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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4032F it is the complementary color #2BFCD0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4032F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D4032F: #D9032A, #EA153D, #FB2750, #FF3963 and #FF4B76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4032F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D4032F: #D4032F, #C3001C, #B20009, #A10000 and #900000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 78 / 17

HEX #D4032F

RGB 212 3 47

HSL 347.37, 0.97%, 0.42%

LAB 44.61, 70.22, 38.11

 

Complementary color

CMYK 83 / 0 / 17 / 1

HEX #2BFCD0

RGB 43 252 208

HSL 167.37, 0.97%, 0.58%

LAB 89.25, -57.73, 7.54

 

CMYK 0 / 99 / 81 / 15

HEX #D9032A

RGB 217 3 42

HSL 349.07, 0.97%, 0.43%

LAB 45.61, 71.29, 42.33

 

CMYK 0 / 91 / 74 / 8

HEX #EA153D

RGB 234 21 61

HSL 348.73, 0.84%, 0.5%

LAB 49.94, 74.32, 37.1

 

CMYK 0 / 84 / 68 / 2

HEX #FB2750

RGB 251 39 80

HSL 348.4, 0.96%, 0.57%

LAB 54.59, 76.42, 32.3

 

CMYK 0 / 78 / 61 / 0

HEX #FF3963

RGB 255 57 99

HSL 347.27, 1%, 0.61%

LAB 57.16, 74.22, 24.53

 

CMYK 0 / 71 / 54 / 0

HEX #FF4B76

RGB 255 75 118

HSL 345.67, 1%, 0.65%

LAB 59.53, 69.92, 16.55

 

CMYK 0 / 99 / 78 / 17

HEX #D4032F

RGB 212 3 47

HSL 347.37, 0.97%, 0.42%

LAB 44.61, 70.22, 38.11

 

CMYK 0 / 100 / 86 / 24

HEX #C3001C

RGB 195 0 28

HSL 351.38, 1%, 0.38%

LAB 40.71, 65.84, 43.66

 

CMYK 0 / 100 / 95 / 30

HEX #B20009

RGB 178 0 9

HSL 356.97, 1%, 0.35%

LAB 36.9, 61.27, 47.73

 

CMYK 0 / 100 / 100 / 37

HEX #A10000

RGB 161 0 0

HSL 0, 1%, 0.32%

LAB 33.09, 56.8, 47.21

 

CMYK 0 / 100 / 100 / 44

HEX #900000

RGB 144 0 0

HSL 0, 1%, 0.28%

LAB 29.23, 52.34, 42.7

 

CMYK 0 / 99 / 78 / 17

HEX #D4032F

RGB 212 3 47

HSL 347.37, 0.97%, 0.42%

LAB 44.61, 70.22, 38.11

 

CMYK 0 / 99 / 94 / 18

HEX #D2030D

RGB 210 3 13

HSL 357.1, 0.97%, 0.42%

LAB 43.94, 69.04, 53.98

 

CMYK 0 / 87 / 99 / 18

HEX #D21B03

RGB 210 27 3

HSL 6.96, 0.97%, 0.42%

LAB 44.93, 66, 57.53

 

CMYK 0 / 70 / 99 / 18

HEX #D23E03

RGB 210 62 3

HSL 17.1, 0.97%, 0.42%

LAB 48.45, 56.13, 59.21

 

CMYK 0 / 54 / 99 / 18

HEX #D26003

RGB 210 96 3

HSL 26.96, 0.97%, 0.42%

LAB 54.11, 41.17, 62.37

 

CMYK 0 / 99 / 78 / 17

HEX #D4032F

RGB 212 3 47

HSL 347.37, 0.97%, 0.42%

LAB 44.61, 70.22, 38.11

 

CMYK 0 / 100 / 75 / 97

HEX #080002

RGB 8 0 2

HSL 345, 1%, 0.02%

LAB 0.51, 2.37, -0.02

 

CMYK 0 / 98 / 78 / 77

HEX #3B010D

RGB 59 1 13

HSL 347.59, 0.97%, 0.12%

LAB 8.83, 28.37, 8.49

 

CMYK 0 / 98 / 78 / 57

HEX #6E0218

RGB 110 2 24

HSL 347.78, 0.96%, 0.22%

LAB 21.67, 43.32, 20.73

 

CMYK 0 / 99 / 78 / 37

HEX #A10224

RGB 161 2 36

HSL 347.17, 0.98%, 0.32%

LAB 33.45, 57.27, 29.41

 

CMYK 0 / 99 / 78 / 17

HEX #D4032F

RGB 212 3 47

HSL 347.37, 0.97%, 0.42%

LAB 44.61, 70.22, 38.11

 

CMYK 0 / 1 / 99 / 18

HEX #D2CF03

RGB 210 207 3

HSL 59.13, 0.97%, 0.42%

LAB 80.92, -17.11, 80.74

 

CMYK 99 / 38 / 0 / 18

HEX #0383D2

RGB 3 131 210

HSL 202.9, 0.97%, 0.42%

LAB 52.85, -0.41, -48.8

 

CMYK 0 / 99 / 78 / 17

HEX #D4032F

RGB 212 3 47

HSL 347.37, 0.97%, 0.42%

LAB 44.61, 70.22, 38.11

 

CMYK 77 / 0 / 99 / 18

HEX #30D203

RGB 48 210 3

HSL 106.96, 0.97%, 0.42%

LAB 74.02, -70.74, 72.04

 

CMYK 99 / 77 / 0 / 18

HEX #0330D2

RGB 3 48 210

HSL 226.96, 0.97%, 0.42%

LAB 31.32, 51.85, -83.85

 

CMYK 0 / 99 / 78 / 17

HEX #D4032F

RGB 212 3 47

HSL 347.37, 0.97%, 0.42%

LAB 44.61, 70.22, 38.11

 

CMYK 0 / 1 / 99 / 18

HEX #D2CF03

RGB 210 207 3

HSL 59.13, 0.97%, 0.42%

LAB 80.92, -17.11, 80.74

 

CMYK 99 / 0 / 21 / 18

HEX #03D2A5

RGB 3 210 165

HSL 166.96, 0.97%, 0.42%

LAB 75.34, -53.77, 10.25

 

CMYK 99 / 97 / 0 / 18

HEX #0306D2

RGB 3 6 210

HSL 239.13, 0.97%, 0.42%

LAB 26.17, 67.23, -92.43

 

CMYK 0 / 99 / 78 / 17

HEX #D4032F

RGB 212 3 47

HSL 347.37, 0.97%, 0.42%

LAB 44.61, 70.22, 38.11

 

CMYK 28 / 0 / 99 / 18

HEX #98D203

RGB 152 210 3

HSL 76.81, 0.97%, 0.42%

LAB 77.74, -42.26, 76.57

 

CMYK 99 / 0 / 21 / 18

HEX #03D2A5

RGB 3 210 165

HSL 166.96, 0.97%, 0.42%

LAB 75.34, -53.77, 10.25

 

CMYK 70 / 99 / 0 / 18

HEX #3E03D2

RGB 62 3 210

HSL 257.1, 0.97%, 0.42%

LAB 28.75, 68.95, -88.04

 

Description

Color code: HEX #D4032F | qconv.com Color code: HEX #D4032F | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 3 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 3 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 78 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 78% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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NCS® to RAL®

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NCS® to HKS®

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NCS® to PANTONE®

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convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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