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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3F299 it is the complementary color #2C0D66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3F299. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3F299 shade: #D8F294, #E9FFA7, #FAFFBA, #FFFFCD and #FFFFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3F299. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3F299 shade: #D3F299, #C2E086, #B1CE73, #A0BC60 and #8FAA4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3F299 shade: #D2F297, #EAF297, #F2E097, #F2C897 and #F2B097

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3F299 shade: #D2F297, #BAF297, #A1F297, #97F2A5 and #97F2BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3F299 shade matches the following richer shades: #D2F297 and #D5FB8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3F299 shade: #D2F297, #CFE8A1, #CCDFAA, #C9D5B4 and #C7CCBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3F299 shade: #F2DF97, #EBF297, #D3F297, #BBF297 and #A3F297

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3F299 shade: #B2E84E, #C2ED73, #D2F297, #E2F6BC and #F2FBE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3F299 shade: #D3F299, #97F2C7 and #EB97F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3F299 shade: #D3F299, #97D3F2 and #F297D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3F299 shade: #D3F299, #97F2C7, #B597F2 and #F297C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3F299 shade: #D3F299, #97F2E2, #B597F2 and #F297A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 37 / 5

HEX #D3F299

RGB 211 242 153

HSL 80.9, 0.77%, 0.77%

LAB 91.53, -24.41, 39.67

 

Complementary color

CMYK 57 / 87 / 0 / 60

HEX #2C0D66

RGB 44 13 102

HSL 260.9, 0.77%, 0.23%

LAB 14.3, 37, -45.54

 

CMYK 11 / 0 / 39 / 5

HEX #D8F294

RGB 216 242 148

HSL 76.6, 0.78%, 0.76%

LAB 91.79, -23.17, 42.54

 

CMYK 9 / 0 / 35 / 0

HEX #E9FFA7

RGB 233 255 167

HSL 75, 1%, 0.83%

LAB 96.67, -20.88, 39.73

 

CMYK 2 / 0 / 27 / 0

HEX #FAFFBA

RGB 250 255 186

HSL 64.35, 1%, 0.86%

LAB 98.19, -12.28, 32.51

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCD

RGB 255 255 205

HSL 60, 1%, 0.9%

LAB 98.9, -7.91, 23.96

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE0

RGB 255 255 224

HSL 60, 1%, 0.94%

LAB 99.28, -5.1, 14.83

 

CMYK 13 / 0 / 37 / 5

HEX #D3F299

RGB 211 242 153

HSL 80.9, 0.77%, 0.77%

LAB 91.53, -24.41, 39.67

 

CMYK 13 / 0 / 40 / 12

HEX #C2E086

RGB 194 224 134

HSL 80, 0.59%, 0.7%

LAB 85.25, -24.35, 40.79

 

CMYK 14 / 0 / 44 / 19

HEX #B1CE73

RGB 177 206 115

HSL 79.12, 0.48%, 0.63%

LAB 78.88, -24.26, 41.95

 

CMYK 15 / 0 / 49 / 26

HEX #A0BC60

RGB 160 188 96

HSL 78.26, 0.41%, 0.56%

LAB 72.42, -24.13, 43.11

 

CMYK 16 / 0 / 55 / 33

HEX #8FAA4D

RGB 143 170 77

HSL 77.42, 0.38%, 0.48%

LAB 65.85, -23.93, 44.23

 

CMYK 13 / 0 / 38 / 5

HEX #D2F297

RGB 210 242 151

HSL 81.1, 0.78%, 0.77%

LAB 91.43, -25.02, 40.52

 

CMYK 3 / 0 / 38 / 5

HEX #EAF297

RGB 234 242 151

HSL 65.27, 0.78%, 0.77%

LAB 93.12, -16.08, 43.02

 

CMYK 0 / 7 / 38 / 5

HEX #F2E097

RGB 242 224 151

HSL 48.13, 0.78%, 0.77%

LAB 89.12, -4.04, 37.99

 

CMYK 0 / 17 / 38 / 5

HEX #F2C897

RGB 242 200 151

HSL 32.31, 0.78%, 0.77%

LAB 83.14, 8.31, 30.1

 

CMYK 0 / 27 / 38 / 5

HEX #F2B097

RGB 242 176 151

HSL 16.48, 0.78%, 0.77%

LAB 77.38, 20.95, 22.31

 

CMYK 13 / 0 / 38 / 5

HEX #D2F297

RGB 210 242 151

HSL 81.1, 0.78%, 0.77%

LAB 91.43, -25.02, 40.52

 

CMYK 23 / 0 / 38 / 5

HEX #BAF297

RGB 186 242 151

HSL 96.92, 0.78%, 0.77%

LAB 89.94, -33.55, 38.3

 

CMYK 33 / 0 / 38 / 5

HEX #A1F297

RGB 161 242 151

HSL 113.41, 0.78%, 0.77%

LAB 88.6, -41.82, 36.29

 

CMYK 38 / 0 / 32 / 5

HEX #97F2A5

RGB 151 242 165

HSL 129.23, 0.78%, 0.77%

LAB 88.35, -42.68, 28.83

 

CMYK 38 / 0 / 21 / 5

HEX #97F2BE

RGB 151 242 190

HSL 145.71, 0.78%, 0.77%

LAB 88.83, -38.22, 16.66

 

CMYK 13 / 0 / 38 / 5

HEX #D2F297

RGB 210 242 151

HSL 81.1, 0.78%, 0.77%

LAB 91.43, -25.02, 40.52

 

CMYK 15 / 0 / 43 / 2

HEX #D5FB8E

RGB 213 251 142

HSL 80.92, 0.93%, 0.77%

LAB 93.92, -29.22, 48.1

 

CMYK 13 / 0 / 38 / 5

HEX #D2F297

RGB 210 242 151

HSL 81.1, 0.78%, 0.77%

LAB 91.43, -25.02, 40.52

 

CMYK 11 / 0 / 31 / 9

HEX #CFE8A1

RGB 207 232 161

HSL 81.13, 0.61%, 0.77%

LAB 88.71, -20, 31.89

 

CMYK 9 / 0 / 24 / 13

HEX #CCDFAA

RGB 204 223 170

HSL 81.51, 0.45%, 0.77%

LAB 86.26, -15.37, 23.92

 

CMYK 6 / 0 / 15 / 16

HEX #C9D5B4

RGB 201 213 180

HSL 81.82, 0.28%, 0.77%

LAB 83.6, -9.85, 14.95

 

CMYK 2 / 0 / 7 / 20

HEX #C7CCBD

RGB 199 204 189

HSL 80, 0.13%, 0.77%

LAB 81.29, -4.4, 6.87

 

CMYK 0 / 8 / 38 / 5

HEX #F2DF97

RGB 242 223 151

HSL 47.47, 0.78%, 0.77%

LAB 88.87, -3.54, 37.66

 

CMYK 3 / 0 / 38 / 5

HEX #EBF297

RGB 235 242 151

HSL 64.62, 0.78%, 0.77%

LAB 93.19, -15.7, 43.13

 

CMYK 13 / 0 / 38 / 5

HEX #D3F297

RGB 211 242 151

HSL 80.44, 0.78%, 0.77%

LAB 91.5, -24.65, 40.62

 

CMYK 23 / 0 / 38 / 5

HEX #BBF297

RGB 187 242 151

HSL 96.26, 0.78%, 0.77%

LAB 90, -33.21, 38.38

 

CMYK 33 / 0 / 38 / 5

HEX #A3F297

RGB 163 242 151

HSL 112.09, 0.78%, 0.77%

LAB 88.7, -41.19, 36.44

 

CMYK 23 / 0 / 66 / 9

HEX #B2E84E

RGB 178 232 78

HSL 81.04, 0.77%, 0.61%

LAB 85.87, -39.29, 66.45

 

CMYK 18 / 0 / 51 / 7

HEX #C2ED73

RGB 194 237 115

HSL 81.15, 0.77%, 0.69%

LAB 88.58, -32.54, 53.99

 

CMYK 13 / 0 / 38 / 5

HEX #D2F297

RGB 210 242 151

HSL 81.1, 0.78%, 0.77%

LAB 91.43, -25.02, 40.52

 

CMYK 8 / 0 / 24 / 4

HEX #E2F6BC

RGB 226 246 188

HSL 80.69, 0.76%, 0.85%

LAB 94.19, -16.23, 25.78

 

CMYK 4 / 0 / 11 / 2

HEX #F2FBE0

RGB 242 251 224

HSL 80, 0.77%, 0.93%

LAB 97.33, -7.58, 11.92

 

CMYK 13 / 0 / 37 / 5

HEX #D3F299

RGB 211 242 153

HSL 80.9, 0.77%, 0.77%

LAB 91.53, -24.41, 39.67

 

CMYK 38 / 0 / 18 / 5

HEX #97F2C7

RGB 151 242 199

HSL 151.65, 0.78%, 0.77%

LAB 89.02, -36.46, 12.27

 

CMYK 3 / 38 / 0 / 5

HEX #EB97F2

RGB 235 151 242

HSL 295.38, 0.78%, 0.77%

LAB 73.68, 45.57, -32.86

 

CMYK 13 / 0 / 37 / 5

HEX #D3F299

RGB 211 242 153

HSL 80.9, 0.77%, 0.77%

LAB 91.53, -24.41, 39.67

 

CMYK 38 / 13 / 0 / 5

HEX #97D3F2

RGB 151 211 242

HSL 200.44, 0.78%, 0.77%

LAB 81.61, -11.57, -21.31

 

CMYK 0 / 38 / 13 / 5

HEX #F297D3

RGB 242 151 211

HSL 320.44, 0.78%, 0.77%

LAB 73.36, 42.42, -16.31

 

CMYK 13 / 0 / 37 / 5

HEX #D3F299

RGB 211 242 153

HSL 80.9, 0.77%, 0.77%

LAB 91.53, -24.41, 39.67

 

CMYK 38 / 0 / 18 / 5

HEX #97F2C7

RGB 151 242 199

HSL 151.65, 0.78%, 0.77%

LAB 89.02, -36.46, 12.27

 

CMYK 25 / 38 / 0 / 5

HEX #B597F2

RGB 181 151 242

HSL 259.78, 0.78%, 0.77%

LAB 68.29, 29.67, -41.65

 

CMYK 0 / 38 / 20 / 5

HEX #F297C1

RGB 242 151 193

HSL 332.31, 0.78%, 0.77%

LAB 72.8, 39.65, -7.22

 

CMYK 13 / 0 / 37 / 5

HEX #D3F299

RGB 211 242 153

HSL 80.9, 0.77%, 0.77%

LAB 91.53, -24.41, 39.67

 

CMYK 38 / 0 / 7 / 5

HEX #97F2E2

RGB 151 242 226

HSL 169.45, 0.78%, 0.77%

LAB 89.66, -30.75, -0.87

 

CMYK 25 / 38 / 0 / 5

HEX #B597F2

RGB 181 151 242

HSL 259.78, 0.78%, 0.77%

LAB 68.29, 29.67, -41.65

 

CMYK 0 / 38 / 31 / 5

HEX #F297A6

RGB 242 151 166

HSL 350.11, 0.78%, 0.77%

LAB 72.07, 35.95, 6.67

 

Description

Color code: HEX #D3F299 | qconv.com Color code: HEX #D3F299 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 242 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 242 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 37 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 37% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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