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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3D976 it is the complementary color #2C2689. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3D976. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3D976 shade: #D8D971, #E9EB84, #FAFD97, #FFFFAA and #FFFFBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3D976. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3D976 shade: #D3D976, #C2C763, #B1B550, #A0A33D and #8F912A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3D976 shade: #D4DA77, #DAC577, #DAAA77, #DA9077 and #DA7777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3D976 shade: #D4DA77, #B9DA77, #9EDA77, #84DA77 and #77DA85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3D976 shade matches the following richer shades: #D4DA77, #E0E869 and #ECF65B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3D976 shade: #D4DA77, #C7CC85, #BBBE93, #AFB0A1 and #A2A2AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3D976 shade: #DAAA77, #DAC477, #D5DA77, #BADA77 and #A0DA77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3D976 shade: #BFC737, #C9D156, #D4DA77, #DEE397 and #E8EBB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3D976 shade: #D3D976, #77DA90 and #B777DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3D976 shade: #D3D976, #77D5DA and #DA77D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3D976 shade: #D3D976, #77DA90, #7C77DA and #DA77C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3D976 shade: #D3D976, #77DAAD, #7C77DA and #DA77A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 46 / 15

HEX #D3D976

RGB 211 217 118

HSL 63.64, 0.57%, 0.66%

LAB 84.37, -16.11, 47.8

 

Complementary color

CMYK 68 / 72 / 0 / 46

HEX #2C2689

RGB 44 38 137

HSL 243.64, 0.57%, 0.34%

LAB 22.75, 34.76, -54.1

 

CMYK 0 / 0 / 48 / 15

HEX #D8D971

RGB 216 217 113

HSL 60.58, 0.58%, 0.65%

LAB 84.7, -14.6, 50.67

 

CMYK 1 / 0 / 44 / 8

HEX #E9EB84

RGB 233 235 132

HSL 61.17, 0.72%, 0.72%

LAB 90.96, -15.01, 49.53

 

CMYK 1 / 0 / 40 / 1

HEX #FAFD97

RGB 250 253 151

HSL 61.76, 0.96%, 0.79%

LAB 97.15, -15.36, 48.39

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBD

RGB 255 255 189

HSL 60, 1%, 0.87%

LAB 98.61, -10.07, 31.64

 

CMYK 3 / 0 / 46 / 15

HEX #D3D976

RGB 211 217 118

HSL 63.64, 0.57%, 0.66%

LAB 84.37, -16.11, 47.8

 

CMYK 3 / 0 / 50 / 22

HEX #C2C763

RGB 194 199 99

HSL 63, 0.47%, 0.58%

LAB 78, -15.71, 48.94

 

CMYK 2 / 0 / 56 / 29

HEX #B1B550

RGB 177 181 80

HSL 62.38, 0.41%, 0.51%

LAB 71.54, -15.21, 50.03

 

CMYK 2 / 0 / 63 / 36

HEX #A0A33D

RGB 160 163 61

HSL 61.76, 0.46%, 0.44%

LAB 64.97, -14.58, 50.95

 

CMYK 1 / 0 / 71 / 43

HEX #8F912A

RGB 143 145 42

HSL 61.17, 0.55%, 0.37%

LAB 58.28, -13.78, 51.52

 

CMYK 3 / 0 / 45 / 15

HEX #D4DA77

RGB 212 218 119

HSL 63.64, 0.57%, 0.66%

LAB 84.73, -16.12, 47.76

 

CMYK 0 / 10 / 45 / 15

HEX #DAC577

RGB 218 197 119

HSL 47.27, 0.57%, 0.66%

LAB 79.71, -3.06, 41.67

 

CMYK 0 / 22 / 45 / 15

HEX #DAAA77

RGB 218 170 119

HSL 30.91, 0.57%, 0.66%

LAB 72.88, 11.2, 32.97

 

CMYK 0 / 34 / 45 / 15

HEX #DA9077

RGB 218 144 119

HSL 15.15, 0.57%, 0.66%

LAB 66.66, 25.2, 24.78

 

CMYK 0 / 45 / 45 / 15

HEX #DA7777

RGB 218 119 119

HSL 0, 0.57%, 0.66%

LAB 61.16, 38.45, 17.32

 

CMYK 3 / 0 / 45 / 15

HEX #D4DA77

RGB 212 218 119

HSL 63.64, 0.57%, 0.66%

LAB 84.73, -16.12, 47.76

 

CMYK 15 / 0 / 45 / 15

HEX #B9DA77

RGB 185 218 119

HSL 80, 0.57%, 0.66%

LAB 82.8, -26.57, 44.96

 

CMYK 28 / 0 / 45 / 15

HEX #9EDA77

RGB 158 218 119

HSL 96.36, 0.57%, 0.66%

LAB 81.15, -36.4, 42.55

 

CMYK 39 / 0 / 45 / 15

HEX #84DA77

RGB 132 218 119

HSL 112.12, 0.57%, 0.66%

LAB 79.83, -44.99, 40.61

 

CMYK 45 / 0 / 39 / 15

HEX #77DA85

RGB 119 218 133

HSL 128.48, 0.57%, 0.66%

LAB 79.48, -46.74, 33.03

 

CMYK 3 / 0 / 45 / 15

HEX #D4DA77

RGB 212 218 119

HSL 63.64, 0.57%, 0.66%

LAB 84.73, -16.12, 47.76

 

CMYK 3 / 0 / 55 / 9

HEX #E0E869

RGB 224 232 105

HSL 63.78, 0.73%, 0.66%

LAB 89.2, -19.46, 59.75

 

CMYK 4 / 0 / 63 / 4

HEX #ECF65B

RGB 236 246 91

HSL 63.87, 0.9%, 0.66%

LAB 93.67, -22.39, 70.76

 

CMYK 3 / 0 / 45 / 15

HEX #D4DA77

RGB 212 218 119

HSL 63.64, 0.57%, 0.66%

LAB 84.73, -16.12, 47.76

 

CMYK 2 / 0 / 35 / 20

HEX #C7CC85

RGB 199 204 133

HSL 64.23, 0.41%, 0.66%

LAB 80.19, -12.67, 34.85

 

CMYK 2 / 0 / 23 / 25

HEX #BBBE93

RGB 187 190 147

HSL 64.19, 0.25%, 0.66%

LAB 75.76, -8.22, 21.43

 

CMYK 1 / 0 / 9 / 31

HEX #AFB0A1

RGB 175 176 161

HSL 64, 0.09%, 0.66%

LAB 71.38, -3.06, 7.56

 

CMYK 7 / 7 / 0 / 31

HEX #A2A2AF

RGB 162 162 175

HSL 240, 0.08%, 0.66%

LAB 66.99, 2.57, -6.72

 

CMYK 0 / 22 / 45 / 15

HEX #DAAA77

RGB 218 170 119

HSL 30.91, 0.57%, 0.66%

LAB 72.88, 11.2, 32.97

 

CMYK 0 / 10 / 45 / 15

HEX #DAC477

RGB 218 196 119

HSL 46.67, 0.57%, 0.66%

LAB 79.45, -2.54, 41.35

 

CMYK 2 / 0 / 45 / 15

HEX #D5DA77

RGB 213 218 119

HSL 63.03, 0.57%, 0.66%

LAB 84.8, -15.72, 47.88

 

CMYK 15 / 0 / 45 / 15

HEX #BADA77

RGB 186 218 119

HSL 79.39, 0.57%, 0.66%

LAB 82.87, -26.19, 45.06

 

CMYK 27 / 0 / 45 / 15

HEX #A0DA77

RGB 160 218 119

HSL 95.15, 0.57%, 0.66%

LAB 81.26, -35.7, 42.72

 

CMYK 4 / 0 / 72 / 22

HEX #BFC737

RGB 191 199 55

HSL 63.33, 0.57%, 0.5%

LAB 77.4, -19.95, 66.65

 

CMYK 4 / 0 / 59 / 18

HEX #C9D156

RGB 201 209 86

HSL 63.9, 0.57%, 0.58%

LAB 81.12, -18.89, 58.56

 

CMYK 3 / 0 / 45 / 15

HEX #D4DA77

RGB 212 218 119

HSL 63.64, 0.57%, 0.66%

LAB 84.73, -16.12, 47.76

 

CMYK 2 / 0 / 33 / 11

HEX #DEE397

RGB 222 227 151

HSL 63.95, 0.58%, 0.74%

LAB 88.31, -13.23, 36.62

 

CMYK 1 / 0 / 22 / 8

HEX #E8EBB8

RGB 232 235 184

HSL 63.53, 0.56%, 0.82%

LAB 91.7, -9.19, 24.48

 

CMYK 3 / 0 / 46 / 15

HEX #D3D976

RGB 211 217 118

HSL 63.64, 0.57%, 0.66%

LAB 84.37, -16.11, 47.8

 

CMYK 45 / 0 / 34 / 15

HEX #77DA90

RGB 119 218 144

HSL 135.15, 0.57%, 0.66%

LAB 79.66, -44.91, 27.64

 

CMYK 16 / 45 / 0 / 15

HEX #B777DA

RGB 183 119 218

HSL 278.79, 0.57%, 0.66%

LAB 60.18, 42.49, -41.07

 

CMYK 3 / 0 / 46 / 15

HEX #D3D976

RGB 211 217 118

HSL 63.64, 0.57%, 0.66%

LAB 84.37, -16.11, 47.8

 

CMYK 45 / 2 / 0 / 15

HEX #77D5DA

RGB 119 213 218

HSL 183.03, 0.57%, 0.66%

LAB 79.94, -26.57, -11.16

 

CMYK 0 / 45 / 2 / 15

HEX #DA77D5

RGB 218 119 213

HSL 303.03, 0.57%, 0.66%

LAB 64.08, 51.66, -31.87

 

CMYK 3 / 0 / 46 / 15

HEX #D3D976

RGB 211 217 118

HSL 63.64, 0.57%, 0.66%

LAB 84.37, -16.11, 47.8

 

CMYK 45 / 0 / 34 / 15

HEX #77DA90

RGB 119 218 144

HSL 135.15, 0.57%, 0.66%

LAB 79.66, -44.91, 27.64

 

CMYK 43 / 45 / 0 / 15

HEX #7C77DA

RGB 124 119 218

HSL 243.03, 0.57%, 0.66%

LAB 54.6, 26.66, -50.26

 

CMYK 0 / 45 / 11 / 15

HEX #DA77C1

RGB 218 119 193

HSL 315.15, 0.57%, 0.66%

LAB 63.3, 48.28, -21.82

 

CMYK 3 / 0 / 46 / 15

HEX #D3D976

RGB 211 217 118

HSL 63.64, 0.57%, 0.66%

LAB 84.37, -16.11, 47.8

 

CMYK 45 / 0 / 21 / 15

HEX #77DAAD

RGB 119 218 173

HSL 152.73, 0.57%, 0.66%

LAB 80.23, -39.38, 13.23

 

CMYK 43 / 45 / 0 / 15

HEX #7C77DA

RGB 124 119 218

HSL 243.03, 0.57%, 0.66%

LAB 54.6, 26.66, -50.26

 

CMYK 0 / 45 / 25 / 15

HEX #DA77A3

RGB 218 119 163

HSL 333.33, 0.57%, 0.66%

LAB 62.29, 43.74, -6.28

 

Description

Color code: HEX #D3D976 | qconv.com Color code: HEX #D3D976 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 217 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 217 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 46 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 46% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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