 0 / 42 / 13

HEX #11DF82

RGB 17 223 130

HSL 152.91, 0.86%, 0.47%

LAB 78.76, -65.56, 33.2

 

CMYK 4 / 92 / 0 / 13

HEX #D411DD

RGB 212 17 221

HSL 297.35, 0.86%, 0.47%

LAB 51.4, 85.42, -56.45

 

CMYK 0 / 4 / 92 / 13

HEX #DFD511

RGB 223 213 17

HSL 57.09, 0.86%, 0.47%

LAB 83.61, -14.4, 81.84

 

CMYK 92 / 0 / 4 / 13

HEX #11DFD5

RGB 17 223 213

HSL 177.09, 0.86%, 0.47%

LAB 80.57, -45.89, -7.78

 

CMYK 4 / 92 / 0 / 13

HEX #D411DD

RGB 212 17 221

HSL 297.35, 0.86%, 0.47%

LAB 51.4, 85.42, -56.45

 

CMYK 0 / 78 / 92 / 13

HEX #DF3011

RGB 223 48 17

HSL 9.03, 0.86%, 0.47%

LAB 49.3, 64.86, 57.23

 

CMYK 88 / 0 / 92 / 13

HEX #1BDF11

RGB 27 223 17

HSL 117.09, 0.86%, 0.47%

LAB 77.9, -76.31, 73.67

 

CMYK 92 / 14 / 0 / 13

HEX #11C0DF

RGB 17 192 223

HSL 189.03, 0.86%, 0.47%

LAB 71.65, -28.54, -26.62

 

CMYK 4 / 92 / 0 / 13

HEX #D411DD

RGB 212 17 221

HSL 297.35, 0.86%, 0.47%

LAB 51.4, 85.42, -56.45

 

CMYK 0 / 51 / 92 / 13

HEX #DF6E11

RGB 223 110 17

HSL 27.09, 0.86%, 0.47%

LAB 58.86, 39.44, 63.63

 

CMYK 88 / 0 / 92 / 13

HEX #1BDF11

RGB 27 223 17

HSL 117.09, 0.86%, 0.47%

LAB 77.9, -76.31, 73.67

 

CMYK 92 / 42 / 0 / 13

HEX #1182DF

RGB 17 130 223

HSL 207.09, 0.86%, 0.47%

LAB 53.4, 5.68, -55.24

 

Description

Color code: HEX #D411DD | qconv.com Color code: HEX #D411DD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 17 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 17 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 92 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 92% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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