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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3D09A it is the complementary color #2C2F65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3D09A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3D09A shade: #D8D095, #E9E2A8, #FAF4BB, #FFFFCE and #FFFFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3D09A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3D09A shade: #D3D09A, #C2BE87, #B1AC74, #A09A61 and #8F884E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3D09A shade: #D3D19C, #D3C19C, #D3B29C, #D3A39C and #D39C9C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3D09A shade: #D3D19C, #C7D39C, #B8D39C, #A9D39C and #9CD39D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3D09A shade matches the following richer shades: #D3D19C, #DFDB90, #EBE585 and #F6F079

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3D09A shade: #D3D19C, #C8C6A7, #BCBCB3, #B1B2BE and #A5A7CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3D09A shade: #D3B29C, #D3C19C, #D3D09C, #C8D39C and #B9D39C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3D09A shade: #BAB662, #C7C37F, #D3D19C, #E0DEB8 and #EDEBD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3D09A shade: #D3D09A, #9CD3A3 and #B99CD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3D09A shade: #D3D09A, #9CD3D0 and #D09CD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3D09A shade: #D3D09A, #9CD3A3, #9C9FD3 and #D39CCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3D09A shade: #D3D09A, #9CD3B4, #9C9FD3 and #D39CBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 27 / 17

HEX #D3D09A

RGB 211 208 154

HSL 56.84, 0.39%, 0.72%

LAB 82.54, -7.43, 27.26

 

Complementary color

CMYK 56 / 53 / 0 / 60

HEX #2C2F65

RGB 44 47 101

HSL 236.84, 0.39%, 0.28%

LAB 21.97, 15.91, -32.39

 

CMYK 0 / 4 / 31 / 15

HEX #D8D095

RGB 216 208 149

HSL 52.84, 0.46%, 0.72%

LAB 82.85, -6.16, 30.35

 

CMYK 0 / 3 / 28 / 9

HEX #E9E2A8

RGB 233 226 168

HSL 53.54, 0.6%, 0.79%

LAB 89.18, -6.45, 29.28

 

CMYK 0 / 2 / 25 / 2

HEX #FAF4BB

RGB 250 244 187

HSL 54.29, 0.86%, 0.86%

LAB 95.42, -6.71, 28.26

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCE

RGB 255 255 206

HSL 60, 1%, 0.9%

LAB 98.92, -7.77, 23.48

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE1

RGB 255 255 225

HSL 60, 1%, 0.94%

LAB 99.31, -4.95, 14.35

 

CMYK 0 / 1 / 27 / 17

HEX #D3D09A

RGB 211 208 154

HSL 56.84, 0.39%, 0.72%

LAB 82.54, -7.43, 27.26

 

CMYK 0 / 2 / 30 / 24

HEX #C2BE87

RGB 194 190 135

HSL 55.93, 0.33%, 0.65%

LAB 76.1, -7.17, 28.35

 

CMYK 0 / 3 / 34 / 31

HEX #B1AC74

RGB 177 172 116

HSL 55.08, 0.28%, 0.57%

LAB 69.55, -6.86, 29.49

 

CMYK 0 / 4 / 39 / 37

HEX #A09A61

RGB 160 154 97

HSL 54.29, 0.25%, 0.5%

LAB 62.88, -6.49, 30.7

 

CMYK 0 / 5 / 45 / 44

HEX #8F884E

RGB 143 136 78

HSL 53.54, 0.29%, 0.43%

LAB 56.09, -6.03, 31.97

 

CMYK 0 / 1 / 26 / 17

HEX #D3D19C

RGB 211 209 156

HSL 57.82, 0.38%, 0.72%

LAB 82.83, -7.68, 26.62

 

CMYK 0 / 9 / 26 / 17

HEX #D3C19C

RGB 211 193 156

HSL 40.36, 0.38%, 0.72%

LAB 78.69, 0.63, 20.96

 

CMYK 0 / 16 / 26 / 17

HEX #D3B29C

RGB 211 178 156

HSL 24, 0.38%, 0.72%

LAB 74.88, 8.6, 15.68

 

CMYK 0 / 23 / 26 / 17

HEX #D3A39C

RGB 211 163 156

HSL 7.64, 0.38%, 0.72%

LAB 71.18, 16.7, 10.46

 

CMYK 0 / 26 / 26 / 17

HEX #D39C9C

RGB 211 156 156

HSL 0, 0.38%, 0.72%

LAB 69.49, 20.5, 8.06

 

CMYK 0 / 1 / 26 / 17

HEX #D3D19C

RGB 211 209 156

HSL 57.82, 0.38%, 0.72%

LAB 82.83, -7.68, 26.62

 

CMYK 6 / 0 / 26 / 17

HEX #C7D39C

RGB 199 211 156

HSL 73.09, 0.38%, 0.72%

LAB 82.45, -13.2, 25.95

 

CMYK 13 / 0 / 26 / 17

HEX #B8D39C

RGB 184 211 156

HSL 89.45, 0.38%, 0.72%

LAB 81.39, -18.7, 24.33

 

CMYK 20 / 0 / 26 / 17

HEX #A9D39C

RGB 169 211 156

HSL 105.82, 0.38%, 0.72%

LAB 80.42, -24.01, 22.84

 

CMYK 26 / 0 / 26 / 17

HEX #9CD39D

RGB 156 211 157

HSL 121.09, 0.38%, 0.72%

LAB 79.67, -28.25, 21.16

 

CMYK 0 / 1 / 26 / 17

HEX #D3D19C

RGB 211 209 156

HSL 57.82, 0.38%, 0.72%

LAB 82.83, -7.68, 26.62

 

CMYK 0 / 2 / 35 / 13

HEX #DFDB90

RGB 223 219 144

HSL 56.96, 0.55%, 0.72%

LAB 86.19, -9.66, 37.41

 

CMYK 0 / 3 / 43 / 8

HEX #EBE585

RGB 235 229 133

HSL 56.47, 0.72%, 0.72%

LAB 89.58, -11.17, 47.37

 

CMYK 0 / 2 / 51 / 4

HEX #F6F079

RGB 246 240 121

HSL 57.12, 0.87%, 0.72%

LAB 93.14, -13.35, 57.55

 

CMYK 0 / 1 / 26 / 17

HEX #D3D19C

RGB 211 209 156

HSL 57.82, 0.38%, 0.72%

LAB 82.83, -7.68, 26.62

 

CMYK 0 / 1 / 17 / 22

HEX #C8C6A7

RGB 200 198 167

HSL 56.36, 0.23%, 0.72%

LAB 79.3, -4.52, 15.81

 

CMYK 0 / 0 / 5 / 26

HEX #BCBCB3

RGB 188 188 179

HSL 60, 0.06%, 0.72%

LAB 76.02, -1.63, 4.54

 

CMYK 7 / 6 / 0 / 25

HEX #B1B2BE

RGB 177 178 190

HSL 235.38, 0.09%, 0.72%

LAB 72.83, 1.98, -6.22

 

CMYK 18 / 17 / 0 / 21

HEX #A5A7CA

RGB 165 167 202

HSL 236.76, 0.26%, 0.72%

LAB 69.4, 6.58, -18.06

 

CMYK 0 / 16 / 26 / 17

HEX #D3B29C

RGB 211 178 156

HSL 24, 0.38%, 0.72%

LAB 74.88, 8.6, 15.68

 

CMYK 0 / 9 / 26 / 17

HEX #D3C19C

RGB 211 193 156

HSL 40.36, 0.38%, 0.72%

LAB 78.69, 0.63, 20.96

 

CMYK 0 / 1 / 26 / 17

HEX #D3D09C

RGB 211 208 156

HSL 56.73, 0.38%, 0.72%

LAB 82.57, -7.17, 26.27

 

CMYK 5 / 0 / 26 / 17

HEX #C8D39C

RGB 200 211 156

HSL 72, 0.38%, 0.72%

LAB 82.52, -12.83, 26.06

 

CMYK 12 / 0 / 26 / 17

HEX #B9D39C

RGB 185 211 156

HSL 88.36, 0.38%, 0.72%

LAB 81.46, -18.34, 24.43

 

CMYK 0 / 2 / 47 / 27

HEX #BAB662

RGB 186 182 98

HSL 57.27, 0.39%, 0.56%

LAB 72.74, -10.4, 42.97

 

CMYK 0 / 2 / 36 / 22

HEX #C7C37F

RGB 199 195 127

HSL 56.67, 0.39%, 0.64%

LAB 77.7, -8.78, 34.7

 

CMYK 0 / 1 / 26 / 17

HEX #D3D19C

RGB 211 209 156

HSL 57.82, 0.38%, 0.72%

LAB 82.83, -7.68, 26.62

 

CMYK 0 / 1 / 18 / 12

HEX #E0DEB8

RGB 224 222 184

HSL 57, 0.39%, 0.8%

LAB 87.75, -5.53, 18.92

 

CMYK 0 / 1 / 10 / 7

HEX #EDEBD5

RGB 237 235 213

HSL 55, 0.4%, 0.88%

LAB 92.67, -3.03, 10.91

 

CMYK 0 / 1 / 27 / 17

HEX #D3D09A

RGB 211 208 154

HSL 56.84, 0.39%, 0.72%

LAB 82.54, -7.43, 27.26

 

CMYK 26 / 0 / 23 / 17

HEX #9CD3A3

RGB 156 211 163

HSL 127.64, 0.38%, 0.72%

LAB 79.78, -27.21, 18.16

 

CMYK 12 / 26 / 0 / 17

HEX #B99CD3

RGB 185 156 211

HSL 271.64, 0.38%, 0.72%

LAB 68.6, 21.11, -24.09

 

CMYK 0 / 1 / 27 / 17

HEX #D3D09A

RGB 211 208 154

HSL 56.84, 0.39%, 0.72%

LAB 82.54, -7.43, 27.26

 

CMYK 26 / 0 / 1 / 17

HEX #9CD3D0

RGB 156 211 208

HSL 176.73, 0.38%, 0.72%

LAB 80.86, -18.23, -4.26

 

CMYK 1 / 26 / 0 / 17

HEX #D09CD3

RGB 208 156 211

HSL 296.73, 0.38%, 0.72%

LAB 70.79, 28.59, -20.55

 

CMYK 0 / 1 / 27 / 17

HEX #D3D09A

RGB 211 208 154

HSL 56.84, 0.39%, 0.72%

LAB 82.54, -7.43, 27.26

 

CMYK 26 / 0 / 23 / 17

HEX #9CD3A3

RGB 156 211 163

HSL 127.64, 0.38%, 0.72%

LAB 79.78, -27.21, 18.16

 

CMYK 26 / 25 / 0 / 17

HEX #9C9FD3

RGB 156 159 211

HSL 236.73, 0.38%, 0.72%

LAB 66.95, 10.36, -26.83

 

CMYK 0 / 26 / 3 / 17

HEX #D39CCC

RGB 211 156 204

HSL 307.64, 0.38%, 0.72%

LAB 70.86, 28.29, -16.56

 

CMYK 0 / 1 / 27 / 17

HEX #D3D09A

RGB 211 208 154

HSL 56.84, 0.39%, 0.72%

LAB 82.54, -7.43, 27.26

 

CMYK 26 / 0 / 15 / 17

HEX #9CD3B4

RGB 156 211 180

HSL 146.18, 0.38%, 0.72%

LAB 80.15, -24.05, 9.66

 

CMYK 26 / 25 / 0 / 17

HEX #9C9FD3

RGB 156 159 211

HSL 236.73, 0.38%, 0.72%

LAB 66.95, 10.36, -26.83

 

CMYK 0 / 26 / 11 / 17

HEX #D39CBB

RGB 211 156 187

HSL 326.18, 0.38%, 0.72%

LAB 70.33, 25.31, -7.95

 

Description

Color code: HEX #D3D09A | qconv.com Color code: HEX #D3D09A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 208 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 208 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 27 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 27% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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