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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3AA5E it is the complementary color #2C55A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3AA5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3AA5E shade: #D8AA59, #E9BC6C, #FACE7F, #FFE092 and #FFF2A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3AA5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3AA5E shade: #D3AA5E, #C2984B, #B18638, #A07425 and #8F6212

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3AA5E shade: #D3AA5F, #D38B5F, #D36C5F and #D35F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3AA5E shade: #D3AA5F, #D3CA5F, #BDD35F, #9ED35F and #7ED35F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3AA5E shade matches the following richer shades: #D3AA5F, #E4AF4E and #F4B43E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3AA5E shade: #D3AA5F, #C3A56F, #B2A180, #A29C90 and #9197A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3AA5E shade: #D36A5F, #D3895F, #D3A95F, #D3C85F and #C0D35F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3AA5E shade: #AF8330, #CA993E, #D3AA5F, #DCBB7F and #E5CDA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3AA5E shade: #D3AA5E, #72D35F and #7A5FD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3AA5E shade: #D3AA5E, #5FD3A9 and #A95FD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3AA5E shade: #D3AA5E, #72D35F, #5F89D3 and #C05FD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3AA5E shade: #D3AA5E, #5FD36E, #5F89D3 and #D35FC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 55 / 17

HEX #D3AA5E

RGB 211 170 94

HSL 38.97, 0.57%, 0.6%

LAB 71.83, 6.03, 44.4

 

Complementary color

CMYK 73 / 47 / 0 / 37

HEX #2C55A1

RGB 44 85 161

HSL 218.97, 0.57%, 0.4%

LAB 37.13, 12.59, -45.42

 

CMYK 0 / 21 / 59 / 15

HEX #D8AA59

RGB 216 170 89

HSL 38.27, 0.62%, 0.6%

LAB 72.28, 7.74, 47.52

 

CMYK 0 / 19 / 54 / 9

HEX #E9BC6C

RGB 233 188 108

HSL 38.4, 0.74%, 0.67%

LAB 78.68, 6.77, 46.2

 

CMYK 0 / 18 / 49 / 2

HEX #FACE7F

RGB 250 206 127

HSL 38.54, 0.92%, 0.74%

LAB 85, 5.93, 44.9

 

CMYK 0 / 12 / 43 / 0

HEX #FFE092

RGB 255 224 146

HSL 42.94, 1%, 0.79%

LAB 90.16, 0.49, 42.05

 

CMYK 0 / 5 / 35 / 0

HEX #FFF2A5

RGB 255 242 165

HSL 51.33, 1%, 0.82%

LAB 94.94, -6.54, 38.77

 

CMYK 0 / 19 / 55 / 17

HEX #D3AA5E

RGB 211 170 94

HSL 38.97, 0.57%, 0.6%

LAB 71.83, 6.03, 44.4

 

CMYK 0 / 22 / 61 / 24

HEX #C2984B

RGB 194 152 75

HSL 38.82, 0.49%, 0.53%

LAB 65.31, 7.06, 45.72

 

CMYK 0 / 24 / 68 / 31

HEX #B18638

RGB 177 134 56

HSL 38.68, 0.52%, 0.46%

LAB 58.68, 8.29, 46.96

 

CMYK 0 / 28 / 77 / 37

HEX #A07425

RGB 160 116 37

HSL 38.54, 0.62%, 0.39%

LAB 51.95, 9.76, 47.91

 

CMYK 0 / 31 / 87 / 44

HEX #8F6212

RGB 143 98 18

HSL 38.4, 0.78%, 0.32%

LAB 45.11, 11.55, 48.05

 

CMYK 0 / 19 / 55 / 17

HEX #D3AA5F

RGB 211 170 95

HSL 38.79, 0.57%, 0.6%

LAB 71.84, 6.11, 43.91

 

CMYK 0 / 34 / 55 / 17

HEX #D38B5F

RGB 211 139 95

HSL 22.76, 0.57%, 0.6%

LAB 64.27, 22.86, 34.63

 

CMYK 0 / 49 / 55 / 17

HEX #D36C5F

RGB 211 108 95

HSL 6.72, 0.57%, 0.6%

LAB 57.46, 39.3, 25.9

 

CMYK 0 / 55 / 55 / 17

HEX #D35F5F

RGB 211 95 95

HSL 0, 0.57%, 0.6%

LAB 54.93, 45.78, 22.56

 

CMYK 0 / 19 / 55 / 17

HEX #D3AA5F

RGB 211 170 95

HSL 38.79, 0.57%, 0.6%

LAB 71.84, 6.11, 43.91

 

CMYK 0 / 4 / 55 / 17

HEX #D3CA5F

RGB 211 202 95

HSL 55.34, 0.57%, 0.6%

LAB 80.13, -10.6, 53.64

 

CMYK 10 / 0 / 55 / 17

HEX #BDD35F

RGB 189 211 95

HSL 71.38, 0.57%, 0.6%

LAB 80.87, -23.99, 54.04

 

CMYK 25 / 0 / 55 / 17

HEX #9ED35F

RGB 158 211 95

HSL 87.41, 0.57%, 0.6%

LAB 78.86, -35.87, 51.2

 

CMYK 40 / 0 / 55 / 17

HEX #7ED35F

RGB 126 211 95

HSL 103.97, 0.57%, 0.6%

LAB 77.19, -46.88, 48.83

 

CMYK 0 / 19 / 55 / 17

HEX #D3AA5F

RGB 211 170 95

HSL 38.79, 0.57%, 0.6%

LAB 71.84, 6.11, 43.91

 

CMYK 0 / 23 / 66 / 11

HEX #E4AF4E

RGB 228 175 78

HSL 38.8, 0.74%, 0.6%

LAB 74.64, 9.42, 55.69

 

CMYK 0 / 26 / 75 / 4

HEX #F4B43E

RGB 244 180 62

HSL 38.9, 0.89%, 0.6%

LAB 77.41, 12.74, 65.8

 

CMYK 0 / 19 / 55 / 17

HEX #D3AA5F

RGB 211 170 95

HSL 38.79, 0.57%, 0.6%

LAB 71.84, 6.11, 43.91

 

CMYK 0 / 15 / 43 / 24

HEX #C3A56F

RGB 195 165 111

HSL 38.57, 0.41%, 0.6%

LAB 69.23, 3.65, 32.04

 

CMYK 0 / 10 / 28 / 30

HEX #B2A180

RGB 178 161 128

HSL 39.6, 0.25%, 0.6%

LAB 66.91, 1.01, 19.47

 

CMYK 0 / 4 / 11 / 36

HEX #A29C90

RGB 162 156 144

HSL 40, 0.09%, 0.6%

LAB 64.54, 0.03, 7.05

 

CMYK 10 / 6 / 0 / 37

HEX #9197A1

RGB 145 151 161

HSL 217.5, 0.08%, 0.6%

LAB 62.28, -0.11, -5.99

 

CMYK 0 / 50 / 55 / 17

HEX #D36A5F

RGB 211 106 95

HSL 5.69, 0.57%, 0.6%

LAB 57.06, 40.32, 25.37

 

CMYK 0 / 35 / 55 / 17

HEX #D3895F

RGB 211 137 95

HSL 21.72, 0.57%, 0.6%

LAB 63.81, 23.94, 34.04

 

CMYK 0 / 20 / 55 / 17

HEX #D3A95F

RGB 211 169 95

HSL 38.28, 0.57%, 0.6%

LAB 71.59, 6.64, 43.61

 

CMYK 0 / 5 / 55 / 17

HEX #D3C85F

RGB 211 200 95

HSL 54.31, 0.57%, 0.6%

LAB 79.6, -9.58, 53.04

 

CMYK 9 / 0 / 55 / 17

HEX #C0D35F

RGB 192 211 95

HSL 69.83, 0.57%, 0.6%

LAB 81.08, -22.8, 54.34

 

CMYK 0 / 25 / 73 / 31

HEX #AF8330

RGB 175 131 48

HSL 39.21, 0.57%, 0.44%

LAB 57.62, 8.62, 49.4

 

CMYK 0 / 24 / 69 / 21

HEX #CA993E

RGB 202 153 62

HSL 39, 0.57%, 0.52%

LAB 66.28, 9.17, 53.11

 

CMYK 0 / 19 / 55 / 17

HEX #D3AA5F

RGB 211 170 95

HSL 38.79, 0.57%, 0.6%

LAB 71.84, 6.11, 43.91

 

CMYK 0 / 15 / 42 / 14

HEX #DCBB7F

RGB 220 187 127

HSL 38.71, 0.57%, 0.68%

LAB 77.45, 3.79, 34.74

 

CMYK 0 / 10 / 30 / 10

HEX #E5CDA0

RGB 229 205 160

HSL 39.13, 0.57%, 0.76%

LAB 83.37, 1.77, 25.5

 

CMYK 0 / 19 / 55 / 17

HEX #D3AA5E

RGB 211 170 94

HSL 38.97, 0.57%, 0.6%

LAB 71.83, 6.03, 44.4

 

CMYK 46 / 0 / 55 / 17

HEX #72D35F

RGB 114 211 95

HSL 110.17, 0.57%, 0.6%

LAB 76.67, -50.54, 48.09

 

CMYK 42 / 55 / 0 / 17

HEX #7A5FD3

RGB 122 95 211

HSL 253.97, 0.57%, 0.6%

LAB 48.29, 38.37, -56.39

 

CMYK 0 / 19 / 55 / 17

HEX #D3AA5E

RGB 211 170 94

HSL 38.97, 0.57%, 0.6%

LAB 71.83, 6.03, 44.4

 

CMYK 55 / 0 / 20 / 17

HEX #5FD3A9

RGB 95 211 169

HSL 158.28, 0.57%, 0.6%

LAB 77.21, -42.8, 10.97

 

CMYK 20 / 55 / 0 / 17

HEX #A95FD3

RGB 169 95 211

HSL 278.28, 0.57%, 0.6%

LAB 53.3, 49.89, -48.09

 

CMYK 0 / 19 / 55 / 17

HEX #D3AA5E

RGB 211 170 94

HSL 38.97, 0.57%, 0.6%

LAB 71.83, 6.03, 44.4

 

CMYK 46 / 0 / 55 / 17

HEX #72D35F

RGB 114 211 95

HSL 110.17, 0.57%, 0.6%

LAB 76.67, -50.54, 48.09

 

CMYK 55 / 35 / 0 / 17

HEX #5F89D3

RGB 95 137 211

HSL 218.28, 0.57%, 0.6%

LAB 57.1, 7.06, -42.47

 

CMYK 9 / 55 / 0 / 17

HEX #C05FD3

RGB 192 95 211

HSL 290.17, 0.57%, 0.6%

LAB 56.18, 55.88, -43.34

 

CMYK 0 / 19 / 55 / 17

HEX #D3AA5E

RGB 211 170 94

HSL 38.97, 0.57%, 0.6%

LAB 71.83, 6.03, 44.4

 

CMYK 55 / 0 / 48 / 17

HEX #5FD36E

RGB 95 211 110

HSL 127.76, 0.57%, 0.6%

LAB 76.16, -53.7, 40.12

 

CMYK 55 / 35 / 0 / 17

HEX #5F89D3

RGB 95 137 211

HSL 218.28, 0.57%, 0.6%

LAB 57.1, 7.06, -42.47

 

CMYK 0 / 55 / 7 / 17

HEX #D35FC4

RGB 211 95 196

HSL 307.76, 0.57%, 0.6%

LAB 58.05, 58.34, -31.69

 

Description

Color code: HEX #D3AA5E | qconv.com Color code: HEX #D3AA5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 170 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 170 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 55 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 55% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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