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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D39AEC it is the complementary color #2C6513. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D39AEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D39AEC shade: #D89AE7, #E9ACFA, #FABEFF, #FFD0FF and #FFE2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D39AEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D39AEC shade: #D39AEC, #C288D9, #B176C6, #A064B3 and #8F52A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D39AEC shade: #D298EB, #E898EB, #EB98D8, #EB98C1 and #EB98AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D39AEC shade: #D298EB, #BC98EB, #A598EB and #9898EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D39AEC shade matches the following richer shades: #D298EB and #D68EF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D39AEC shade: #D298EB, #CEA2E2, #CAACD8, #C6B6CE and #C3C0C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D39AEC shade: #A598EB, #BB98EB, #D198EB, #E798EB and #EB98D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D39AEC shade: #B453DE, #C376E5, #D298EB, #E1BBF2 and #F0DDF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D39AEC shade: #D39AEC, #EB98A2 and #98EBB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D39AEC shade: #D39AEC, #EBD198 and #98EBD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D39AEC shade: #D39AEC, #EB98A2, #B3EB98 and #98EBE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D39AEC shade: #D39AEC, #EBA798, #B3EB98 and #98DCEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 35 / 0 / 7

HEX #D39AEC

RGB 211 154 236

HSL 281.71, 0.68%, 0.76%

LAB 71.57, 35.55, -33.06

 

Complementary color

CMYK 56 / 0 / 81 / 60

HEX #2C6513

RGB 44 101 19

HSL 101.71, 0.68%, 0.24%

LAB 37.64, -34.26, 37.86

 

CMYK 6 / 33 / 0 / 9

HEX #D89AE7

RGB 216 154 231

HSL 288.31, 0.62%, 0.75%

LAB 71.88, 36.09, -29.8

 

CMYK 7 / 31 / 0 / 2

HEX #E9ACFA

RGB 233 172 250

HSL 286.92, 0.89%, 0.83%

LAB 78.3, 35.41, -30.08

 

CMYK 2 / 25 / 0 / 0

HEX #FABEFF

RGB 250 190 255

HSL 295.38, 1%, 0.87%

LAB 84.16, 32.14, -23.66

 

CMYK 0 / 18 / 0 / 0

HEX #FFD0FF

RGB 255 208 255

HSL 300, 1%, 0.91%

LAB 88.73, 24.27, -16.71

 

CMYK 0 / 11 / 0 / 0

HEX #FFE2FF

RGB 255 226 255

HSL 300, 1%, 0.94%

LAB 92.96, 14.86, -10.39

 

CMYK 11 / 35 / 0 / 7

HEX #D39AEC

RGB 211 154 236

HSL 281.71, 0.68%, 0.76%

LAB 71.57, 35.55, -33.06

 

CMYK 11 / 37 / 0 / 15

HEX #C288D9

RGB 194 136 217

HSL 282.96, 0.52%, 0.69%

LAB 65.03, 36.27, -32.84

 

CMYK 11 / 40 / 0 / 22

HEX #B176C6

RGB 177 118 198

HSL 284.25, 0.41%, 0.62%

LAB 58.4, 37.03, -32.62

 

CMYK 11 / 44 / 0 / 30

HEX #A064B3

RGB 160 100 179

HSL 285.57, 0.34%, 0.55%

LAB 51.66, 37.82, -32.37

 

CMYK 11 / 49 / 0 / 37

HEX #8F52A0

RGB 143 82 160

HSL 286.92, 0.32%, 0.47%

LAB 44.82, 38.63, -32.08

 

CMYK 11 / 35 / 0 / 8

HEX #D298EB

RGB 210 152 235

HSL 281.93, 0.67%, 0.76%

LAB 70.98, 36.12, -33.43

 

CMYK 1 / 35 / 0 / 8

HEX #E898EB

RGB 232 152 235

HSL 297.83, 0.67%, 0.76%

LAB 73.29, 42.85, -29.67

 

CMYK 0 / 35 / 8 / 8

HEX #EB98D8

RGB 235 152 216

HSL 313.73, 0.67%, 0.76%

LAB 72.94, 40.44, -19.77

 

CMYK 0 / 35 / 18 / 8

HEX #EB98C1

RGB 235 152 193

HSL 330.36, 0.67%, 0.76%

LAB 72.21, 36.74, -8.19

 

CMYK 0 / 35 / 27 / 8

HEX #EB98AB

RGB 235 152 171

HSL 346.27, 0.67%, 0.76%

LAB 71.59, 33.56, 3.1

 

CMYK 11 / 35 / 0 / 8

HEX #D298EB

RGB 210 152 235

HSL 281.93, 0.67%, 0.76%

LAB 70.98, 36.12, -33.43

 

CMYK 20 / 35 / 0 / 8

HEX #BC98EB

RGB 188 152 235

HSL 266.02, 0.67%, 0.76%

LAB 68.86, 29.52, -36.89

 

CMYK 30 / 35 / 0 / 8

HEX #A598EB

RGB 165 152 235

HSL 249.4, 0.67%, 0.76%

LAB 66.87, 22.87, -40.15

 

CMYK 35 / 35 / 0 / 8

HEX #9898EB

RGB 152 152 235

HSL 240, 0.67%, 0.76%

LAB 65.85, 19.29, -41.81

 

CMYK 11 / 35 / 0 / 8

HEX #D298EB

RGB 210 152 235

HSL 281.93, 0.67%, 0.76%

LAB 70.98, 36.12, -33.43

 

CMYK 13 / 42 / 0 / 4

HEX #D68EF5

RGB 214 142 245

HSL 281.94, 0.84%, 0.76%

LAB 69.64, 44.7, -40.96

 

CMYK 11 / 35 / 0 / 8

HEX #D298EB

RGB 210 152 235

HSL 281.93, 0.67%, 0.76%

LAB 70.98, 36.12, -33.43

 

CMYK 9 / 28 / 0 / 11

HEX #CEA2E2

RGB 206 162 226

HSL 281.25, 0.52%, 0.76%

LAB 72.53, 27.61, -26.15

 

CMYK 6 / 20 / 0 / 15

HEX #CAACD8

RGB 202 172 216

HSL 280.91, 0.36%, 0.76%

LAB 74.2, 18.83, -18.18

 

CMYK 4 / 12 / 0 / 19

HEX #C6B6CE

RGB 198 182 206

HSL 280, 0.2%, 0.76%

LAB 76.02, 10.08, -10.03

 

CMYK 1 / 2 / 0 / 23

HEX #C3C0C4

RGB 195 192 196

HSL 285, 0.03%, 0.76%

LAB 78.04, 1.78, -1.65

 

CMYK 30 / 35 / 0 / 8

HEX #A598EB

RGB 165 152 235

HSL 249.4, 0.67%, 0.76%

LAB 66.87, 22.87, -40.15

 

CMYK 20 / 35 / 0 / 8

HEX #BB98EB

RGB 187 152 235

HSL 265.3, 0.67%, 0.76%

LAB 68.77, 29.23, -37.04

 

CMYK 11 / 35 / 0 / 8

HEX #D198EB

RGB 209 152 235

HSL 281.2, 0.67%, 0.76%

LAB 70.88, 35.82, -33.6

 

CMYK 2 / 35 / 0 / 8

HEX #E798EB

RGB 231 152 235

HSL 297.11, 0.67%, 0.76%

LAB 73.18, 42.54, -29.85

 

CMYK 0 / 35 / 8 / 8

HEX #EB98D9

RGB 235 152 217

HSL 313.01, 0.67%, 0.76%

LAB 72.98, 40.61, -20.27

 

CMYK 19 / 63 / 0 / 13

HEX #B453DE

RGB 180 83 222

HSL 281.87, 0.68%, 0.6%

LAB 53.13, 60.76, -54.52

 

CMYK 15 / 48 / 0 / 10

HEX #C376E5

RGB 195 118 229

HSL 281.62, 0.68%, 0.68%

LAB 61.84, 48.7, -44.51

 

CMYK 11 / 35 / 0 / 8

HEX #D298EB

RGB 210 152 235

HSL 281.93, 0.67%, 0.76%

LAB 70.98, 36.12, -33.43

 

CMYK 7 / 23 / 0 / 5

HEX #E1BBF2

RGB 225 187 242

HSL 281.45, 0.68%, 0.84%

LAB 80.72, 23.29, -22.17

 

CMYK 4 / 11 / 0 / 2

HEX #F0DDF9

RGB 240 221 249

HSL 280.71, 0.7%, 0.92%

LAB 90.36, 11.46, -11.25

 

CMYK 11 / 35 / 0 / 7

HEX #D39AEC

RGB 211 154 236

HSL 281.71, 0.68%, 0.76%

LAB 71.57, 35.55, -33.06

 

CMYK 0 / 35 / 31 / 8

HEX #EB98A2

RGB 235 152 162

HSL 352.77, 0.67%, 0.76%

LAB 71.37, 32.37, 7.77

 

CMYK 35 / 0 / 25 / 8

HEX #98EBB0

RGB 152 235 176

HSL 137.35, 0.67%, 0.76%

LAB 86.62, -37.36, 20.82

 

CMYK 11 / 35 / 0 / 7

HEX #D39AEC

RGB 211 154 236

HSL 281.71, 0.68%, 0.76%

LAB 71.57, 35.55, -33.06

 

CMYK 0 / 11 / 35 / 8

HEX #EBD198

RGB 235 209 152

HSL 41.2, 0.67%, 0.76%

LAB 84.76, 1.03, 31.62

 

CMYK 35 / 0 / 11 / 8

HEX #98EBD1

RGB 152 235 209

HSL 161.2, 0.67%, 0.76%

LAB 87.34, -30.88, 4.64

 

CMYK 11 / 35 / 0 / 7

HEX #D39AEC

RGB 211 154 236

HSL 281.71, 0.68%, 0.76%

LAB 71.57, 35.55, -33.06

 

CMYK 0 / 35 / 31 / 8

HEX #EB98A2

RGB 235 152 162

HSL 352.77, 0.67%, 0.76%

LAB 71.37, 32.37, 7.77

 

CMYK 24 / 0 / 35 / 8

HEX #B3EB98

RGB 179 235 152

HSL 100.48, 0.67%, 0.76%

LAB 87.61, -32.59, 34.67

 

CMYK 35 / 0 / 4 / 8

HEX #98EBE2

RGB 152 235 226

HSL 173.49, 0.67%, 0.76%

LAB 87.77, -27.15, -3.64

 

CMYK 11 / 35 / 0 / 7

HEX #D39AEC

RGB 211 154 236

HSL 281.71, 0.68%, 0.76%

LAB 71.57, 35.55, -33.06

 

CMYK 0 / 29 / 35 / 8

HEX #EBA798

RGB 235 167 152

HSL 10.84, 0.67%, 0.76%

LAB 74.55, 23.16, 17.76

 

CMYK 24 / 0 / 35 / 8

HEX #B3EB98

RGB 179 235 152

HSL 100.48, 0.67%, 0.76%

LAB 87.61, -32.59, 34.67

 

CMYK 35 / 6 / 0 / 8

HEX #98DCEB

RGB 152 220 235

HSL 190.84, 0.67%, 0.76%

LAB 83.89, -17.64, -14.14

 

Description

Color code: HEX #D39AEC | qconv.com Color code: HEX #D39AEC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 154 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 154 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 35 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 35% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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