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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3CF83 it is the complementary color #2C307C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3CF83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3CF83 shade: #D8CF7E, #E9E191, #FAF3A4, #FFFFB7 and #FFFFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3CF83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3CF83 shade: #D3CF83, #C2BD70, #B1AB5D, #A0994A and #8F8737

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3CF83 shade: #D3CF82, #D3B982, #D3A482, #D38E82 and #D38282

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3CF83 shade: #D3CF82, #C1D382, #ACD382, #96D382 and #82D385

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3CF83 shade matches the following richer shades: #D3CF82, #E1DB75, #EEE867 and #FCF45A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3CF83 shade: #D3CF82, #C6C390, #B8B79E, #AAAAAB and #9D9EB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3CF83 shade: #D3A482, #D3BA82, #D3CF82, #C2D382 and #ACD382

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3CF83 shade: #BEB845, #C9C364, #D3CF82, #DEDBA1 and #E9E7C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3CF83 shade: #D3CF83, #82D38F and #AF82D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3CF83 shade: #D3CF83, #82D3CF and #CF82D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3CF83 shade: #D3CF83, #82D38F, #8286D3 and #D382C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3CF83 shade: #D3CF83, #82D3A7, #8286D3 and #D382AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 38 / 17

HEX #D3CF83

RGB 211 207 131

HSL 57, 0.48%, 0.67%

LAB 81.9, -9.73, 38.26

 

Complementary color

CMYK 65 / 61 / 0 / 51

HEX #2C307C

RGB 44 48 124

HSL 237, 0.48%, 0.33%

LAB 24.01, 23.62, -43.86

 

CMYK 0 / 4 / 42 / 15

HEX #D8CF7E

RGB 216 207 126

HSL 54, 0.54%, 0.67%

LAB 82.23, -8.29, 41.29

 

CMYK 0 / 3 / 38 / 9

HEX #E9E191

RGB 233 225 145

HSL 54.55, 0.67%, 0.74%

LAB 88.55, -8.7, 40.12

 

CMYK 0 / 3 / 34 / 2

HEX #FAF3A4

RGB 250 243 164

HSL 55.12, 0.9%, 0.81%

LAB 94.78, -9.04, 38.99

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB7

RGB 255 255 183

HSL 60, 1%, 0.86%

LAB 98.51, -10.83, 34.51

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFCA

RGB 255 255 202

HSL 60, 1%, 0.9%

LAB 98.85, -8.33, 25.41

 

CMYK 0 / 2 / 38 / 17

HEX #D3CF83

RGB 211 207 131

HSL 57, 0.48%, 0.67%

LAB 81.9, -9.73, 38.26

 

CMYK 0 / 3 / 42 / 24

HEX #C2BD70

RGB 194 189 112

HSL 56.34, 0.4%, 0.6%

LAB 75.47, -9.34, 39.46

 

CMYK 0 / 3 / 47 / 31

HEX #B1AB5D

RGB 177 171 93

HSL 55.71, 0.35%, 0.53%

LAB 68.94, -8.87, 40.68

 

CMYK 0 / 4 / 54 / 37

HEX #A0994A

RGB 160 153 74

HSL 55.12, 0.37%, 0.46%

LAB 62.3, -8.3, 41.89

 

CMYK 0 / 6 / 62 / 44

HEX #8F8737

RGB 143 135 55

HSL 54.55, 0.44%, 0.39%

LAB 55.53, -7.57, 43.01

 

CMYK 0 / 2 / 38 / 17

HEX #D3CF82

RGB 211 207 130

HSL 57.04, 0.48%, 0.67%

LAB 81.89, -9.84, 38.75

 

CMYK 0 / 12 / 38 / 17

HEX #D3B982

RGB 211 185 130

HSL 40.74, 0.48%, 0.67%

LAB 76.17, 1.57, 31.34

 

CMYK 0 / 22 / 38 / 17

HEX #D3A482

RGB 211 164 130

HSL 25.19, 0.48%, 0.67%

LAB 70.88, 12.81, 24.3

 

CMYK 0 / 33 / 38 / 17

HEX #D38E82

RGB 211 142 130

HSL 8.89, 0.48%, 0.67%

LAB 65.6, 24.74, 17.09

 

CMYK 0 / 38 / 38 / 17

HEX #D38282

RGB 211 130 130

HSL 0, 0.48%, 0.67%

LAB 62.87, 31.21, 13.29

 

CMYK 0 / 2 / 38 / 17

HEX #D3CF82

RGB 211 207 130

HSL 57.04, 0.48%, 0.67%

LAB 81.89, -9.84, 38.75

 

CMYK 9 / 0 / 38 / 17

HEX #C1D382

RGB 193 211 130

HSL 73.33, 0.48%, 0.67%

LAB 81.59, -18.85, 38.09

 

CMYK 18 / 0 / 38 / 17

HEX #ACD382

RGB 172 211 130

HSL 88.89, 0.48%, 0.67%

LAB 80.16, -26.72, 35.98

 

CMYK 29 / 0 / 38 / 17

HEX #96D382

RGB 150 211 130

HSL 105.19, 0.48%, 0.67%

LAB 78.86, -34.49, 34.03

 

CMYK 38 / 0 / 37 / 17

HEX #82D385

RGB 130 211 133

HSL 122.22, 0.48%, 0.67%

LAB 77.89, -40.5, 31.04

 

CMYK 0 / 2 / 38 / 17

HEX #D3CF82

RGB 211 207 130

HSL 57.04, 0.48%, 0.67%

LAB 81.89, -9.84, 38.75

 

CMYK 0 / 3 / 48 / 12

HEX #E1DB75

RGB 225 219 117

HSL 56.67, 0.64%, 0.67%

LAB 85.98, -11.64, 50.49

 

CMYK 0 / 3 / 57 / 7

HEX #EEE867

RGB 238 232 103

HSL 57.33, 0.8%, 0.67%

LAB 90.26, -14, 62.13

 

CMYK 0 / 3 / 64 / 1

HEX #FCF45A

RGB 252 244 90

HSL 57.04, 0.96%, 0.67%

LAB 94.37, -15.05, 72.26

 

CMYK 0 / 2 / 38 / 17

HEX #D3CF82

RGB 211 207 130

HSL 57.04, 0.48%, 0.67%

LAB 81.89, -9.84, 38.75

 

CMYK 0 / 2 / 27 / 22

HEX #C6C390

RGB 198 195 144

HSL 56.67, 0.32%, 0.67%

LAB 77.9, -7.04, 26.08

 

CMYK 0 / 1 / 14 / 28

HEX #B8B79E

RGB 184 183 158

HSL 57.69, 0.15%, 0.67%

LAB 73.89, -3.98, 12.86

 

CMYK 1 / 1 / 0 / 33

HEX #AAAAAB

RGB 170 170 171

HSL 240, 0.01%, 0.67%

LAB 69.64, 0.19, -0.52

 

CMYK 15 / 15 / 0 / 27

HEX #9D9EB9

RGB 157 158 185

HSL 237.86, 0.17%, 0.67%

LAB 65.85, 5.22, -14.05

 

CMYK 0 / 22 / 38 / 17

HEX #D3A482

RGB 211 164 130

HSL 25.19, 0.48%, 0.67%

LAB 70.88, 12.81, 24.3

 

CMYK 0 / 12 / 38 / 17

HEX #D3BA82

RGB 211 186 130

HSL 41.48, 0.48%, 0.67%

LAB 76.42, 1.04, 31.67

 

CMYK 0 / 2 / 38 / 17

HEX #D3CF82

RGB 211 207 130

HSL 57.04, 0.48%, 0.67%

LAB 81.89, -9.84, 38.75

 

CMYK 8 / 0 / 38 / 17

HEX #C2D382

RGB 194 211 130

HSL 72.59, 0.48%, 0.67%

LAB 81.66, -18.47, 38.2

 

CMYK 18 / 0 / 38 / 17

HEX #ACD382

RGB 172 211 130

HSL 88.89, 0.48%, 0.67%

LAB 80.16, -26.72, 35.98

 

CMYK 0 / 3 / 64 / 25

HEX #BEB845

RGB 190 184 69

HSL 57.02, 0.48%, 0.51%

LAB 73.32, -12.04, 57.16

 

CMYK 0 / 3 / 50 / 21

HEX #C9C364

RGB 201 195 100

HSL 56.44, 0.48%, 0.59%

LAB 77.5, -10.73, 48

 

CMYK 0 / 2 / 38 / 17

HEX #D3CF82

RGB 211 207 130

HSL 57.04, 0.48%, 0.67%

LAB 81.89, -9.84, 38.75

 

CMYK 0 / 1 / 27 / 13

HEX #DEDBA1

RGB 222 219 161

HSL 57.05, 0.48%, 0.75%

LAB 86.39, -7.96, 28.97

 

CMYK 0 / 1 / 18 / 9

HEX #E9E7C0

RGB 233 231 192

HSL 57.07, 0.48%, 0.83%

LAB 90.91, -5.66, 19.27

 

CMYK 0 / 2 / 38 / 17

HEX #D3CF83

RGB 211 207 131

HSL 57, 0.48%, 0.67%

LAB 81.9, -9.73, 38.26

 

CMYK 38 / 0 / 32 / 17

HEX #82D38F

RGB 130 211 143

HSL 129.63, 0.48%, 0.67%

LAB 78.06, -38.86, 26.09

 

CMYK 17 / 38 / 0 / 17

HEX #AF82D3

RGB 175 130 211

HSL 273.33, 0.48%, 0.67%

LAB 61.47, 32.55, -35.19

 

CMYK 0 / 2 / 38 / 17

HEX #D3CF83

RGB 211 207 131

HSL 57, 0.48%, 0.67%

LAB 81.9, -9.73, 38.26

 

CMYK 38 / 0 / 2 / 17

HEX #82D3CF

RGB 130 211 207

HSL 177.04, 0.48%, 0.67%

LAB 79.52, -25.64, -5.84

 

CMYK 2 / 38 / 0 / 17

HEX #CF82D3

RGB 207 130 211

HSL 297.04, 0.48%, 0.67%

LAB 64.91, 42.31, -29.57

 

CMYK 0 / 2 / 38 / 17

HEX #D3CF83

RGB 211 207 131

HSL 57, 0.48%, 0.67%

LAB 81.9, -9.73, 38.26

 

CMYK 38 / 0 / 32 / 17

HEX #82D38F

RGB 130 211 143

HSL 129.63, 0.48%, 0.67%

LAB 78.06, -38.86, 26.09

 

CMYK 38 / 36 / 0 / 17

HEX #8286D3

RGB 130 134 211

HSL 237.04, 0.48%, 0.67%

LAB 58.51, 17.33, -40.1

 

CMYK 0 / 38 / 6 / 17

HEX #D382C7

RGB 211 130 199

HSL 308.89, 0.48%, 0.67%

LAB 64.91, 41.38, -22.81

 

CMYK 0 / 2 / 38 / 17

HEX #D3CF83

RGB 211 207 131

HSL 57, 0.48%, 0.67%

LAB 81.9, -9.73, 38.26

 

CMYK 38 / 0 / 21 / 17

HEX #82D3A7

RGB 130 211 167

HSL 147.41, 0.48%, 0.67%

LAB 78.53, -34.43, 14.1

 

CMYK 38 / 36 / 0 / 17

HEX #8286D3

RGB 130 134 211

HSL 237.04, 0.48%, 0.67%

LAB 58.51, 17.33, -40.1

 

CMYK 0 / 38 / 17 / 17

HEX #D382AF

RGB 211 130 175

HSL 326.67, 0.48%, 0.67%

LAB 64.09, 37.39, -10.52

 

Description

Color code: HEX #D3CF83 | qconv.com Color code: HEX #D3CF83 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 207 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 207 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 38 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 38% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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