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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D39365 it is the complementary color #2C6C9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D39365. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D39365 shade: #D89360, #E9A573, #FAB786, #FFC999 and #FFDBAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D39365. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D39365 shade: #D39365, #C28152, #B16F3F, #A05D2C and #8F4B19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D39365 shade: #D39264, #D37464 and #D36464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D39365 shade: #D39264, #D3B064, #D3CF64, #BAD364 and #9CD364

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D39365 shade matches the following richer shades: #D39264, #E39054 and #F38D44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D39365 shade: #D39264, #C39574, #B39884, #A39A94 and #939DA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D39365 shade: #D36471, #D37564, #D39264, #D3B064 and #D3CE64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D39365 shade: #B26832, #CA7C44, #D39264, #DCA984 and #E5BFA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D39365 shade: #D39365, #8FD364 and #6664D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D39365 shade: #D39365, #64D392 and #9264D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D39365 shade: #D39365, #8FD364, #64A5D3 and #A964D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D39365 shade: #D39365, #6DD364, #64A5D3 and #CA64D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 52 / 17

HEX #D39365

RGB 211 147 101

HSL 25.09, 0.56%, 0.61%

LAB 66.26, 19.04, 33.91

 

Complementary color

CMYK 71 / 30 / 0 / 40

HEX #2C6C9A

RGB 44 108 154

HSL 205.09, 0.56%, 0.39%

LAB 43.64, -4.64, -30.9

 

CMYK 0 / 32 / 56 / 15

HEX #D89360

RGB 216 147 96

HSL 25.5, 0.61%, 0.61%

LAB 66.76, 20.66, 37.32

 

CMYK 0 / 29 / 51 / 9

HEX #E9A573

RGB 233 165 115

HSL 25.42, 0.73%, 0.68%

LAB 73.2, 19.55, 35.81

 

CMYK 0 / 27 / 46 / 2

HEX #FAB786

RGB 250 183 134

HSL 25.34, 0.92%, 0.75%

LAB 79.56, 18.57, 34.41

 

CMYK 0 / 21 / 40 / 0

HEX #FFC999

RGB 255 201 153

HSL 28.24, 1%, 0.8%

LAB 84.66, 13.06, 31.3

 

CMYK 0 / 14 / 33 / 0

HEX #FFDBAC

RGB 255 219 172

HSL 33.98, 1%, 0.84%

LAB 89.35, 5.93, 27.76

 

CMYK 0 / 30 / 52 / 17

HEX #D39365

RGB 211 147 101

HSL 25.09, 0.56%, 0.61%

LAB 66.26, 19.04, 33.91

 

CMYK 0 / 34 / 58 / 24

HEX #C28152

RGB 194 129 82

HSL 25.18, 0.48%, 0.54%

LAB 59.69, 20.21, 35.47

 

CMYK 0 / 37 / 64 / 31

HEX #B16F3F

RGB 177 111 63

HSL 25.26, 0.48%, 0.47%

LAB 53.03, 21.58, 37.15

 

CMYK 0 / 42 / 73 / 37

HEX #A05D2C

RGB 160 93 44

HSL 25.34, 0.57%, 0.4%

LAB 46.29, 23.17, 38.88

 

CMYK 0 / 48 / 83 / 44

HEX #8F4B19

RGB 143 75 25

HSL 25.42, 0.7%, 0.33%

LAB 39.48, 25.03, 40.43

 

CMYK 0 / 31 / 53 / 17

HEX #D39264

RGB 211 146 100

HSL 24.86, 0.56%, 0.61%

LAB 66, 19.49, 34.12

 

CMYK 0 / 45 / 53 / 17

HEX #D37464

RGB 211 116 100

HSL 8.65, 0.56%, 0.61%

LAB 59.21, 35.58, 25.36

 

CMYK 0 / 53 / 53 / 17

HEX #D36464

RGB 211 100 100

HSL 0, 0.56%, 0.61%

LAB 55.97, 43.75, 21.05

 

CMYK 0 / 31 / 53 / 17

HEX #D39264

RGB 211 146 100

HSL 24.86, 0.56%, 0.61%

LAB 66, 19.49, 34.12

 

CMYK 0 / 17 / 53 / 17

HEX #D3B064

RGB 211 176 100

HSL 41.08, 0.56%, 0.61%

LAB 73.43, 3.33, 43.32

 

CMYK 0 / 2 / 53 / 17

HEX #D3CF64

RGB 211 207 100

HSL 57.84, 0.56%, 0.61%

LAB 81.51, -12.73, 52.92

 

CMYK 12 / 0 / 53 / 17

HEX #BAD364

RGB 186 211 100

HSL 73.51, 0.56%, 0.61%

LAB 80.71, -24.73, 51.51

 

CMYK 26 / 0 / 53 / 17

HEX #9CD364

RGB 156 211 100

HSL 89.73, 0.56%, 0.61%

LAB 78.8, -36.1, 48.78

 

CMYK 0 / 31 / 53 / 17

HEX #D39264

RGB 211 146 100

HSL 24.86, 0.56%, 0.61%

LAB 66, 19.49, 34.12

 

CMYK 0 / 37 / 63 / 11

HEX #E39054

RGB 227 144 84

HSL 25.17, 0.72%, 0.61%

LAB 67.22, 25.9, 44.41

 

CMYK 0 / 42 / 72 / 5

HEX #F38D44

RGB 243 141 68

HSL 25.03, 0.88%, 0.61%

LAB 68.4, 33.06, 54.1

 

CMYK 0 / 31 / 53 / 17

HEX #D39264

RGB 211 146 100

HSL 24.86, 0.56%, 0.61%

LAB 66, 19.49, 34.12

 

CMYK 0 / 24 / 41 / 24

HEX #C39574

RGB 195 149 116

HSL 25.06, 0.4%, 0.61%

LAB 65.25, 12.92, 24.09

 

CMYK 0 / 15 / 26 / 30

HEX #B39884

RGB 179 152 132

HSL 25.53, 0.24%, 0.61%

LAB 64.73, 6.91, 14.25

 

CMYK 0 / 6 / 9 / 36

HEX #A39A94

RGB 163 154 148

HSL 24, 0.08%, 0.61%

LAB 64.19, 2.21, 4.31

 

CMYK 10 / 4 / 0 / 36

HEX #939DA4

RGB 147 157 164

HSL 204.71, 0.09%, 0.61%

LAB 64.16, -2.12, -4.88

 

CMYK 0 / 53 / 46 / 17

HEX #D36471

RGB 211 100 113

HSL 352.97, 0.56%, 0.61%

LAB 56.24, 44.94, 13.84

 

CMYK 0 / 45 / 53 / 17

HEX #D37564

RGB 211 117 100

HSL 9.19, 0.56%, 0.61%

LAB 59.43, 35.05, 25.64

 

CMYK 0 / 31 / 53 / 17

HEX #D39264

RGB 211 146 100

HSL 24.86, 0.56%, 0.61%

LAB 66, 19.49, 34.12

 

CMYK 0 / 17 / 53 / 17

HEX #D3B064

RGB 211 176 100

HSL 41.08, 0.56%, 0.61%

LAB 73.43, 3.33, 43.32

 

CMYK 0 / 2 / 53 / 17

HEX #D3CE64

RGB 211 206 100

HSL 57.3, 0.56%, 0.61%

LAB 81.24, -12.23, 52.61

 

CMYK 0 / 42 / 72 / 30

HEX #B26832

RGB 178 104 50

HSL 25.31, 0.56%, 0.45%

LAB 51.38, 25.11, 42.05

 

CMYK 0 / 39 / 66 / 21

HEX #CA7C44

RGB 202 124 68

HSL 25.07, 0.56%, 0.53%

LAB 59.33, 25.31, 42.64

 

CMYK 0 / 31 / 53 / 17

HEX #D39264

RGB 211 146 100

HSL 24.86, 0.56%, 0.61%

LAB 66, 19.49, 34.12

 

CMYK 0 / 23 / 40 / 14

HEX #DCA984

RGB 220 169 132

HSL 25.23, 0.56%, 0.69%

LAB 73.06, 13.92, 26.31

 

CMYK 0 / 17 / 28 / 10

HEX #E5BFA4

RGB 229 191 164

HSL 24.92, 0.56%, 0.77%

LAB 79.95, 9.64, 18.69

 

CMYK 0 / 30 / 52 / 17

HEX #D39365

RGB 211 147 101

HSL 25.09, 0.56%, 0.61%

LAB 66.26, 19.04, 33.91

 

CMYK 32 / 0 / 53 / 17

HEX #8FD364

RGB 143 211 100

HSL 96.76, 0.56%, 0.61%

LAB 78.08, -40.69, 47.75

 

CMYK 52 / 53 / 0 / 17

HEX #6664D3

RGB 102 100 211

HSL 241.08, 0.56%, 0.61%

LAB 47.81, 31.01, -57.25

 

CMYK 0 / 30 / 52 / 17

HEX #D39365

RGB 211 147 101

HSL 25.09, 0.56%, 0.61%

LAB 66.26, 19.04, 33.91

 

CMYK 53 / 0 / 31 / 17

HEX #64D392

RGB 100 211 146

HSL 144.86, 0.56%, 0.61%

LAB 76.9, -46.43, 22.74

 

CMYK 31 / 53 / 0 / 17

HEX #9264D3

RGB 146 100 211

HSL 264.86, 0.56%, 0.61%

LAB 51.76, 41.31, -50.7

 

CMYK 0 / 30 / 52 / 17

HEX #D39365

RGB 211 147 101

HSL 25.09, 0.56%, 0.61%

LAB 66.26, 19.04, 33.91

 

CMYK 32 / 0 / 53 / 17

HEX #8FD364

RGB 143 211 100

HSL 96.76, 0.56%, 0.61%

LAB 78.08, -40.69, 47.75

 

CMYK 53 / 22 / 0 / 17

HEX #64A5D3

RGB 100 165 211

HSL 204.86, 0.56%, 0.61%

LAB 65.22, -7.88, -29.78

 

CMYK 20 / 53 / 0 / 17

HEX #A964D3

RGB 169 100 211

HSL 277.3, 0.56%, 0.61%

LAB 54.29, 47.28, -46.51

 

CMYK 0 / 30 / 52 / 17

HEX #D39365

RGB 211 147 101

HSL 25.09, 0.56%, 0.61%

LAB 66.26, 19.04, 33.91

 

CMYK 48 / 0 / 53 / 17

HEX #6DD364

RGB 109 211 100

HSL 115.14, 0.56%, 0.61%

LAB 76.53, -51.37, 45.52

 

CMYK 53 / 22 / 0 / 17

HEX #64A5D3

RGB 100 165 211

HSL 204.86, 0.56%, 0.61%

LAB 65.22, -7.88, -29.78

 

CMYK 4 / 53 / 0 / 17

HEX #CA64D3

RGB 202 100 211

HSL 295.14, 0.56%, 0.61%

LAB 58.39, 56.13, -39.78

 

Description

Color code: HEX #D39365 | qconv.com Color code: HEX #D39365 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 147 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 147 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 52 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 52% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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