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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3E528 it is the complementary color #2C1AD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3E528. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3E528 shade: #D8E523, #E9F736, #FAFF49, #FFFF5C and #FFFF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3E528. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3E528 shade: #D3E528, #C2D315, #B1C102, #A0AF00 and #8F9D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3E528 shade: #D2E429, #E4C429, #E49129, #E45F29 and #E42C29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3E528 shade: #D2E429, #A0E429, #6EE429, #3BE429 and #29E44A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3E528 shade matches the following richer shades: #D2E429 and #E2F816

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3E528 shade: #D2E429, #C3D13D, #B3BD50, #A3AA63 and #949777

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3E528 shade: #E49029, #E4C229, #D5E429, #A3E429 and #71E429

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3E528 shade: #99A714, #BACB19, #D2E429, #DAE94E and #E2ED73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3E528 shade: #D3E528, #29E45E and #A929E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3E528 shade: #D3E528, #29D5E4 and #E429D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3E528 shade: #D3E528, #29E45E, #3929E4 and #E429AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3E528 shade: #D3E528, #29E496, #3929E4 and #E42977

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 83 / 10

HEX #D3E528

RGB 211 229 40

HSL 65.71, 0.78%, 0.53%

LAB 87.02, -26.71, 80.12

 

Complementary color

CMYK 80 / 88 / 0 / 16

HEX #2C1AD7

RGB 44 26 215

HSL 245.71, 0.78%, 0.47%

LAB 29.86, 64.3, -89.12

 

CMYK 6 / 0 / 85 / 10

HEX #D8E523

RGB 216 229 35

HSL 64.02, 0.79%, 0.52%

LAB 87.37, -24.79, 81.64

 

CMYK 6 / 0 / 78 / 3

HEX #E9F736

RGB 233 247 54

HSL 64.35, 0.92%, 0.59%

LAB 93.5, -25.82, 82.89

 

CMYK 2 / 0 / 71 / 0

HEX #FAFF49

RGB 250 255 73

HSL 61.65, 1%, 0.64%

LAB 96.95, -22, 80.87

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5C

RGB 255 255 92

HSL 60, 1%, 0.68%

LAB 97.45, -19.04, 74.76

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF6F

RGB 255 255 111

HSL 60, 1%, 0.72%

LAB 97.6, -17.84, 67.25

 

CMYK 8 / 0 / 83 / 10

HEX #D3E528

RGB 211 229 40

HSL 65.71, 0.78%, 0.53%

LAB 87.02, -26.71, 80.12

 

CMYK 8 / 0 / 90 / 17

HEX #C2D315

RGB 194 211 21

HSL 65.37, 0.82%, 0.45%

LAB 80.8, -25.6, 78.13

 

CMYK 8 / 0 / 99 / 24

HEX #B1C102

RGB 177 193 2

HSL 65.03, 0.98%, 0.38%

LAB 74.5, -24.32, 74.93

 

CMYK 9 / 0 / 100 / 31

HEX #A0AF00

RGB 160 175 0

HSL 65.14, 1%, 0.34%

LAB 68.12, -22.8, 69.83

 

CMYK 9 / 0 / 100 / 38

HEX #8F9D00

RGB 143 157 0

HSL 65.35, 1%, 0.31%

LAB 61.61, -21.24, 64.42

 

CMYK 8 / 0 / 82 / 11

HEX #D2E429

RGB 210 228 41

HSL 65.78, 0.78%, 0.53%

LAB 86.68, -26.62, 79.57

 

CMYK 0 / 14 / 82 / 11

HEX #E4C429

RGB 228 196 41

HSL 49.73, 0.78%, 0.53%

LAB 79.69, -3.16, 74.19

 

CMYK 0 / 36 / 82 / 11

HEX #E49129

RGB 228 145 41

HSL 33.37, 0.78%, 0.53%

LAB 67.21, 23.76, 63.41

 

CMYK 0 / 58 / 82 / 11

HEX #E45F29

RGB 228 95 41

HSL 17.33, 0.78%, 0.53%

LAB 56.92, 49.09, 54.25

 

CMYK 0 / 81 / 82 / 11

HEX #E42C29

RGB 228 44 41

HSL 0.96, 0.78%, 0.53%

LAB 50.04, 67.8, 47.91

 

CMYK 8 / 0 / 82 / 11

HEX #D2E429

RGB 210 228 41

HSL 65.78, 0.78%, 0.53%

LAB 86.68, -26.62, 79.57

 

CMYK 30 / 0 / 82 / 11

HEX #A0E429

RGB 160 228 41

HSL 81.82, 0.78%, 0.53%

LAB 83.51, -46.14, 75.58

 

CMYK 52 / 0 / 82 / 11

HEX #6EE429

RGB 110 228 41

HSL 97.86, 0.78%, 0.53%

LAB 81.27, -62.35, 72.74

 

CMYK 74 / 0 / 82 / 11

HEX #3BE429

RGB 59 228 41

HSL 114.22, 0.78%, 0.53%

LAB 79.94, -73.31, 71.04

 

CMYK 82 / 0 / 68 / 11

HEX #29E44A

RGB 41 228 74

HSL 130.59, 0.78%, 0.53%

LAB 79.87, -73.21, 60.2

 

CMYK 8 / 0 / 82 / 11

HEX #D2E429

RGB 210 228 41

HSL 65.78, 0.78%, 0.53%

LAB 86.68, -26.62, 79.57

 

CMYK 9 / 0 / 91 / 3

HEX #E2F816

RGB 226 248 22

HSL 65.84, 0.94%, 0.53%

LAB 93.17, -29.88, 88.7

 

CMYK 8 / 0 / 82 / 11

HEX #D2E429

RGB 210 228 41

HSL 65.78, 0.78%, 0.53%

LAB 86.68, -26.62, 79.57

 

CMYK 7 / 0 / 71 / 18

HEX #C3D13D

RGB 195 209 61

HSL 65.68, 0.62%, 0.53%

LAB 80.48, -22.89, 67.64

 

CMYK 5 / 0 / 58 / 26

HEX #B3BD50

RGB 179 189 80

HSL 65.5, 0.45%, 0.53%

LAB 73.91, -18.42, 52.74

 

CMYK 4 / 0 / 42 / 33

HEX #A3AA63

RGB 163 170 99

HSL 65.92, 0.29%, 0.53%

LAB 67.6, -13.5, 35.7

 

CMYK 2 / 0 / 21 / 41

HEX #949777

RGB 148 151 119

HSL 65.63, 0.13%, 0.53%

LAB 61.45, -6.74, 16.54

 

CMYK 0 / 37 / 82 / 11

HEX #E49029

RGB 228 144 41

HSL 33.05, 0.78%, 0.53%

LAB 66.98, 24.29, 63.21

 

CMYK 0 / 15 / 82 / 11

HEX #E4C229

RGB 228 194 41

HSL 49.09, 0.78%, 0.53%

LAB 79.18, -2.13, 73.76

 

CMYK 7 / 0 / 82 / 11

HEX #D5E429

RGB 213 228 41

HSL 64.81, 0.78%, 0.53%

LAB 86.9, -25.39, 79.84

 

CMYK 29 / 0 / 82 / 11

HEX #A3E429

RGB 163 228 41

HSL 80.86, 0.78%, 0.53%

LAB 83.67, -45.04, 75.79

 

CMYK 50 / 0 / 82 / 11

HEX #71E429

RGB 113 228 41

HSL 96.9, 0.78%, 0.53%

LAB 81.38, -61.51, 72.88

 

CMYK 8 / 0 / 88 / 35

HEX #99A714

RGB 153 167 20

HSL 65.71, 0.79%, 0.37%

LAB 65.33, -21.53, 64.6

 

CMYK 8 / 0 / 88 / 20

HEX #BACB19

RGB 186 203 25

HSL 65.73, 0.78%, 0.45%

LAB 78.01, -25.02, 74.99

 

CMYK 8 / 0 / 82 / 11

HEX #D2E429

RGB 210 228 41

HSL 65.78, 0.78%, 0.53%

LAB 86.68, -26.62, 79.57

 

CMYK 6 / 0 / 67 / 9

HEX #DAE94E

RGB 218 233 78

HSL 65.81, 0.78%, 0.61%

LAB 88.8, -24.16, 70.3

 

CMYK 5 / 0 / 51 / 7

HEX #E2ED73

RGB 226 237 115

HSL 65.41, 0.77%, 0.69%

LAB 90.77, -20.27, 57.12

 

CMYK 8 / 0 / 83 / 10

HEX #D3E528

RGB 211 229 40

HSL 65.71, 0.78%, 0.53%

LAB 87.02, -26.71, 80.12

 

CMYK 82 / 0 / 59 / 11

HEX #29E45E

RGB 41 228 94

HSL 137.01, 0.78%, 0.53%

LAB 80.05, -71.02, 52.04

 

CMYK 26 / 82 / 0 / 11

HEX #A929E4

RGB 169 41 228

HSL 281.07, 0.78%, 0.53%

LAB 46.48, 75.47, -68.73

 

CMYK 8 / 0 / 83 / 10

HEX #D3E528

RGB 211 229 40

HSL 65.71, 0.78%, 0.53%

LAB 87.02, -26.71, 80.12

 

CMYK 82 / 7 / 0 / 11

HEX #29D5E4

RGB 41 213 228

HSL 184.81, 0.78%, 0.53%

LAB 78.26, -35.68, -19.23

 

CMYK 0 / 82 / 7 / 11

HEX #E429D5

RGB 228 41 213

HSL 304.81, 0.78%, 0.53%

LAB 54.95, 83.28, -46.08

 

CMYK 8 / 0 / 83 / 10

HEX #D3E528

RGB 211 229 40

HSL 65.71, 0.78%, 0.53%

LAB 87.02, -26.71, 80.12

 

CMYK 82 / 0 / 59 / 11

HEX #29E45E

RGB 41 228 94

HSL 137.01, 0.78%, 0.53%

LAB 80.05, -71.02, 52.04

 

CMYK 75 / 82 / 0 / 11

HEX #3929E4

RGB 57 41 228

HSL 245.13, 0.78%, 0.53%

LAB 34.1, 62.88, -89.53

 

CMYK 0 / 82 / 23 / 11

HEX #E429AF

RGB 228 41 175

HSL 317.01, 0.78%, 0.53%

LAB 53.14, 78.31, -26.97

 

CMYK 8 / 0 / 83 / 10

HEX #D3E528

RGB 211 229 40

HSL 65.71, 0.78%, 0.53%

LAB 87.02, -26.71, 80.12

 

CMYK 82 / 0 / 34 / 11

HEX #29E496

RGB 41 228 150

HSL 154.97, 0.78%, 0.53%

LAB 80.83, -61.86, 25.79

 

CMYK 75 / 82 / 0 / 11

HEX #3929E4

RGB 57 41 228

HSL 245.13, 0.78%, 0.53%

LAB 34.1, 62.88, -89.53

 

CMYK 0 / 82 / 48 / 11

HEX #E42977

RGB 228 41 119

HSL 334.97, 0.78%, 0.53%

LAB 51.17, 72.65, 3.46

 

Description

Color code: HEX #D3E528 | qconv.com Color code: HEX #D3E528 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 229 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 229 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 83 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 83% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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