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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3BE55 it is the complementary color #2C41AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3BE55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3BE55 shade: #D8BE50, #E9D063, #FAE276, #FFF489 and #FFFF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3BE55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3BE55 shade: #D3BE55, #C2AC42, #B19A2F, #A0881C and #8F7609

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3BE55 shade: #D3BE55, #D39C55, #D37A55, #D35855 and #D35555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3BE55 shade: #D3BE55, #C6D355, #A4D355, #82D355 and #60D355

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3BE55 shade matches the following richer shades: #D3BE55, #E4CA43 and #F6D532

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3BE55 shade: #D3BE55, #C2B266, #B0A777, #9F9B89 and #8E909A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3BE55 shade: #D37B55, #D39C55, #D3BE55, #C6D355 and #A5D355

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3BE55 shade: #AA952C, #CAB134, #D3BE55, #DCCB76 and #E4D796

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3BE55 shade: #D3BE55, #55D359 and #8B55D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3BE55 shade: #D3BE55, #55D3BE and #BE55D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3BE55 shade: #D3BE55, #55D359, #556AD3 and #D355CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3BE55 shade: #D3BE55, #55D37F, #556AD3 and #D355A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 60 / 17

HEX #D3BE55

RGB 211 190 85

HSL 50, 0.59%, 0.58%

LAB 76.88, -5.19, 54.53

 

Complementary color

CMYK 74 / 62 / 0 / 33

HEX #2C41AA

RGB 44 65 170

HSL 230, 0.59%, 0.42%

LAB 32.3, 29.3, -58.62

 

CMYK 0 / 12 / 63 / 15

HEX #D8BE50

RGB 216 190 80

HSL 48.53, 0.64%, 0.58%

LAB 77.28, -3.42, 57.34

 

CMYK 0 / 11 / 58 / 9

HEX #E9D063

RGB 233 208 99

HSL 48.81, 0.75%, 0.65%

LAB 83.62, -4.29, 56.29

 

CMYK 0 / 10 / 53 / 2

HEX #FAE276

RGB 250 226 118

HSL 49.09, 0.93%, 0.72%

LAB 89.87, -5.04, 55.16

 

CMYK 0 / 4 / 46 / 0

HEX #FFF489

RGB 255 244 137

HSL 54.41, 1%, 0.77%

LAB 95.06, -10.39, 52.57

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9C

RGB 255 255 156

HSL 60, 1%, 0.81%

LAB 98.11, -13.92, 47.26

 

CMYK 0 / 10 / 60 / 17

HEX #D3BE55

RGB 211 190 85

HSL 50, 0.59%, 0.58%

LAB 76.88, -5.19, 54.53

 

CMYK 0 / 11 / 66 / 24

HEX #C2AC42

RGB 194 172 66

HSL 49.69, 0.51%, 0.51%

LAB 70.43, -4.26, 55.49

 

CMYK 0 / 13 / 73 / 31

HEX #B19A2F

RGB 177 154 47

HSL 49.38, 0.58%, 0.44%

LAB 63.89, -3.16, 56.11

 

CMYK 0 / 15 / 83 / 37

HEX #A0881C

RGB 160 136 28

HSL 49.09, 0.7%, 0.37%

LAB 57.24, -1.81, 56.03

 

CMYK 0 / 17 / 94 / 44

HEX #8F7609

RGB 143 118 9

HSL 48.81, 0.88%, 0.3%

LAB 50.47, -0.15, 54.54

 

CMYK 0 / 10 / 60 / 17

HEX #D3BE55

RGB 211 190 85

HSL 50, 0.59%, 0.58%

LAB 76.88, -5.19, 54.53

 

CMYK 0 / 26 / 60 / 17

HEX #D39C55

RGB 211 156 85

HSL 33.81, 0.59%, 0.58%

LAB 68.23, 12.86, 44.63

 

CMYK 0 / 42 / 60 / 17

HEX #D37A55

RGB 211 122 85

HSL 17.62, 0.59%, 0.58%

LAB 60.27, 31.21, 35.05

 

CMYK 0 / 58 / 60 / 17

HEX #D35855

RGB 211 88 85

HSL 1.43, 0.59%, 0.58%

LAB 53.48, 48.35, 26.48

 

CMYK 0 / 60 / 60 / 17

HEX #D35555

RGB 211 85 85

HSL 0, 0.59%, 0.58%

LAB 52.95, 49.73, 25.81

 

CMYK 0 / 10 / 60 / 17

HEX #D3BE55

RGB 211 190 85

HSL 50, 0.59%, 0.58%

LAB 76.88, -5.19, 54.53

 

CMYK 6 / 0 / 60 / 17

HEX #C6D355

RGB 198 211 85

HSL 66.19, 0.59%, 0.58%

LAB 81.43, -21.17, 59.26

 

CMYK 22 / 0 / 60 / 17

HEX #A4D355

RGB 164 211 85

HSL 82.38, 0.59%, 0.58%

LAB 79.12, -34.55, 56.06

 

CMYK 38 / 0 / 60 / 17

HEX #82D355

RGB 130 211 85

HSL 98.57, 0.59%, 0.58%

LAB 77.27, -46.63, 53.48

 

CMYK 55 / 0 / 60 / 17

HEX #60D355

RGB 96 211 85

HSL 114.76, 0.59%, 0.58%

LAB 75.9, -56.62, 51.56

 

CMYK 0 / 10 / 60 / 17

HEX #D3BE55

RGB 211 190 85

HSL 50, 0.59%, 0.58%

LAB 76.88, -5.19, 54.53

 

CMYK 0 / 11 / 71 / 11

HEX #E4CA43

RGB 228 202 67

HSL 50.31, 0.75%, 0.58%

LAB 81.37, -5.25, 67.24

 

CMYK 0 / 13 / 80 / 4

HEX #F6D532

RGB 246 213 50

HSL 49.9, 0.92%, 0.58%

LAB 85.71, -3.9, 77.54

 

CMYK 0 / 10 / 60 / 17

HEX #D3BE55

RGB 211 190 85

HSL 50, 0.59%, 0.58%

LAB 76.88, -5.19, 54.53

 

CMYK 0 / 8 / 47 / 24

HEX #C2B266

RGB 194 178 102

HSL 49.57, 0.43%, 0.58%

LAB 72.41, -4.61, 40.71

 

CMYK 0 / 5 / 32 / 31

HEX #B0A777

RGB 176 167 119

HSL 50.53, 0.27%, 0.58%

LAB 68.17, -4.23, 26.04

 

CMYK 0 / 3 / 14 / 38

HEX #9F9B89

RGB 159 155 137

HSL 49.09, 0.1%, 0.58%

LAB 63.85, -1.75, 9.96

 

CMYK 8 / 6 / 0 / 40

HEX #8E909A

RGB 142 144 154

HSL 230, 0.06%, 0.58%

LAB 59.92, 1.3, -5.54

 

CMYK 0 / 42 / 60 / 17

HEX #D37B55

RGB 211 123 85

HSL 18.1, 0.59%, 0.58%

LAB 60.49, 30.68, 35.32

 

CMYK 0 / 26 / 60 / 17

HEX #D39C55

RGB 211 156 85

HSL 33.81, 0.59%, 0.58%

LAB 68.23, 12.86, 44.63

 

CMYK 0 / 10 / 60 / 17

HEX #D3BE55

RGB 211 190 85

HSL 50, 0.59%, 0.58%

LAB 76.88, -5.19, 54.53

 

CMYK 6 / 0 / 60 / 17

HEX #C6D355

RGB 198 211 85

HSL 66.19, 0.59%, 0.58%

LAB 81.43, -21.17, 59.26

 

CMYK 22 / 0 / 60 / 17

HEX #A5D355

RGB 165 211 85

HSL 81.9, 0.59%, 0.58%

LAB 79.18, -34.17, 56.15

 

CMYK 0 / 12 / 74 / 33

HEX #AA952C

RGB 170 149 44

HSL 50, 0.59%, 0.42%

LAB 61.85, -3.73, 55.05

 

CMYK 0 / 12 / 74 / 21

HEX #CAB134

RGB 202 177 52

HSL 50, 0.59%, 0.5%

LAB 72.39, -4.15, 63.25

 

CMYK 0 / 10 / 60 / 17

HEX #D3BE55

RGB 211 190 85

HSL 50, 0.59%, 0.58%

LAB 76.88, -5.19, 54.53

 

CMYK 0 / 8 / 46 / 14

HEX #DCCB76

RGB 220 203 118

HSL 50, 0.59%, 0.66%

LAB 81.42, -5.44, 44.33

 

CMYK 0 / 6 / 34 / 11

HEX #E4D796

RGB 228 215 150

HSL 50, 0.59%, 0.74%

LAB 85.65, -5, 33.73

 

CMYK 0 / 10 / 60 / 17

HEX #D3BE55

RGB 211 190 85

HSL 50, 0.59%, 0.58%

LAB 76.88, -5.19, 54.53

 

CMYK 60 / 0 / 58 / 17

HEX #55D359

RGB 85 211 89

HSL 121.9, 0.59%, 0.58%

LAB 75.6, -58.83, 49.33

 

CMYK 34 / 60 / 0 / 17

HEX #8B55D3

RGB 139 85 211

HSL 265.71, 0.59%, 0.58%

LAB 47.87, 47.84, -56.98

 

CMYK 0 / 10 / 60 / 17

HEX #D3BE55

RGB 211 190 85

HSL 50, 0.59%, 0.58%

LAB 76.88, -5.19, 54.53

 

CMYK 60 / 0 / 10 / 17

HEX #55D3BE

RGB 85 211 190

HSL 170, 0.59%, 0.58%

LAB 77.42, -39.8, -0

 

CMYK 10 / 60 / 0 / 17

HEX #BE55D3

RGB 190 85 211

HSL 290, 0.59%, 0.58%

LAB 54.18, 60.06, -46.52

 

CMYK 0 / 10 / 60 / 17

HEX #D3BE55

RGB 211 190 85

HSL 50, 0.59%, 0.58%

LAB 76.88, -5.19, 54.53

 

CMYK 60 / 0 / 58 / 17

HEX #55D359

RGB 85 211 89

HSL 121.9, 0.59%, 0.58%

LAB 75.6, -58.83, 49.33

 

CMYK 60 / 50 / 0 / 17

HEX #556AD3

RGB 85 106 211

HSL 230, 0.59%, 0.58%

LAB 48.19, 23.95, -56.7

 

CMYK 0 / 60 / 2 / 17

HEX #D355CF

RGB 211 85 207

HSL 301.9, 0.59%, 0.58%

LAB 56.93, 64.59, -39.71

 

CMYK 0 / 10 / 60 / 17

HEX #D3BE55

RGB 211 190 85

HSL 50, 0.59%, 0.58%

LAB 76.88, -5.19, 54.53

 

CMYK 60 / 0 / 40 / 17

HEX #55D37F

RGB 85 211 127

HSL 140, 0.59%, 0.58%

LAB 76.1, -53.29, 31.44

 

CMYK 60 / 50 / 0 / 17

HEX #556AD3

RGB 85 106 211

HSL 230, 0.59%, 0.58%

LAB 48.19, 23.95, -56.7

 

CMYK 0 / 60 / 20 / 17

HEX #D355A9

RGB 211 85 169

HSL 320, 0.59%, 0.58%

LAB 55.29, 58.7, -20.39

 

Description

Color code: HEX #D3BE55 | qconv.com Color code: HEX #D3BE55 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 190 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 190 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 60 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 60% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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