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Color name
HEX #D3C49E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3C49E it is the complementary color #2C3B61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3C49E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3C49E shade: #D8C499, #E9D6AC, #FAE8BF, #FFFAD2 and #FFFFE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3C49E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3C49E shade: #D3C49E, #C2B28B, #B1A078, #A08E65 and #8F7C52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3C49E shade: #D3C39C, #D3B59C, #D3A69C and #D39C9C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3C49E shade: #D3C39C, #D3D29C, #C5D39C, #B6D39C and #A8D39C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3C49E shade matches the following richer shades: #D3C39C, #DEC891, #EACD85 and #F5D27A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3C49E shade: #D3C39C, #C7BEA8, #BCB9B4, #B0B4BF and #A5AFCB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3C49E shade: #D3A69C, #D3B59C, #D3C39C, #D3D29C and #C5D39C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3C49E shade: #B9A164, #C6B280, #D3C39C, #E0D5B9 and #ECE6D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3C49E shade: #D3C49E, #A1D39C and #AE9CD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3C49E shade: #D3C49E, #9CD3C3 and #C39CD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3C49E shade: #D3C49E, #A1D39C, #9CACD3 and #CE9CD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3C49E shade: #D3C49E, #9CD3A8, #9CACD3 and #D39CC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 25 / 17

HEX #D3C49E

RGB 211 196 158

HSL 43.02, 0.38%, 0.72%

LAB 79.5, -0.67, 21.01

 

Complementary color

CMYK 55 / 39 / 0 / 62

HEX #2C3B61

RGB 44 59 97

HSL 223.02, 0.38%, 0.28%

LAB 25.34, 6.11, -24.43

 

CMYK 0 / 9 / 29 / 15

HEX #D8C499

RGB 216 196 153

HSL 40.95, 0.45%, 0.72%

LAB 79.83, 0.57, 24.18

 

CMYK 0 / 8 / 26 / 9

HEX #E9D6AC

RGB 233 214 172

HSL 41.31, 0.58%, 0.79%

LAB 86.2, 0.2, 23.16

 

CMYK 0 / 7 / 24 / 2

HEX #FAE8BF

RGB 250 232 191

HSL 41.69, 0.86%, 0.86%

LAB 92.49, -0.13, 22.18

 

CMYK 0 / 2 / 18 / 0

HEX #FFFAD2

RGB 255 250 210

HSL 53.33, 1%, 0.91%

LAB 97.75, -4.71, 19.81

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE5

RGB 255 255 229

HSL 60, 1%, 0.95%

LAB 99.39, -4.32, 12.43

 

CMYK 0 / 7 / 25 / 17

HEX #D3C49E

RGB 211 196 158

HSL 43.02, 0.38%, 0.72%

LAB 79.5, -0.67, 21.01

 

CMYK 0 / 8 / 28 / 24

HEX #C2B28B

RGB 194 178 139

HSL 42.55, 0.31%, 0.65%

LAB 73.01, -0.32, 22.05

 

CMYK 0 / 10 / 32 / 31

HEX #B1A078

RGB 177 160 120

HSL 42.11, 0.27%, 0.58%

LAB 66.4, 0.08, 23.15

 

CMYK 0 / 11 / 37 / 37

HEX #A08E65

RGB 160 142 101

HSL 41.69, 0.24%, 0.51%

LAB 59.67, 0.55, 24.33

 

CMYK 0 / 13 / 43 / 44

HEX #8F7C52

RGB 143 124 82

HSL 41.31, 0.27%, 0.44%

LAB 52.8, 1.13, 25.61

 

CMYK 0 / 8 / 26 / 17

HEX #D3C39C

RGB 211 195 156

HSL 42.55, 0.38%, 0.72%

LAB 79.2, -0.42, 21.67

 

CMYK 0 / 14 / 26 / 17

HEX #D3B59C

RGB 211 181 156

HSL 27.27, 0.38%, 0.72%

LAB 75.64, 6.99, 16.73

 

CMYK 0 / 21 / 26 / 17

HEX #D3A69C

RGB 211 166 156

HSL 10.91, 0.38%, 0.72%

LAB 71.91, 15.07, 11.5

 

CMYK 0 / 26 / 26 / 17

HEX #D39C9C

RGB 211 156 156

HSL 0, 0.38%, 0.72%

LAB 69.49, 20.5, 8.06

 

CMYK 0 / 8 / 26 / 17

HEX #D3C39C

RGB 211 195 156

HSL 42.55, 0.38%, 0.72%

LAB 79.2, -0.42, 21.67

 

CMYK 0 / 0 / 26 / 17

HEX #D3D29C

RGB 211 210 156

HSL 58.91, 0.38%, 0.72%

LAB 83.1, -8.19, 26.97

 

CMYK 7 / 0 / 26 / 17

HEX #C5D39C

RGB 197 211 156

HSL 75.27, 0.38%, 0.72%

LAB 82.3, -13.94, 25.72

 

CMYK 14 / 0 / 26 / 17

HEX #B6D39C

RGB 182 211 156

HSL 91.64, 0.38%, 0.72%

LAB 81.26, -19.42, 24.12

 

CMYK 20 / 0 / 26 / 17

HEX #A8D39C

RGB 168 211 156

HSL 106.91, 0.38%, 0.72%

LAB 80.36, -24.35, 22.75

 

CMYK 0 / 8 / 26 / 17

HEX #D3C39C

RGB 211 195 156

HSL 42.55, 0.38%, 0.72%

LAB 79.2, -0.42, 21.67

 

CMYK 0 / 10 / 35 / 13

HEX #DEC891

RGB 222 200 145

HSL 42.86, 0.54%, 0.72%

LAB 81.23, -0.19, 30.36

 

CMYK 0 / 12 / 43 / 8

HEX #EACD85

RGB 234 205 133

HSL 42.77, 0.71%, 0.72%

LAB 83.36, 0.62, 39.52

 

CMYK 0 / 14 / 50 / 4

HEX #F5D27A

RGB 245 210 122

HSL 42.93, 0.86%, 0.72%

LAB 85.46, 1.41, 47.83

 

CMYK 0 / 8 / 26 / 17

HEX #D3C39C

RGB 211 195 156

HSL 42.55, 0.38%, 0.72%

LAB 79.2, -0.42, 21.67

 

CMYK 0 / 5 / 16 / 22

HEX #C7BEA8

RGB 199 190 168

HSL 42.58, 0.22%, 0.72%

LAB 77.16, -0.53, 12.24

 

CMYK 0 / 2 / 4 / 26

HEX #BCB9B4

RGB 188 185 180

HSL 37.5, 0.06%, 0.72%

LAB 75.25, 0.15, 2.9

 

CMYK 8 / 6 / 0 / 25

HEX #B0B4BF

RGB 176 180 191

HSL 224, 0.1%, 0.72%

LAB 73.31, 0.76, -6.07

 

CMYK 19 / 14 / 0 / 20

HEX #A5AFCB

RGB 165 175 203

HSL 224.21, 0.27%, 0.72%

LAB 71.54, 2.4, -15.38

 

CMYK 0 / 21 / 26 / 17

HEX #D3A69C

RGB 211 166 156

HSL 10.91, 0.38%, 0.72%

LAB 71.91, 15.07, 11.5

 

CMYK 0 / 14 / 26 / 17

HEX #D3B59C

RGB 211 181 156

HSL 27.27, 0.38%, 0.72%

LAB 75.64, 6.99, 16.73

 

CMYK 0 / 8 / 26 / 17

HEX #D3C39C

RGB 211 195 156

HSL 42.55, 0.38%, 0.72%

LAB 79.2, -0.42, 21.67

 

CMYK 0 / 0 / 26 / 17

HEX #D3D29C

RGB 211 210 156

HSL 58.91, 0.38%, 0.72%

LAB 83.1, -8.19, 26.97

 

CMYK 7 / 0 / 26 / 17

HEX #C5D39C

RGB 197 211 156

HSL 75.27, 0.38%, 0.72%

LAB 82.3, -13.94, 25.72

 

CMYK 0 / 13 / 46 / 27

HEX #B9A164

RGB 185 161 100

HSL 43.06, 0.38%, 0.56%

LAB 67.07, 0.5, 34.9

 

CMYK 0 / 10 / 35 / 22

HEX #C6B280

RGB 198 178 128

HSL 42.86, 0.38%, 0.64%

LAB 73.16, -0.15, 28.2

 

CMYK 0 / 8 / 26 / 17

HEX #D3C39C

RGB 211 195 156

HSL 42.55, 0.38%, 0.72%

LAB 79.2, -0.42, 21.67

 

CMYK 0 / 5 / 17 / 12

HEX #E0D5B9

RGB 224 213 185

HSL 43.08, 0.39%, 0.8%

LAB 85.47, -0.76, 15.21

 

CMYK 0 / 3 / 10 / 7

HEX #ECE6D5

RGB 236 230 213

HSL 44.35, 0.38%, 0.88%

LAB 91.34, -0.84, 8.99

 

CMYK 0 / 7 / 25 / 17

HEX #D3C49E

RGB 211 196 158

HSL 43.02, 0.38%, 0.72%

LAB 79.5, -0.67, 21.01

 

CMYK 24 / 0 / 26 / 17

HEX #A1D39C

RGB 161 211 156

HSL 114.55, 0.38%, 0.72%

LAB 79.93, -26.74, 22.1

 

CMYK 18 / 26 / 0 / 17

HEX #AE9CD3

RGB 174 156 211

HSL 259.64, 0.38%, 0.72%

LAB 67.63, 17.61, -25.66

 

CMYK 0 / 7 / 25 / 17

HEX #D3C49E

RGB 211 196 158

HSL 43.02, 0.38%, 0.72%

LAB 79.5, -0.67, 21.01

 

CMYK 26 / 0 / 8 / 17

HEX #9CD3C3

RGB 156 211 195

HSL 162.55, 0.38%, 0.72%

LAB 80.51, -21.03, 2.18

 

CMYK 8 / 26 / 0 / 17

HEX #C39CD3

RGB 195 156 211

HSL 282.55, 0.38%, 0.72%

LAB 69.53, 24.34, -22.59

 

CMYK 0 / 7 / 25 / 17

HEX #D3C49E

RGB 211 196 158

HSL 43.02, 0.38%, 0.72%

LAB 79.5, -0.67, 21.01

 

CMYK 24 / 0 / 26 / 17

HEX #A1D39C

RGB 161 211 156

HSL 114.55, 0.38%, 0.72%

LAB 79.93, -26.74, 22.1

 

CMYK 26 / 18 / 0 / 17

HEX #9CACD3

RGB 156 172 211

HSL 222.55, 0.38%, 0.72%

LAB 70.37, 3.1, -21.6

 

CMYK 2 / 26 / 0 / 17

HEX #CE9CD3

RGB 206 156 211

HSL 294.55, 0.38%, 0.72%

LAB 70.6, 27.93, -20.87

 

CMYK 0 / 7 / 25 / 17

HEX #D3C49E

RGB 211 196 158

HSL 43.02, 0.38%, 0.72%

LAB 79.5, -0.67, 21.01

 

CMYK 26 / 0 / 20 / 17

HEX #9CD3A8

RGB 156 211 168

HSL 133.09, 0.38%, 0.72%

LAB 79.89, -26.31, 15.66

 

CMYK 26 / 18 / 0 / 17

HEX #9CACD3

RGB 156 172 211

HSL 222.55, 0.38%, 0.72%

LAB 70.37, 3.1, -21.6

 

CMYK 0 / 26 / 6 / 17

HEX #D39CC7

RGB 211 156 199

HSL 313.09, 0.38%, 0.72%

LAB 70.7, 27.39, -14.04

 

Description

Color code: HEX #D3C49E | qconv.com Color code: HEX #D3C49E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 196 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 196 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 25 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 25% 17% C M Y K

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Provide designers and agencies with accurate color values.

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