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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3C73F it is the complementary color #2C38C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3C73F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3C73F shade: #D8C73A, #E9D94D, #FAEB60, #FFFD73 and #FFFF86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3C73F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3C73F shade: #D3C73F, #C2B52C, #B1A319, #A09106 and #8F7F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3C73F shade: #D3C73F, #D39F3F, #D3773F, #D3503F and #D33F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3C73F shade: #D3C73F, #B7D33F, #8FD33F, #68D33F and #40D33F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3C73F shade matches the following richer shades: #D3C73F, #E6D72C and #F9E719

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3C73F shade: #D3C73F, #C0B752, #ADA765, #9A9778 and #87888B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3C73F shade: #D3783F, #D39F3F, #D3C73F, #B8D33F and #91D33F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3C73F shade: #9D9323, #BEB22B, #D3C73F, #DBD161 and #E2DB83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3C73F shade: #D3C73F, #3FD351 and #8C3FD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3C73F shade: #D3C73F, #3FD3C7 and #C73FD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3C73F shade: #D3C73F, #3FD351, #3F4CD3 and #D33FC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3C73F shade: #D3C73F, #3FD37D, #3F4CD3 and #D33F96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 70 / 17

HEX #D3C73F

RGB 211 199 63

HSL 55.14, 0.63%, 0.54%

LAB 79.07, -11.11, 65.97

 

Complementary color

CMYK 77 / 71 / 0 / 25

HEX #2C38C0

RGB 44 56 192

HSL 235.14, 0.63%, 0.46%

LAB 32.19, 42.89, -71.85

 

CMYK 0 / 8 / 73 / 15

HEX #D8C73A

RGB 216 199 58

HSL 53.54, 0.67%, 0.54%

LAB 79.47, -9.22, 68.31

 

CMYK 0 / 7 / 67 / 9

HEX #E9D94D

RGB 233 217 77

HSL 53.85, 0.78%, 0.61%

LAB 85.75, -10.23, 67.95

 

CMYK 0 / 6 / 62 / 2

HEX #FAEB60

RGB 250 235 96

HSL 54.16, 0.94%, 0.68%

LAB 91.95, -11.1, 67.24

 

CMYK 0 / 1 / 55 / 0

HEX #FFFD73

RGB 255 253 115

HSL 59.14, 1%, 0.73%

LAB 97.13, -16.59, 65

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF86

RGB 255 255 134

HSL 60, 1%, 0.76%

LAB 97.83, -16.03, 57.32

 

CMYK 0 / 6 / 70 / 17

HEX #D3C73F

RGB 211 199 63

HSL 55.14, 0.63%, 0.54%

LAB 79.07, -11.11, 65.97

 

CMYK 0 / 7 / 77 / 24

HEX #C2B52C

RGB 194 181 44

HSL 54.8, 0.63%, 0.47%

LAB 72.69, -10.03, 65.98

 

CMYK 0 / 8 / 86 / 31

HEX #B1A319

RGB 177 163 25

HSL 54.47, 0.75%, 0.4%

LAB 66.22, -8.74, 65.07

 

CMYK 0 / 9 / 96 / 37

HEX #A09106

RGB 160 145 6

HSL 54.16, 0.93%, 0.33%

LAB 59.65, -7.2, 62.71

 

CMYK 0 / 11 / 100 / 44

HEX #8F7F00

RGB 143 127 0

HSL 53.29, 1%, 0.28%

LAB 52.97, -5.36, 58.11

 

CMYK 0 / 6 / 70 / 17

HEX #D3C73F

RGB 211 199 63

HSL 55.14, 0.63%, 0.54%

LAB 79.07, -11.11, 65.97

 

CMYK 0 / 25 / 70 / 17

HEX #D39F3F

RGB 211 159 63

HSL 38.92, 0.63%, 0.54%

LAB 68.75, 9.87, 55.55

 

CMYK 0 / 44 / 70 / 17

HEX #D3773F

RGB 211 119 63

HSL 22.7, 0.63%, 0.54%

LAB 59.34, 31.42, 45.51

 

CMYK 0 / 62 / 70 / 17

HEX #D3503F

RGB 211 80 63

HSL 6.89, 0.63%, 0.54%

LAB 51.78, 50.66, 36.97

 

CMYK 0 / 70 / 70 / 17

HEX #D33F3F

RGB 211 63 63

HSL 0, 0.63%, 0.54%

LAB 49.21, 57.61, 33.96

 

CMYK 0 / 6 / 70 / 17

HEX #D3C73F

RGB 211 199 63

HSL 55.14, 0.63%, 0.54%

LAB 79.07, -11.11, 65.97

 

CMYK 13 / 0 / 70 / 17

HEX #B7D33F

RGB 183 211 63

HSL 71.35, 0.63%, 0.54%

LAB 80.19, -28.64, 66.35

 

CMYK 32 / 0 / 70 / 17

HEX #8FD33F

RGB 143 211 63

HSL 87.57, 0.63%, 0.54%

LAB 77.75, -43.95, 63.1

 

CMYK 51 / 0 / 70 / 17

HEX #68D33F

RGB 104 211 63

HSL 103.38, 0.63%, 0.54%

LAB 76, -56.51, 60.76

 

CMYK 70 / 0 / 70 / 17

HEX #40D33F

RGB 64 211 63

HSL 119.59, 0.63%, 0.54%

LAB 74.85, -65.75, 59.2

 

CMYK 0 / 6 / 70 / 17

HEX #D3C73F

RGB 211 199 63

HSL 55.14, 0.63%, 0.54%

LAB 79.07, -11.11, 65.97

 

CMYK 0 / 7 / 81 / 10

HEX #E6D72C

RGB 230 215 44

HSL 55.16, 0.79%, 0.54%

LAB 84.79, -11.86, 77.84

 

CMYK 0 / 7 / 90 / 2

HEX #F9E719

RGB 249 231 25

HSL 55.18, 0.95%, 0.54%

LAB 90.49, -12.21, 86.98

 

CMYK 0 / 6 / 70 / 17

HEX #D3C73F

RGB 211 199 63

HSL 55.14, 0.63%, 0.54%

LAB 79.07, -11.11, 65.97

 

CMYK 0 / 5 / 57 / 25

HEX #C0B752

RGB 192 183 82

HSL 55.09, 0.47%, 0.54%

LAB 73.34, -9.78, 51.47

 

CMYK 0 / 3 / 42 / 32

HEX #ADA765

RGB 173 167 101

HSL 55, 0.31%, 0.54%

LAB 67.62, -7.6, 34.85

 

CMYK 0 / 2 / 22 / 40

HEX #9A9778

RGB 154 151 120

HSL 54.71, 0.14%, 0.54%

LAB 61.96, -4.22, 16.77

 

CMYK 3 / 2 / 0 / 45

HEX #87888B

RGB 135 136 139

HSL 225, 0.02%, 0.54%

LAB 56.71, 0.23, -1.74

 

CMYK 0 / 43 / 70 / 17

HEX #D3783F

RGB 211 120 63

HSL 23.11, 0.63%, 0.54%

LAB 59.56, 30.89, 45.75

 

CMYK 0 / 25 / 70 / 17

HEX #D39F3F

RGB 211 159 63

HSL 38.92, 0.63%, 0.54%

LAB 68.75, 9.87, 55.55

 

CMYK 0 / 6 / 70 / 17

HEX #D3C73F

RGB 211 199 63

HSL 55.14, 0.63%, 0.54%

LAB 79.07, -11.11, 65.97

 

CMYK 13 / 0 / 70 / 17

HEX #B8D33F

RGB 184 211 63

HSL 70.95, 0.63%, 0.54%

LAB 80.26, -28.23, 66.44

 

CMYK 31 / 0 / 70 / 17

HEX #91D33F

RGB 145 211 63

HSL 86.76, 0.63%, 0.54%

LAB 77.86, -43.23, 63.25

 

CMYK 0 / 6 / 78 / 38

HEX #9D9323

RGB 157 147 35

HSL 55.08, 0.64%, 0.38%

LAB 60.03, -8.89, 56.16

 

CMYK 0 / 6 / 77 / 25

HEX #BEB22B

RGB 190 178 43

HSL 55.1, 0.63%, 0.46%

LAB 71.53, -10.26, 65.11

 

CMYK 0 / 6 / 70 / 17

HEX #D3C73F

RGB 211 199 63

HSL 55.14, 0.63%, 0.54%

LAB 79.07, -11.11, 65.97

 

CMYK 0 / 5 / 56 / 14

HEX #DBD161

RGB 219 209 97

HSL 55.08, 0.63%, 0.62%

LAB 82.66, -10.7, 55.79

 

CMYK 0 / 3 / 42 / 11

HEX #E2DB83

RGB 226 219 131

HSL 55.58, 0.62%, 0.7%

LAB 86.24, -9.9, 44.02

 

CMYK 0 / 6 / 70 / 17

HEX #D3C73F

RGB 211 199 63

HSL 55.14, 0.63%, 0.54%

LAB 79.07, -11.11, 65.97

 

CMYK 70 / 0 / 62 / 17

HEX #3FD351

RGB 63 211 81

HSL 127.3, 0.63%, 0.54%

LAB 74.98, -64.15, 52.02

 

CMYK 34 / 70 / 0 / 17

HEX #8C3FD3

RGB 140 63 211

HSL 271.22, 0.63%, 0.54%

LAB 43.99, 58.97, -63.23

 

CMYK 0 / 6 / 70 / 17

HEX #D3C73F

RGB 211 199 63

HSL 55.14, 0.63%, 0.54%

LAB 79.07, -11.11, 65.97

 

CMYK 70 / 0 / 6 / 17

HEX #3FD3C7

RGB 63 211 199

HSL 175.14, 0.63%, 0.54%

LAB 77.14, -40.88, -5.31

 

CMYK 6 / 70 / 0 / 17

HEX #C73FD3

RGB 199 63 211

HSL 295.14, 0.63%, 0.54%

LAB 52.29, 71.03, -49.46

 

CMYK 0 / 6 / 70 / 17

HEX #D3C73F

RGB 211 199 63

HSL 55.14, 0.63%, 0.54%

LAB 79.07, -11.11, 65.97

 

CMYK 70 / 0 / 62 / 17

HEX #3FD351

RGB 63 211 81

HSL 127.3, 0.63%, 0.54%

LAB 74.98, -64.15, 52.02

 

CMYK 70 / 64 / 0 / 17

HEX #3F4CD3

RGB 63 76 211

HSL 234.73, 0.63%, 0.54%

LAB 39.46, 39.26, -70.92

 

CMYK 0 / 70 / 8 / 17

HEX #D33FC2

RGB 211 63 194

HSL 306.89, 0.63%, 0.54%

LAB 53.28, 70.96, -38.01

 

CMYK 0 / 6 / 70 / 17

HEX #D3C73F

RGB 211 199 63

HSL 55.14, 0.63%, 0.54%

LAB 79.07, -11.11, 65.97

 

CMYK 70 / 0 / 41 / 17

HEX #3FD37D

RGB 63 211 125

HSL 145.14, 0.63%, 0.54%

LAB 75.53, -57.74, 31.61

 

CMYK 70 / 64 / 0 / 17

HEX #3F4CD3

RGB 63 76 211

HSL 234.73, 0.63%, 0.54%

LAB 39.46, 39.26, -70.92

 

CMYK 0 / 70 / 29 / 17

HEX #D33F96

RGB 211 63 150

HSL 324.73, 0.63%, 0.54%

LAB 51.39, 64.98, -15.16

 

Description

Color code: HEX #D3C73F | qconv.com Color code: HEX #D3C73F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 199 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 199 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 70 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 70% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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