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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3E359 it is the complementary color #2C1CA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3E359. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3E359 shade: #D8E354, #E9F567, #FAFF7A, #FFFF8D and #FFFFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3E359. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3E359 shade: #D3E359, #C2D146, #B1BF33, #A0AD20 and #8F9B0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3E359 shade: #D3E359, #E3CE59, #E3A959, #E38459 and #E35E59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3E359 shade: #D3E359, #AEE359, #89E359, #64E359 and #59E374

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3E359 shade matches the following richer shades: #D3E359 and #DFF34A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3E359 shade: #D3E359, #C7D369, #BBC479, #AFB488 and #A3A498

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3E359 shade: #E3A759, #E3CC59, #D5E359, #B0E359 and #8CE359

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3E359 shade: #B5C822, #CADD36, #D3E359, #DCE97D and #E6EFA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3E359 shade: #D3E359, #59E383 and #BA59E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3E359 shade: #D3E359, #59D5E3 and #E359D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3E359 shade: #D3E359, #59E383, #6759E3 and #E359BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3E359 shade: #D3E359, #59E3AC, #6759E3 and #E35990

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 61 / 11

HEX #D3E359

RGB 211 227 89

HSL 66.96, 0.71%, 0.62%

LAB 86.76, -23.4, 63.65

 

Complementary color

CMYK 73 / 83 / 0 / 35

HEX #2C1CA6

RGB 44 28 166

HSL 246.96, 0.71%, 0.38%

LAB 24.06, 49.48, -69.78

 

CMYK 5 / 0 / 63 / 11

HEX #D8E354

RGB 216 227 84

HSL 64.62, 0.72%, 0.61%

LAB 87.08, -21.72, 66.15

 

CMYK 5 / 0 / 58 / 4

HEX #E9F567

RGB 233 245 103

HSL 65.07, 0.88%, 0.68%

LAB 93.28, -22.3, 65.38

 

CMYK 2 / 0 / 52 / 0

HEX #FAFF7A

RGB 250 255 122

HSL 62.26, 1%, 0.74%

LAB 97.33, -18.98, 62.06

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8D

RGB 255 255 141

HSL 60, 1%, 0.78%

LAB 97.91, -15.4, 54.17

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 7 / 0 / 61 / 11

HEX #D3E359

RGB 211 227 89

HSL 66.96, 0.71%, 0.62%

LAB 86.76, -23.4, 63.65

 

CMYK 7 / 0 / 67 / 18

HEX #C2D146

RGB 194 209 70

HSL 66.47, 0.6%, 0.55%

LAB 80.47, -22.8, 64.28

 

CMYK 7 / 0 / 73 / 25

HEX #B1BF33

RGB 177 191 51

HSL 66, 0.58%, 0.47%

LAB 74.09, -22.07, 64.48

 

CMYK 8 / 0 / 82 / 32

HEX #A0AD20

RGB 160 173 32

HSL 65.53, 0.69%, 0.4%

LAB 67.62, -21.15, 63.94

 

CMYK 8 / 0 / 92 / 39

HEX #8F9B0D

RGB 143 155 13

HSL 65.07, 0.85%, 0.33%

LAB 61.06, -20.01, 62.11

 

CMYK 7 / 0 / 61 / 11

HEX #D3E359

RGB 211 227 89

HSL 66.96, 0.71%, 0.62%

LAB 86.76, -23.4, 63.65

 

CMYK 0 / 9 / 61 / 11

HEX #E3CE59

RGB 227 206 89

HSL 50.87, 0.71%, 0.62%

LAB 82.48, -6.45, 59.36

 

CMYK 0 / 26 / 61 / 11

HEX #E3A959

RGB 227 169 89

HSL 34.78, 0.71%, 0.62%

LAB 73.17, 12.89, 48.85

 

CMYK 0 / 42 / 61 / 11

HEX #E38459

RGB 227 132 89

HSL 18.7, 0.71%, 0.62%

LAB 64.61, 32.58, 38.69

 

CMYK 0 / 59 / 61 / 11

HEX #E35E59

RGB 227 94 89

HSL 2.17, 0.71%, 0.62%

LAB 57.13, 51.45, 29.38

 

CMYK 7 / 0 / 61 / 11

HEX #D3E359

RGB 211 227 89

HSL 66.96, 0.71%, 0.62%

LAB 86.76, -23.4, 63.65

 

CMYK 23 / 0 / 61 / 11

HEX #AEE359

RGB 174 227 89

HSL 83.04, 0.71%, 0.62%

LAB 84.31, -37.74, 60.27

 

CMYK 40 / 0 / 61 / 11

HEX #89E359

RGB 137 227 89

HSL 99.13, 0.71%, 0.62%

LAB 82.37, -50.59, 57.57

 

CMYK 56 / 0 / 61 / 11

HEX #64E359

RGB 100 227 89

HSL 115.22, 0.71%, 0.62%

LAB 80.94, -61.1, 55.58

 

CMYK 61 / 0 / 49 / 11

HEX #59E374

RGB 89 227 116

HSL 131.74, 0.71%, 0.62%

LAB 80.92, -60.25, 43.1

 

CMYK 7 / 0 / 61 / 11

HEX #D3E359

RGB 211 227 89

HSL 66.96, 0.71%, 0.62%

LAB 86.76, -23.4, 63.65

 

CMYK 8 / 0 / 70 / 5

HEX #DFF34A

RGB 223 243 74

HSL 67.1, 0.88%, 0.62%

LAB 91.81, -27.11, 74.88

 

CMYK 7 / 0 / 61 / 11

HEX #D3E359

RGB 211 227 89

HSL 66.96, 0.71%, 0.62%

LAB 86.76, -23.4, 63.65

 

CMYK 6 / 0 / 50 / 17

HEX #C7D369

RGB 199 211 105

HSL 66.79, 0.55%, 0.62%

LAB 81.7, -19.13, 50.57

 

CMYK 5 / 0 / 38 / 23

HEX #BBC479

RGB 187 196 121

HSL 67.2, 0.39%, 0.62%

LAB 76.94, -14.72, 36.61

 

CMYK 3 / 0 / 24 / 29

HEX #AFB488

RGB 175 180 136

HSL 66.82, 0.23%, 0.62%

LAB 71.92, -9.18, 21.92

 

CMYK 1 / 0 / 7 / 36

HEX #A3A498

RGB 163 164 152

HSL 65, 0.06%, 0.62%

LAB 66.98, -2.57, 6.09

 

CMYK 0 / 26 / 61 / 11

HEX #E3A759

RGB 227 167 89

HSL 33.91, 0.71%, 0.62%

LAB 72.69, 13.96, 48.29

 

CMYK 0 / 10 / 61 / 11

HEX #E3CC59

RGB 227 204 89

HSL 50, 0.71%, 0.62%

LAB 81.97, -5.43, 58.79

 

CMYK 6 / 0 / 61 / 11

HEX #D5E359

RGB 213 227 89

HSL 66.09, 0.71%, 0.62%

LAB 86.9, -22.6, 63.85

 

CMYK 22 / 0 / 61 / 11

HEX #B0E359

RGB 176 227 89

HSL 82.17, 0.71%, 0.62%

LAB 84.43, -36.99, 60.44

 

CMYK 38 / 0 / 61 / 11

HEX #8CE359

RGB 140 227 89

HSL 97.83, 0.71%, 0.62%

LAB 82.5, -49.62, 57.77

 

CMYK 10 / 0 / 83 / 22

HEX #B5C822

RGB 181 200 34

HSL 66.87, 0.71%, 0.46%

LAB 76.83, -25.43, 71.98

 

CMYK 9 / 0 / 76 / 13

HEX #CADD36

RGB 202 221 54

HSL 66.83, 0.71%, 0.54%

LAB 84.24, -26.11, 73.69

 

CMYK 7 / 0 / 61 / 11

HEX #D3E359

RGB 211 227 89

HSL 66.96, 0.71%, 0.62%

LAB 86.76, -23.4, 63.65

 

CMYK 6 / 0 / 46 / 9

HEX #DCE97D

RGB 220 233 125

HSL 67.22, 0.71%, 0.7%

LAB 89.38, -19.77, 50.71

 

CMYK 4 / 0 / 33 / 6

HEX #E6EFA0

RGB 230 239 160

HSL 66.84, 0.71%, 0.78%

LAB 92.17, -15.07, 37.28

 

CMYK 7 / 0 / 61 / 11

HEX #D3E359

RGB 211 227 89

HSL 66.96, 0.71%, 0.62%

LAB 86.76, -23.4, 63.65

 

CMYK 61 / 0 / 42 / 11

HEX #59E383

RGB 89 227 131

HSL 138.26, 0.71%, 0.62%

LAB 81.13, -57.94, 36

 

CMYK 18 / 61 / 0 / 11

HEX #BA59E3

RGB 186 89 227

HSL 282.17, 0.71%, 0.62%

LAB 55.21, 60.41, -53.98

 

CMYK 7 / 0 / 61 / 11

HEX #D3E359

RGB 211 227 89

HSL 66.96, 0.71%, 0.62%

LAB 86.76, -23.4, 63.65

 

CMYK 61 / 6 / 0 / 11

HEX #59D5E3

RGB 89 213 227

HSL 186.09, 0.71%, 0.62%

LAB 79.19, -30.13, -17.2

 

CMYK 0 / 61 / 6 / 11

HEX #E359D5

RGB 227 89 213

HSL 306.09, 0.71%, 0.62%

LAB 60.14, 67.93, -37.91

 

CMYK 7 / 0 / 61 / 11

HEX #D3E359

RGB 211 227 89

HSL 66.96, 0.71%, 0.62%

LAB 86.76, -23.4, 63.65

 

CMYK 61 / 0 / 42 / 11

HEX #59E383

RGB 89 227 131

HSL 138.26, 0.71%, 0.62%

LAB 81.13, -57.94, 36

 

CMYK 55 / 61 / 0 / 11

HEX #6759E3

RGB 103 89 227

HSL 246.09, 0.71%, 0.62%

LAB 46.41, 42.7, -68.6

 

CMYK 0 / 61 / 18 / 11

HEX #E359BA

RGB 227 89 186

HSL 317.83, 0.71%, 0.62%

LAB 58.99, 63.87, -24.32

 

CMYK 7 / 0 / 61 / 11

HEX #D3E359

RGB 211 227 89

HSL 66.96, 0.71%, 0.62%

LAB 86.76, -23.4, 63.65

 

CMYK 61 / 0 / 24 / 11

HEX #59E3AC

RGB 89 227 172

HSL 156.09, 0.71%, 0.62%

LAB 81.86, -50.15, 15.92

 

CMYK 55 / 61 / 0 / 11

HEX #6759E3

RGB 103 89 227

HSL 246.09, 0.71%, 0.62%

LAB 46.41, 42.7, -68.6

 

CMYK 0 / 61 / 37 / 11

HEX #E35990

RGB 227 89 144

HSL 336.09, 0.71%, 0.62%

LAB 57.55, 58.56, -2.14

 

Description

Color code: HEX #D3E359 | qconv.com Color code: HEX #D3E359 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 227 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 227 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 61 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 61% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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