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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3BA7E it is the complementary color #2C4581. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3BA7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3BA7E shade: #D8BA79, #E9CC8C, #FADE9F, #FFF0B2 and #FFFFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3BA7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3BA7E shade: #D3BA7E, #C2A86B, #B19658, #A08445 and #8F7232

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3BA7E shade: #D3BA7E, #D3A37E, #D38C7E and #D37E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3BA7E shade: #D3BA7E, #D3D17E, #BED37E, #A7D37E and #90D37E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3BA7E shade matches the following richer shades: #D3BA7E, #E1C070, #EFC562 and #FDCB54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3BA7E shade: #D3BA7E, #C5B48C, #B7AE9A, #A9A8A8 and #9BA3B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3BA7E shade: #D38C7E, #D3A37E, #D3B97E, #D3D07E and #BFD37E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3BA7E shade: #BD9941, #C8A95F, #D3BA7E, #DDCA9D and #E8DBBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3BA7E shade: #D3BA7E, #86D37E and #977ED3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3BA7E shade: #D3BA7E, #7ED3B9 and #B97ED3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3BA7E shade: #D3BA7E, #86D37E, #7E97D3 and #CA7ED3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3BA7E shade: #D3BA7E, #7ED38F, #7E97D3 and #D37EC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 40 / 17

HEX #D3BA7E

RGB 211 186 126

HSL 42.35, 0.49%, 0.66%

LAB 76.36, 0.6, 33.68

 

Complementary color

CMYK 66 / 47 / 0 / 49

HEX #2C4581

RGB 44 69 129

HSL 222.35, 0.49%, 0.34%

LAB 30.34, 11.11, -36.78

 

CMYK 0 / 14 / 44 / 15

HEX #D8BA79

RGB 216 186 121

HSL 41.05, 0.55%, 0.66%

LAB 76.74, 2.08, 36.85

 

CMYK 0 / 12 / 40 / 9

HEX #E9CC8C

RGB 233 204 140

HSL 41.29, 0.68%, 0.73%

LAB 83.13, 1.48, 35.63

 

CMYK 0 / 11 / 36 / 2

HEX #FADE9F

RGB 250 222 159

HSL 41.54, 0.9%, 0.8%

LAB 89.43, 0.96, 34.46

 

CMYK 0 / 6 / 30 / 0

HEX #FFF0B2

RGB 255 240 178

HSL 48.31, 1%, 0.85%

LAB 94.65, -4, 31.85

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 0 / 12 / 40 / 17

HEX #D3BA7E

RGB 211 186 126

HSL 42.35, 0.49%, 0.66%

LAB 76.36, 0.6, 33.68

 

CMYK 0 / 13 / 45 / 24

HEX #C2A86B

RGB 194 168 107

HSL 42.07, 0.42%, 0.59%

LAB 69.85, 1.2, 34.93

 

CMYK 0 / 15 / 50 / 31

HEX #B19658

RGB 177 150 88

HSL 41.8, 0.36%, 0.52%

LAB 63.23, 1.92, 36.24

 

CMYK 0 / 18 / 57 / 37

HEX #A08445

RGB 160 132 69

HSL 41.54, 0.4%, 0.45%

LAB 56.49, 2.78, 37.59

 

CMYK 0 / 20 / 65 / 44

HEX #8F7232

RGB 143 114 50

HSL 41.29, 0.48%, 0.38%

LAB 49.62, 3.85, 38.91

 

CMYK 0 / 12 / 40 / 17

HEX #D3BA7E

RGB 211 186 126

HSL 42.35, 0.49%, 0.66%

LAB 76.36, 0.6, 33.68

 

CMYK 0 / 23 / 40 / 17

HEX #D3A37E

RGB 211 163 126

HSL 26.12, 0.49%, 0.66%

LAB 70.56, 12.89, 26.04

 

CMYK 0 / 34 / 40 / 17

HEX #D38C7E

RGB 211 140 126

HSL 9.88, 0.49%, 0.66%

LAB 65.05, 25.36, 18.57

 

CMYK 0 / 40 / 40 / 17

HEX #D37E7E

RGB 211 126 126

HSL 0, 0.49%, 0.66%

LAB 61.89, 32.89, 14.2

 

CMYK 0 / 12 / 40 / 17

HEX #D3BA7E

RGB 211 186 126

HSL 42.35, 0.49%, 0.66%

LAB 76.36, 0.6, 33.68

 

CMYK 0 / 1 / 40 / 17

HEX #D3D17E

RGB 211 209 126

HSL 58.59, 0.49%, 0.66%

LAB 82.36, -11.29, 41.36

 

CMYK 10 / 0 / 40 / 17

HEX #BED37E

RGB 190 211 126

HSL 74.82, 0.49%, 0.66%

LAB 81.31, -20.47, 39.71

 

CMYK 21 / 0 / 40 / 17

HEX #A7D37E

RGB 167 211 126

HSL 91.06, 0.49%, 0.66%

LAB 79.79, -29.06, 37.46

 

CMYK 32 / 0 / 40 / 17

HEX #90D37E

RGB 144 211 126

HSL 107.29, 0.49%, 0.66%

LAB 78.48, -37.07, 35.5

 

CMYK 0 / 12 / 40 / 17

HEX #D3BA7E

RGB 211 186 126

HSL 42.35, 0.49%, 0.66%

LAB 76.36, 0.6, 33.68

 

CMYK 0 / 15 / 50 / 12

HEX #E1C070

RGB 225 192 112

HSL 42.48, 0.65%, 0.66%

LAB 78.97, 1.74, 44.39

 

CMYK 0 / 18 / 59 / 6

HEX #EFC562

RGB 239 197 98

HSL 42.13, 0.82%, 0.66%

LAB 81.38, 3.78, 54.34

 

CMYK 0 / 20 / 67 / 1

HEX #FDCB54

RGB 253 203 84

HSL 42.25, 0.98%, 0.66%

LAB 84.09, 5.61, 63.95

 

CMYK 0 / 12 / 40 / 17

HEX #D3BA7E

RGB 211 186 126

HSL 42.35, 0.49%, 0.66%

LAB 76.36, 0.6, 33.68

 

CMYK 0 / 9 / 29 / 23

HEX #C5B48C

RGB 197 180 140

HSL 42.11, 0.33%, 0.66%

LAB 73.81, -0.08, 22.64

 

CMYK 0 / 5 / 16 / 28

HEX #B7AE9A

RGB 183 174 154

HSL 41.38, 0.17%, 0.66%

LAB 71.33, -0.19, 11.42

 

CMYK 0 / 1 / 1 / 34

HEX #A9A8A8

RGB 169 168 168

HSL 0, 0.01%, 0.66%

LAB 68.94, 0.36, 0.12

 

CMYK 15 / 10 / 0 / 29

HEX #9BA3B6

RGB 155 163 182

HSL 222.22, 0.16%, 0.66%

LAB 66.93, 1.12, -10.76

 

CMYK 0 / 34 / 40 / 17

HEX #D38C7E

RGB 211 140 126

HSL 9.88, 0.49%, 0.66%

LAB 65.05, 25.36, 18.57

 

CMYK 0 / 23 / 40 / 17

HEX #D3A37E

RGB 211 163 126

HSL 26.12, 0.49%, 0.66%

LAB 70.56, 12.89, 26.04

 

CMYK 0 / 12 / 40 / 17

HEX #D3B97E

RGB 211 185 126

HSL 41.65, 0.49%, 0.66%

LAB 76.1, 1.12, 33.35

 

CMYK 0 / 1 / 40 / 17

HEX #D3D07E

RGB 211 208 126

HSL 57.88, 0.49%, 0.66%

LAB 82.09, -10.78, 41.03

 

CMYK 9 / 0 / 40 / 17

HEX #BFD37E

RGB 191 211 126

HSL 74.12, 0.49%, 0.66%

LAB 81.39, -20.09, 39.82

 

CMYK 0 / 19 / 66 / 26

HEX #BD9941

RGB 189 153 65

HSL 42.58, 0.49%, 0.5%

LAB 64.95, 3.68, 49.93

 

CMYK 0 / 16 / 53 / 22

HEX #C8A95F

RGB 200 169 95

HSL 42.29, 0.49%, 0.58%

LAB 70.51, 2.03, 42.06

 

CMYK 0 / 12 / 40 / 17

HEX #D3BA7E

RGB 211 186 126

HSL 42.35, 0.49%, 0.66%

LAB 76.36, 0.6, 33.68

 

CMYK 0 / 9 / 29 / 13

HEX #DDCA9D

RGB 221 202 157

HSL 42.19, 0.48%, 0.74%

LAB 81.86, -0.12, 24.92

 

CMYK 0 / 6 / 19 / 9

HEX #E8DBBB

RGB 232 219 187

HSL 42.67, 0.49%, 0.82%

LAB 87.68, -0.64, 17.35

 

CMYK 0 / 12 / 40 / 17

HEX #D3BA7E

RGB 211 186 126

HSL 42.35, 0.49%, 0.66%

LAB 76.36, 0.6, 33.68

 

CMYK 36 / 0 / 40 / 17

HEX #86D37E

RGB 134 211 126

HSL 114.35, 0.49%, 0.66%

LAB 77.97, -40.32, 34.75

 

CMYK 28 / 40 / 0 / 17

HEX #977ED3

RGB 151 126 211

HSL 257.65, 0.49%, 0.66%

LAB 58.23, 27.81, -40.42

 

CMYK 0 / 12 / 40 / 17

HEX #D3BA7E

RGB 211 186 126

HSL 42.35, 0.49%, 0.66%

LAB 76.36, 0.6, 33.68

 

CMYK 40 / 0 / 12 / 17

HEX #7ED3B9

RGB 126 211 185

HSL 161.65, 0.49%, 0.66%

LAB 78.77, -31.75, 4.81

 

CMYK 12 / 40 / 0 / 17

HEX #B97ED3

RGB 185 126 211

HSL 281.65, 0.49%, 0.66%

LAB 61.6, 37.77, -34.9

 

CMYK 0 / 12 / 40 / 17

HEX #D3BA7E

RGB 211 186 126

HSL 42.35, 0.49%, 0.66%

LAB 76.36, 0.6, 33.68

 

CMYK 36 / 0 / 40 / 17

HEX #86D37E

RGB 134 211 126

HSL 114.35, 0.49%, 0.66%

LAB 77.97, -40.32, 34.75

 

CMYK 40 / 28 / 0 / 17

HEX #7E97D3

RGB 126 151 211

HSL 222.35, 0.49%, 0.66%

LAB 62.74, 6.37, -33.52

 

CMYK 4 / 40 / 0 / 17

HEX #CA7ED3

RGB 202 126 211

HSL 293.65, 0.49%, 0.66%

LAB 63.49, 42.9, -31.81

 

CMYK 0 / 12 / 40 / 17

HEX #D3BA7E

RGB 211 186 126

HSL 42.35, 0.49%, 0.66%

LAB 76.36, 0.6, 33.68

 

CMYK 40 / 0 / 32 / 17

HEX #7ED38F

RGB 126 211 143

HSL 132, 0.49%, 0.66%

LAB 77.88, -40.04, 25.81

 

CMYK 40 / 28 / 0 / 17

HEX #7E97D3

RGB 126 151 211

HSL 222.35, 0.49%, 0.66%

LAB 62.74, 6.37, -33.52

 

CMYK 0 / 40 / 8 / 17

HEX #D37EC2

RGB 211 126 194

HSL 312, 0.49%, 0.66%

LAB 63.89, 42.62, -21.56

 

Description

Color code: HEX #D3BA7E | qconv.com Color code: HEX #D3BA7E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 186 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 186 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 40 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 40% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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