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Color name
HEX #D3F33A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3F33A it is the complementary color #2C0CC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3F33A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3F33A shade: #D8F335, #E9FF48, #FAFF5B, #FFFF6E and #FFFF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3F33A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3F33A shade: #D3F33A, #C2E127, #B1CF14, #A0BD01 and #8FAB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3F33A shade: #D3F339, #F3E239, #F3AF39, #F37D39 and #F34B39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3F33A shade: #D3F339, #A1F339, #6FF339, #3DF339 and #39F368

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3F33A shade matches the following richer shades: #D3F339

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3F33A shade: #D3F339, #C8E34A, #BDD25B, #B2C16C and #A7B07D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3F33A shade: #F3AF39, #F3E139, #D4F339, #A3F339 and #71F339

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3F33A shade: #ADCE0C, #CBF112, #D3F339, #DCF660 and #E5F887

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3F33A shade: #D3F33A, #39F37E and #C839F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3F33A shade: #D3F33A, #39D4F3 and #F339D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3F33A shade: #D3F33A, #39F37E, #5839F3 and #F339AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3F33A shade: #D3F33A, #39F3B5, #5839F3 and #F33977

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 76 / 5

HEX #D3F33A

RGB 211 243 58

HSL 70.38, 0.89%, 0.59%

LAB 90.9, -32.61, 78.85

 

Complementary color

CMYK 78 / 94 / 0 / 23

HEX #2C0CC5

RGB 44 12 197

HSL 250.38, 0.89%, 0.41%

LAB 26.24, 63.4, -84.65

 

CMYK 11 / 0 / 78 / 5

HEX #D8F335

RGB 216 243 53

HSL 68.53, 0.89%, 0.58%

LAB 91.21, -30.82, 80.67

 

CMYK 9 / 0 / 72 / 0

HEX #E9FF48

RGB 233 255 72

HSL 67.21, 1%, 0.64%

LAB 95.71, -28.83, 79.58

 

CMYK 2 / 0 / 64 / 0

HEX #FAFF5B

RGB 250 255 91

HSL 61.83, 1%, 0.68%

LAB 97.06, -21.09, 74.62

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6E

RGB 255 255 110

HSL 60, 1%, 0.72%

LAB 97.59, -17.91, 67.66

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF81

RGB 255 255 129

HSL 60, 1%, 0.75%

LAB 97.78, -16.46, 59.54

 

CMYK 13 / 0 / 76 / 5

HEX #D3F33A

RGB 211 243 58

HSL 70.38, 0.89%, 0.59%

LAB 90.9, -32.61, 78.85

 

CMYK 14 / 0 / 83 / 12

HEX #C2E127

RGB 194 225 39

HSL 70, 0.76%, 0.52%

LAB 84.72, -31.77, 77.92

 

CMYK 14 / 0 / 90 / 19

HEX #B1CF14

RGB 177 207 20

HSL 69.63, 0.82%, 0.45%

LAB 78.48, -30.75, 75.93

 

CMYK 15 / 0 / 99 / 26

HEX #A0BD01

RGB 160 189 1

HSL 69.26, 0.99%, 0.37%

LAB 72.14, -29.57, 72.72

 

CMYK 16 / 0 / 100 / 33

HEX #8FAB00

RGB 143 171 0

HSL 69.82, 1%, 0.34%

LAB 65.72, -28.13, 67.49

 

CMYK 13 / 0 / 77 / 5

HEX #D3F339

RGB 211 243 57

HSL 70.32, 0.89%, 0.59%

LAB 90.89, -32.65, 79.13

 

CMYK 0 / 7 / 77 / 5

HEX #F3E239

RGB 243 226 57

HSL 54.52, 0.89%, 0.59%

LAB 88.8, -11.44, 78.13

 

CMYK 0 / 28 / 77 / 5

HEX #F3AF39

RGB 243 175 57

HSL 38.06, 0.89%, 0.59%

LAB 76.08, 14.75, 66.37

 

CMYK 0 / 49 / 77 / 5

HEX #F37D39

RGB 243 125 57

HSL 21.94, 0.89%, 0.59%

LAB 64.98, 40.76, 55.63

 

CMYK 0 / 69 / 77 / 5

HEX #F34B39

RGB 243 75 57

HSL 5.81, 0.89%, 0.59%

LAB 56.47, 63.01, 46.95

 

CMYK 13 / 0 / 77 / 5

HEX #D3F339

RGB 211 243 57

HSL 70.32, 0.89%, 0.59%

LAB 90.89, -32.65, 79.13

 

CMYK 34 / 0 / 77 / 5

HEX #A1F339

RGB 161 243 57

HSL 86.45, 0.89%, 0.59%

LAB 87.96, -51.34, 75.35

 

CMYK 54 / 0 / 77 / 5

HEX #6FF339

RGB 111 243 57

HSL 102.58, 0.89%, 0.59%

LAB 85.89, -66.56, 72.66

 

CMYK 75 / 0 / 77 / 5

HEX #3DF339

RGB 61 243 57

HSL 118.71, 0.89%, 0.59%

LAB 84.68, -76.58, 71.08

 

CMYK 77 / 0 / 57 / 5

HEX #39F368

RGB 57 243 104

HSL 135.16, 0.89%, 0.59%

LAB 84.98, -72.71, 53.43

 

CMYK 13 / 0 / 77 / 5

HEX #D3F339

RGB 211 243 57

HSL 70.32, 0.89%, 0.59%

LAB 90.89, -32.65, 79.13

 

CMYK 13 / 0 / 77 / 5

HEX #D3F339

RGB 211 243 57

HSL 70.32, 0.89%, 0.59%

LAB 90.89, -32.65, 79.13

 

CMYK 12 / 0 / 67 / 11

HEX #C8E34A

RGB 200 227 74

HSL 70.59, 0.73%, 0.59%

LAB 85.86, -28.75, 68.4

 

CMYK 10 / 0 / 57 / 18

HEX #BDD25B

RGB 189 210 91

HSL 70.59, 0.57%, 0.59%

LAB 80.55, -23.84, 55.48

 

CMYK 8 / 0 / 44 / 24

HEX #B2C16C

RGB 178 193 108

HSL 70.59, 0.41%, 0.59%

LAB 75.26, -18.23, 40.93

 

CMYK 5 / 0 / 29 / 31

HEX #A7B07D

RGB 167 176 125

HSL 70.59, 0.24%, 0.59%

LAB 70, -11.74, 25.13

 

CMYK 0 / 28 / 77 / 5

HEX #F3AF39

RGB 243 175 57

HSL 38.06, 0.89%, 0.59%

LAB 76.08, 14.75, 66.37

 

CMYK 0 / 7 / 77 / 5

HEX #F3E139

RGB 243 225 57

HSL 54.19, 0.89%, 0.59%

LAB 88.54, -10.95, 77.89

 

CMYK 13 / 0 / 77 / 5

HEX #D4F339

RGB 212 243 57

HSL 70, 0.89%, 0.59%

LAB 90.96, -32.26, 79.22

 

CMYK 33 / 0 / 77 / 5

HEX #A3F339

RGB 163 243 57

HSL 85.81, 0.89%, 0.59%

LAB 88.06, -50.64, 75.48

 

CMYK 53 / 0 / 77 / 5

HEX #71F339

RGB 113 243 57

HSL 101.94, 0.89%, 0.59%

LAB 85.96, -66.04, 72.75

 

CMYK 16 / 0 / 94 / 19

HEX #ADCE0C

RGB 173 206 12

HSL 70.21, 0.89%, 0.43%

LAB 77.91, -32.05, 76.39

 

CMYK 16 / 0 / 93 / 5

HEX #CBF112

RGB 203 241 18

HSL 70.22, 0.89%, 0.51%

LAB 89.7, -35.94, 85.78

 

CMYK 13 / 0 / 77 / 5

HEX #D3F339

RGB 211 243 57

HSL 70.32, 0.89%, 0.59%

LAB 90.89, -32.65, 79.13

 

CMYK 11 / 0 / 61 / 4

HEX #DCF660

RGB 220 246 96

HSL 70.4, 0.89%, 0.67%

LAB 92.56, -28.37, 67.23

 

CMYK 8 / 0 / 46 / 3

HEX #E5F887

RGB 229 248 135

HSL 70.09, 0.89%, 0.75%

LAB 94.12, -22.56, 51.91

 

CMYK 13 / 0 / 76 / 5

HEX #D3F33A

RGB 211 243 58

HSL 70.38, 0.89%, 0.59%

LAB 90.9, -32.61, 78.85

 

CMYK 77 / 0 / 48 / 5

HEX #39F37E

RGB 57 243 126

HSL 142.26, 0.89%, 0.59%

LAB 85.24, -69.64, 43.56

 

CMYK 18 / 77 / 0 / 5

HEX #C839F3

RGB 200 57 243

HSL 286.13, 0.89%, 0.59%

LAB 53.68, 78.84, -65.3

 

CMYK 13 / 0 / 76 / 5

HEX #D3F33A

RGB 211 243 58

HSL 70.38, 0.89%, 0.59%

LAB 90.9, -32.61, 78.85

 

CMYK 77 / 13 / 0 / 5

HEX #39D4F3

RGB 57 212 243

HSL 190, 0.89%, 0.59%

LAB 78.71, -29.19, -26.55

 

CMYK 0 / 77 / 13 / 5

HEX #F339D4

RGB 243 57 212

HSL 310, 0.89%, 0.59%

LAB 58.73, 82.35, -39.39

 

CMYK 13 / 0 / 76 / 5

HEX #D3F33A

RGB 211 243 58

HSL 70.38, 0.89%, 0.59%

LAB 90.9, -32.61, 78.85

 

CMYK 77 / 0 / 48 / 5

HEX #39F37E

RGB 57 243 126

HSL 142.26, 0.89%, 0.59%

LAB 85.24, -69.64, 43.56

 

CMYK 64 / 77 / 0 / 5

HEX #5839F3

RGB 88 57 243

HSL 250, 0.89%, 0.59%

LAB 40.36, 62.48, -87.6

 

CMYK 0 / 77 / 28 / 5

HEX #F339AF

RGB 243 57 175

HSL 321.94, 0.89%, 0.59%

LAB 57.15, 77.73, -20.57

 

CMYK 13 / 0 / 76 / 5

HEX #D3F33A

RGB 211 243 58

HSL 70.38, 0.89%, 0.59%

LAB 90.9, -32.61, 78.85

 

CMYK 77 / 0 / 26 / 5

HEX #39F3B5

RGB 57 243 181

HSL 160, 0.89%, 0.59%

LAB 86.16, -59.27, 17.16

 

CMYK 64 / 77 / 0 / 5

HEX #5839F3

RGB 88 57 243

HSL 250, 0.89%, 0.59%

LAB 40.36, 62.48, -87.6

 

CMYK 0 / 77 / 51 / 5

HEX #F33977

RGB 243 57 119

HSL 340, 0.89%, 0.59%

LAB 55.39, 72.37, 9.87

 

Description

Color code: HEX #D3F33A | qconv.com Color code: HEX #D3F33A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 243 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 243 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 76 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 76% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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