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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3EE4B it is the complementary color #2C11B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3EE4B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3EE4B shade: #D8EE46, #E9FF59, #FAFF6C, #FFFF7F and #FFFF92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3EE4B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3EE4B shade: #D3EE4B, #C2DC38, #B1CA25, #A0B812 and #8FA600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3EE4B shade: #D3EE49, #EEDD49, #EEB049, #EE8449 and #EE5749

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3EE4B shade: #D3EE49, #A6EE49, #7AEE49, #4DEE49 and #49EE71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3EE4B shade matches the following richer shades: #D3EE49 and #DEFE39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3EE4B shade: #D3EE49, #C8DE59, #BDCE69, #B2BE79 and #A8AE89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3EE4B shade: #EEAF49, #EEDB49, #D5EE49, #A9EE49 and #7DEE49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3EE4B shade: #B2D113, #CAEB23, #D3EE49, #DCF26F and #E5F595

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3EE4B shade: #D3EE4B, #49EE83 and #C549EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3EE4B shade: #D3EE4B, #49D5EE and #EE49D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3EE4B shade: #D3EE4B, #49EE83, #6249EE and #EE49B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3EE4B shade: #D3EE4B, #49EEB4, #6249EE and #EE4983

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 68 / 7

HEX #D3EE4B

RGB 211 238 75

HSL 69.94, 0.83%, 0.61%

LAB 89.63, -29.48, 72.08

 

Complementary color

CMYK 76 / 91 / 0 / 29

HEX #2C11B4

RGB 44 17 180

HSL 249.94, 0.83%, 0.39%

LAB 24.42, 57.62, -77.6

 

CMYK 9 / 0 / 71 / 7

HEX #D8EE46

RGB 216 238 70

HSL 67.86, 0.83%, 0.6%

LAB 89.95, -27.76, 74.26

 

CMYK 9 / 0 / 65 / 0

HEX #E9FF59

RGB 233 255 89

HSL 67.95, 1%, 0.67%

LAB 95.82, -27.94, 73.7

 

CMYK 2 / 0 / 58 / 0

HEX #FAFF6C

RGB 250 255 108

HSL 62.04, 1%, 0.71%

LAB 97.2, -20.02, 67.96

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF7F

RGB 255 255 127

HSL 60, 1%, 0.75%

LAB 97.76, -16.62, 60.42

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 11 / 0 / 68 / 7

HEX #D3EE4B

RGB 211 238 75

HSL 69.94, 0.83%, 0.61%

LAB 89.63, -29.48, 72.08

 

CMYK 12 / 0 / 75 / 14

HEX #C2DC38

RGB 194 220 56

HSL 69.51, 0.7%, 0.54%

LAB 83.41, -28.8, 72.09

 

CMYK 12 / 0 / 82 / 21

HEX #B1CA25

RGB 177 202 37

HSL 69.09, 0.69%, 0.47%

LAB 77.11, -27.96, 71.38

 

CMYK 13 / 0 / 90 / 28

HEX #A0B812

RGB 160 184 18

HSL 68.67, 0.82%, 0.4%

LAB 70.73, -26.93, 69.54

 

CMYK 14 / 0 / 100 / 35

HEX #8FA600

RGB 143 166 0

HSL 68.31, 1%, 0.33%

LAB 64.25, -25.71, 66.39

 

CMYK 11 / 0 / 69 / 7

HEX #D3EE49

RGB 211 238 73

HSL 69.82, 0.83%, 0.61%

LAB 89.62, -29.59, 72.78

 

CMYK 0 / 7 / 69 / 7

HEX #EEDD49

RGB 238 221 73

HSL 53.82, 0.83%, 0.61%

LAB 87.18, -10.36, 71.05

 

CMYK 0 / 26 / 69 / 7

HEX #EEB049

RGB 238 176 73

HSL 37.45, 0.83%, 0.61%

LAB 75.89, 12.83, 59.55

 

CMYK 0 / 45 / 69 / 7

HEX #EE8449

RGB 238 132 73

HSL 21.45, 0.83%, 0.61%

LAB 65.87, 35.97, 48.77

 

CMYK 0 / 63 / 69 / 7

HEX #EE5749

RGB 238 87 73

HSL 5.09, 0.83%, 0.61%

LAB 57.53, 57.33, 39.28

 

CMYK 11 / 0 / 69 / 7

HEX #D3EE49

RGB 211 238 73

HSL 69.82, 0.83%, 0.61%

LAB 89.62, -29.59, 72.78

 

CMYK 30 / 0 / 69 / 7

HEX #A6EE49

RGB 166 238 73

HSL 86.18, 0.83%, 0.61%

LAB 86.87, -46.6, 69.12

 

CMYK 49 / 0 / 69 / 7

HEX #7AEE49

RGB 122 238 73

HSL 102.18, 0.83%, 0.61%

LAB 84.88, -60.74, 66.44

 

CMYK 68 / 0 / 69 / 7

HEX #4DEE49

RGB 77 238 73

HSL 118.55, 0.83%, 0.61%

LAB 83.55, -71.27, 64.65

 

CMYK 69 / 0 / 53 / 7

HEX #49EE71

RGB 73 238 113

HSL 134.55, 0.83%, 0.61%

LAB 83.84, -67.57, 48.03

 

CMYK 11 / 0 / 69 / 7

HEX #D3EE49

RGB 211 238 73

HSL 69.82, 0.83%, 0.61%

LAB 89.62, -29.59, 72.78

 

CMYK 13 / 0 / 78 / 0

HEX #DEFE39

RGB 222 254 57

HSL 69.75, 0.99%, 0.61%

LAB 94.61, -33.34, 82.78

 

CMYK 11 / 0 / 69 / 7

HEX #D3EE49

RGB 211 238 73

HSL 69.82, 0.83%, 0.61%

LAB 89.62, -29.59, 72.78

 

CMYK 10 / 0 / 60 / 13

HEX #C8DE59

RGB 200 222 89

HSL 69.92, 0.67%, 0.61%

LAB 84.61, -25.39, 61.08

 

CMYK 8 / 0 / 49 / 19

HEX #BDCE69

RGB 189 206 105

HSL 70.1, 0.51%, 0.61%

LAB 79.6, -20.64, 47.89

 

CMYK 6 / 0 / 36 / 25

HEX #B2BE79

RGB 178 190 121

HSL 70.43, 0.35%, 0.61%

LAB 74.62, -15.2, 33.49

 

CMYK 3 / 0 / 21 / 32

HEX #A8AE89

RGB 168 174 137

HSL 69.73, 0.19%, 0.61%

LAB 69.76, -8.54, 18.32

 

CMYK 0 / 26 / 69 / 7

HEX #EEAF49

RGB 238 175 73

HSL 37.09, 0.83%, 0.61%

LAB 75.65, 13.36, 59.3

 

CMYK 0 / 8 / 69 / 7

HEX #EEDB49

RGB 238 219 73

HSL 53.09, 0.83%, 0.61%

LAB 86.66, -9.36, 70.53

 

CMYK 11 / 0 / 69 / 7

HEX #D5EE49

RGB 213 238 73

HSL 69.09, 0.83%, 0.61%

LAB 89.76, -28.8, 72.96

 

CMYK 29 / 0 / 69 / 7

HEX #A9EE49

RGB 169 238 73

HSL 85.09, 0.83%, 0.61%

LAB 87.03, -45.53, 69.33

 

CMYK 47 / 0 / 69 / 7

HEX #7DEE49

RGB 125 238 73

HSL 101.09, 0.83%, 0.61%

LAB 84.99, -59.88, 66.6

 

CMYK 15 / 0 / 91 / 18

HEX #B2D113

RGB 178 209 19

HSL 69.79, 0.83%, 0.45%

LAB 79.11, -31.3, 76.6

 

CMYK 14 / 0 / 85 / 8

HEX #CAEB23

RGB 202 235 35

HSL 69.9, 0.83%, 0.53%

LAB 88.01, -33.28, 81.77

 

CMYK 11 / 0 / 69 / 7

HEX #D3EE49

RGB 211 238 73

HSL 69.82, 0.83%, 0.61%

LAB 89.62, -29.59, 72.78

 

CMYK 9 / 0 / 54 / 5

HEX #DCF26F

RGB 220 242 111

HSL 70.08, 0.83%, 0.69%

LAB 91.63, -25.35, 59.79

 

CMYK 7 / 0 / 39 / 4

HEX #E5F595

RGB 229 245 149

HSL 70, 0.83%, 0.77%

LAB 93.51, -19.65, 44.43

 

CMYK 11 / 0 / 68 / 7

HEX #D3EE4B

RGB 211 238 75

HSL 69.94, 0.83%, 0.61%

LAB 89.63, -29.48, 72.08

 

CMYK 69 / 0 / 45 / 7

HEX #49EE83

RGB 73 238 131

HSL 141.09, 0.83%, 0.61%

LAB 84.07, -64.89, 39.71

 

CMYK 17 / 69 / 0 / 7

HEX #C549EE

RGB 197 73 238

HSL 285.09, 0.83%, 0.61%

LAB 54.87, 71.81, -60.6

 

CMYK 11 / 0 / 68 / 7

HEX #D3EE4B

RGB 211 238 75

HSL 69.94, 0.83%, 0.61%

LAB 89.63, -29.48, 72.08

 

CMYK 69 / 11 / 0 / 7

HEX #49D5EE

RGB 73 213 238

HSL 189.09, 0.83%, 0.61%

LAB 79.14, -29.34, -23.19

 

CMYK 0 / 69 / 11 / 7

HEX #EE49D5

RGB 238 73 213

HSL 309.09, 0.83%, 0.61%

LAB 59.66, 76.57, -38.55

 

CMYK 11 / 0 / 68 / 7

HEX #D3EE4B

RGB 211 238 75

HSL 69.94, 0.83%, 0.61%

LAB 89.63, -29.48, 72.08

 

CMYK 69 / 0 / 45 / 7

HEX #49EE83

RGB 73 238 131

HSL 141.09, 0.83%, 0.61%

LAB 84.07, -64.89, 39.71

 

CMYK 59 / 69 / 0 / 7

HEX #6249EE

RGB 98 73 238

HSL 249.09, 0.83%, 0.61%

LAB 43.56, 54.19, -79.49

 

CMYK 0 / 69 / 24 / 7

HEX #EE49B4

RGB 238 73 180

HSL 321.09, 0.83%, 0.61%

LAB 58.26, 72.13, -21.84

 

CMYK 11 / 0 / 68 / 7

HEX #D3EE4B

RGB 211 238 75

HSL 69.94, 0.83%, 0.61%

LAB 89.63, -29.48, 72.08

 

CMYK 69 / 0 / 24 / 7

HEX #49EEB4

RGB 73 238 180

HSL 158.91, 0.83%, 0.61%

LAB 84.93, -55.52, 15.99

 

CMYK 59 / 69 / 0 / 7

HEX #6249EE

RGB 98 73 238

HSL 249.09, 0.83%, 0.61%

LAB 43.56, 54.19, -79.49

 

CMYK 0 / 69 / 45 / 7

HEX #EE4983

RGB 238 73 131

HSL 338.91, 0.83%, 0.61%

LAB 56.66, 66.84, 4.44

 

Description

Color code: HEX #D3EE4B | qconv.com Color code: HEX #D3EE4B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 238 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 238 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 68 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 68% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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