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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3CBD2 it is the complementary color #2C342D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3CBD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3CBD2 shade: #D8CBCD, #E9DDE0, #FAEFF3 and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3CBD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3CBD2 shade: #D3CBD2, #C2B9BF, #B1A7AC, #A09599 and #8F8386

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3CBD2 shade: #D2CBD1, #D2CBCF, #D2CBCD and #D2CBCB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3CBD2 shade: #D2CBD1, #D1CBD2, #CFCBD2, #CDCBD2 and #CBCBD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3CBD2 shade matches the following richer shades: #D2CBD1, #DAC3D7, #E2BBDD, #EAB3E3 and #F2ABE9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3CBD2 shade: #D2CBD1, #CBD3CC, #C3DAC6, #BBE2C0 and #B3EABA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3CBD2 shade: #CFCBD2, #D1CBD2, #D2CBD2, #D2CBCF and #D2CBCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3CBD2 shade: #AC9EAB, #BFB4BE, #D2CBD1, #E5E1E5 and #F8F7F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3CBD2 shade: #D3CBD2, #D2CDCB and #CBD2D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3CBD2 shade: #D3CBD2, #D2D2CB and #CBD2D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3CBD2 shade: #D3CBD2, #D2CDCB, #CBD2CC and #CBD0D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3CBD2 shade: #D3CBD2, #D2CFCB, #CBD2CC and #CBCED2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 0 / 17

HEX #D3CBD2

RGB 211 203 210

HSL 307.5, 0.08%, 0.81%

LAB 82.49, 4.03, -2.5

 

Complementary color

CMYK 15 / 0 / 13 / 80

HEX #2C342D

RGB 44 52 45

HSL 127.5, 0.08%, 0.19%

LAB 20.75, -5.11, 3.29

 

CMYK 0 / 6 / 5 / 15

HEX #D8CBCD

RGB 216 203 205

HSL 350.77, 0.14%, 0.82%

LAB 82.76, 4.86, 0.62

 

CMYK 0 / 5 / 4 / 9

HEX #E9DDE0

RGB 233 221 224

HSL 345, 0.21%, 0.89%

LAB 89.12, 4.61, -0.01

 

CMYK 0 / 4 / 3 / 2

HEX #FAEFF3

RGB 250 239 243

HSL 338.18, 0.52%, 0.96%

LAB 95.38, 4.38, -0.62

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 4 / 0 / 17

HEX #D3CBD2

RGB 211 203 210

HSL 307.5, 0.08%, 0.81%

LAB 82.49, 4.03, -2.5

 

CMYK 0 / 5 / 2 / 24

HEX #C2B9BF

RGB 194 185 191

HSL 320, 0.07%, 0.74%

LAB 76.03, 4.26, -1.9

 

CMYK 0 / 6 / 3 / 31

HEX #B1A7AC

RGB 177 167 172

HSL 330, 0.06%, 0.67%

LAB 69.44, 4.51, -1.29

 

CMYK 0 / 7 / 4 / 37

HEX #A09599

RGB 160 149 153

HSL 338.18, 0.05%, 0.61%

LAB 62.73, 4.78, -0.65

 

CMYK 0 / 8 / 6 / 44

HEX #8F8386

RGB 143 131 134

HSL 345, 0.05%, 0.54%

LAB 55.88, 5.09, 0.02

 

CMYK 0 / 3 / 0 / 18

HEX #D2CBD1

RGB 210 203 209

HSL 308.57, 0.07%, 0.81%

LAB 82.39, 3.5, -2.13

 

CMYK 0 / 3 / 1 / 18

HEX #D2CBCF

RGB 210 203 207

HSL 325.71, 0.07%, 0.81%

LAB 82.33, 3.14, -1.13

 

CMYK 0 / 3 / 2 / 18

HEX #D2CBCD

RGB 210 203 205

HSL 342.86, 0.07%, 0.81%

LAB 82.28, 2.78, -0.14

 

CMYK 0 / 3 / 3 / 18

HEX #D2CBCB

RGB 210 203 203

HSL 0, 0.07%, 0.81%

LAB 82.23, 2.42, 0.85

 

CMYK 0 / 3 / 0 / 18

HEX #D2CBD1

RGB 210 203 209

HSL 308.57, 0.07%, 0.81%

LAB 82.39, 3.5, -2.13

 

CMYK 0 / 3 / 0 / 18

HEX #D1CBD2

RGB 209 203 210

HSL 291.43, 0.07%, 0.81%

LAB 82.34, 3.34, -2.75

 

CMYK 1 / 3 / 0 / 18

HEX #CFCBD2

RGB 207 203 210

HSL 274.29, 0.07%, 0.81%

LAB 82.18, 2.66, -2.99

 

CMYK 2 / 3 / 0 / 18

HEX #CDCBD2

RGB 205 203 210

HSL 257.14, 0.07%, 0.81%

LAB 82.02, 1.98, -3.24

 

CMYK 3 / 3 / 0 / 18

HEX #CBCBD2

RGB 203 203 210

HSL 240, 0.07%, 0.81%

LAB 81.87, 1.3, -3.48

 

CMYK 0 / 3 / 0 / 18

HEX #D2CBD1

RGB 210 203 209

HSL 308.57, 0.07%, 0.81%

LAB 82.39, 3.5, -2.13

 

CMYK 0 / 11 / 1 / 15

HEX #DAC3D7

RGB 218 195 215

HSL 307.83, 0.24%, 0.81%

LAB 81.2, 11.58, -7.01

 

CMYK 0 / 17 / 2 / 11

HEX #E2BBDD

RGB 226 187 221

HSL 307.69, 0.4%, 0.81%

LAB 80.14, 19.67, -11.74

 

CMYK 0 / 24 / 3 / 8

HEX #EAB3E3

RGB 234 179 227

HSL 307.64, 0.57%, 0.81%

LAB 79.2, 27.7, -16.31

 

CMYK 0 / 29 / 4 / 5

HEX #F2ABE9

RGB 242 171 233

HSL 307.61, 0.73%, 0.81%

LAB 78.4, 35.64, -20.69

 

CMYK 0 / 3 / 0 / 18

HEX #D2CBD1

RGB 210 203 209

HSL 308.57, 0.07%, 0.81%

LAB 82.39, 3.5, -2.13

 

CMYK 4 / 0 / 3 / 17

HEX #CBD3CC

RGB 203 211 204

HSL 127.5, 0.08%, 0.81%

LAB 83.78, -4, 2.51

 

CMYK 11 / 0 / 9 / 15

HEX #C3DAC6

RGB 195 218 198

HSL 127.83, 0.24%, 0.81%

LAB 84.91, -11.4, 7.24

 

CMYK 17 / 0 / 15 / 11

HEX #BBE2C0

RGB 187 226 192

HSL 127.69, 0.4%, 0.81%

LAB 86.39, -19.17, 12.44

 

CMYK 24 / 0 / 21 / 8

HEX #B3EABA

RGB 179 234 186

HSL 127.64, 0.57%, 0.81%

LAB 87.96, -26.75, 17.72

 

CMYK 1 / 3 / 0 / 18

HEX #CFCBD2

RGB 207 203 210

HSL 274.29, 0.07%, 0.81%

LAB 82.18, 2.66, -2.99

 

CMYK 0 / 3 / 0 / 18

HEX #D1CBD2

RGB 209 203 210

HSL 291.43, 0.07%, 0.81%

LAB 82.34, 3.34, -2.75

 

CMYK 0 / 3 / 0 / 18

HEX #D2CBD2

RGB 210 203 210

HSL 300, 0.07%, 0.81%

LAB 82.41, 3.68, -2.62

 

CMYK 0 / 3 / 1 / 18

HEX #D2CBCF

RGB 210 203 207

HSL 325.71, 0.07%, 0.81%

LAB 82.33, 3.14, -1.13

 

CMYK 0 / 3 / 2 / 18

HEX #D2CBCD

RGB 210 203 205

HSL 342.86, 0.07%, 0.81%

LAB 82.28, 2.78, -0.14

 

CMYK 0 / 8 / 1 / 33

HEX #AC9EAB

RGB 172 158 171

HSL 304.29, 0.08%, 0.65%

LAB 66.65, 7.5, -4.9

 

CMYK 0 / 6 / 1 / 25

HEX #BFB4BE

RGB 191 180 190

HSL 305.45, 0.08%, 0.73%

LAB 74.47, 5.72, -3.68

 

CMYK 0 / 3 / 0 / 18

HEX #D2CBD1

RGB 210 203 209

HSL 308.57, 0.07%, 0.81%

LAB 82.39, 3.5, -2.13

 

CMYK 0 / 2 / 0 / 10

HEX #E5E1E5

RGB 229 225 229

HSL 300, 0.07%, 0.89%

LAB 89.94, 2.07, -1.48

 

CMYK 0 / 0 / 0 / 3

HEX #F8F7F8

RGB 248 247 248

HSL 300, 0.07%, 0.97%

LAB 97.33, 0.51, -0.37

 

CMYK 0 / 4 / 0 / 17

HEX #D3CBD2

RGB 211 203 210

HSL 307.5, 0.08%, 0.81%

LAB 82.49, 4.03, -2.5

 

CMYK 0 / 2 / 3 / 18

HEX #D2CDCB

RGB 210 205 203

HSL 17.14, 0.07%, 0.81%

LAB 82.74, 1.37, 1.59

 

CMYK 3 / 0 / 1 / 18

HEX #CBD2D0

RGB 203 210 208

HSL 162.86, 0.07%, 0.81%

LAB 83.62, -2.74, 0.15

 

CMYK 0 / 4 / 0 / 17

HEX #D3CBD2

RGB 211 203 210

HSL 307.5, 0.08%, 0.81%

LAB 82.49, 4.03, -2.5

 

CMYK 0 / 0 / 3 / 18

HEX #D2D2CB

RGB 210 210 203

HSL 60, 0.07%, 0.81%

LAB 84.02, -1.25, 3.45

 

CMYK 3 / 0 / 0 / 18

HEX #CBD2D2

RGB 203 210 210

HSL 180, 0.07%, 0.81%

LAB 83.67, -2.37, -0.84

 

CMYK 0 / 4 / 0 / 17

HEX #D3CBD2

RGB 211 203 210

HSL 307.5, 0.08%, 0.81%

LAB 82.49, 4.03, -2.5

 

CMYK 0 / 2 / 3 / 18

HEX #D2CDCB

RGB 210 205 203

HSL 17.14, 0.07%, 0.81%

LAB 82.74, 1.37, 1.59

 

CMYK 3 / 0 / 3 / 18

HEX #CBD2CC

RGB 203 210 204

HSL 128.57, 0.07%, 0.81%

LAB 83.52, -3.48, 2.13

 

CMYK 3 / 1 / 0 / 18

HEX #CBD0D2

RGB 203 208 210

HSL 197.14, 0.07%, 0.81%

LAB 83.16, -1.32, -1.59

 

CMYK 0 / 4 / 0 / 17

HEX #D3CBD2

RGB 211 203 210

HSL 307.5, 0.08%, 0.81%

LAB 82.49, 4.03, -2.5

 

CMYK 0 / 1 / 3 / 18

HEX #D2CFCB

RGB 210 207 203

HSL 34.29, 0.07%, 0.81%

LAB 83.25, 0.32, 2.34

 

CMYK 3 / 0 / 3 / 18

HEX #CBD2CC

RGB 203 210 204

HSL 128.57, 0.07%, 0.81%

LAB 83.52, -3.48, 2.13

 

CMYK 3 / 2 / 0 / 18

HEX #CBCED2

RGB 203 206 210

HSL 214.29, 0.07%, 0.81%

LAB 82.64, -0.28, -2.35

 

Description

Color code: HEX #D3CBD2 | qconv.com Color code: HEX #D3CBD2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 203 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 203 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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