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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3E48B it is the complementary color #2C1B74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3E48B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3E48B shade: #D8E486, #E9F699, #FAFFAC, #FFFFBF and #FFFFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3E48B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3E48B shade: #D3E48B, #C2D278, #B1C065, #A0AE52 and #8F9C3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3E48B shade: #D2E38B, #E3DC8B, #E3C58B, #E3AD8B and #E3958B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3E48B shade: #D2E38B, #BBE38B, #A3E38B, #8BE38B and #8BE3A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3E48B shade matches the following richer shades: #D2E38B, #DAEF7F and #E1FA74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3E48B shade: #D2E38B, #CBD896, #C4CCA2, #BDC1AD and #B6B5B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3E48B shade: #E3C48B, #E3DC8B, #D3E38B, #BCE38B and #A4E38B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3E48B shade: #B9D448, #C6DC69, #D2E38B, #DFEBAC and #ECF3CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3E48B shade: #D3E48B, #8BE3AD and #D08BE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3E48B shade: #D3E48B, #8BD3E3 and #E38BD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3E48B shade: #D3E48B, #8BE3AD, #9B8BE3 and #E38BC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3E48B shade: #D3E48B, #8BE3C7, #9B8BE3 and #E38BA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 39 / 11

HEX #D3E48B

RGB 211 228 139

HSL 71.46, 0.62%, 0.72%

LAB 87.58, -19.31, 41.53

 

Complementary color

CMYK 62 / 77 / 0 / 55

HEX #2C1B74

RGB 44 27 116

HSL 251.46, 0.62%, 0.28%

LAB 18.28, 34.24, -48.13

 

CMYK 5 / 0 / 41 / 11

HEX #D8E486

RGB 216 228 134

HSL 67.66, 0.64%, 0.71%

LAB 87.88, -17.95, 44.44

 

CMYK 5 / 0 / 38 / 4

HEX #E9F699

RGB 233 246 153

HSL 68.39, 0.84%, 0.78%

LAB 94.11, -18.18, 43.3

 

CMYK 2 / 0 / 33 / 0

HEX #FAFFAC

RGB 250 255 172

HSL 63.61, 1%, 0.84%

LAB 97.96, -14.01, 39.18

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBF

RGB 255 255 191

HSL 60, 1%, 0.87%

LAB 98.65, -9.81, 30.68

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD2

RGB 255 255 210

HSL 60, 1%, 0.91%

LAB 99, -7.2, 21.56

 

CMYK 7 / 0 / 39 / 11

HEX #D3E48B

RGB 211 228 139

HSL 71.46, 0.62%, 0.72%

LAB 87.58, -19.31, 41.53

 

CMYK 8 / 0 / 43 / 18

HEX #C2D278

RGB 194 210 120

HSL 70.67, 0.5%, 0.65%

LAB 81.25, -19.11, 42.68

 

CMYK 8 / 0 / 47 / 25

HEX #B1C065

RGB 177 192 101

HSL 69.89, 0.42%, 0.57%

LAB 74.82, -18.86, 43.84

 

CMYK 8 / 0 / 53 / 32

HEX #A0AE52

RGB 160 174 82

HSL 69.13, 0.36%, 0.5%

LAB 68.28, -18.53, 44.99

 

CMYK 8 / 0 / 60 / 39

HEX #8F9C3F

RGB 143 156 63

HSL 68.39, 0.42%, 0.43%

LAB 61.63, -18.1, 46.03

 

CMYK 7 / 0 / 39 / 11

HEX #D2E38B

RGB 210 227 139

HSL 71.59, 0.61%, 0.72%

LAB 87.24, -19.2, 41.08

 

CMYK 0 / 3 / 39 / 11

HEX #E3DC8B

RGB 227 220 139

HSL 55.23, 0.61%, 0.72%

LAB 86.69, -9.17, 40.64

 

CMYK 0 / 13 / 39 / 11

HEX #E3C58B

RGB 227 197 139

HSL 39.55, 0.61%, 0.72%

LAB 80.81, 2.64, 33.01

 

CMYK 0 / 24 / 39 / 11

HEX #E3AD8B

RGB 227 173 139

HSL 23.18, 0.61%, 0.72%

LAB 74.88, 15.34, 25.11

 

CMYK 0 / 34 / 39 / 11

HEX #E3958B

RGB 227 149 139

HSL 6.82, 0.61%, 0.72%

LAB 69.25, 28.18, 17.41

 

CMYK 7 / 0 / 39 / 11

HEX #D2E38B

RGB 210 227 139

HSL 71.59, 0.61%, 0.72%

LAB 87.24, -19.2, 41.08

 

CMYK 18 / 0 / 39 / 11

HEX #BBE38B

RGB 187 227 139

HSL 87.27, 0.61%, 0.72%

LAB 85.69, -27.75, 38.77

 

CMYK 28 / 0 / 39 / 11

HEX #A3E38B

RGB 163 227 139

HSL 103.64, 0.61%, 0.72%

LAB 84.27, -36.16, 36.66

 

CMYK 39 / 0 / 39 / 11

HEX #8BE38B

RGB 139 227 139

HSL 120, 0.61%, 0.72%

LAB 83.07, -43.85, 34.86

 

CMYK 39 / 0 / 28 / 11

HEX #8BE3A3

RGB 139 227 163

HSL 136.36, 0.61%, 0.72%

LAB 83.48, -39.88, 23.13

 

CMYK 7 / 0 / 39 / 11

HEX #D2E38B

RGB 210 227 139

HSL 71.59, 0.61%, 0.72%

LAB 87.24, -19.2, 41.08

 

CMYK 9 / 0 / 47 / 6

HEX #DAEF7F

RGB 218 239 127

HSL 71.25, 0.78%, 0.72%

LAB 90.86, -23.24, 51.52

 

CMYK 10 / 0 / 54 / 2

HEX #E1FA74

RGB 225 250 116

HSL 71.19, 0.93%, 0.72%

LAB 94.16, -26.78, 60.59

 

CMYK 7 / 0 / 39 / 11

HEX #D2E38B

RGB 210 227 139

HSL 71.59, 0.61%, 0.72%

LAB 87.24, -19.2, 41.08

 

CMYK 6 / 0 / 31 / 15

HEX #CBD896

RGB 203 216 150

HSL 71.82, 0.46%, 0.72%

LAB 83.97, -15.04, 31.15

 

CMYK 4 / 0 / 21 / 20

HEX #C4CCA2

RGB 196 204 162

HSL 71.43, 0.29%, 0.72%

LAB 80.48, -9.87, 20.06

 

CMYK 2 / 0 / 10 / 24

HEX #BDC1AD

RGB 189 193 173

HSL 72, 0.14%, 0.72%

LAB 77.27, -4.95, 9.59

 

CMYK 2 / 2 / 0 / 27

HEX #B6B5B9

RGB 182 181 185

HSL 255, 0.03%, 0.72%

LAB 73.87, 1.11, -1.91

 

CMYK 0 / 14 / 39 / 11

HEX #E3C48B

RGB 227 196 139

HSL 38.86, 0.61%, 0.72%

LAB 80.56, 3.17, 32.68

 

CMYK 0 / 3 / 39 / 11

HEX #E3DC8B

RGB 227 220 139

HSL 55.23, 0.61%, 0.72%

LAB 86.69, -9.17, 40.64

 

CMYK 7 / 0 / 39 / 11

HEX #D3E38B

RGB 211 227 139

HSL 70.91, 0.61%, 0.72%

LAB 87.32, -18.82, 41.19

 

CMYK 17 / 0 / 39 / 11

HEX #BCE38B

RGB 188 227 139

HSL 86.59, 0.61%, 0.72%

LAB 85.75, -27.39, 38.87

 

CMYK 28 / 0 / 39 / 11

HEX #A4E38B

RGB 164 227 139

HSL 102.95, 0.61%, 0.72%

LAB 84.33, -35.83, 36.74

 

CMYK 13 / 0 / 66 / 17

HEX #B9D448

RGB 185 212 72

HSL 71.57, 0.62%, 0.56%

LAB 80.67, -27.77, 63.5

 

CMYK 10 / 0 / 52 / 14

HEX #C6DC69

RGB 198 220 105

HSL 71.48, 0.62%, 0.64%

LAB 84.08, -23.92, 53.35

 

CMYK 7 / 0 / 39 / 11

HEX #D2E38B

RGB 210 227 139

HSL 71.59, 0.61%, 0.72%

LAB 87.24, -19.2, 41.08

 

CMYK 5 / 0 / 27 / 8

HEX #DFEBAC

RGB 223 235 172

HSL 71.43, 0.61%, 0.8%

LAB 90.82, -14.14, 29.32

 

CMYK 3 / 0 / 15 / 5

HEX #ECF3CE

RGB 236 243 206

HSL 71.35, 0.61%, 0.88%

LAB 94.48, -8.52, 17.08

 

CMYK 7 / 0 / 39 / 11

HEX #D3E48B

RGB 211 228 139

HSL 71.46, 0.62%, 0.72%

LAB 87.58, -19.31, 41.53

 

CMYK 39 / 0 / 24 / 11

HEX #8BE3AD

RGB 139 227 173

HSL 143.18, 0.61%, 0.72%

LAB 83.68, -38.04, 18.2

 

CMYK 8 / 39 / 0 / 11

HEX #D08BE3

RGB 208 139 227

HSL 287.05, 0.61%, 0.72%

LAB 67.59, 40.91, -34.3

 

CMYK 7 / 0 / 39 / 11

HEX #D3E48B

RGB 211 228 139

HSL 71.46, 0.62%, 0.72%

LAB 87.58, -19.31, 41.53

 

CMYK 39 / 7 / 0 / 11

HEX #8BD3E3

RGB 139 211 227

HSL 190.91, 0.61%, 0.72%

LAB 80.53, -18.44, -15

 

CMYK 0 / 39 / 7 / 11

HEX #E38BD3

RGB 227 139 211

HSL 310.91, 0.61%, 0.72%

LAB 69.11, 43.83, -22.92

 

CMYK 7 / 0 / 39 / 11

HEX #D3E48B

RGB 211 228 139

HSL 71.46, 0.62%, 0.72%

LAB 87.58, -19.31, 41.53

 

CMYK 39 / 0 / 24 / 11

HEX #8BE3AD

RGB 139 227 173

HSL 143.18, 0.61%, 0.72%

LAB 83.68, -38.04, 18.2

 

CMYK 32 / 39 / 0 / 11

HEX #9B8BE3

RGB 155 139 227

HSL 250.91, 0.61%, 0.72%

LAB 62.49, 25.49, -42.64

 

CMYK 0 / 39 / 15 / 11

HEX #E38BC1

RGB 227 139 193

HSL 323.18, 0.61%, 0.72%

LAB 68.49, 40.87, -13.84

 

CMYK 7 / 0 / 39 / 11

HEX #D3E48B

RGB 211 228 139

HSL 71.46, 0.62%, 0.72%

LAB 87.58, -19.31, 41.53

 

CMYK 39 / 0 / 12 / 11

HEX #8BE3C7

RGB 139 227 199

HSL 160.91, 0.61%, 0.72%

LAB 84.25, -32.77, 5.37

 

CMYK 32 / 39 / 0 / 11

HEX #9B8BE3

RGB 155 139 227

HSL 250.91, 0.61%, 0.72%

LAB 62.49, 25.49, -42.64

 

CMYK 0 / 39 / 26 / 11

HEX #E38BA7

RGB 227 139 167

HSL 340.91, 0.61%, 0.72%

LAB 67.71, 37.02, -0.43

 

Description

Color code: HEX #D3E48B | qconv.com Color code: HEX #D3E48B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 228 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 228 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 39 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 39% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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