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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3E02E it is the complementary color #2C1FD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3E02E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3E02E shade: #D8E029, #E9F23C, #FAFF4F, #FFFF62 and #FFFF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3E02E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3E02E shade: #D3E02E, #C2CE1B, #B1BC08, #A0AA00 and #8F9800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3E02E shade: #D3E02E, #E0BD2E, #E08D2E, #E05D2E and #E02E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3E02E shade: #D3E02E, #A3E02E, #73E02E, #43E02E and #2EE049

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3E02E shade matches the following richer shades: #D3E02E and #E3F31B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3E02E shade: #D3E02E, #C2CC42, #B2B955, #A1A669 and #91927C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3E02E shade: #E08D2E, #E0BC2E, #D4E02E, #A5E02E and #75E02E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3E02E shade: #99A318, #BBC71E, #D3E02E, #DAE552 and #E2EB76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3E02E shade: #D3E02E, #2EE05E and #A52EE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3E02E shade: #D3E02E, #2ED4E0 and #E02ED4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3E02E shade: #D3E02E, #2EE05E, #3A2EE0 and #E02EB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3E02E shade: #D3E02E, #2EE093, #3A2EE0 and #E02E7B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 79 / 12

HEX #D3E02E

RGB 211 224 46

HSL 64.38, 0.74%, 0.53%

LAB 85.68, -24.15, 77.5

 

Complementary color

CMYK 79 / 85 / 0 / 18

HEX #2C1FD1

RGB 44 31 209

HSL 244.38, 0.74%, 0.47%

LAB 29.71, 60.83, -85.9

 

CMYK 4 / 0 / 82 / 12

HEX #D8E029

RGB 216 224 41

HSL 62.62, 0.75%, 0.52%

LAB 86.04, -22.23, 79.2

 

CMYK 4 / 0 / 75 / 5

HEX #E9F23C

RGB 233 242 60

HSL 62.97, 0.88%, 0.59%

LAB 92.2, -23.23, 80.03

 

CMYK 2 / 0 / 69 / 0

HEX #FAFF4F

RGB 250 255 79

HSL 61.7, 1%, 0.65%

LAB 96.99, -21.72, 78.89

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF62

RGB 255 255 98

HSL 60, 1%, 0.69%

LAB 97.5, -18.69, 72.47

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF75

RGB 255 255 117

HSL 60, 1%, 0.73%

LAB 97.66, -17.4, 64.73

 

CMYK 6 / 0 / 79 / 12

HEX #D3E02E

RGB 211 224 46

HSL 64.38, 0.74%, 0.53%

LAB 85.68, -24.15, 77.5

 

CMYK 6 / 0 / 87 / 19

HEX #C2CE1B

RGB 194 206 27

HSL 64.02, 0.77%, 0.46%

LAB 79.44, -23.07, 76.03

 

CMYK 6 / 0 / 96 / 26

HEX #B1BC08

RGB 177 188 8

HSL 63.67, 0.92%, 0.38%

LAB 73.11, -21.8, 73.24

 

CMYK 6 / 0 / 100 / 33

HEX #A0AA00

RGB 160 170 0

HSL 63.53, 1%, 0.33%

LAB 66.69, -20.31, 68.77

 

CMYK 6 / 0 / 100 / 40

HEX #8F9800

RGB 143 152 0

HSL 63.55, 1%, 0.3%

LAB 60.16, -18.7, 63.34

 

CMYK 6 / 0 / 79 / 12

HEX #D3E02E

RGB 211 224 46

HSL 64.38, 0.74%, 0.53%

LAB 85.68, -24.15, 77.5

 

CMYK 0 / 16 / 79 / 12

HEX #E0BD2E

RGB 224 189 46

HSL 48.2, 0.74%, 0.53%

LAB 77.54, -1.11, 70.74

 

CMYK 0 / 37 / 79 / 12

HEX #E08D2E

RGB 224 141 46

HSL 32.02, 0.74%, 0.53%

LAB 65.82, 24.37, 60.16

 

CMYK 0 / 58 / 79 / 12

HEX #E05D2E

RGB 224 93 46

HSL 15.84, 0.74%, 0.53%

LAB 55.96, 48.71, 50.86

 

CMYK 0 / 79 / 79 / 12

HEX #E02E2E

RGB 224 46 46

HSL 0, 0.74%, 0.53%

LAB 49.49, 66.29, 44.49

 

CMYK 6 / 0 / 79 / 12

HEX #D3E02E

RGB 211 224 46

HSL 64.38, 0.74%, 0.53%

LAB 85.68, -24.15, 77.5

 

CMYK 27 / 0 / 79 / 12

HEX #A3E02E

RGB 163 224 46

HSL 80.56, 0.74%, 0.53%

LAB 82.54, -43.13, 73.5

 

CMYK 49 / 0 / 79 / 12

HEX #73E02E

RGB 115 224 46

HSL 96.74, 0.74%, 0.53%

LAB 80.27, -59.24, 70.59

 

CMYK 70 / 0 / 79 / 12

HEX #43E02E

RGB 67 224 46

HSL 112.92, 0.74%, 0.53%

LAB 78.87, -70.53, 68.78

 

CMYK 79 / 0 / 67 / 12

HEX #2EE049

RGB 46 224 73

HSL 129.1, 0.74%, 0.53%

LAB 78.68, -71.55, 59.33

 

CMYK 6 / 0 / 79 / 12

HEX #D3E02E

RGB 211 224 46

HSL 64.38, 0.74%, 0.53%

LAB 85.68, -24.15, 77.5

 

CMYK 7 / 0 / 89 / 5

HEX #E3F31B

RGB 227 243 27

HSL 64.44, 0.9%, 0.53%

LAB 91.91, -27.07, 87.05

 

CMYK 6 / 0 / 79 / 12

HEX #D3E02E

RGB 211 224 46

HSL 64.38, 0.74%, 0.53%

LAB 85.68, -24.15, 77.5

 

CMYK 5 / 0 / 68 / 20

HEX #C2CC42

RGB 194 204 66

HSL 64.35, 0.58%, 0.53%

LAB 79.07, -20.59, 64.39

 

CMYK 4 / 0 / 54 / 27

HEX #B2B955

RGB 178 185 85

HSL 64.2, 0.42%, 0.53%

LAB 72.77, -16.41, 49.13

 

CMYK 3 / 0 / 37 / 35

HEX #A1A669

RGB 161 166 105

HSL 64.92, 0.26%, 0.53%

LAB 66.42, -11.51, 31.01

 

CMYK 1 / 0 / 15 / 43

HEX #91927C

RGB 145 146 124

HSL 62.73, 0.09%, 0.53%

LAB 59.92, -4.36, 11.56

 

CMYK 0 / 37 / 79 / 12

HEX #E08D2E

RGB 224 141 46

HSL 32.02, 0.74%, 0.53%

LAB 65.82, 24.37, 60.16

 

CMYK 0 / 16 / 79 / 12

HEX #E0BC2E

RGB 224 188 46

HSL 47.87, 0.74%, 0.53%

LAB 77.29, -0.59, 70.52

 

CMYK 5 / 0 / 79 / 12

HEX #D4E02E

RGB 212 224 46

HSL 64.04, 0.74%, 0.53%

LAB 85.76, -23.73, 77.59

 

CMYK 26 / 0 / 79 / 12

HEX #A5E02E

RGB 165 224 46

HSL 79.89, 0.74%, 0.53%

LAB 82.65, -42.38, 73.65

 

CMYK 48 / 0 / 79 / 12

HEX #75E02E

RGB 117 224 46

HSL 96.07, 0.74%, 0.53%

LAB 80.34, -58.65, 70.69

 

CMYK 6 / 0 / 85 / 36

HEX #99A318

RGB 153 163 24

HSL 64.32, 0.74%, 0.37%

LAB 64.19, -19.41, 62.79

 

CMYK 6 / 0 / 85 / 22

HEX #BBC71E

RGB 187 199 30

HSL 64.26, 0.74%, 0.45%

LAB 76.98, -22.54, 73.19

 

CMYK 6 / 0 / 79 / 12

HEX #D3E02E

RGB 211 224 46

HSL 64.38, 0.74%, 0.53%

LAB 85.68, -24.15, 77.5

 

CMYK 5 / 0 / 64 / 10

HEX #DAE552

RGB 218 229 82

HSL 64.49, 0.74%, 0.61%

LAB 87.75, -22.01, 67.69

 

CMYK 4 / 0 / 50 / 8

HEX #E2EB76

RGB 226 235 118

HSL 64.62, 0.75%, 0.69%

LAB 90.27, -19.05, 55.16

 

CMYK 6 / 0 / 79 / 12

HEX #D3E02E

RGB 211 224 46

HSL 64.38, 0.74%, 0.53%

LAB 85.68, -24.15, 77.5

 

CMYK 79 / 0 / 58 / 12

HEX #2EE05E

RGB 46 224 94

HSL 136.18, 0.74%, 0.53%

LAB 78.87, -69.23, 50.68

 

CMYK 26 / 79 / 0 / 12

HEX #A52EE0

RGB 165 46 224

HSL 280.11, 0.74%, 0.53%

LAB 46.09, 72.61, -67.11

 

CMYK 6 / 0 / 79 / 12

HEX #D3E02E

RGB 211 224 46

HSL 64.38, 0.74%, 0.53%

LAB 85.68, -24.15, 77.5

 

CMYK 79 / 5 / 0 / 12

HEX #2ED4E0

RGB 46 212 224

HSL 184.04, 0.74%, 0.53%

LAB 77.9, -36.01, -17.62

 

CMYK 0 / 79 / 5 / 12

HEX #E02ED4

RGB 224 46 212

HSL 304.04, 0.74%, 0.53%

LAB 54.61, 81.26, -46.09

 

CMYK 6 / 0 / 79 / 12

HEX #D3E02E

RGB 211 224 46

HSL 64.38, 0.74%, 0.53%

LAB 85.68, -24.15, 77.5

 

CMYK 79 / 0 / 58 / 12

HEX #2EE05E

RGB 46 224 94

HSL 136.18, 0.74%, 0.53%

LAB 78.87, -69.23, 50.68

 

CMYK 74 / 79 / 0 / 12

HEX #3A2EE0

RGB 58 46 224

HSL 244.04, 0.74%, 0.53%

LAB 34.47, 59.55, -86.63

 

CMYK 0 / 79 / 21 / 12

HEX #E02EB1

RGB 224 46 177

HSL 315.84, 0.74%, 0.53%

LAB 52.92, 76.53, -28.53

 

CMYK 6 / 0 / 79 / 12

HEX #D3E02E

RGB 211 224 46

HSL 64.38, 0.74%, 0.53%

LAB 85.68, -24.15, 77.5

 

CMYK 79 / 0 / 34 / 12

HEX #2EE093

RGB 46 224 147

HSL 154.04, 0.74%, 0.53%

LAB 79.61, -60.53, 25.7

 

CMYK 74 / 79 / 0 / 12

HEX #3A2EE0

RGB 58 46 224

HSL 244.04, 0.74%, 0.53%

LAB 34.47, 59.55, -86.63

 

CMYK 0 / 79 / 45 / 12

HEX #E02E7B

RGB 224 46 123

HSL 334.04, 0.74%, 0.53%

LAB 50.96, 70.77, 0.64

 

Description

Color code: HEX #D3E02E | qconv.com Color code: HEX #D3E02E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 224 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 224 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 79 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 79% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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