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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3C9FABF it is the complementary color #2C3605BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3C9FABF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3C9FABF shade: #D8C9F5BF, #E9DBFFBF, #FAEDFFBF and #FFFFFFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3C9FABF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3C9FABF shade: #D3C9FABF, #C2B7E7BF, #B1A5D4BF, #A093C1BF and #8F81AEBF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3C9FABF shade: #D1C7FA, #DFC7FA, #EDC7FA, #FAC7F9 and #FAC7EB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3C9FABF shade: #D1C7FA and #C7C7FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3C9FABF shade matches the following richer shades: #D1C7FA and #CEC2FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3C9FABF shade: #D1C7FA, #D4CCF5, #D7D1F0, #DAD6EB and #DDDBE6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3C9FABF shade: #C7D8FA, #C7CAFA, #D1C7FA, #DFC7FA and #ECC7FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3C9FABF shade: #947BF3, #B3A1F6, #D1C7FA, #F0EDFD and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3C9FABF shade: #D3C9FA, #FAC7E5 and #D1FAC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3C9FABF shade: #D3C9FA, #FAD1C7 and #C7FAD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3C9FABF shade: #D3C9FA, #FAC7E5, #F0FAC7 and #C7FADB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3C9FABF shade: #D3C9FA, #FAC7D6, #F0FAC7 and #C7FAEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 15 / 0 / 1

HEX #D3C9FABF

RGBA 211 201 250 0.75

HSLA 252.24, 0.83%, 0.88%, 0.75

LABA 83.19, 12.98, -22.79, 0.75

 

Complementary color

CMYK 14 / 0 / 68 / 59

HEX #2C3605BF

RGBA 44 54 5 0.75

HSLA 72.24, 0.83%, 0.12%, 0.75

LABA 20.77, -12.1, 26.76, 0.75

 

CMYK 9 / 13 / 0 / 3

HEX #D8C9F5BF

RGBA 216 201 245 0.75

HSLA 260.45, 0.69%, 0.87%, 0.75

LABA 83.42, 13.51, -19.74, 0.75

 

CMYK 6 / 11 / 0 / 0

HEX #E9DBFFBF

RGBA 233 219 255 0.75

HSLA 263.33, 1%, 0.93%, 0.75

LABA 89.49, 11.38, -15.76, 0.75

 

CMYK 1 / 5 / 0 / 0

HEX #FAEDFFBF

RGBA 250 237 255 0.75

HSLA 283.33, 1%, 0.96%, 0.75

LABA 95.21, 7.53, -7.1, 0.75

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFBF

RGBA 255 255 255 0.75

HSLA 0, 0%, 1%, 0.75

LABA 100, 0.01, -0.01, 0.75

 

CMYK 12 / 15 / 0 / 1

HEX #D3C9FABF

RGBA 211 201 250 0.75

HSLA 252.24, 0.83%, 0.88%, 0.75

LABA 83.19, 12.98, -22.79, 0.75

 

CMYK 12 / 16 / 0 / 7

HEX #C2B7E7BF

RGBA 194 183 231 0.75

HSLA 253.75, 0.5%, 0.81%, 0.75

LABA 76.74, 13.35, -22.53, 0.75

 

CMYK 12 / 17 / 0 / 13

HEX #B1A5D4BF

RGBA 177 165 212 0.75

HSLA 255.32, 0.35%, 0.74%, 0.75

LABA 70.18, 13.75, -22.29, 0.75

 

CMYK 13 / 18 / 0 / 18

HEX #A093C1BF

RGBA 160 147 193 0.75

HSLA 256.96, 0.27%, 0.67%, 0.75

LABA 63.5, 14.19, -22.06, 0.75

 

CMYK 13 / 19 / 0 / 24

HEX #8F81AEBF

RGBA 143 129 174 0.75

HSLA 258.67, 0.22%, 0.59%, 0.75

LABA 56.68, 14.67, -21.85, 0.75

 

CMYK 16 / 20 / 0 / 2

HEX #D1C7FA

RGB 209 199 250

HSL 251.76, 0.84%, 0.88%

LAB 82.54, 13.43, -23.79

 

CMYK 11 / 20 / 0 / 2

HEX #DFC7FA

RGB 223 199 250

HSL 268.24, 0.84%, 0.88%

LAB 83.67, 17.81, -21.97

 

CMYK 5 / 20 / 0 / 2

HEX #EDC7FA

RGB 237 199 250

HSL 284.71, 0.84%, 0.88%

LAB 84.87, 22.28, -20.04

 

CMYK 0 / 20 / 0 / 2

HEX #FAC7F9

RGB 250 199 249

HSL 301.18, 0.84%, 0.88%

LAB 86.01, 26.3, -17.67

 

CMYK 0 / 20 / 6 / 2

HEX #FAC7EB

RGB 250 199 235

HSL 317.65, 0.84%, 0.88%

LAB 85.59, 23.83, -10.87

 

CMYK 16 / 20 / 0 / 2

HEX #D1C7FA

RGB 209 199 250

HSL 251.76, 0.84%, 0.88%

LAB 82.54, 13.43, -23.79

 

CMYK 20 / 20 / 0 / 2

HEX #C7C7FA

RGB 199 199 250

HSL 240, 0.84%, 0.88%

LAB 81.78, 10.37, -25.02

 

CMYK 16 / 20 / 0 / 2

HEX #D1C7FA

RGB 209 199 250

HSL 251.76, 0.84%, 0.88%

LAB 82.54, 13.43, -23.79

 

CMYK 19 / 24 / 0 / 0

HEX #CEC2FF

RGB 206 194 255

HSL 251.8, 1%, 0.88%

LAB 81.25, 16.29, -28.45

 

CMYK 16 / 20 / 0 / 2

HEX #D1C7FA

RGB 209 199 250

HSL 251.76, 0.84%, 0.88%

LAB 82.54, 13.43, -23.79

 

CMYK 13 / 17 / 0 / 4

HEX #D4CCF5

RGB 212 204 245

HSL 251.71, 0.67%, 0.88%

LAB 83.85, 10.64, -19.13

 

CMYK 10 / 13 / 0 / 6

HEX #D7D1F0

RGB 215 209 240

HSL 251.61, 0.51%, 0.88%

LAB 85.17, 7.92, -14.47

 

CMYK 7 / 9 / 0 / 8

HEX #DAD6EB

RGB 218 214 235

HSL 251.43, 0.34%, 0.88%

LAB 86.5, 5.27, -9.8

 

CMYK 4 / 5 / 0 / 10

HEX #DDDBE6

RGB 221 219 230

HSL 250.91, 0.18%, 0.88%

LAB 87.85, 2.69, -5.15

 

CMYK 20 / 14 / 0 / 2

HEX #C7D8FA

RGB 199 216 250

HSL 220, 0.84%, 0.88%

LAB 86.08, 1.32, -18.5

 

CMYK 20 / 19 / 0 / 2

HEX #C7CAFA

RGB 199 202 250

HSL 236.47, 0.84%, 0.88%

LAB 82.53, 8.76, -23.88

 

CMYK 16 / 20 / 0 / 2

HEX #D1C7FA

RGB 209 199 250

HSL 251.76, 0.84%, 0.88%

LAB 82.54, 13.43, -23.79

 

CMYK 11 / 20 / 0 / 2

HEX #DFC7FA

RGB 223 199 250

HSL 268.24, 0.84%, 0.88%

LAB 83.67, 17.81, -21.97

 

CMYK 6 / 20 / 0 / 2

HEX #ECC7FA

RGB 236 199 250

HSL 283.53, 0.84%, 0.88%

LAB 84.78, 21.96, -20.18

 

CMYK 39 / 49 / 0 / 5

HEX #947BF3

RGB 148 123 243

HSL 252.5, 0.83%, 0.72%

LAB 58.91, 37.09, -57.22

 

CMYK 27 / 35 / 0 / 4

HEX #B3A1F6

RGB 179 161 246

HSL 252.71, 0.83%, 0.8%

LAB 70.68, 24.46, -40.11

 

CMYK 16 / 20 / 0 / 2

HEX #D1C7FA

RGB 209 199 250

HSL 251.76, 0.84%, 0.88%

LAB 82.54, 13.43, -23.79

 

CMYK 5 / 6 / 0 / 1

HEX #F0EDFD

RGB 240 237 253

HSL 251.25, 0.8%, 0.96%

LAB 94.39, 3.9, -7.35

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 16 / 20 / 0 / 2

HEX #D3C9FA

RGB 211 201 250

HSL 252.24, 0.83%, 0.88%

LAB 83.19, 12.98, -22.79

 

CMYK 0 / 20 / 8 / 2

HEX #FAC7E5

RGB 250 199 229

HSL 324.71, 0.84%, 0.88%

LAB 85.42, 22.81, -7.94

 

CMYK 16 / 0 / 20 / 2

HEX #D1FAC7

RGB 209 250 199

HSL 108.24, 0.84%, 0.88%

LAB 94.33, -22.35, 20.19

 

CMYK 16 / 20 / 0 / 2

HEX #D3C9FA

RGB 211 201 250

HSL 252.24, 0.83%, 0.88%

LAB 83.19, 12.98, -22.79

 

CMYK 0 / 16 / 20 / 2

HEX #FAD1C7

RGB 250 209 199

HSL 11.76, 0.84%, 0.88%

LAB 87.02, 12.86, 10.32

 

CMYK 20 / 0 / 16 / 2

HEX #C7FAD1

RGB 199 250 209

HSL 131.76, 0.84%, 0.88%

LAB 93.93, -23.94, 14.41

 

CMYK 16 / 20 / 0 / 2

HEX #D3C9FA

RGB 211 201 250

HSL 252.24, 0.83%, 0.88%

LAB 83.19, 12.98, -22.79

 

CMYK 0 / 20 / 8 / 2

HEX #FAC7E5

RGB 250 199 229

HSL 324.71, 0.84%, 0.88%

LAB 85.42, 22.81, -7.94

 

CMYK 4 / 0 / 20 / 2

HEX #F0FAC7

RGB 240 250 199

HSL 71.76, 0.84%, 0.88%

LAB 96.42, -11.63, 23.41

 

CMYK 20 / 0 / 12 / 2

HEX #C7FADB

RGB 199 250 219

HSL 143.53, 0.84%, 0.88%

LAB 94.15, -22.14, 9.58

 

CMYK 16 / 20 / 0 / 2

HEX #D3C9FA

RGB 211 201 250

HSL 252.24, 0.83%, 0.88%

LAB 83.19, 12.98, -22.79

 

CMYK 0 / 20 / 14 / 2

HEX #FAC7D6

RGB 250 199 214

HSL 342.35, 0.84%, 0.88%

LAB 85.01, 20.38, -0.55

 

CMYK 4 / 0 / 20 / 2

HEX #F0FAC7

RGB 240 250 199

HSL 71.76, 0.84%, 0.88%

LAB 96.42, -11.63, 23.41

 

CMYK 20 / 0 / 6 / 2

HEX #C7FAEB

RGB 199 250 235

HSL 162.35, 0.84%, 0.88%

LAB 94.53, -19.09, 1.86

 

Description

Color code: HEX #D3C9FABF | qconv.com Color code: HEX #D3C9FABF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 201 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 201 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 15 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 15% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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