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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3D80F it is the complementary color #2C27F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3D80F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3D80F shade: #D8D80A, #E9EA1D, #FAFC30, #FFFF43 and #FFFF56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3D80F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3D80F shade: #D3D80F, #C2C600, #B1B400, #A0A200 and #8F9000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3D80F shade: #D2D70F, #D7A60F, #D7700F, #D73A0F and #D70F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3D80F shade: #D2D70F, #9CD70F, #66D70F, #30D70F and #0FD724

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3D80F shade matches the following richer shades: #D2D70F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3D80F shade: #D2D70F, #C0C421, #AEB134, #9D9F47 and #8B8C59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3D80F shade: #D76F0F, #D7A50F, #D3D70F, #9ED70F and #69D70F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3D80F shade: #86890A, #ACB00C, #D2D70F, #EAEF1F and #EEF246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3D80F shade: #D3D80F, #0FD73A and #8A0FD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3D80F shade: #D3D80F, #0FD3D7 and #D70FD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3D80F shade: #D3D80F, #0FD73A, #120FD7 and #D70FAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3D80F shade: #D3D80F, #0FD776, #120FD7 and #D70F6F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 93 / 15

HEX #D3D80F

RGB 211 216 15

HSL 61.49, 0.87%, 0.45%

LAB 83.44, -20.98, 81.52

 

Complementary color

CMYK 82 / 84 / 0 / 6

HEX #2C27F0

RGB 44 39 240

HSL 241.49, 0.87%, 0.55%

LAB 34.55, 66.5, -95.62

 

CMYK 0 / 0 / 95 / 15

HEX #D8D80A

RGB 216 216 10

HSL 60, 0.91%, 0.44%

LAB 83.83, -18.92, 82.49

 

CMYK 0 / 0 / 88 / 8

HEX #E9EA1D

RGB 233 234 29

HSL 60.29, 0.83%, 0.52%

LAB 89.98, -20.28, 85.39

 

CMYK 1 / 0 / 81 / 1

HEX #FAFC30

RGB 250 252 48

HSL 60.59, 0.97%, 0.59%

LAB 96.06, -21.47, 87.11

 

CMYK 0 / 0 / 74 / 0

HEX #FFFF43

RGB 255 255 67

HSL 60, 1%, 0.63%

LAB 97.3, -20.23, 83.23

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF56

RGB 255 255 86

HSL 60, 1%, 0.67%

LAB 97.41, -19.37, 76.95

 

CMYK 2 / 0 / 93 / 15

HEX #D3D80F

RGB 211 216 15

HSL 61.49, 0.87%, 0.45%

LAB 83.44, -20.98, 81.52

 

CMYK 2 / 0 / 100 / 22

HEX #C2C600

RGB 194 198 0

HSL 61.21, 1%, 0.39%

LAB 77.2, -19.53, 77.72

 

CMYK 2 / 0 / 100 / 29

HEX #B1B400

RGB 177 180 0

HSL 61, 1%, 0.35%

LAB 70.86, -17.91, 72.46

 

CMYK 1 / 0 / 100 / 36

HEX #A0A200

RGB 160 162 0

HSL 60.74, 1%, 0.32%

LAB 64.41, -16.24, 67.1

 

CMYK 1 / 0 / 100 / 44

HEX #8F9000

RGB 143 144 0

HSL 60.42, 1%, 0.28%

LAB 57.83, -14.54, 61.63

 

CMYK 2 / 0 / 93 / 16

HEX #D2D70F

RGB 210 215 15

HSL 61.5, 0.87%, 0.45%

LAB 83.09, -20.91, 81.23

 

CMYK 0 / 23 / 93 / 16

HEX #D7A60F

RGB 215 166 15

HSL 45.3, 0.87%, 0.45%

LAB 70.7, 6.36, 72.08

 

CMYK 0 / 48 / 93 / 16

HEX #D7700F

RGB 215 112 15

HSL 29.1, 0.87%, 0.45%

LAB 58.1, 35.19, 63

 

CMYK 0 / 73 / 93 / 16

HEX #D73A0F

RGB 215 58 15

HSL 12.9, 0.87%, 0.45%

LAB 48.89, 59.29, 56.84

 

CMYK 0 / 93 / 93 / 16

HEX #D70F0F

RGB 215 15 15

HSL 0, 0.87%, 0.45%

LAB 45.39, 69.19, 54.69

 

CMYK 2 / 0 / 93 / 16

HEX #D2D70F

RGB 210 215 15

HSL 61.5, 0.87%, 0.45%

LAB 83.09, -20.91, 81.23

 

CMYK 27 / 0 / 93 / 16

HEX #9CD70F

RGB 156 215 15

HSL 77.7, 0.87%, 0.45%

LAB 79.44, -42.74, 76.81

 

CMYK 53 / 0 / 93 / 16

HEX #66D70F

RGB 102 215 15

HSL 93.9, 0.87%, 0.45%

LAB 76.96, -60.75, 73.76

 

CMYK 78 / 0 / 93 / 16

HEX #30D70F

RGB 48 215 15

HSL 110.1, 0.87%, 0.45%

LAB 75.62, -71.97, 72.11

 

CMYK 93 / 0 / 83 / 16

HEX #0FD724

RGB 15 215 36

HSL 126.3, 0.87%, 0.45%

LAB 75.35, -74.16, 67.9

 

CMYK 2 / 0 / 93 / 16

HEX #D2D70F

RGB 210 215 15

HSL 61.5, 0.87%, 0.45%

LAB 83.09, -20.91, 81.23

 

CMYK 2 / 0 / 93 / 16

HEX #D2D70F

RGB 210 215 15

HSL 61.5, 0.87%, 0.45%

LAB 83.09, -20.91, 81.23

 

CMYK 2 / 0 / 83 / 23

HEX #C0C421

RGB 192 196 33

HSL 61.47, 0.71%, 0.45%

LAB 76.56, -18.86, 72.32

 

CMYK 2 / 0 / 71 / 31

HEX #AEB134

RGB 174 177 52

HSL 61.44, 0.55%, 0.45%

LAB 69.96, -16.28, 60.06

 

CMYK 1 / 0 / 55 / 38

HEX #9D9F47

RGB 157 159 71

HSL 61.36, 0.38%, 0.45%

LAB 63.69, -13.02, 44.89

 

CMYK 1 / 0 / 36 / 45

HEX #8B8C59

RGB 139 140 89

HSL 61.18, 0.22%, 0.45%

LAB 57.04, -8.64, 27.15

 

CMYK 0 / 48 / 93 / 16

HEX #D76F0F

RGB 215 111 15

HSL 28.8, 0.87%, 0.45%

LAB 57.89, 35.71, 62.86

 

CMYK 0 / 23 / 93 / 16

HEX #D7A50F

RGB 215 165 15

HSL 45, 0.87%, 0.45%

LAB 70.45, 6.89, 71.9

 

CMYK 2 / 0 / 93 / 16

HEX #D3D70F

RGB 211 215 15

HSL 61.2, 0.87%, 0.45%

LAB 83.17, -20.49, 81.32

 

CMYK 27 / 0 / 93 / 16

HEX #9ED70F

RGB 158 215 15

HSL 77.1, 0.87%, 0.45%

LAB 79.56, -41.98, 76.95

 

CMYK 51 / 0 / 93 / 16

HEX #69D70F

RGB 105 215 15

HSL 93, 0.87%, 0.45%

LAB 77.06, -59.91, 73.9

 

CMYK 2 / 0 / 93 / 46

HEX #86890A

RGB 134 137 10

HSL 61.42, 0.86%, 0.29%

LAB 55.05, -14.78, 57.55

 

CMYK 2 / 0 / 93 / 31

HEX #ACB00C

RGB 172 176 12

HSL 61.46, 0.87%, 0.37%

LAB 69.36, -17.92, 69.73

 

CMYK 2 / 0 / 93 / 16

HEX #D2D70F

RGB 210 215 15

HSL 61.5, 0.87%, 0.45%

LAB 83.09, -20.91, 81.23

 

CMYK 2 / 0 / 87 / 6

HEX #EAEF1F

RGB 234 239 31

HSL 61.44, 0.87%, 0.53%

LAB 91.38, -22.23, 86.21

 

CMYK 2 / 0 / 71 / 5

HEX #EEF246

RGB 238 242 70

HSL 61.4, 0.87%, 0.61%

LAB 92.63, -20.78, 77.41

 

CMYK 2 / 0 / 93 / 15

HEX #D3D80F

RGB 211 216 15

HSL 61.49, 0.87%, 0.45%

LAB 83.44, -20.98, 81.52

 

CMYK 93 / 0 / 73 / 16

HEX #0FD73A

RGB 15 215 58

HSL 132.9, 0.87%, 0.45%

LAB 75.46, -72.74, 61.45

 

CMYK 36 / 93 / 0 / 16

HEX #8A0FD7

RGB 138 15 215

HSL 276.9, 0.87%, 0.45%

LAB 38.99, 74.19, -73.72

 

CMYK 2 / 0 / 93 / 15

HEX #D3D80F

RGB 211 216 15

HSL 61.49, 0.87%, 0.45%

LAB 83.44, -20.98, 81.52

 

CMYK 93 / 2 / 0 / 16

HEX #0FD3D7

RGB 15 211 215

HSL 181.2, 0.87%, 0.45%

LAB 77.04, -40.08, -14.12

 

CMYK 0 / 93 / 2 / 16

HEX #D70FD3

RGB 215 15 211

HSL 301.2, 0.87%, 0.45%

LAB 51.26, 84.64, -50.95

 

CMYK 2 / 0 / 93 / 15

HEX #D3D80F

RGB 211 216 15

HSL 61.49, 0.87%, 0.45%

LAB 83.44, -20.98, 81.52

 

CMYK 93 / 0 / 73 / 16

HEX #0FD73A

RGB 15 215 58

HSL 132.9, 0.87%, 0.45%

LAB 75.46, -72.74, 61.45

 

CMYK 92 / 93 / 0 / 16

HEX #120FD7

RGB 18 15 215

HSL 240.9, 0.87%, 0.45%

LAB 27.78, 66.81, -92.62

 

CMYK 0 / 93 / 20 / 16

HEX #D70FAB

RGB 215 15 171

HSL 313.2, 0.87%, 0.45%

LAB 49.17, 79.35, -30.98

 

CMYK 2 / 0 / 93 / 15

HEX #D3D80F

RGB 211 216 15

HSL 61.49, 0.87%, 0.45%

LAB 83.44, -20.98, 81.52

 

CMYK 93 / 0 / 45 / 16

HEX #0FD776

RGB 15 215 118

HSL 150.9, 0.87%, 0.45%

LAB 76.08, -65.11, 35.75

 

CMYK 92 / 93 / 0 / 16

HEX #120FD7

RGB 18 15 215

HSL 240.9, 0.87%, 0.45%

LAB 27.78, 66.81, -92.62

 

CMYK 0 / 93 / 48 / 16

HEX #D70F6F

RGB 215 15 111

HSL 331.2, 0.87%, 0.45%

LAB 46.89, 73.33, 1.85

 

Description

Color code: HEX #D3D80F | qconv.com Color code: HEX #D3D80F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 216 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 216 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 93 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 93% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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