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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D38D36 it is the complementary color #2C72C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D38D36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D38D36 shade: #D88D31, #E99F44, #FAB157, #FFC36A and #FFD57D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D38D36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D38D36 shade: #D38D36, #C27B23, #B16910, #A05700 and #8F4500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D38D36 shade: #D38D36, #D36336, #D33936 and #D33636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D38D36 shade: #D38D36, #D3B736, #C4D336, #9AD336 and #70D336

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D38D36 shade matches the following richer shades: #D38D36, #E78F22 and #FB910F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D38D36 shade: #D38D36, #BF8B4A, #AB895E, #988772 and #848585

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D38D36 shade: #D33936, #D36336, #D38C36, #D3B636 and #C6D336

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D38D36 shade: #966221, #B87828, #D38D36, #DAA058 and #E2B37A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D38D36 shade: #D38D36, #5DD336 and #4E36D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D38D36 shade: #D38D36, #36D38C and #8C36D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D38D36 shade: #D38D36, #5DD336, #367DD3 and #AC36D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D38D36 shade: #D38D36, #36D33E, #367DD3 and #D336CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 74 / 17

HEX #D38D36

RGB 211 141 54

HSL 33.25, 0.64%, 0.52%

LAB 64.29, 19.17, 54.89

 

Complementary color

CMYK 78 / 43 / 0 / 21

HEX #2C72C9

RGB 44 114 201

HSL 213.25, 0.64%, 0.48%

LAB 47.99, 9.16, -51.4

 

CMYK 0 / 35 / 77 / 15

HEX #D88D31

RGB 216 141 49

HSL 33.05, 0.68%, 0.52%

LAB 64.86, 21.09, 57.72

 

CMYK 0 / 32 / 71 / 9

HEX #E99F44

RGB 233 159 68

HSL 33.09, 0.79%, 0.59%

LAB 71.24, 19.48, 56.7

 

CMYK 0 / 29 / 65 / 2

HEX #FAB157

RGB 250 177 87

HSL 33.13, 0.94%, 0.66%

LAB 77.55, 18.07, 55.44

 

CMYK 0 / 24 / 58 / 0

HEX #FFC36A

RGB 255 195 106

HSL 35.84, 1%, 0.71%

LAB 82.56, 11.96, 52.33

 

CMYK 0 / 16 / 51 / 0

HEX #FFD57D

RGB 255 213 125

HSL 40.62, 1%, 0.75%

LAB 87.16, 4.15, 48.66

 

CMYK 0 / 33 / 74 / 17

HEX #D38D36

RGB 211 141 54

HSL 33.25, 0.64%, 0.52%

LAB 64.29, 19.17, 54.89

 

CMYK 0 / 37 / 82 / 24

HEX #C27B23

RGB 194 123 35

HSL 33.21, 0.69%, 0.45%

LAB 57.81, 20.92, 55.63

 

CMYK 0 / 41 / 91 / 31

HEX #B16910

RGB 177 105 16

HSL 33.17, 0.83%, 0.38%

LAB 51.25, 22.94, 55.38

 

CMYK 0 / 46 / 100 / 37

HEX #A05700

RGB 160 87 0

HSL 32.63, 1%, 0.31%

LAB 44.65, 25.22, 53.48

 

CMYK 0 / 52 / 100 / 44

HEX #8F4500

RGB 143 69 0

HSL 28.95, 1%, 0.28%

LAB 38.01, 27.77, 48.14

 

CMYK 0 / 33 / 74 / 17

HEX #D38D36

RGB 211 141 54

HSL 33.25, 0.64%, 0.52%

LAB 64.29, 19.17, 54.89

 

CMYK 0 / 53 / 74 / 17

HEX #D36336

RGB 211 99 54

HSL 17.2, 0.64%, 0.52%

LAB 55.11, 41.29, 45.45

 

CMYK 0 / 73 / 74 / 17

HEX #D33936

RGB 211 57 54

HSL 1.15, 0.64%, 0.52%

LAB 48.31, 59.37, 38.08

 

CMYK 0 / 74 / 74 / 17

HEX #D33636

RGB 211 54 54

HSL 0, 0.64%, 0.52%

LAB 47.95, 60.38, 37.68

 

CMYK 0 / 33 / 74 / 17

HEX #D38D36

RGB 211 141 54

HSL 33.25, 0.64%, 0.52%

LAB 64.29, 19.17, 54.89

 

CMYK 0 / 13 / 74 / 17

HEX #D3B736

RGB 211 183 54

HSL 49.3, 0.64%, 0.52%

LAB 74.81, -3.3, 65.13

 

CMYK 7 / 0 / 74 / 17

HEX #C4D336

RGB 196 211 54

HSL 65.73, 0.64%, 0.52%

LAB 81.07, -23.77, 70.58

 

CMYK 27 / 0 / 74 / 17

HEX #9AD336

RGB 154 211 54

HSL 81.78, 0.64%, 0.52%

LAB 78.3, -40.45, 66.98

 

CMYK 47 / 0 / 74 / 17

HEX #70D336

RGB 112 211 54

HSL 97.83, 0.64%, 0.52%

LAB 76.25, -54.8, 64.29

 

CMYK 0 / 33 / 74 / 17

HEX #D38D36

RGB 211 141 54

HSL 33.25, 0.64%, 0.52%

LAB 64.29, 19.17, 54.89

 

CMYK 0 / 38 / 85 / 9

HEX #E78F22

RGB 231 143 34

HSL 33.2, 0.8%, 0.52%

LAB 67.09, 25.89, 65.75

 

CMYK 0 / 42 / 94 / 2

HEX #FB910F

RGB 251 145 15

HSL 33.05, 0.97%, 0.52%

LAB 70.03, 32.79, 73.55

 

CMYK 0 / 33 / 74 / 17

HEX #D38D36

RGB 211 141 54

HSL 33.25, 0.64%, 0.52%

LAB 64.29, 19.17, 54.89

 

CMYK 0 / 27 / 61 / 25

HEX #BF8B4A

RGB 191 139 74

HSL 33.33, 0.48%, 0.52%

LAB 61.69, 12.82, 41.96

 

CMYK 0 / 20 / 45 / 33

HEX #AB895E

RGB 171 137 94

HSL 33.51, 0.31%, 0.52%

LAB 59.3, 7.16, 27.92

 

CMYK 0 / 11 / 25 / 40

HEX #988772

RGB 152 135 114

HSL 33.16, 0.16%, 0.52%

LAB 57.29, 2.96, 13.65

 

CMYK 1 / 0 / 0 / 48

HEX #848585

RGB 132 133 133

HSL 180, 0%, 0.52%

LAB 55.46, -0.37, -0.14

 

CMYK 0 / 73 / 74 / 17

HEX #D33936

RGB 211 57 54

HSL 1.15, 0.64%, 0.52%

LAB 48.31, 59.37, 38.08

 

CMYK 0 / 53 / 74 / 17

HEX #D36336

RGB 211 99 54

HSL 17.2, 0.64%, 0.52%

LAB 55.11, 41.29, 45.45

 

CMYK 0 / 34 / 74 / 17

HEX #D38C36

RGB 211 140 54

HSL 32.87, 0.64%, 0.52%

LAB 64.06, 19.71, 54.65

 

CMYK 0 / 14 / 74 / 17

HEX #D3B636

RGB 211 182 54

HSL 48.92, 0.64%, 0.52%

LAB 74.55, -2.77, 64.88

 

CMYK 6 / 0 / 74 / 17

HEX #C6D336

RGB 198 211 54

HSL 64.97, 0.64%, 0.52%

LAB 81.21, -22.95, 70.77

 

CMYK 0 / 35 / 78 / 41

HEX #966221

RGB 150 98 33

HSL 33.33, 0.64%, 0.36%

LAB 46.08, 15.33, 43.51

 

CMYK 0 / 35 / 78 / 28

HEX #B87828

RGB 184 120 40

HSL 33.33, 0.64%, 0.44%

LAB 55.86, 18.39, 51.43

 

CMYK 0 / 33 / 74 / 17

HEX #D38D36

RGB 211 141 54

HSL 33.25, 0.64%, 0.52%

LAB 64.29, 19.17, 54.89

 

CMYK 0 / 27 / 60 / 15

HEX #DAA058

RGB 218 160 88

HSL 33.23, 0.64%, 0.6%

LAB 70, 13.87, 45.4

 

CMYK 0 / 21 / 46 / 11

HEX #E2B37A

RGB 226 179 122

HSL 32.88, 0.64%, 0.68%

LAB 75.96, 9.93, 35.52

 

CMYK 0 / 33 / 74 / 17

HEX #D38D36

RGB 211 141 54

HSL 33.25, 0.64%, 0.52%

LAB 64.29, 19.17, 54.89

 

CMYK 56 / 0 / 74 / 17

HEX #5DD336

RGB 93 211 54

HSL 105.1, 0.64%, 0.52%

LAB 75.56, -60.11, 63.38

 

CMYK 63 / 74 / 0 / 17

HEX #4E36D3

RGB 78 54 211

HSL 249.17, 0.64%, 0.52%

LAB 35.91, 53.58, -76.72

 

CMYK 0 / 33 / 74 / 17

HEX #D38D36

RGB 211 141 54

HSL 33.25, 0.64%, 0.52%

LAB 64.29, 19.17, 54.89

 

CMYK 74 / 0 / 34 / 17

HEX #36D38C

RGB 54 211 140

HSL 152.87, 0.64%, 0.52%

LAB 75.62, -56.18, 23.94

 

CMYK 34 / 74 / 0 / 17

HEX #8C36D3

RGB 140 54 211

HSL 272.87, 0.64%, 0.52%

LAB 42.64, 62.81, -65.44

 

CMYK 0 / 33 / 74 / 17

HEX #D38D36

RGB 211 141 54

HSL 33.25, 0.64%, 0.52%

LAB 64.29, 19.17, 54.89

 

CMYK 56 / 0 / 74 / 17

HEX #5DD336

RGB 93 211 54

HSL 105.1, 0.64%, 0.52%

LAB 75.56, -60.11, 63.38

 

CMYK 74 / 41 / 0 / 17

HEX #367DD3

RGB 54 125 211

HSL 212.87, 0.64%, 0.52%

LAB 52.01, 7.25, -50.65

 

CMYK 18 / 74 / 0 / 17

HEX #AC36D3

RGB 172 54 211

HSL 285.1, 0.64%, 0.52%

LAB 47.12, 68.7, -57.96

 

CMYK 0 / 33 / 74 / 17

HEX #D38D36

RGB 211 141 54

HSL 33.25, 0.64%, 0.52%

LAB 64.29, 19.17, 54.89

 

CMYK 74 / 0 / 71 / 17

HEX #36D33E

RGB 54 211 62

HSL 123.06, 0.64%, 0.52%

LAB 74.65, -67.47, 59.31

 

CMYK 74 / 41 / 0 / 17

HEX #367DD3

RGB 54 125 211

HSL 212.87, 0.64%, 0.52%

LAB 52.01, 7.25, -50.65

 

CMYK 0 / 74 / 4 / 17

HEX #D336CB

RGB 211 54 203

HSL 303.06, 0.64%, 0.52%

LAB 52.73, 75.18, -44.06

 

Description

Color code: HEX #D38D36 | qconv.com Color code: HEX #D38D36 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 141 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 141 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 74 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 74% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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