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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3AD84 it is the complementary color #2C527B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3AD84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3AD84 shade: #D8AD7F, #E9BF92, #FAD1A5, #FFE3B8 and #FFF5CB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3AD84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3AD84 shade: #D3AD84, #C29B71, #B1895E, #A0774B and #8F6538

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3AD84 shade: #D2AC83, #D29783 and #D28383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3AD84 shade: #D2AC83, #D2C283, #CED283, #B8D283 and #A3D283

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3AD84 shade matches the following richer shades: #D2AC83, #E0AD76, #EEAD68 and #FBAE5A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3AD84 shade: #D2AC83, #C5AC91, #B7AB9F, #AAABAC and #9CAABA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3AD84 shade: #D28385, #D29783, #D2AC83, #D2C183 and #CED283

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3AD84 shade: #BD8447, #C79865, #D2AC83, #DDC1A2 and #E8D5C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3AD84 shade: #D3AD84, #9AD283 and #8D83D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3AD84 shade: #D3AD84, #83D2AC and #AC83D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3AD84 shade: #D3AD84, #9AD283, #83AAD2 and #BC83D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3AD84 shade: #D3AD84, #83D285, #83AAD2 and #D283D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 37 / 17

HEX #D3AD84

RGB 211 173 132

HSL 31.14, 0.47%, 0.67%

LAB 73.16, 8.19, 26.28

 

Complementary color

CMYK 64 / 33 / 0 / 52

HEX #2C527B

RGB 44 82 123

HSL 211.14, 0.47%, 0.33%

LAB 33.98, 0.26, -27.29

 

CMYK 0 / 20 / 41 / 15

HEX #D8AD7F

RGB 216 173 127

HSL 31.01, 0.53%, 0.67%

LAB 73.56, 9.63, 29.57

 

CMYK 0 / 18 / 37 / 9

HEX #E9BF92

RGB 233 191 146

HSL 31.03, 0.66%, 0.74%

LAB 79.99, 8.95, 28.36

 

CMYK 0 / 16 / 34 / 2

HEX #FAD1A5

RGB 250 209 165

HSL 31.06, 0.89%, 0.81%

LAB 86.33, 8.35, 27.22

 

CMYK 0 / 11 / 28 / 0

HEX #FFE3B8

RGB 255 227 184

HSL 36.34, 1%, 0.86%

LAB 91.53, 3.34, 24.55

 

CMYK 0 / 4 / 20 / 0

HEX #FFF5CB

RGB 255 245 203

HSL 48.46, 1%, 0.9%

LAB 96.36, -3.21, 21.46

 

CMYK 0 / 18 / 37 / 17

HEX #D3AD84

RGB 211 173 132

HSL 31.14, 0.47%, 0.67%

LAB 73.16, 8.19, 26.28

 

CMYK 0 / 20 / 42 / 24

HEX #C29B71

RGB 194 155 113

HSL 31.11, 0.4%, 0.6%

LAB 66.6, 8.89, 27.52

 

CMYK 0 / 23 / 47 / 31

HEX #B1895E

RGB 177 137 94

HSL 31.08, 0.35%, 0.53%

LAB 59.93, 9.7, 28.85

 

CMYK 0 / 26 / 53 / 37

HEX #A0774B

RGB 160 119 75

HSL 31.06, 0.36%, 0.46%

LAB 53.14, 10.66, 30.3

 

CMYK 0 / 29 / 61 / 44

HEX #8F6538

RGB 143 101 56

HSL 31.03, 0.44%, 0.39%

LAB 46.22, 11.83, 31.85

 

CMYK 0 / 18 / 38 / 18

HEX #D2AC83

RGB 210 172 131

HSL 31.14, 0.47%, 0.67%

LAB 72.79, 8.21, 26.31

 

CMYK 0 / 28 / 38 / 18

HEX #D29783

RGB 210 151 131

HSL 15.19, 0.47%, 0.67%

LAB 67.63, 19.58, 19.31

 

CMYK 0 / 38 / 38 / 18

HEX #D28383

RGB 210 131 131

HSL 0, 0.47%, 0.67%

LAB 62.99, 30.41, 12.87

 

CMYK 0 / 18 / 38 / 18

HEX #D2AC83

RGB 210 172 131

HSL 31.14, 0.47%, 0.67%

LAB 72.79, 8.21, 26.31

 

CMYK 0 / 8 / 38 / 18

HEX #D2C283

RGB 210 194 131

HSL 47.85, 0.47%, 0.67%

LAB 78.42, -3.43, 33.74

 

CMYK 2 / 0 / 38 / 18

HEX #CED283

RGB 206 210 131

HSL 63.04, 0.47%, 0.67%

LAB 82.3, -13.21, 38.7

 

CMYK 12 / 0 / 38 / 18

HEX #B8D283

RGB 184 210 131

HSL 79.75, 0.47%, 0.67%

LAB 80.7, -21.65, 36.31

 

CMYK 22 / 0 / 38 / 18

HEX #A3D283

RGB 163 210 131

HSL 95.7, 0.47%, 0.67%

LAB 79.34, -29.36, 34.29

 

CMYK 0 / 18 / 38 / 18

HEX #D2AC83

RGB 210 172 131

HSL 31.14, 0.47%, 0.67%

LAB 72.79, 8.21, 26.31

 

CMYK 0 / 23 / 47 / 12

HEX #E0AD76

RGB 224 173 118

HSL 31.13, 0.63%, 0.67%

LAB 74.22, 11.93, 35.34

 

CMYK 0 / 27 / 56 / 7

HEX #EEAD68

RGB 238 173 104

HSL 30.9, 0.8%, 0.67%

LAB 75.49, 16.41, 44.45

 

CMYK 0 / 31 / 64 / 2

HEX #FBAE5A

RGB 251 174 90

HSL 31.3, 0.95%, 0.67%

LAB 76.99, 20.24, 53.43

 

CMYK 0 / 18 / 38 / 18

HEX #D2AC83

RGB 210 172 131

HSL 31.14, 0.47%, 0.67%

LAB 72.79, 8.21, 26.31

 

CMYK 0 / 13 / 26 / 23

HEX #C5AC91

RGB 197 172 145

HSL 31.15, 0.31%, 0.67%

LAB 71.84, 4.89, 17.23

 

CMYK 0 / 7 / 13 / 28

HEX #B7AB9F

RGB 183 171 159

HSL 30, 0.14%, 0.67%

LAB 70.66, 2.24, 7.72

HEX #B7AB9F

CMYK 1 / 1 / 0 / 33

HEX #AAABAC

RGB 170 171 172

HSL 210, 0.01%, 0.67%

LAB 69.93, -0.16, -0.65

HEX #AAABAC

CMYK 16 / 9 / 0 / 27

HEX #9CAABA

RGB 156 170 186

HSL 212, 0.18%, 0.67%

LAB 69.01, -1.52, -9.86

HEX #9CAABA

CMYK 0 / 38 / 37 / 18

HEX #D28385

RGB 210 131 133

HSL 358.48, 0.47%, 0.67%

LAB 63.03, 30.65, 11.8

 

CMYK 0 / 28 / 38 / 18

HEX #D29783

RGB 210 151 131

HSL 15.19, 0.47%, 0.67%

LAB 67.63, 19.58, 19.31

 

CMYK 0 / 18 / 38 / 18

HEX #D2AC83

RGB 210 172 131

HSL 31.14, 0.47%, 0.67%

LAB 72.79, 8.21, 26.31

 

CMYK 0 / 8 / 38 / 18

HEX #D2C183

RGB 210 193 131

HSL 47.09, 0.47%, 0.67%

LAB 78.16, -2.91, 33.41

 

CMYK 2 / 0 / 38 / 18

HEX #CED283

RGB 206 210 131

HSL 63.04, 0.47%, 0.67%

LAB 82.3, -13.21, 38.7

 

CMYK 0 / 30 / 62 / 26

HEX #BD8447

RGB 189 132 71

HSL 31.02, 0.47%, 0.51%

LAB 59.69, 15.61, 41.1

 

CMYK 0 / 24 / 49 / 22

HEX #C79865

RGB 199 152 101

HSL 31.22, 0.47%, 0.59%

LAB 66.17, 11.35, 33.52

 

CMYK 0 / 18 / 38 / 18

HEX #D2AC83

RGB 210 172 131

HSL 31.14, 0.47%, 0.67%

LAB 72.79, 8.21, 26.31

 

CMYK 0 / 13 / 27 / 13

HEX #DDC1A2

RGB 221 193 162

HSL 31.53, 0.46%, 0.75%

LAB 79.68, 5.27, 19.27

 

CMYK 0 / 8 / 17 / 9

HEX #E8D5C0

RGB 232 213 192

HSL 31.5, 0.47%, 0.83%

LAB 86.28, 3.21, 12.75

 

CMYK 0 / 18 / 37 / 17

HEX #D3AD84

RGB 211 173 132

HSL 31.14, 0.47%, 0.67%

LAB 73.16, 8.19, 26.28

 

CMYK 27 / 0 / 38 / 18

HEX #9AD283

RGB 154 210 131

HSL 102.53, 0.47%, 0.67%

LAB 78.81, -32.51, 33.5

 

CMYK 33 / 38 / 0 / 18

HEX #8D83D2

RGB 141 131 210

HSL 247.59, 0.47%, 0.67%

LAB 58.55, 21.83, -39.41

 

CMYK 0 / 18 / 37 / 17

HEX #D3AD84

RGB 211 173 132

HSL 31.14, 0.47%, 0.67%

LAB 73.16, 8.19, 26.28

 

CMYK 38 / 0 / 18 / 18

HEX #83D2AC

RGB 131 210 172

HSL 151.14, 0.47%, 0.67%

LAB 78.4, -32.67, 11.26

 

CMYK 18 / 38 / 0 / 18

HEX #AC83D2

RGB 172 131 210

HSL 271.14, 0.47%, 0.67%

LAB 61.36, 30.87, -34.82

 

CMYK 0 / 18 / 37 / 17

HEX #D3AD84

RGB 211 173 132

HSL 31.14, 0.47%, 0.67%

LAB 73.16, 8.19, 26.28

 

CMYK 27 / 0 / 38 / 18

HEX #9AD283

RGB 154 210 131

HSL 102.53, 0.47%, 0.67%

LAB 78.81, -32.51, 33.5

 

CMYK 38 / 19 / 0 / 18

HEX #83AAD2

RGB 131 170 210

HSL 210.38, 0.47%, 0.67%

LAB 68.19, -3.25, -24.52

 

CMYK 10 / 38 / 0 / 18

HEX #BC83D2

RGB 188 131 210

HSL 283.29, 0.47%, 0.67%

LAB 62.99, 35.73, -32.15

 

CMYK 0 / 18 / 37 / 17

HEX #D3AD84

RGB 211 173 132

HSL 31.14, 0.47%, 0.67%

LAB 73.16, 8.19, 26.28

 

CMYK 38 / 0 / 37 / 18

HEX #83D285

RGB 131 210 133

HSL 121.52, 0.47%, 0.67%

LAB 77.65, -39.75, 30.72

 

CMYK 38 / 19 / 0 / 18

HEX #83AAD2

RGB 131 170 210

HSL 210.38, 0.47%, 0.67%

LAB 68.19, -3.25, -24.52

 

CMYK 0 / 38 / 0 / 18

HEX #D283D1

RGB 210 131 209

HSL 300.76, 0.47%, 0.67%

LAB 65.39, 42.33, -27.69

 

Description

Color code: HEX #D3AD84 | qconv.com Color code: HEX #D3AD84 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 173 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 173 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 37 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 37% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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