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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D39B4F it is the complementary color #2C64B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D39B4F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D39B4F shade: #D89B4A, #E9AD5D, #FABF70, #FFD183 and #FFE396

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D39B4F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D39B4F shade: #D39B4F, #C2893C, #B17729, #A06516 and #8F5303

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D39B4F shade: #D39B50, #D37850, #D35450 and #D35050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D39B4F shade: #D39B50, #D3BF50, #C4D350, #A1D350 and #7DD350

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D39B4F shade matches the following richer shades: #D39B50, #E59E3E and #F7A12C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D39B4F shade: #D39B50, #C19961, #B09673, #9E9385 and #8C9197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D39B4F shade: #D35450, #D37750, #D39A50, #D3BD50 and #C6D350

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D39B4F shade: #A7722A, #C88832, #D39B50, #DBAE71 and #E4C192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D39B4F shade: #D39B4F, #6ED350 and #6550D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D39B4F shade: #D39B4F, #50D39A and #9A50D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D39B4F shade: #D39B4F, #6ED350, #5089D3 and #B450D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D39B4F shade: #D39B4F, #50D358, #5089D3 and #D350CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 63 / 17

HEX #D39B4F

RGB 211 155 79

HSL 34.55, 0.6%, 0.57%

LAB 67.91, 12.98, 47.23

 

Complementary color

CMYK 75 / 43 / 0 / 31

HEX #2C64B0

RGB 44 100 176

HSL 214.55, 0.6%, 0.43%

LAB 42.44, 8.56, -45.79

 

CMYK 0 / 28 / 66 / 15

HEX #D89B4A

RGB 216 155 74

HSL 34.23, 0.65%, 0.57%

LAB 68.41, 14.79, 50.35

 

CMYK 0 / 26 / 60 / 9

HEX #E9AD5D

RGB 233 173 93

HSL 34.29, 0.76%, 0.64%

LAB 74.83, 13.54, 48.99

 

CMYK 0 / 24 / 55 / 2

HEX #FABF70

RGB 250 191 112

HSL 34.35, 0.93%, 0.71%

LAB 81.16, 12.46, 47.62

 

CMYK 0 / 18 / 49 / 0

HEX #FFD183

RGB 255 209 131

HSL 37.74, 1%, 0.76%

LAB 86.26, 6.73, 44.58

 

CMYK 0 / 11 / 41 / 0

HEX #FFE396

RGB 255 227 150

HSL 44, 1%, 0.79%

LAB 90.96, -0.63, 41.09

 

CMYK 0 / 27 / 63 / 17

HEX #D39B4F

RGB 211 155 79

HSL 34.55, 0.6%, 0.57%

LAB 67.91, 12.98, 47.23

 

CMYK 0 / 29 / 69 / 24

HEX #C2893C

RGB 194 137 60

HSL 34.48, 0.53%, 0.5%

LAB 61.38, 14.32, 48.56

 

CMYK 0 / 33 / 77 / 31

HEX #B17729

RGB 177 119 41

HSL 34.41, 0.62%, 0.43%

LAB 54.76, 15.89, 49.65

 

CMYK 0 / 37 / 86 / 37

HEX #A06516

RGB 160 101 22

HSL 34.35, 0.76%, 0.36%

LAB 48.06, 17.76, 50.09

 

CMYK 0 / 42 / 98 / 44

HEX #8F5303

RGB 143 83 3

HSL 34.29, 0.96%, 0.29%

LAB 41.27, 19.93, 49.27

 

CMYK 0 / 27 / 62 / 17

HEX #D39B50

RGB 211 155 80

HSL 34.35, 0.6%, 0.57%

LAB 67.93, 13.05, 46.75

 

CMYK 0 / 43 / 62 / 17

HEX #D37850

RGB 211 120 80

HSL 18.32, 0.6%, 0.57%

LAB 59.76, 31.91, 37.14

 

CMYK 0 / 60 / 62 / 17

HEX #D35450

RGB 211 84 80

HSL 1.83, 0.6%, 0.57%

LAB 52.7, 49.85, 28.39

 

CMYK 0 / 62 / 62 / 17

HEX #D35050

RGB 211 80 80

HSL 0, 0.6%, 0.57%

LAB 52.02, 51.64, 27.54

 

CMYK 0 / 27 / 62 / 17

HEX #D39B50

RGB 211 155 80

HSL 34.35, 0.6%, 0.57%

LAB 67.93, 13.05, 46.75

 

CMYK 0 / 9 / 62 / 17

HEX #D3BF50

RGB 211 191 80

HSL 50.84, 0.6%, 0.57%

LAB 77.09, -6.04, 57

 

CMYK 7 / 0 / 62 / 17

HEX #C4D350

RGB 196 211 80

HSL 66.87, 0.6%, 0.57%

LAB 81.24, -22.33, 61.12

 

CMYK 24 / 0 / 62 / 17

HEX #A1D350

RGB 161 211 80

HSL 82.9, 0.6%, 0.57%

LAB 78.89, -36.09, 57.9

 

CMYK 41 / 0 / 62 / 17

HEX #7DD350

RGB 125 211 80

HSL 99.39, 0.6%, 0.57%

LAB 77, -48.72, 55.27

 

CMYK 0 / 27 / 62 / 17

HEX #D39B50

RGB 211 155 80

HSL 34.35, 0.6%, 0.57%

LAB 67.93, 13.05, 46.75

 

CMYK 0 / 31 / 73 / 10

HEX #E59E3E

RGB 229 158 62

HSL 34.49, 0.76%, 0.57%

LAB 70.5, 18.05, 58.4

 

CMYK 0 / 35 / 82 / 3

HEX #F7A12C

RGB 247 161 44

HSL 34.58, 0.93%, 0.57%

LAB 73.18, 23.36, 68.5

 

CMYK 0 / 27 / 62 / 17

HEX #D39B50

RGB 211 155 80

HSL 34.35, 0.6%, 0.57%

LAB 67.93, 13.05, 46.75

 

CMYK 0 / 21 / 50 / 24

HEX #C19961

RGB 193 153 97

HSL 35, 0.44%, 0.57%

LAB 65.74, 7.91, 34.97

 

CMYK 0 / 15 / 35 / 31

HEX #B09673

RGB 176 150 115

HSL 34.43, 0.28%, 0.57%

LAB 63.57, 4.5, 22.07

 

CMYK 0 / 7 / 16 / 38

HEX #9E9385

RGB 158 147 133

HSL 33.6, 0.11%, 0.57%

LAB 61.51, 1.62, 8.87

 

CMYK 7 / 4 / 0 / 41

HEX #8C9197

RGB 140 145 151

HSL 212.73, 0.05%, 0.57%

LAB 59.94, -0.59, -3.81

 

CMYK 0 / 60 / 62 / 17

HEX #D35450

RGB 211 84 80

HSL 1.83, 0.6%, 0.57%

LAB 52.7, 49.85, 28.39

 

CMYK 0 / 44 / 62 / 17

HEX #D37750

RGB 211 119 80

HSL 17.86, 0.6%, 0.57%

LAB 59.55, 32.44, 36.87

 

CMYK 0 / 27 / 62 / 17

HEX #D39A50

RGB 211 154 80

HSL 33.89, 0.6%, 0.57%

LAB 67.68, 13.59, 46.47

 

CMYK 0 / 10 / 62 / 17

HEX #D3BD50

RGB 211 189 80

HSL 49.92, 0.6%, 0.57%

LAB 76.57, -5.01, 56.43

 

CMYK 6 / 0 / 62 / 17

HEX #C6D350

RGB 198 211 80

HSL 65.95, 0.6%, 0.57%

LAB 81.39, -21.51, 61.32

 

CMYK 0 / 32 / 75 / 35

HEX #A7722A

RGB 167 114 42

HSL 34.56, 0.6%, 0.41%

LAB 52.31, 14.29, 46.38

 

CMYK 0 / 32 / 75 / 22

HEX #C88832

RGB 200 136 50

HSL 34.4, 0.6%, 0.49%

LAB 61.76, 16.97, 53.63

 

CMYK 0 / 27 / 62 / 17

HEX #D39B50

RGB 211 155 80

HSL 34.35, 0.6%, 0.57%

LAB 67.93, 13.05, 46.75

 

CMYK 0 / 21 / 48 / 14

HEX #DBAE71

RGB 219 174 113

HSL 34.53, 0.6%, 0.65%

LAB 73.88, 8.88, 37.42

 

CMYK 0 / 15 / 36 / 11

HEX #E4C192

RGB 228 193 146

HSL 34.39, 0.6%, 0.73%

LAB 80.02, 5.94, 28.31

 

CMYK 0 / 27 / 63 / 17

HEX #D39B4F

RGB 211 155 79

HSL 34.55, 0.6%, 0.57%

LAB 67.91, 12.98, 47.23

 

CMYK 48 / 0 / 62 / 17

HEX #6ED350

RGB 110 211 80

HSL 106.26, 0.6%, 0.57%

LAB 76.36, -53.31, 54.39

 

CMYK 52 / 62 / 0 / 17

HEX #6550D3

RGB 101 80 211

HSL 249.62, 0.6%, 0.57%

LAB 43.07, 42.73, -64.91

 

CMYK 0 / 27 / 63 / 17

HEX #D39B4F

RGB 211 155 79

HSL 34.55, 0.6%, 0.57%

LAB 67.91, 12.98, 47.23

 

CMYK 62 / 0 / 27 / 17

HEX #50D39A

RGB 80 211 154

HSL 153.89, 0.6%, 0.57%

LAB 76.45, -49.1, 17.81

 

CMYK 27 / 62 / 0 / 17

HEX #9A50D3

RGB 154 80 211

HSL 273.89, 0.6%, 0.57%

LAB 48.65, 53.85, -55.63

 

CMYK 0 / 27 / 63 / 17

HEX #D39B4F

RGB 211 155 79

HSL 34.55, 0.6%, 0.57%

LAB 67.91, 12.98, 47.23

 

CMYK 48 / 0 / 62 / 17

HEX #6ED350

RGB 110 211 80

HSL 106.26, 0.6%, 0.57%

LAB 76.36, -53.31, 54.39

 

CMYK 62 / 35 / 0 / 17

HEX #5089D3

RGB 80 137 211

HSL 213.89, 0.6%, 0.57%

LAB 56.39, 4.07, -43.64

 

CMYK 15 / 62 / 0 / 17

HEX #B450D3

RGB 180 80 211

HSL 285.8, 0.6%, 0.57%

LAB 52, 59.91, -50.08

 

CMYK 0 / 27 / 63 / 17

HEX #D39B4F

RGB 211 155 79

HSL 34.55, 0.6%, 0.57%

LAB 67.91, 12.98, 47.23

 

CMYK 62 / 0 / 58 / 17

HEX #50D358

RGB 80 211 88

HSL 123.66, 0.6%, 0.57%

LAB 75.45, -60.05, 49.57

 

CMYK 62 / 35 / 0 / 17

HEX #5089D3

RGB 80 137 211

HSL 213.89, 0.6%, 0.57%

LAB 56.39, 4.07, -43.64

 

CMYK 0 / 62 / 4 / 17

HEX #D350CA

RGB 211 80 202

HSL 304.12, 0.6%, 0.57%

LAB 55.94, 65.84, -38.42

 

Description

Color code: HEX #D39B4F | qconv.com Color code: HEX #D39B4F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 155 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 155 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 63 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 63% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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