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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3C43C it is the complementary color #2C3BC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3C43C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3C43C shade: #D8C437, #E9D64A, #FAE85D, #FFFA70 and #FFFF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3C43C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3C43C shade: #D3C43C, #C2B229, #B1A016, #A08E03 and #8F7C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3C43C shade: #D2C33B, #D29A3B, #D2723B, #D2493B and #D23B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3C43C shade: #D2C33B, #B8D23B, #90D23B, #67D23B and #3ED23B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3C43C shade matches the following richer shades: #D2C33B, #E6D328 and #F9E214

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3C43C shade: #D2C33B, #BFB44F, #ABA462, #989575 and #858589

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3C43C shade: #D2733B, #D29B3B, #D2C33B, #B9D23B and #91D23B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3C43C shade: #998D22, #BAAC2A, #D2C33B, #DACD5D and #E1D87E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3C43C shade: #D3C43C, #3BD24A and #873BD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3C43C shade: #D3C43C, #3BD2C3 and #C33BD2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3C43C shade: #D3C43C, #3BD24A, #3B4AD2 and #D23BC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3C43C shade: #D3C43C, #3BD278, #3B4AD2 and #D23B96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 72 / 17

HEX #D3C43C

RGB 211 196 60

HSL 54.04, 0.63%, 0.53%

LAB 78.26, -9.73, 66.28

 

Complementary color

CMYK 77 / 70 / 0 / 24

HEX #2C3BC3

RGB 44 59 195

HSL 234.04, 0.63%, 0.47%

LAB 33.14, 42.13, -72.04

 

CMYK 0 / 9 / 75 / 15

HEX #D8C437

RGB 216 196 55

HSL 52.55, 0.67%, 0.53%

LAB 78.67, -7.82, 68.58

 

CMYK 0 / 8 / 68 / 9

HEX #E9D64A

RGB 233 214 74

HSL 52.83, 0.78%, 0.6%

LAB 84.95, -8.89, 68.3

 

CMYK 0 / 7 / 63 / 2

HEX #FAE85D

RGB 250 232 93

HSL 53.12, 0.94%, 0.67%

LAB 91.16, -9.8, 67.63

 

CMYK 0 / 2 / 56 / 0

HEX #FFFA70

RGB 255 250 112

HSL 57.9, 1%, 0.72%

LAB 96.33, -15.36, 65.4

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 0 / 7 / 72 / 17

HEX #D3C43C

RGB 211 196 60

HSL 54.04, 0.63%, 0.53%

LAB 78.26, -9.73, 66.28

 

CMYK 0 / 8 / 79 / 24

HEX #C2B229

RGB 194 178 41

HSL 53.73, 0.65%, 0.46%

LAB 71.87, -8.59, 66.18

 

CMYK 0 / 10 / 88 / 31

HEX #B1A016

RGB 177 160 22

HSL 53.42, 0.78%, 0.39%

LAB 65.39, -7.23, 65.08

 

CMYK 0 / 11 / 98 / 37

HEX #A08E03

RGB 160 142 3

HSL 53.12, 0.96%, 0.32%

LAB 58.81, -5.62, 62.56

 

CMYK 0 / 13 / 100 / 44

HEX #8F7C00

RGB 143 124 0

HSL 52.03, 1%, 0.28%

LAB 52.12, -3.69, 57.5

 

CMYK 0 / 7 / 72 / 18

HEX #D2C33B

RGB 210 195 59

HSL 54.04, 0.63%, 0.53%

LAB 77.9, -9.7, 66.26

 

CMYK 0 / 27 / 72 / 18

HEX #D29A3B

RGB 210 154 59

HSL 37.75, 0.63%, 0.53%

LAB 67.37, 11.93, 55.82

 

CMYK 0 / 46 / 72 / 18

HEX #D2723B

RGB 210 114 59

HSL 21.85, 0.63%, 0.53%

LAB 58.09, 33.45, 46.09

 

CMYK 0 / 65 / 72 / 18

HEX #D2493B

RGB 210 73 59

HSL 5.56, 0.63%, 0.53%

LAB 50.43, 53.14, 37.61

 

CMYK 0 / 72 / 72 / 18

HEX #D23B3B

RGB 210 59 59

HSL 0, 0.63%, 0.53%

LAB 48.44, 58.57, 35.33

 

CMYK 0 / 7 / 72 / 18

HEX #D2C33B

RGB 210 195 59

HSL 54.04, 0.63%, 0.53%

LAB 77.9, -9.7, 66.26

 

CMYK 12 / 0 / 72 / 18

HEX #B8D23B

RGB 184 210 59

HSL 70.33, 0.63%, 0.53%

LAB 79.95, -27.97, 67.55

 

CMYK 31 / 0 / 72 / 18

HEX #90D23B

RGB 144 210 59

HSL 86.23, 0.63%, 0.53%

LAB 77.48, -43.41, 64.29

 

CMYK 51 / 0 / 72 / 18

HEX #67D23B

RGB 103 210 59

HSL 102.52, 0.63%, 0.53%

LAB 75.63, -56.71, 61.83

 

CMYK 70 / 0 / 72 / 18

HEX #3ED23B

RGB 62 210 59

HSL 118.81, 0.63%, 0.53%

LAB 74.47, -66.1, 60.27

 

CMYK 0 / 7 / 72 / 18

HEX #D2C33B

RGB 210 195 59

HSL 54.04, 0.63%, 0.53%

LAB 77.9, -9.7, 66.26

 

CMYK 0 / 8 / 83 / 10

HEX #E6D328

RGB 230 211 40

HSL 54, 0.79%, 0.53%

LAB 83.74, -9.97, 77.95

 

CMYK 0 / 9 / 92 / 2

HEX #F9E214

RGB 249 226 20

HSL 53.97, 0.95%, 0.53%

LAB 89.2, -9.8, 86.68

 

CMYK 0 / 7 / 72 / 18

HEX #D2C33B

RGB 210 195 59

HSL 54.04, 0.63%, 0.53%

LAB 77.9, -9.7, 66.26

 

CMYK 0 / 6 / 59 / 25

HEX #BFB44F

RGB 191 180 79

HSL 54.11, 0.47%, 0.53%

LAB 72.42, -8.87, 51.79

 

CMYK 0 / 4 / 43 / 33

HEX #ABA462

RGB 171 164 98

HSL 54.25, 0.3%, 0.53%

LAB 66.59, -7.16, 35.08

 

CMYK 0 / 2 / 23 / 40

HEX #989575

RGB 152 149 117

HSL 54.86, 0.15%, 0.53%

LAB 61.18, -4.37, 17.34

 

CMYK 3 / 3 / 0 / 46

HEX #858589

RGB 133 133 137

HSL 240, 0.02%, 0.53%

LAB 55.65, 0.8, -2.15

 

CMYK 0 / 45 / 72 / 18

HEX #D2733B

RGB 210 115 59

HSL 22.25, 0.63%, 0.53%

LAB 58.3, 32.92, 46.32

 

CMYK 0 / 26 / 72 / 18

HEX #D29B3B

RGB 210 155 59

HSL 38.15, 0.63%, 0.53%

LAB 67.62, 11.39, 56.07

 

CMYK 0 / 7 / 72 / 18

HEX #D2C33B

RGB 210 195 59

HSL 54.04, 0.63%, 0.53%

LAB 77.9, -9.7, 66.26

 

CMYK 12 / 0 / 72 / 18

HEX #B9D23B

RGB 185 210 59

HSL 69.93, 0.63%, 0.53%

LAB 80.02, -27.56, 67.65

 

CMYK 31 / 0 / 72 / 18

HEX #91D23B

RGB 145 210 59

HSL 85.83, 0.63%, 0.53%

LAB 77.54, -43.05, 64.36

 

CMYK 0 / 8 / 78 / 40

HEX #998D22

RGB 153 141 34

HSL 53.95, 0.64%, 0.37%

LAB 57.98, -7.52, 54.48

 

CMYK 0 / 8 / 77 / 27

HEX #BAAC2A

RGB 186 172 42

HSL 54.17, 0.63%, 0.45%

LAB 69.55, -8.93, 63.5

 

CMYK 0 / 7 / 72 / 18

HEX #D2C33B

RGB 210 195 59

HSL 54.04, 0.63%, 0.53%

LAB 77.9, -9.7, 66.26

 

CMYK 0 / 6 / 57 / 15

HEX #DACD5D

RGB 218 205 93

HSL 53.76, 0.63%, 0.61%

LAB 81.49, -9.39, 56.25

 

CMYK 0 / 4 / 44 / 12

HEX #E1D87E

RGB 225 216 126

HSL 54.55, 0.62%, 0.69%

LAB 85.31, -9.28, 45.31

 

CMYK 0 / 7 / 72 / 17

HEX #D3C43C

RGB 211 196 60

HSL 54.04, 0.63%, 0.53%

LAB 78.26, -9.73, 66.28

 

CMYK 72 / 0 / 65 / 18

HEX #3BD24A

RGB 59 210 74

HSL 125.96, 0.63%, 0.53%

LAB 74.52, -65.24, 54.47

 

CMYK 36 / 72 / 0 / 18

HEX #873BD2

RGB 135 59 210

HSL 270.2, 0.63%, 0.53%

LAB 42.66, 59.58, -64.85

 

CMYK 0 / 7 / 72 / 17

HEX #D3C43C

RGB 211 196 60

HSL 54.04, 0.63%, 0.53%

LAB 78.26, -9.73, 66.28

 

CMYK 72 / 0 / 7 / 18

HEX #3BD2C3

RGB 59 210 195

HSL 174.04, 0.63%, 0.53%

LAB 76.66, -42.02, -3.88

 

CMYK 7 / 72 / 0 / 18

HEX #C33BD2

RGB 195 59 210

HSL 294.04, 0.63%, 0.53%

LAB 51.13, 71.4, -50.76

 

CMYK 0 / 7 / 72 / 17

HEX #D3C43C

RGB 211 196 60

HSL 54.04, 0.63%, 0.53%

LAB 78.26, -9.73, 66.28

 

CMYK 72 / 0 / 65 / 18

HEX #3BD24A

RGB 59 210 74

HSL 125.96, 0.63%, 0.53%

LAB 74.52, -65.24, 54.47

 

CMYK 72 / 65 / 0 / 18

HEX #3B4AD2

RGB 59 74 210

HSL 234.04, 0.63%, 0.53%

LAB 38.69, 39.68, -71.62

 

CMYK 0 / 72 / 7 / 18

HEX #D23BC3

RGB 210 59 195

HSL 305.96, 0.63%, 0.53%

LAB 52.7, 72.21, -39.51

 

CMYK 0 / 7 / 72 / 17

HEX #D3C43C

RGB 211 196 60

HSL 54.04, 0.63%, 0.53%

LAB 78.26, -9.73, 66.28

 

CMYK 72 / 0 / 43 / 18

HEX #3BD278

RGB 59 210 120

HSL 144.24, 0.63%, 0.53%

LAB 75.06, -58.87, 33.54

 

CMYK 72 / 65 / 0 / 18

HEX #3B4AD2

RGB 59 74 210

HSL 234.04, 0.63%, 0.53%

LAB 38.69, 39.68, -71.62

 

CMYK 0 / 72 / 29 / 18

HEX #D23B96

RGB 210 59 150

HSL 323.84, 0.63%, 0.53%

LAB 50.72, 66.1, -16.18

 

Description

Color code: HEX #D3C43C | qconv.com Color code: HEX #D3C43C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 196 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 196 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 72 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 72% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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