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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3E90B it is the complementary color #2C16F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3E90B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3E90B shade: #D8E906, #E9FB19, #FAFF2C, #FFFF3F and #FFFF52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3E90B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3E90B shade: #D3E90B, #C2D700, #B1C500, #A0B300 and #8FA100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3E90B shade: #D3E90B, #E9C30B, #E9870B, #E94B0B and #E90F0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3E90B shade: #D3E90B, #97E90B, #5BE90B, #1FE90B and #0BE932

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3E90B shade matches the following richer shades: #D3E90B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3E90B shade: #D3E90B, #C3D51E, #B3C232, #A4AE46 and #949A5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3E90B shade: #E9850B, #E9C00B, #D7E90B, #9BE90B and #60E90B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3E90B shade: #8C9A07, #B0C209, #D3E90B, #E0F429 and #E6F650

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3E90B shade: #D3E90B, #0BE94A and #A30BE9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3E90B shade: #D3E90B, #0BD7E9 and #E90BD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3E90B shade: #D3E90B, #0BE94A, #1D0BE9 and #E90BAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3E90B shade: #D3E90B, #0BE98C, #1D0BE9 and #E90B67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 95 / 9

HEX #D3E90B

RGB 211 233 11

HSL 65.95, 0.91%, 0.48%

LAB 88.04, -29.13, 85.43

 

Complementary color

CMYK 82 / 91 / 0 / 4

HEX #2C16F4

RGB 44 22 244

HSL 245.95, 0.91%, 0.52%

LAB 33.22, 73.11, -100.1

 

CMYK 7 / 0 / 97 / 9

HEX #D8E906

RGB 216 233 6

HSL 64.49, 0.95%, 0.47%

LAB 88.4, -27.13, 86.25

 

CMYK 7 / 0 / 90 / 2

HEX #E9FB19

RGB 233 251 25

HSL 64.78, 0.97%, 0.54%

LAB 94.48, -28.4, 89.54

 

CMYK 2 / 0 / 83 / 0

HEX #FAFF2C

RGB 250 255 44

HSL 61.42, 1%, 0.59%

LAB 96.83, -22.99, 88.65

 

CMYK 0 / 0 / 75 / 0

HEX #FFFF3F

RGB 255 255 63

HSL 60, 1%, 0.62%

LAB 97.28, -20.38, 84.4

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF52

RGB 255 255 82

HSL 60, 1%, 0.66%

LAB 97.39, -19.57, 78.36

 

CMYK 9 / 0 / 95 / 9

HEX #D3E90B

RGB 211 233 11

HSL 65.95, 0.91%, 0.48%

LAB 88.04, -29.13, 85.43

 

CMYK 10 / 0 / 100 / 16

HEX #C2D700

RGB 194 215 0

HSL 65.86, 1%, 0.42%

LAB 81.88, -27.76, 81.18

 

CMYK 10 / 0 / 100 / 23

HEX #B1C500

RGB 177 197 0

HSL 66.09, 1%, 0.39%

LAB 75.62, -26.28, 75.98

 

CMYK 11 / 0 / 100 / 30

HEX #A0B300

RGB 160 179 0

HSL 66.37, 1%, 0.35%

LAB 69.27, -24.77, 70.68

 

CMYK 11 / 0 / 100 / 37

HEX #8FA100

RGB 143 161 0

HSL 66.71, 1%, 0.32%

LAB 62.78, -23.24, 65.29

 

CMYK 9 / 0 / 95 / 9

HEX #D3E90B

RGB 211 233 11

HSL 65.95, 0.91%, 0.48%

LAB 88.04, -29.13, 85.43

 

CMYK 0 / 16 / 95 / 9

HEX #E9C30B

RGB 233 195 11

HSL 49.73, 0.91%, 0.48%

LAB 79.83, -1.05, 80.1

 

CMYK 0 / 42 / 95 / 9

HEX #E9870B

RGB 233 135 11

HSL 33.51, 0.91%, 0.48%

LAB 65.5, 30.56, 69.96

 

CMYK 0 / 68 / 95 / 9

HEX #E94B0B

RGB 233 75 11

HSL 17.3, 0.91%, 0.48%

LAB 54.43, 58.8, 62.89

 

CMYK 0 / 94 / 95 / 9

HEX #E90F0B

RGB 233 15 11

HSL 1.08, 0.91%, 0.48%

LAB 49.12, 73.68, 59.97

 

CMYK 9 / 0 / 95 / 9

HEX #D3E90B

RGB 211 233 11

HSL 65.95, 0.91%, 0.48%

LAB 88.04, -29.13, 85.43

 

CMYK 35 / 0 / 95 / 9

HEX #97E90B

RGB 151 233 11

HSL 82.16, 0.91%, 0.48%

LAB 84.42, -52.13, 81.06

 

CMYK 61 / 0 / 95 / 9

HEX #5BE90B

RGB 91 233 11

HSL 98.38, 0.91%, 0.48%

LAB 82.12, -69.71, 78.25

 

CMYK 87 / 0 / 95 / 9

HEX #1FE90B

RGB 31 233 11

HSL 114.59, 0.91%, 0.48%

LAB 81.07, -78.86, 76.95

 

CMYK 95 / 0 / 79 / 9

HEX #0BE932

RGB 11 233 50

HSL 130.54, 0.91%, 0.48%

LAB 81.06, -78.49, 69.49

 

CMYK 9 / 0 / 95 / 9

HEX #D3E90B

RGB 211 233 11

HSL 65.95, 0.91%, 0.48%

LAB 88.04, -29.13, 85.43

 

CMYK 9 / 0 / 95 / 9

HEX #D3E90B

RGB 211 233 11

HSL 65.95, 0.91%, 0.48%

LAB 88.04, -29.13, 85.43

 

CMYK 8 / 0 / 86 / 16

HEX #C3D51E

RGB 195 213 30

HSL 65.9, 0.75%, 0.48%

LAB 81.45, -25.96, 77.12

 

CMYK 8 / 0 / 74 / 24

HEX #B3C232

RGB 179 194 50

HSL 66.25, 0.59%, 0.48%

LAB 75.07, -22.75, 65.8

 

CMYK 6 / 0 / 60 / 32

HEX #A4AE46

RGB 164 174 70

HSL 65.77, 0.43%, 0.48%

LAB 68.47, -17.87, 50.86

 

CMYK 4 / 0 / 42 / 40

HEX #949A5A

RGB 148 154 90

HSL 65.63, 0.26%, 0.48%

LAB 61.78, -12.3, 32.82

 

CMYK 0 / 43 / 95 / 9

HEX #E9850B

RGB 233 133 11

HSL 32.97, 0.91%, 0.48%

LAB 65.06, 31.6, 69.67

 

CMYK 0 / 18 / 95 / 9

HEX #E9C00B

RGB 233 192 11

HSL 48.92, 0.91%, 0.48%

LAB 79.07, 0.51, 79.54

 

CMYK 8 / 0 / 95 / 9

HEX #D7E90B

RGB 215 233 11

HSL 64.86, 0.91%, 0.48%

LAB 88.33, -27.49, 85.77

 

CMYK 33 / 0 / 95 / 9

HEX #9BE90B

RGB 155 233 11

HSL 81.08, 0.91%, 0.48%

LAB 84.62, -50.73, 81.3

 

CMYK 59 / 0 / 95 / 9

HEX #60E90B

RGB 96 233 11

HSL 97.03, 0.91%, 0.48%

LAB 82.27, -68.54, 78.42

 

CMYK 9 / 0 / 95 / 40

HEX #8C9A07

RGB 140 154 7

HSL 65.71, 0.91%, 0.32%

LAB 60.52, -20.93, 62.47

 

CMYK 9 / 0 / 95 / 24

HEX #B0C209

RGB 176 194 9

HSL 65.84, 0.91%, 0.4%

LAB 74.72, -25.14, 74.33

 

CMYK 9 / 0 / 95 / 9

HEX #D3E90B

RGB 211 233 11

HSL 65.95, 0.91%, 0.48%

LAB 88.04, -29.13, 85.43

 

CMYK 8 / 0 / 83 / 4

HEX #E0F429

RGB 224 244 41

HSL 65.91, 0.9%, 0.56%

LAB 92, -28.44, 84.48

 

CMYK 7 / 0 / 67 / 4

HEX #E6F650

RGB 230 246 80

HSL 65.78, 0.9%, 0.64%

LAB 93.15, -25.41, 74.24

 

CMYK 9 / 0 / 95 / 9

HEX #D3E90B

RGB 211 233 11

HSL 65.95, 0.91%, 0.48%

LAB 88.04, -29.13, 85.43

 

CMYK 95 / 0 / 68 / 9

HEX #0BE94A

RGB 11 233 74

HSL 137.03, 0.91%, 0.48%

LAB 81.21, -76.63, 61.56

 

CMYK 30 / 95 / 0 / 9

HEX #A30BE9

RGB 163 11 233

HSL 281.08, 0.91%, 0.48%

LAB 44.1, 81.11, -75.48

 

CMYK 9 / 0 / 95 / 9

HEX #D3E90B

RGB 211 233 11

HSL 65.95, 0.91%, 0.48%

LAB 88.04, -29.13, 85.43

 

CMYK 95 / 8 / 0 / 9

HEX #0BD7E9

RGB 11 215 233

HSL 184.86, 0.91%, 0.48%

LAB 78.78, -36.54, -21.14

 

CMYK 0 / 95 / 8 / 9

HEX #E90BD7

RGB 233 11 215

HSL 304.86, 0.91%, 0.48%

LAB 54.52, 88.56, -47.85

 

CMYK 9 / 0 / 95 / 9

HEX #D3E90B

RGB 211 233 11

HSL 65.95, 0.91%, 0.48%

LAB 88.04, -29.13, 85.43

 

CMYK 95 / 0 / 68 / 9

HEX #0BE94A

RGB 11 233 74

HSL 137.03, 0.91%, 0.48%

LAB 81.21, -76.63, 61.56

 

CMYK 88 / 95 / 0 / 9

HEX #1D0BE9

RGB 29 11 233

HSL 244.86, 0.91%, 0.48%

LAB 30.36, 72.36, -98.65

 

CMYK 0 / 95 / 27 / 9

HEX #E90BAA

RGB 233 11 170

HSL 317.03, 0.91%, 0.48%

LAB 52.36, 83.08, -25.16

 

CMYK 9 / 0 / 95 / 9

HEX #D3E90B

RGB 211 233 11

HSL 65.95, 0.91%, 0.48%

LAB 88.04, -29.13, 85.43

 

CMYK 95 / 0 / 40 / 9

HEX #0BE98C

RGB 11 233 140

HSL 154.86, 0.91%, 0.48%

LAB 81.97, -67.31, 32.37

 

CMYK 88 / 95 / 0 / 9

HEX #1D0BE9

RGB 29 11 233

HSL 244.86, 0.91%, 0.48%

LAB 30.36, 72.36, -98.65

 

CMYK 0 / 95 / 56 / 9

HEX #E90B67

RGB 233 11 103

HSL 335.14, 0.91%, 0.48%

LAB 50.15, 77.22, 11.9

 

Description

Color code: HEX #D3E90B | qconv.com Color code: HEX #D3E90B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 233 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 233 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 95 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 95% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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